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bravadoseries · 4 years

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I'm a little confused about what the movies/tv shows timeline would look like for the series, could you clarify?

So, pre-Avengers I think Audrey makes a variety of cameo roles. She’s in the Iron Man films briefly, she’s featured in an epilogue of Captain America: The First Avenger, I know this technically isn’t first but she plays a minor role in Captain Marvel. Generally, she’s just kind of present in a lot of the movies before she becomes a lead.

The way I structured this list is so that each movie that’s canon is just listed with its corresponding fic, but all the ones I’m making up have a little summary too lol. Spoilers below so beware of that. I hope this helps!

2012

The Avengers (May 2012) – covered by Monachopsis

Cross-Country (July 2012) – this one would look like the oneshots/shorts that Marvel used to make about its side characters, but it covers Steve’s birthday and the road trip that Steve and Audrey take cross-country

Lady Liberty: Legacy (September 2012) – this covers the arc of Nodus Tollens that I just finished, which is about Audrey’s mission in Europe, DIVUS, Delphine, etc.

The Tower – Season 1 (October-December 2012) – This show focuses on the found family aspect of the Avengers and is like a dramedy. In my head, I picture it as being filmed as a mockumentary with little talking heads because I like those and I think it suits the format well. Content wise, I feel like it airs on ABC. Takes place from October 2012-December 2012, runs for 8 episodes.

2013

Black Widow: Opus (January 2013) – Covers the Siege of Chicago, another arc I write about in Nodus Tollens. Explores Natasha’s backstory with ballet and kind of has Black Swan meets Atomic Blonde vibes. Set in January 2013

The Tower – Season 2 (June-August 2013) – Picks up where its predecessor left off and runs for another 8 episodes. It also corresponds to Nodus Tollens and builds/develops Audrey’s relationship with Bruce as well as Steve’s relationship with Darcy

Thor: The Dark World (2013) – Set November 2013, also corresponds to Nodus Tollens lol (this book is long)

2014

Agent 13 (February 2014) – Marvel oneshot about Sharon Carter, Audrey, and the transfer to DC, as well as Peggy’s legacy with SHIELD

Captain America: The Winter Soldier(April 2014) – corresponds to

Hawkeye(s) – (May-August 2014) – Kate Bishop and Clint Barton work cases in Los Angeles, where they meet America Chavez and other members of the Young Avengers. I’m not totally sure if I’m gonna write this or not, but basically it corresponds to Matt Fraction’s Hawkeye comics. This one is an action-comedy, like if Community met Veronica Mars

The Falcon – Season 1 (October-December 2014) – Okay I’m just a little Sam Wilson stannie but I feel like they should have done more with him, so this series focuses on him primarily, but features Steve, Audrey, and Natasha as side characters. They’re looking for Bucky, but it’s also about him living in the tower and falling in love with Olivia Perales. This corresponds to a spinoff oneshot (probably 10-15k words long) called Fear of Flying. It airs on Netflix and receives rave reviews for its bingeability. The tone is comparable to Scandal or other Shonda Rhimes dramas.

2015

Agent Carter – Season 1 (January-March 2015)– this is what it is and it corresponds to Midsummer, which is just a series of oneshots about Audrey growing upu

Avengers: Age of Ultron (May 2015) – Corresponds to Aurora

Quicksilver & the Scarlet Witch (released June 2015) – set throughout 2015; about Pietro and Wanda’s adjustments to their new lives as Avengers. They’re both like 19? 20? This is written like a sitcom, kind of like what they’re doing with WandaVisionbut without Paul Bettany bc I hate that little man….anyway this technically takes place at the same time as Elysian but tonally they’re very different because Elysian is about Audrey going crazy and grieving Bruce’s “death” but the show is about the twins and their relationships with each other and an assortment of other employees from the base, who aren’t superheroes but are like medics, etc. I think the tone is like Scrubs

2016

Agent Carter – Season 2 (January-March 2016) – same as the above; about Peggy’s life in LA kicking ass and her romance with Sousa

Captain America: Civil War (April 2016) – this corresponds to Allegiance, while also unpacking unfinished business from Lady Liberty: Legacy and Captain America: The Winter Soldier

The Falcon – Season 2 (September 2016) – this is about Sam, Bucky, Steve, Nat, Pietro, and Wanda’s life on the run, but it especially focuses on Sam and his own missions/the villains targeting him. Tonally, still Shonda Rhimes.

2017

Lady Liberty and the Angels of Mercy (February 2016) – Marvel’s second R-rated film, but the MCU’s first. Think about it like Birds of Prey in terms of general vibes. Set immediately after Civil War and features an epilogue that connects Audrey to Thor: Ragnarok. The story is set in Los Vegas. Corresponds to Eternity, which is even longer than Nodus Tollens

Defenders – Season 1 – features overlap with some of the characters from Angels of Mercy as well as Annie Esposito, a mob princess of New York. Corresponds to Pernox

Thor: Ragnarok (November 2017) – Happens as it does, except for the part where Audrey has a short-lived romance with Loki and the part where Audrey and Thor realize that they are connected in their powers. Considering including Lindsey Dubois in this just so I can have a romance play out between her and Valkyrie (Janelle and Tessa 4ever…) but also, I might not. Corresponds to Eternity

2018

Avengers: Infinity War (April 2018) – So yeah they fight Thanos, etc. I’m changing the way Thanos is portrayed though bc I could not get over how he looks like a thumb long enough to actually feel afraid of him so this time he’s played by John Hamm and he’s a lot more well-connected than we all thought he was. Also, the children of Thanos are actually all children because um I think that ups the creep factor some more. Corresponds to Eternity as well

The Real Hawkeye (October 2018) – Kate Bishop and America Chavez fighting crime. After the snap, there’s a spike in crime against vulnerable people who have lost their caretakers. Might be set in a cult that actually worships Thanos? And promises that it’s all a very good thing, what’s happened? Very much a noir, might even be in black and white a la The Lighthouse.

2019

Lady Liberty: Resurrection (January 2019) – Audrey wakes up on the other side of the universe after being kidnapped and decides to make her way home. Featuring Carol Danvers, Loki, Nebula, and Valkyrie. Corresponds to Eternity and kind of feels like Star Wars/GotG

Avengers: Endgame (April 2019) – Does not happen as it was written, because it was written like trash, but the same stuff needs to happen. They fight, they win, etc. Corresponds to Eternity.

2020

Black Widow: The Long Thread (whenever covid ends 2020) - just the existing Black Widow movie lol

2021

Avengers Academy – Set 20 years in the future, Avengers Academy is a TV show that follows the next generation of heroes. Kind of soapy, kind of witty. Like if Riverdale was good. Driven by an ensemble cast: Margo Banner (Bruce & Audrey’s daughter), Anastasia Barton-Romanoff (Natasha and Clint’s daughter), Morgan and Leo (Tony and Pepper’s kids), and some others I have not invented yet.

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gch1995 · 5 years

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The Big Problems With OUAT’s Writing:

My favorite characters were Rumple, Belle, Emma, and Nealfire. Once Nealfire got killed off though, their characterizations and their relationships, as well as everyone else’s thereafter, went to total shit in canon. Adam and Eddy obviously couldn’t come up with any more than two-and-a-half seasons of organic or satisfying character growth for the original main cast, and it should have ended in 3x11, in my opinion. I’m pretty sure that Damon Lindlelof helped them out with the writing a lot for the first two-and-a-half seasons, which is why the story is at least coherent enough to be enjoyable up to 3x11.

But after 3A, Lindlelof’s plans for the show were butchered, Kitsowitz completely took over the show with Captain Fuckboy, PLOT, and making money their main focuses, so they kept it on air for the next four-and-a-half seasons not knowing what else to do now that they had run out of new story. Thus, it got to the point where it essentially devolved into such badly written crack!fic soap opera on screen by the end of 5A where the writing for everyone’s characterization had become so unbelievably OOC, annoyingly self-contradictory, changeable, hypocritical, illogical, melodramatically problematic, and toxic in favor of the PLOT that I had to quit to preserve my sanity.

I enjoyed reading Rumbelle fanfic moreso than the actual show because it made sense and felt more satisfying, well-written, in-character, and entertaining than the nonsensical toxic garbage the show had devolved into.

After 5A, Eddy Kitsis said in an interview that he thought “good storytelling” was making sure the audience goes “WTF? This makes absolutely no sense! This isn’t fair! This totally contradicts everything that I was shown before, and feels too stupid, too contrived, and too OOC to even believe possible.”

It wasn’t worth getting emotionally or mentally invested in this show or any of the remaining characters as written in canon anymore post 3A because A&E and these writers formula kept becoming more and more of “We’re doing our jobs if we can trick our audience after deliberately teasing them by dangling the carrot of organic growth of character that we’re too lazy to follow through on by yanking it away from them as soon as they start making logical predictions abruptly, cruelly and inorganically with constant twist of ’HOLY SHIT, CAN YOU BELIEVE THAT JUST HAPPENED?”

When Eddy basically said that at the end of 5A, I realized I was done with having any hope for this show, and I decided to finally quit watching after 5B because I knew every time something started to seem to make sense and go in a direction of organic growth for the characters, A&E and these writers would deliberately pull the rug out from under them and their audience for trying to get invested in them with some inorganic contrivance that ruined everything in an unfair way that made no sense and never would make any sense in canon from what we were led to believe would happen beforehand on this show by them because that was the whole point: A&E and these writers so often didn’t want you to make sense of their show because they were lazy hacks who didn’t know how to write a cohesive plot or organic character growth/realistic characterization after 3A.

They admitted that they liked whiplashing their audience for using common sense and logic in regards to fans whenever the story and the characters would seem to be potentially headed in a way that would make sense. They considered that “genuis” storytelling with their overinflated egos, rather than just very cruel, mean, lazy, and low bad writing that ultimately destroyed most of their main characters’ credibility and their fans willingness to stay emotionally invested in their canon show that the creators/writers refused to let unfold organically in a way that made consistent sense long term.

Instead, they used a constant series of contrived magical macguffins and twists of “WTF just happened? This makes no damned sense from what was just previously established on screen, and does not at all relate to it! This is unbelievably absurd! The characters would never do or say this shit in real life!”

It destroyed the credibility of most of their characters’ in canon and their fans willingness to stay emotionally invested in their show, and it was insulting, especially when you had showrunners like Eddy Kitsis admitting to the fans “As always with this show, once the audience gets onto what we’re doing, we have to change it.”

When they said “We hope things will be ‘fun’” for the character assassinating, wildly OOC, nonsensical, and melodramatic garbage writing of 6A for Rumbelle with the Morfetus bs twist or in 5A of the Dark Swan arc, they didn’t mean that we would necessarily be legitimately entertained as an audience when they threw in a character destroying inorganic magical contrivance or bizarre twist out of nowhere that forced the characters into weird directions that made no sense from what had been previously established.

Adam and Eddy meant that they would be having fun pissing those of us in their audience off by insulting our intelligence and common sense by constantly giving us inorganic contrivance of OOC characterizations, magical macguffins, and bizarre PLOT twists and contrivances that didn’t consistently, logically, and thus satisfyingly add up with what had been previously established, rather than entertaining us with organic character growth that made satisfactory sense by letting our predictions for characters come true in their sheer laziness to slow down and write organic character development.

There were even hints of this problem before 3B-S7 that I was seeing potential for in 2B. OUAT could have gone strong for longer than two to three ish seasons if A&E and these writers had slowed down from 2B, not gotten obsessed with Hook, not gone to Neverland, and not gotten so obsessed with the next big, bizarre, and contrived magical PLOT twist or macguffin that, oftentimes inorganically forced their characters to 180 regress in ways that made no sense for moments of “HOLY SHIT! WTF JUST HAPPENED?”

I have no problem with characters regressing when it’s done organically, slowly, relatably, and realistically. The problem with OUAT was that they used inorganic contrivances to push them back-and-forth between increasingly bizarre extremes that made no sense, rather than focusing on human or realistic motivations to get them from point A to point C organically. It felt fake, and it felt forced. I know it was fiction, but it felt like lazily badly written fiction when the characters swung back-and-forth by the writers playing God with them on the strings of their asinine PLOT twists inorganically.

It had gotten beyond exhausting trying to invest in a show run by petty hacks who were never going to allow their audience’s common sense and intelligence lead them through an organic path of growth for these characters with the writers dangling the carrot in front of them for a story that actually could make sense, and then abruptly, cruelly, and inorganically yanking it away from them with an absurd twist because they were too lazy to come up with any more ideas for organic character growth after 3A.

Let’s talk about Hook and CS becoming such a main focus on this show, and the romantic male lead/couple.” It’s not that Hook couldn’t have been organically developed into a sympathetic character worthy of redemption in his own right. A&E couldn’t write that, though. He also didn’t fit together with the ensemble main cast in the place of Nealfire as Emma’s main love interest. He and Emma had absolutely no chemistry. Hook’s sudden interest in her was bizarre and creepy.

Then, they killed off Nealfire through absurd means for Hook to take his place in the picture where he didn’t fit in the family circle, so they could have CS. They broke their own rules to bring Rumple back from the dead to turn him into the wildly OOC on-and-off-again “big bad” scapegoat cartoonish villain PLOT twister “foil” to Hook, even after having been given two-and-a-half seasons of the most well-written and well-earned sympathetic reforming anti-villain/tragic hero backstory and redemption arc from S1-3A. They destroyed Emma’s, Belle’s, Snow’s, David’s, and even Henry’s original sympathetic characterizations by obliterating their self-respect, intelligence, self-awareness, and moral integrity, so that they could inorganically force this bullshit narrative of Hook/CS being the “best hero” ever in a world of now meaningless, shallow, and simplistic black versus white hypocritical morality that Nealfire and the common goal of family balanced out with a sense of realism, common sense, organic growth and emotional depth that got lost with his death in favor of contradictory character destroying magical PLOT-twist driven Drama™️ soap opera “hero versus villain” fuckery and Hook/CS.

No wonder they lost more and more viewers as every season passed...Getting emotionally invested was no fun when the writers deliberately pulled the rug out from underneath your favorite characters whenever things started to seem making sense by totally ruining it with some bizarre magical contrivance or characterization that doesn’t add up to what we were shown before, and your logical predictions for stories that made organic and consistent sense for character growth were mocked by these writers because they refused to slow down and develop the characters after S1-3A. You were punished for being smart and using common sense, and that’s why most of these main characters’ credibility and integrity got completely destroyed in one way or another by this very lazy, petty and unfair bad writing technique of theirs that made them mostly feel like pod!people after just the first two-and-a-half seasons of the series.

tldr; You could only suspend your disbelief by turning off your brain to disregard the bullshit writing choices on OUAT and just blindly enjoy the show by getting invested in the characters for so long as written in canon without asking any questions before the writing became too infuriatingly repetitive, too contrived, too OOC, too character assassinating, and too stupid to believe. Also, Captain Fuckboy ruined the show after 3A, and he should have died and stayed dead back in early S2. It could have been different if A&E were good writers who could come up with organic character growth, and not shoehorned him in as Emma’s love interest in a way that ruined the whole show’s dynamic and sense of emotional depth by replacing Nealfire with him.

Nealfire’s death was the metaphorical death of the show’s canon, though. My personal headcanon was that the real show ended with “Going Home” (3x11) because that’s the last time there was any sort of compelling, consistent, organic, realistic, or relatable characterization or growth. After that, it all went to hell (literally), and I had to finally quit watching after S5 to preserve my sanity before anything got any worse, and on this show, it only would because A&E and these writers never learned.

A&E didn’t trust or respect their audience, so after awhile it felt like why should I respect their shitshow’s canon if it doesn’t make any consistent or well-developed sense, and they don’t care that it doesn’t themselves anymore either?

#anti ouat #anti kitsowitz #anti ouat writers #anti ouat 3b s7 #anti hook #anti cs #rumplestiltskin #belle #nealfire #emma swan #swanfire #rumbelle #snow white/mary margaret #prince david/david nolan #snowing #henry mills #I think trying to watch this show after 3A started eating away my brain cells with its sheer ridiculousness!#Mindfucking your audience with bizarre and stupid ass contrived twists is NOT good storytelling!#You don’t punish your audience by changing the plot out of nowhere just because your audience uses logic to predict where it could go #because your fragile egos and lazy asses are too lazy to write organic character development #since you’d have to slow down and do something NEW then instead of recycling the same old storyline by going back to the status quo #and fans would recognize that your creator pets/self-insert ship suck anyway #You don’t outright destroy sideline and/or kill off other characters/ships because they could be competition #for the characters/ships YOU want your general audience to like as a creator/writer of a work of fiction #because you’re too fucking lazy to actually organically develop Hook as a likable individual character!#That’s so fucking petty and unprofessional!#I’m NEVER going to watch another movie or show with A&E’s or ANY of these writers names attached to it EVER AGAIN!#I’m so bitter about how much they abused and misused their main characters for PLOT fuckery and Hook/CS ESPECIALLY the Goldstiltskin family #I’m pretty certain Lindlelof outlined most of S1-3A for them. It’s probably why 3B-S7 feels so ooc cheesy shallow repetitive and stupid

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pocket-anon · 7 years

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10 Questions Every Fic Writer Secretly Wants to be Asked

After answering these questions for A Fairytale Beginning, @kmomof4 rewarded me by prompting me to answer these same questions for The Long Way Home. She’s too nice to me, you guys. Here we go! As with the other post, spoilers abound.

1. Of the fics you’ve written, which is your favorite and why?

See my previous answer.

2. Which scene was your favorite to write in The Long Way Home?

Definitely the scene where Killian realizes he’s in love with Emma while staring up at the stars. I just love the visual and all the delicious angst of that moment. Killian being flummoxed by Emma’s first climb up the mast comes in a close second.

3. Which part of The Long Way Home was hardest to write?

The hurricane scene was probably the hardest to write simply because it involved so much research into how a square-rigged vessel could try to survive a storm and I had to try to describe it using enough jargon to be realistic and yet not so much that readers would be overwhelmed. That’s a difficult line to walk. You can get away with a TON of jargon in the movies/TV (pay attention the next time you watch Pirates of the Caribbean; I checked a transcript of one of the battle scenes for inspiration, and I barely understood anything), but it’s harder to get away with the same level of jargon in fic because readers are less likely to just shrug it off.

4. If you could change anything in The Long Way Home, what would it be?

Mmph. This is a hard question to answer about a fic I just finished. I probably would have made the story longer - thrown in another incident/adventure or just thrown in more fluff. One of the most common comments I got from readers was that they didn’t want the story to end (goodness, you people are so sweet). If I hadn’t been limited by the CSBB deadline and if I’d known how much people would enjoy this story, that’s probably what would have happened.

ADDENDUM: In retrospect, I should also have made what was supposed to be emotional context for Killian’s vigil for Emma a little less subtle. I had him mention how his mother died in order to give people some insight into how much more torturous it must have been for him to wait for Emma to wake up. I’m pretty sure zero people picked up on this. LOL. I really should have included a line of dialogue about it. :p

5. Did you make an outline for The Long Way Home? Did you stick to it?

Yes, and yes (mostly), though the outline it was very general and many scenes that ultimately ended up in the fic were not plotted out ahead of time (eg, Emma’s scene in the tavern attic, Emma and Killian’s entire day in the Southern Isles, the whale watching, Emma pulling away from Killian after realizing she’s in love with him, etc.). A lot of those scenes got thrown in later after writing the pre-planned scenes; this fic was unique for me in that it was not written linearly - I had holes to patch all over the place for a while! It was a mess.

The order of the events also changed. Originally I had the hurricane happening immediately before the encounter with the slavers; ie, they meet the slave ship after Emma saves the Jolly and Killian declares his feelings for her but before their TLK. Reordering those events was probably the biggest deviation from the original outline (and SUPER frustrating, because I had to ditch several days’ worth of words making that transition).

6. Which scenes did you cut, and which were added in The Long Way Home?

The only scene that got cut was related to the reordering of events mentioned above. It was a scene where Emma waits for Killian to come back from the slave ship and worries she won’t be able to be the princess Misthaven needs without her memories or her control of her magic. She tries to do more magic and gets frustrated when she can’t, and when Killian returns, he encourages her and that conversation ultimately results in the TLK.

As for scenes that were added, there were a ton. See my answer to #5 for examples.

7. Who was your favorite character to write in The Long Way Home?

Killian - he’s usually my favorite to write, and this fic is largely (in my mind) about his transformation from Captain Hook back to Killian Jones; it’s more about him finding his home than about Emma finding hers. Writing a lot of the ensemble cast (Maggie, Roberts, Smee, and Charming) was also a blast, though!

8. Which came first, the title or the fic?

The fic always comes first for me. I had a short list of candidate titles but didn’t settle on one until I was getting ready to email the fic in for the final CSBB check-in, LOL.

9. Which idea came to you first in The Long Way Home?

I actually started this fic two years ago, back before I’d joined the fandom (before I was even aware of the fandom), when I was just writing for personal pleasure. I came up with this Captain Duckling AU (I didn’t even know the fic terminology back then) involving Princess Emma under a memory curse and Killian kind of Sherlock Holmes’ing his way to discovering her identity. That concept and Emma’s encounter with Blackbeard were basically all I started with; I had no idea where it was going at the time, and I certainly never intended for it to become a complete story that other people would read!

10. What are some facts readers may not know about The Long Way Home?

- I didn’t actually intend for this fic to be an Anastasia AU, but one of the CSBB mods labeled it as such after reading the plot, and it just stuck.

- This was by far the most frustrating fic I’ve written to-date in the sense that the nature of the CSBB made me as obsessed with word count as anything else. It was also difficult for me to only have the feedback of a handful of people to go on during the process - I had so much anxiety about whether this story was any good and whether I could pull it off the way I wanted. Still, this fic would probably not have happened at all without the CSBB, and I’m very glad to have participated!

- My CSBB artists @giraffes-ride-swordfishes and @waiting-for-autumn helped me design all of Emma’s non-canon wardrobe for this fic.

- Topics I researched for this fic include historical pirating and aspects of that lifestyle, 18th century ships/sailing/navigation, 18th century clothing, 18th century soap recipes, the average size/speed of hurricanes, and swords (types, parts, sword fighting techniques, care, etc.). My Pinterest boards for my fics always include research references as well as visual inspiration; the board for this fic has 175 pins.

- The number of pictures of the Jolly Roger/Lady Washington I saved for reference - OMG.

- Killian’s line about the Dread Pirate Roberts is an obvious homage to The Princess Bride, which, in addition to being part of the inspiration for Hook’s character on the show, is one of my favorite movies. The Jolly’s quartermaster is always named Roberts in my fics (see also A Fairytale Beginning) in honor of the movie.

- Killian and Emma’s dancing was largely inspired by Rose and Jack’s dancing in Titanic and Rapunzel and Flynn/Eugene’s dancing in Tangled.

- The cut on Killian’s cheek is a reference to Colin O’Donoghue’s scar.

- For any medical-types out there, Alec suffered from a wound infection which progressed to sepsis and was complicated by disseminated intravascular coagulation, pulmonary embolism, and delirium.

- Emma’s thoughts on Liam’s ring came from a mini-crisis I had trying to figure out what color the stone was on OUAT. I posted about it at the time to try to find group consensus. Ultimately, we did find proof that the stone is actually red, and this sappy little metaphor about it being like Killian’s heart popped into my head, and there you go.

- I thought about putting Emma in the silver princess dress from canon for the wedding, but I’d already used this dress in A Fairytale Beginning, so I nixed the idea. I tried coming up with a custom design, but ultimately I went with an existing dress I found while looking for inspiration. It’s the dress I used to Photoshop this picture. I wanted feathers on the dress both because Emma was nicknamed “Swan” and because Snow also had feathers on her wedding dress.

There you are. Much more than any of you ever wanted to know, I’m sure. Thanks to those of you who made it to the end (of the fic and this post), haha! You guys are the best.

#my writing #the long way home

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teamhook · 10 months

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Captain Swan Event

Hello, CS crew!! I come today with an event idea that has been tossed around in the discord server I run. (originally used for a different event >> CSMM) Okay, the new event (Captain Swan Co-Storytellers Collaboration) would consist of groups of 3-4 people working together to write a captain swan story. This is not a one person writes one part and passes on the document and so on until it reaches its end. No, this would be the ultimate team effort in an ensemble of amazing writers! Of course there are details to be ironed out but I wanted to know if anyone here was interested to join. I will share the form to get an idea of who is interested and for a way to contact anyone that wants to join in on the fun. As soon as I can I will reach out to you.

ENSEMBLE FORM

Gonna tag some people I know and I'm sorry if I don't tag everyone. If possible reblog. Thank you lovelies!

@allons-y-to-hogwarts-713 @andiirivera @anothersworld @apiratewhopines @artistic-writer @batana54 @beckettj @bethacaciakay @bixisarusher @branlovestowrite @brooke-to-broch @captainodonoghue @carpedzem @chasedancer17 @cocohook38 @courtorderedcake @darkcolinodonorgasm @deckerstarblanche @demisexualemmaswan @djlbg @donteattheappleshook @dovelyheart @elizabeethan @gingerchangeling @gingerpoliglot @holdingoutforapiratehero @hollyethecurious @hookedonapirate @hookedonaswanprincess @hookedonhiddles @ilovemesomekillianjones @imlaxdris71 @itsfabianadocarmo @jarienn972 @jennjenn615 @jonesfandomfanatic @jrob64 @justanother-unluckysoul @k-leemac @karlyfr13s @kday426 @killian-will-do @klynn-stormz @kmomof4 @kwistowee @kymbersmith-90 @laschatzi @lassluna @let-it-raines @lfh1226-linda @lonelyspectator12 @mariakov81 @motherkatereloyshipper @officerrogers @ohmakemeahercules @onceratheart18 @pirateherokillian @purplehawkcaptain @resident-of-storybrooke @revanmeetra87 @sailtoafarawayland @sals86 @scribomaniac @searchingwardrobes @seriouslyhooked @shardminds @shireness-says @snowbellewells @sotangledupinit @spacekrulesbians @spartanguard @stahlop @superchocovian @swanslieutenant @tehgreeneyes @the-darkdragonfly @thejollyroger-writer @thepirateandhisson @therealstartraveller776 @thislassishooked @thisonesatellite @tiganasummertree @tomeandflickcorner @ultraluckycatnd @veryverynotgoodwrites @wefoundloveunderthelight @wellhellotragic @whimsicallyenchantedrose @winterbaby89 @xarandomdreamx @xsajx @zaharadessert @myfearless-love @cosette141 @grimmswan @fleurdepetite @hookmecaptain @once-upon-a-pirate-ship @undercaffinatednightmare @4getfulimaginator2022 @nachocheese-itsmycheese @booksteaandtoomuchtv @iverna @OUATadmire

#Captain Swan #CS Crew #Captain Swan Co-Storytellers Collaboration captain swan csff Captain Swan Ensemble Cast Fic CSEC CSCSC CSCW23 Captain Swan Collab Words 23

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