#Cheryl Boone Isaacs

[articlesminer]

The Shadow of Trump at the Oscars

The Shadow of Trump at the Oscars

President Donald Trump was 3,000 miles away from the Academy Awards on Sunday night, but his presence loomed larger in the Dolby Theatre than anyone else in the room. From Jimmy Kimmel’s opening monologue to acceptance speeches to the ads punctuating the ceremony, it felt at times like the Oscars were more focused on delivering an extremely public rebuke to Trump than they were on celebrating the…

[gkdhaka]

Janet Yang Becomes First Asian Elected as Film Academy President

Janet Yang Becomes First Asian Elected as Film Academy President

Hollywood producer Janet Yang has been named the new president of the Academy of Motion Picture Arts and Sciences by the organization’s Board of Governors. Yang, who is of Chinese descent, is the first Asian person ever to hold the position and the fourth woman behind Fay Kanin (1979-1983), Cheryl Boone Isaacs (2013-2017) and Bette Davis (Davis resigned after two months in 1941). Yang is…

[jobethdalloway]

Ladies, don't let anyone accuse you of reinventing history. You are revealing and reclaiming it.

Cheryl Boone Isaacs

[4chionlifestyle-blog]

Academy President Cheryl Boone Isaacs with Jenelle Monae. #Oscars #Oscars2017 #Awardseason #TheAcademy #4ChionStyle

[magobjects]

[dannyreviews]

89th Annual Academy Awards - My Review

Like any movie fan, I watch the Academy Awards and always look forward to the program weeks before. Unfortunately, in the last couple of years, because the awards ceremony have been hijacked by political rhetoric, this once beloved annual event has lost its luster in recognizing the art of cinema. The purpose of any award show is to put the art first and leave the partisan politics at home, whether its left wing or right wing beliefs. I guess the Hollywood glitterati didn’t get the memo. 

I found host Jimmy Kimmel to be extremely annoying due to his constant attacks on Donald Trump. Whether you like Trump or not, this is not the Democratic National Convention and you’re not some politician endorsing a candidate. He talked about how “225 countries around the world currently hate us” and how he messaged Donald Trump’s Twitter page. I will admit that the latter of these two events was somewhat funny, but insinuating that we are universally hated by the world is horrible. To be pedantic, there are 197 countries in the world and to dispute Kimmel, nations with horrible human rights abuses around the globe are the most hated by at least the majority of democratically run countries. And the rest of the audience laughed at it as if it was the funniest thing they’ve ever heard. Now you wonder why millions of people have boycotted your ceremony. They don’t like to be insulted.

Then came the dishing out of awards. The majority of the time, recipients kept politics out of their speeches and thanked family, friends and colleagues. The Sacheen Littlefeather moment came when the Iranian film “The Salesman” won Best Foreign Film, which I saw as a fix because of director Asghar Farhadi’s statement that he was boycotting the ceremony over President Trump’s temporary Muslim ban. He sent over an Iranian American friend to read his ready made statement on how disrespectful the ban is to his fellow Muslims. I respect Farhadi’s stance, but airing out his grievances on live television to millions of viewers including myself, again took away from the art of cinema. Then there was Barry Jenkins’ shout out to the ACLU during his acceptance speech for Best Adapted Screenplay for “Moonlight” which was totally unnecessary. Ditto for Gael Garcia Bernal’s spontaneous statement against the building of the wall at the Mexican border, before announcing the nominees for Best Animated Feature. We all have political opinions and we should at least voice our thoughts and grievances as per the First Amendment, but don’t alienate your audience and risk losing fans and potential moviegoers. The consequence could be low box office revenue and therefore the movie theater chains and film studios all take a loss. We watch your movies to be entertained, not to be lectured as if we’re ignorant.

It was fitting that on an evening of film and politics, there were a few blips in the program. The first was the tour bus people being led onto the auditorium floor and one of them (Gary from Chicago) is a convicted rapist who got out of prison 48 hours before. Of course that is not the fault of the Oscars production team. Then there was the In Memoriam segment where producer Jan Chapman’s photo was used instead of her deceased colleague Janet Patterson. It takes a quick Google Image search to find what these people look like and they couldn’t even do that right. Finally came the grand finale that everyone is still talking about. “La La Land” was mistakenly announced as the Best Picture winner instead of “Moonlight” because Warren Beatty and Faye Dunaway were given the wrong envelope. Instead of preventing the wrong recipients from taking the stage, they let them stew in the aura of false success, before the rug was pulled from beneath them. The shenanigans reminded me of a Marx Brothers or Charlie Chaplin comedy. I gotta hand it to the “La La Land” producers, because they handled the disappointment with class and were easygoing when it came to giving the statuettes to the right people. The culprit in this mix up, a representative of Price Waterhouse, was too busy tweeting when he should have been attending to his duties. As a result, an 85 year partnership between AMPAS and Price Waterhouse might come to an end and that man will most likely get fired.

The ending of the 89th Academy Awards was a consequence of removing oneself from the award show’s raison d'être. If you focus too much on things not prevalent to cinema, then you lose your train of thought and make colossal errors on national television. It did provide for some intriguing entertainment nonetheless, but the severity of the situation cannot be denied. Maybe this should be the opportunity for AMPAS to do a complete makeover on how future Oscar ceremonies should be handled. No politics, no lecturing, and a full undivided attention on the recognized films and their acting and craft. And as an extra bonus, discontinue the Governors Awards and have the Honorary Oscar recipients receive their awards during the actual telecast, like they used to. That was the one part I always looked forward to in the past. When your ratings are at a 9 year low, this should be a wake up call to preserve your organization’s integrity. If Cheryl Boone Isaacs gets the message, then everything will fly smoothly and there will be no repeat of a Best Picture mishap. And finally, the polished affair that was once called the Academy Awards might make a long awaited return.

5/10

[adorableken]

Ken will announce Oscar 2017  nominees

Ken Watanabe and others previous Oscar winners and nominees (Jennifer Hudson, Brie Larson, Emmanuel Lubezki and  Jason Reitman)  will announce Oscar 2017 nominees this January 24th alongside Academy President Cheryl Boone Isaacs;  in an online event.  Sources:

http://metro.co.uk/2017/01/14/everything-you-need-to-know-about-the-upcoming-2017-oscar-nominations-6381565/#ixzz4VtzT1EPM

http://www.dnaindia.com/entertainment/report-oscars-2017-academy-to-announce-nominations-online-2292611

[imthehuman]

With every post, a smile, ت

[empathos]

MOBILE MUSES !

movies / musicals

ELLA ENCHANTED: prince charmont, ella of frell

PERKS OF BEING A WALLFLOWER: patrick

THE GREATEST SHOWMAN: pt barnum, anne wheeler, phillip carlyle

THE ADDAMS FAMILY: morticia addams, gomez addams, debbie jillinksky

BURLESQUE: tess, sean, ali rose, jack, nikki

MAMMA MIA: sam carmichael, donna sheridan, tanya, bill anderson, harry bright, sophie sheridan, ruby sheridan

MEAN GIRLS: regina george, janis ian

REPO THE GENETIC OPERA: nathan

MOULIN ROUGE: christian, satine

BEETLEJUICE: lydia deetz, barbara maitland

DEAR EVAN HANSEN: connor murphy, evan hansen, larry murphy

BABY DRIVER: darling, buddy

BRING IT ON: missy pantone, cliff pantone

BRING IT ON AGAIN: tina

BRING IT ON: ALL OR NOTHING: britney allen

BRING IT ON: IN IT TO WIN IT: carson

BRING IT ON: WORLDWIDE #CHEERSMACK: destiny

HEATHERS: veronica sawyer, jason dean, heather chandler

PITCH PERFECT: jesse swanson, beca mitchell, chloe beale, aubrey posen

JENNIFERS BODY: jennifer check, nikolai

THE PRINCESS BRIDE: westley, inigo montoya

THE PRINCESS DIARIES 1 & 2: nicholas devereaux, mia thermopolis, charisse renaldi, joe

RENT: mark cohen, maureen johnsen, mimi marquez, roger davis

SCOOBY DOO: daphne blake, sibella dracula, fred jones

HIGH SCHOOL MUSICAL: sharpay evans, troy bolton, ryan evans

SKY HIGH: warren peace

SPIDERMAN: peter parker, harry osborn

GUARDIANS OF THE GALAXY: mantis, drax, peter quill

HOCUS POCUS: thackery binx, max dennison, sarah sanderson

MALEFICENT: maleficent

TWILIGHT: jasper hale, rosalie hale, carlisle cullen, emmett cullen

ACROSS THE UNIVERSE: max carrigan, jude, sadie

HARRY POTTER: draco malfoy, sirius black, hermione granger, andromeda tonks. bill weasley, charlie weasley, fleur delacour

HAIRSPRAY: link larkin, penny pingleton, amber von tussle, velma von tussle

ANOTHER CINDERELLA STORY: mary santiago, joey parker

tv shows

THE MAGICIANS: eliot waugh on his own blog, margo hanson

GLEE: santana lopez on her own blog, hunter clarington on his own blog, jesse st james on his own blog, quinn fabray, blaine anderson, kurt hummel, sam evans/evan evans, rachel berry, jean baptiste

DYNASTY: fallon carrington, sammy jo flores/carrington, kirby anders

RIVERDALE: veronica lodge, cheryl blossom

SHAMELESS: ian gallagher, mandy milkovich, veronica fisher, kevin ball, mickey milkovich, colin mikovich

TEEN WOLF: isaac lahey, jackson whittemore, lydia martin, stiles stilinski, peter hale

LOST: james ford, charlie pace, claire littleton, desmond hume, boone carlyle

YOU: joe goldberg on his own blog, love quinn, forty quinn

THE VAMPIRE DIARIES/THE ORIGINALS: caroline forbes, bonnie bennett, lorenzo st. john, niklaus mikaelson

LEGACIES: lizzie saltzman, alaric saltzman, josie saltzman, hope mikaelson, kaleb hawkins

IMPOSTERS: maddie johnson

SKINS: effy stonem, tony stonem on his own blog, mini mcguinness, chris miles

PRETTY LITTLE LIARS: spencer hastings

CRIMINAL MINDS: penelope garcia, spencer reid, derek morgan

EUPHORIA: cassie howard, maddie perez, nate jacobs

THE POLITICIAN: astrid sloan, river barkley

SEX EDUCATION: eric effiong, aimee gibbs, adam broff, maeve wiley, jackson marchetti

BROOKLYN 99: jake peralta, gina linetti, amy santiago, terry jeffords

NEW GIRL: cece parekh, winston schmidt

THE OFFICE: jim halpert, pam beesley, dwight schrute, angela martin, andy bernard

COMMUNITY: annie edison, troy barnes, abed nadir

SCHITTS CREEK: david rose, alexis rose

PSYCH: shawn spencer, carlton lassiter, pierre despereaux, juliet o'hara, henry spencer

PARKS & RECREATION: april ludgate, chris traeger, donna meagle, jean ralphio saperstein, mona lisa saperstein

SCREAM: brooke maddox, noah foster

ONCE UPON A TIME: rumpelstiltskin/gold, killian jones, belle french, regina mills, robin hood, neal cassidy

DEGRASSI NEXT GENERATION: eli goldsworthy, marco del rossi, fiona coyne, manuella santos, craig manning, gavin mason, jay hogart, paige michalchuk, jane vaughn, ellie nash, mia jones

DEGRASSI NEXT CLASS: miles hollingsworth, lola pacini, jonah haak, zoe rivas

DEXTER: dexter morgan

FAKING IT: shane harvey, liam booker, lauren cooper

THE FLASH: barry allen, iris west, caitlin snow, harrison wells (earth 2)

SUPERGIRL: kara danvers, cat grant, mon-el, lena luthor

BUFFY THE VAMPIRE SLAYER: spike, buffy summers, rupert giles

IN THE FLESH: simon monroe

BATES MOTEL: dylan massett, gunner

STRANGER THINGS: steve harrington, jim hopper

MERLIN: arthur pendragon, morgana pendragon, gwaine

GALAVANT: galavant, king richard

THAT 70’S SHOW: jackie burkhart, steven hyde

GOSSIP GIRL: blair waldorf, chuck bass

HEMLOCK GROVE: roman godfrey

DRACULA: lucy westenra

THE FOSTERS: mariana adams-foster, jesus adams-foster, mat tan

A SERIES OF UNFORTUNATE EVENTS: count olaf, uncle monty

AMERICAN HORROR STORY: madison montgomery, tate langdon, oliver thredson, maggie esmerelda, the countess elizabeth, tristan duffy, donovan, jimmy darling

SCREAM QUEENS: chanel oberlin, chad radwell

THE NANNY: fran fine

VICTORIOUS: jade west, beck oliver

SUITE LIFE OF ZACK & CODY: cody martin, zack martin, london tipton

WIZARDS OF WAVERLY PLACE: alex russo, mason greyback, juliet van heusen

LIV & MADDIE: liv rooney, holden dippledorf

cartoons & anime

HOWL’S MOVING CASTLE: howl jenkins pendragon

AVATAR: THE LAST AIRBENDER: iroh, zuko, mai, sokka

STEVEN UNIVERSE: pearl, greg universe, lapis lazuli, steven universe, peridot, sourcream

BEAUTY & THE BEAST: belle, adam, gaston

FROZEN: elsa, hans

TANGLED: rapunzel, flynn ryder

MOANA: maui

THE INCREDIBLES 1 & 2: violet parr, tony rydinger

KIM POSSIBLE: shego, drakken

ANASTASIA: dimitri

BARBIE: LIFE IN THE DREAM HOUSE: barbie roberts, ryan, raquelle

BARBIE: PRINCESS & THE PAUPER: anneliese, julian, dominic

DANNY PHANTOM: danny fenton, sam manson, vlad masters, paulina

TEEN TITANS: raven, terra

6TEEN: jonesy garcia, wyatt williams, nikki wong

OURAN HIGH SCHOOL HOST CLUB: hikaru hitachiin

FRUITS BASKET: haru sohma, kyo sohma, shigure sohma

video games

MYSTIC MESSENGER: jumin han, jihyun kim ( v ), ryu hyun ( zen )

ARCANA: julian, azra

webcomics

LORE OLYMPUS: eros, hades, persephone, hera

CASTLE SWIMMER: siren

EDITH: edith, phillip

[201840775caic1920]

Exclusion within Hollywood: why are minorities overshadowed?

With next year’s Oscars approaching, its time to consider at why in the 21st Century at why minorities are still non-existent throughout award ceremonies.

Throughout the history of the Oscar’s, it has always been dominated by white actors and actresses, however, as we are now nearly a quarter of the way through the 21st Century, why are minorities still being overshadowed? It came to public attention in 2015 with the hashtag #OscarsSoWhite, which started to trend on Martin Luther King day,  the only film within this particular Oscar year was Selma for best picture. This momentum continued in 2016, when Will Smith was overshadowed again and boycotted the Oscars in protest and the hashtag trended again on Twitter. His wife also joined in with the boycott. “This year’s list of Oscar nominees passes over popular, well-reviewed performances in the movies Creed and Straight Outta Compton’” The President of the Academy and Cheryl Boone Isaacs who represents the board behind the Oscars have said “I am both heartbroken and frustrated about the lack of inclusion” and “we have implemented changed to diversify our membership in the last four years… we need to do more. And better and more quickly”

This topic has always been a conversation focus as many films have white lead characters, people of colour has been tried to be cast within major roles but there are changes still being need to be made due to there being a fear of films not being as successful at the box office if a person of colour was cast rather than a white person, this almost passive racism is unfair as here have been major films with black leads which have been a box office hit. Within The Hollywood Jim Crow “Hollywood decision makers view movies with black casts as being economically risky… and for that reason they restrict them to small budgets.”

UCLA has published a report looking at diversity within Hollywood and the results are shocking, in 2016 only 13.9 percent of lead actors within the top films were of minority’s and only 1.4 out of 10 lead actors within the film industry are people of colour. This is quite a shocking statistic when compared with the 86.1 percent of lead actors were white in 2016. Some examples of films which were released with African Americans as the lead characters are Central Intelligence with Dwayne Johnson and Kevin Hart, Hidden Figures with Taraji P. Henson, Octavia Spencer and Janelle Monae and Moonlight starring Mahershala Ali, Naomie Harris, Trevante Rhodes, Alex R. Hibbert.

Hollywood is a symbol of American motion picture, but it is also seen as the worlds as well. Movies produced by Hollywood influences moral, cultural and political issues within society but an issue is some of the impacts can give narrow mindfulness as well. Many viewers think Hollywood spreads a negative message of themselves due to the racial discrimination some movies portray. The roles of minorities are slowly improving, Asians, Latinos and Native Americans are still under represented, together they make up 9.3 percent of roles shared, and Native Americans are the lowest within the underrepresentation with them making up 0.5 percent in total.

In a recent book published titled The Hollywood Jim Crow: The Racial Politics of the Movie Industry, it offers a provocative lens of understanding how the industry’s racial imbalances are and the lack of people of colour in the top studio roles. This book questions the extent in which Jim Crow exists within the entertainment sector today. The Hollywood hierarchy isn’t identical to the legal segregation which existed but there is still many principles which remain the same, “that Jim Crow was a legally enforced [system] that affected everyone – their mobility, their bodies, their ability to find work”

As racism was law, cinemagoers would typically see African Americans depicted in cruel stereotypical movie roles: servants, rapists, and unintelligent slaves. It wasn’t until the 1930s when black actors were able to find work onscreen within Hollywood, however, when they did it was mostly song and dance genre. Hattie McDaniel in 1940 was awarded an Academy Award and was the first African American actor who received one for her role as Mammy in Gone With The Wind. However, she did have to sit at a separate table compared with her white co-stars because the venue didn’t allow blacks within the building.

 Within early Hollywood, they would use black characters to represent different stereotypes and have limited screen time and these stereotypes persisted throughout the twentieth century when attitudes to minorities were rife throughout Hollywood and society in general. Blaxploitation is a subgenre of the exploitation film which emerged in the US in the early 1970s. The films were popular, but received backlash because of the disproportionate numbers of the stereotypical film characters which showed questionable motives which included criminals, but it is the first genre in which black characters are seen as the hero rather than the sidekick. An example of a film within this genre is Shaft where the lead character has to go and save a Harlem mobster’s daughter from Italian Mobsters who kidnapped her.

Other examples of stereotypes are; Asians are usually portrayed as nerdy and Latinos as fiery. Within early Hollywood, Black and Asian people were targeted the most, Nancy Wang Yuen who is a sociologist wrote “racism, in the form of job exclusion and racially stereotyped roles, has defined Hollywood film industry since its birth in the 1900s”. Disney has even had examples of racial stereotypes, with Aladdin the Arab protagonists are poor and dumb, in The Lion King the hyenas speak with an African American dialect. This proves there is racial discrimination in movies for all ages and another problem with characters of ethnicity is their characters seem to the ones who die first and their narrative ends abruptly.

The production teams of Hollywood hasn’t shy away from the fact they know they are reluctant to hire minority actors but instead of using an all-white cast. This is an issue which is ongoing and spoken about almost daily, the directors and the production teams need to start to change the racial barriers and start including more diverse cast members. There are many branches within the Hollywood media; television, music, news and most important of all the film industry where the social inequality is evident and it needs to start changing as there is a need for more minorities to be cast in major film roles.

There is a slow change within Hollywood, about how people of colour are portrayed, and the numbers matters. There are other aspects within Hollywood which are evolving as there are more women, people of colour and LGBTQ behind the camera as directors, writers and producers. This is arguably the most invisible aspect of the industry and the less likely to receive any attention when it is awards season. Spike Lee has earned himself his first best director nomination with BlacKKKlansman, there are critics which see this shift as a result of having more women and people of colour within their voting pool. With other films as Black Panther and Crazy Rich Asians 2018 could have been seen as a year of diversity within the cinema industry.

The Oscars are important to people and the event where the first-time indigenous actress from Mexico and a veteran African American director is praise-worthy. “everyone has their own way of coping with the idea that the society is not racially inclusive”  

[watercoolerconvosblog]

Outgoing President Cheryl Boone Isaacs is the Academy's burned out Black friend

Outgoing President Cheryl Boone Isaacs is the Academy’s burned out Black friend

a Growing up in predominantly white spaces, I’ve been the Black friend. I’ve been the token. And it is tiring to fill that position. That’s why I feel for Cheryl Boone Isaacs, the recently resigned leader of the Academy of Motion Picture Arts and Sciences, and Hollywood’s tired, overused, and exploited Black friend. (more…)

[gilbertobrenis]

Nuevos protocolos para la entrega del Oscar

Nuevos protocolos para la entrega del #Oscar

Los Ángeles, 31 Mar (Notimex).- La Academia de Ciencias y Artes Cinematográficas anunció nuevas medidas para reforzar el sistema con el que se da a conocer a los ganadores de los premios Oscar y evitar nuevos problemas, tras el fiasco histórico en la pasada entrega de los galardones.

La academia mencionó, entre otras medidas, la prohibición del uso de celular para los responsables de los sobres…

[human-relationships-stuff]

CinemaCon: Cheryl Boone Isaacs Receives Pioneer Award, Stresses Diversity

CinemaCon: Cheryl Boone Isaacs Receives Pioneer Award, Stresses Diversity

Cheryl Boone Isaacs accepted the Pioneer of the Year Award at CinemaCon on Wednesday night and used her acceptance speech to stress the need for diversity in Hollywood. “We’re all stronger, our art is more alive, our industry more innovative when we are awakened to fresh perspective,” she said in a speech at Caesars Palace…. Read more »

[redcarpetview]

THE 90th OSCARS® REUNITES HOST JIMMY KIMMEL AND PRODUCERS MICHAEL DE LUCA AND JENNIFER TODD

        LOS ANGELES, CA – For a second consecutive year, late-night talk show favorite Jimmy Kimmel will return to host the Oscars® telecast and Michael De Luca and Jennifer Todd will produce, Academy President Cheryl Boone Isaacs announced today. The 90th Academy Awards® will air live on the ABC Television Network and broadcast outlets worldwide on Oscar® Sunday, March 4, 2018.

        "Jimmy, Mike and Jennifer are truly an Oscar Dream Team," said Boone Isaacs. "Mike and Jennifer produced a beautiful show that was visually stunning. And Jimmy proved, from his opening monologue all the way through a finale we could never have imagined, that he is one our finest hosts in Oscar history."

        "Hosting the Oscars was a highlight of my career and I am grateful to Cheryl, Dawn and the Academy for asking me to return to work with two of my favorite people, Mike De Luca and Jennifer Todd," said Kimmel. "If you think we screwed up the ending this year, wait until you see what we have planned for the 90th anniversary show!"

       Oscar Statuette. Photo by Naomi Richard   

           "It’s not often you get two chances to have a once-in-a-lifetime experience and even more rare to be handed the keys to a party 90 years in the making," said De Luca and Todd. "We always thought the idea that anything can happen on the Oscars was a cliché until we lived it."

        "Our Oscars team this year delivered a show that hit every high note," said Academy CEO Dawn Hudson. "Jimmy brought back the essence and light touch of the greatest hosts of Oscars' past. Mike and Jennifer's love of movies is infectious and touched every aspect of the show. This is the perfect team to lead us into the ninth decade."

        "After just one year, we can’t imagine anyone else hosting The Oscars. Jimmy’s skillful command of the stage is invaluable on a night when anything can happen – and does," said Channing Dungey, President, ABC Entertainment. "With Mike and Jennifer at the helm, we’re ready for another unforgettable show that will dazzle, delight and, most importantly, honor 90 years of Hollywood’s most prestigious award."

       Kimmel serves as host and executive producer of the Emmy®-winning "Jimmy Kimmel Live!," ABC’s late-night talk show. Now in its 15th season, "JKL" has earned six Emmy nominations in the Outstanding Variety Series Talk category, the Writing for a Variety Series category, and the Variety, Music or Comedy Series category.

                 De Luca earned Best Picture Oscar nominations for producing "Captai" Phillips," "Moneyball" and "The Social Network." He is credited on more than 60 films, including the "Fifty Shades of Grey" trilogy, "Blow," "Magnolia," "American History X" and "Boogie Nights." He is a former president of production at Columbia Pictures, DreamWorks and New Line Cinema.

       Todd is currently president of Pearl Street Films, the production company founded by Ben Affleck and Matt Damon, where she produced "Live by Night" and executive produced last year’s "Jason Bourne." Her other credits include such films as "Alice through the Looking Glass," "Celeste and Jesse Forever," "Alice in Wonderland," "Across the Universe," "Prime," "Memento," "Boiler Room" and the "Austin Powers" films. Todd earned an Emmy nomination for her work on the HBO television movie "If These Walls Could Talk 2."

        The 90th Oscars will be held on Sunday, March 4, 2018, at the Dolby Theatre® at Hollywood & Highland Center® in Hollywood, and will be televised live on the ABC Television Network at 7 p.m. ET/4 p.m. PT. The Oscars also will be televised live in more than 225 countries and territories worldwide.

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www.oscars.org www.facebook.com/TheAcademy www.youtube.com/Oscars www.twitter.com/TheAcademy

[effemerideitalia]

Oscar 2017. Individuati e cacciati i responsabili della gaffe della busta sbagliata

Oscar 2017. Individuati e cacciati i responsabili della gaffe della busta sbagliata

La notizia arriva direttamente da Cheryl Boone Isaacs, presidente della Academy Award: i responsabili della gaffe della notte degli Oscar sarebbero stati individuati, e non sarà più affidato loro il compito di depositari delle buste con i nomi dei vincitori. In un clamoroso scambio di buste, Warren Beatty e Faye Dunaway avevano erroneamente assegnato il premio per miglior film a “La La Land”…