#Charles Antoine Coypel

[illustratus]

The Fury of Achilles by Charles-Antoine Coypel

[artschoolglasses]

Portrait of Philippe Coypel and His Wife, Charles-Antoine Coypel, 1742

[lionofchaeronea]

Medea, Charles-Antoine Coypel, ca. 1715

[patrochillesvibes]

Fury of Achilles

by Charles-Antoine Copel

...and in a flash Poseidon and Athena went to him and stood beside him, assuming the forms of men. Taking his hand in their hands, they assured him with their words; and Poseidon who shakes the earth was first of them to speak: “Son of Peleus, do not shrink back, nor be alarmed; such allies are we two gods who stand by you with Zeus approving, I and Pallas Athena.​ Since you are not destined to be killed by a river, he will soon give way—you yourself will see this. But we have close advice for you, if you will heed it; do not rest your hands from war that levels all alike, until you have penned within Ilion’s famed walls the Trojan men, those who should escape you. And after you have stripped the life from Hector, return to your ships; we grant you to win glory.”

The Iliad, Book 21, Lines 284-297

Hermitage

[eccentricks]

Folly Embellishing Old Age With the Adornments of Youth, oil on canvas by Charles-Antoine Coypel, c. 1743.

[somethingwithmoles]

Charles-Antoine Coypel, Double Portrait Presumed to Represent François de Jullienne (1722–1754) and His Wife (Marie Élisabeth de Séré de Rieux, 1724–1795), 1743, pastel, black chalk, watercolor, and traces of black chalk underdrawing on four joined sheets of handmade blue laid paper, mounted on canvas and adhered to a keyed stretcher, 100 x 80 cm, Metropolitan Museum of Art, New York

Source: Wikimedia Commons

[weary-hearted-art]

Charles-Antoine Coypel, The Fortune Teller, date unknown. Oil on canvas

[oldsardens]

Charles-Antoine Coypel - Self-Portrait

[hzaidan]

06 Works, Today, May 10th is Saint Thais' day, With Footnotes - #131

06 Works, Today, May 10th is Saint Thais’ day, With Footnotes – #131

Jusepe de Ribera, (1591–1652)St. Thais (alternately, St. Mary Magdalen), c. 1641Oil on canvasHeight: 182 cm (71.6 in); Width: 149 cm (58.6 in)Prado Museum José de Ribera (January 12, 1591 — September 2, 1652) was a Spanish Tenebrist painter and printmaker, better known as Jusepe de Ribera. He also was called Lo Spagnoletto (“the Little Spaniard”) by his contemporaries and early writers. Ribera…

[redundantz]

Zelda x Classic Paintings

Frederic Leighton - The Reconciliation of the Montagues and the Capulets over the Dead Bodies of Romeo and Juliet (1855)

Frederic William Burton - Hellelil and Hildebrand, the Meeting on the Turret Stairs (1864)

Gaetano Previati - Paolo e Francesca (1887)

Emile Levy - Le Vertige, Idylle (1867)

William Mulready - The Sonnet - (1839)

Charles-Antoine Coypel - Young Girl Holding a Mask (1745)

Lamia - JW Waterhouse (1916)

[illustratus]

Ejecting Thalia by Charles-Antoine Coypel

[wear-this-for-me-sweetie]

Rebecka Wahl looking at is Psyché Abandonnée Par L'Amour by Charles Antoine Coypel, in the Louvre, Paris.

[bluffempire]

the fighter

self-portrait as out-fighter, camille rankine 𝚫 bloodshot, julien baker 𝚫 joshua commanding the sun to stand still upon gibeon (joshua 10: 12-14), john martin 𝚫 classical subject of fighting, john hamilton mortimer 𝚫 violence upon the roads, ray smith 𝚫 samson slaying the philistine, after michelangelo (recto); figure of fury, after rosso fiorentino (verso), giovanni battista naldini 𝚫 medea, charles antoine coypel 𝚫 untitiled, jackson pollock 𝚫 relative fiction, julien baker 𝚫 the boxer, simon & garfunkel

[ibarbouron-us]

Charles‑Antoine Coypel.

Francés, 1694 – 1752.

La educación de la Virgen , alrededor de 1735 – 1737.

¿Cuál es la historia de fondo?

La infancia de la Virgen María no se describe en la Biblia. Sin embargo, las historias sobre su familia, su infancia y su eventual matrimonio con José se desarrollaron muy temprano en la historia de la iglesia cristiana. Según una leyenda popular medieval, la joven María era excepcionalmente piadosa. Ella insistió en que su madre la educara en las Escrituras antes de entrar al Templo en Jerusalén para declarar su propósito sagrado.

[gogmstuff]

1720s dress -

Top left 1720 (probably) Princess Rakoczi by Nicolas de Largillierre (National Gallery - London, UK); From paintings-art-picture.com/paintings/archives/534/largilliere-nicolas-de-princess-rakoczi; removed spots throughout image and print in lower rt corner 152.0X2000.

Top right ca. 1720 (based on date of marriage) Elizabeth Dunch, later Lady Oxenden, by Thomas Hudson (auctioned by Christie’s). From their Web site; fixed obvious spots w Pshop 2449X3215.

Second row left ca. 1720 Dame dite madame Élisabeth Parisot by entourage of Jean-Baptiste Oudry (on auction by Tajan). From invaluable.com-auction-lot-ecole-francaise-vers-1720-entourage-de-jean-bapti-42-c-20e48bc868; fixed creases w Pshop 2990X3747.

Second row right ca. 1720 Mrs or Miss Mary Miller by the circle of Jonathan Richardson the elder (location ?). From titam.tumblr.com 1228X1536.

Third row ca. 1720 Henrietta Hobart, The Hon. Mrs Howard, later Countess of Suffolk, in a masquerade dress attributed to Thomas Gibson (Blickling Hall - Blickling, Norfolk, UK). From the National Trust's Blickling Hall Illustrated Picture List 816X1321.

Fourth row 1720 Marie Anne de Bourbon Condé by Gustaf Lundberg (auctioned by Nordén Auktioner). Probably from their Web site 3871X5117.

Fifth row 1721 Louise Anne de Bourbon, Mademoiselle de Charolais by Charles Antoine Coypel (location ?). From jeannedepompadour.blogspot.com/2012/03 820X1000.

Sixth rów left 1722 (before) Emerencjanna Pociej née Warszycka by Ádám Mányoki (Pałac Łazienkowski - Warszawa, Poland). From Wikimedia; too many flaws to fix 1608X2000.

Sixth row right 1722 Élisabeth-Charlotte d'Orléans, duchesse de Lorraine, avec son second fils François-Étienne par Alexis Simon Belle (location ?) From www.altesses.eu/princes290.php 823X1188.

Seventh row 1722 Marchesa Maria Guicciardini, née Rinuccini by Giovanna Fratellini (Galleria degli Uffizi - Firenze, Toscana, Italy). From www.pastellists.com; fixed left half of upper edge with Photoshop 787X1000.

Eighth row left 1723 Liselotte von der Pfalz by Hyacinthe Rigaud (auctioned by Tajan). Posted to Foro Dinastias by Minnie on 7 February 2010; removed flaws in background with Photoshop 614X1024.

Eighth row right 1724 Countess Karoline Friederike Lubomirska by Louis de Silvestre (private collection). From the-athenaeum.org 1768X2414.

Ninth row 1724 The Garter by Jean-François de Troy (location ?). From tumblr.com/catherinedefrance fixed obvious spots w Pshop 662X800.

[somethingwithmoles]

Charles-Antoine Coypel (1694-1752), Portrait of Charlotte Philippine de Châtre du Cangé, Marquise de Lamure (1713-1789) (wrongly identified as Louise Anne de Bourbon, Mademoiselle de Charolais (1695-1758)), 1732-35, pastel on blue paper laid down on linen, 73 x 59 cm, Worcester Art Museum, Worcester (Massachusetts)

Source: Wikimedia Commons