#blog posts

[rowenavood]

Każdy samotnik, choćby się zaklinał, że tak nie jest, pozostanie samotny nie dlatego, że lubi, ale dlatego, że próbował stać się częścią świata, ale nie mógł, bo doznawał ciągłych rozczarowań ze strony ludzi. - Jodi Picoult, Bez mojej zgody

[professorlonic]

aw yeah b-day 😎😎😎

[pinkshiftbites]

nothing (in my head) - the deep dive podcast

premiering 9.26.24 on patreon

[brainbuffering]

Top New Manga of 2024!

Another year has come to an end, so it's time to talk about all the great manga that came out this year! So in no particular order, these are my Top 6 New Manga of the Year!

In the Name of the Mermaid Princess by Writer Yoshino Fumikawa and Artist Miya Tashiro

T: Junko Goda, Adap: Shaenon K. Garrity, L: Susan Daigle-Leach, E: Annette Roman Publisher: Shojo Beat

“In the classic fairy tale, a mermaid princess gives up her special abilities for love. What happens if she doesn’t? Princess Mio is betrothed to Prince Chika. However, they’ve never met, and he doesn’t know her secret—she’s a mermaid! When her tutor, Yuri, takes her out of the castle to meet her subjects, Mio begins to accept her true self. But Yuri has a secret too… And when Mio tells her father, the king, she wants to live life openly as a mermaid, he punishes her. How can she stay true to herself? Plus, a bonus story about a royal subject with wings!”

This series was an absolute surprise to me! I always keep an eye out for new Shojo releases, but I accept that I am not the target audience for all of them. I assumed that was the case here, Mermaid Princesses were something I felt was in my past. Yet I took a chance on it on the Viz Media App and felt an immediate kinship with Mio! The story of the Unhumans' struggles for safety and respect really resonated with me as a disabled person. The series acts as a great “Disability Metaphor 101” for younger readers. With solid artwork, an enchanting story, and really moving and relatable moments it’s definitely been my highlight of the year! 

Otonari Complex by Saku Nonomura

T: Jenny McKeon, Adap: Carly Smith, L: Aidan Clarke, E: Kristina Korpus Publisher: SevenSeas

“Kuji Akira and Ninomiya Makoto are childhood friends and neighbors. Since Akira is “handsome” for a girl and Makoto is “pretty” for a boy, their gender presentation is often confused. As they try to untangle their complex feelings about themselves and each other, they find out their friends are crushing on them, too. It’s a complicated childhood friend love story!”

This was one of the series I was most looking forward to this year and it did not disappoint! “Gender Fuckery” has been a key component of all good Shojo since it began! From Princess Knight to Rose of Versailles to Fruits Basket, narratives about people discovering their gender identity, and playing around with what that means, are some of the most beloved. This was the year that I finally came out to my family as Gender Queer, so a having a book that has such a complex look at the notion of gender and gender identity in such a queer way was wonderful. I especially loved the way it explored body dysmorphia and misgendering. When Makoto presents as female, they WANT to have folks use she/her pronouns for them! Even if they still identify as a cis-man throughout the book. Meanwhile Akira chooses to present masculine, but when she gets misgendered as a boy she doesn’t experience the same euphoria that Makoto does. For her, it’s something painful and shaming. Volume 2 hasn't shipped to me yet, but I’m very much looking forward to seeing how these two love birds’ gender journey goes. 

Tank Chair by Manabu Yashiro

T: Max Greenway L: Evan Hayden  E: Maggie Le Publisher: Kodansha

“Shizuka takes on the most dangerous of assassin jobs, but she's not the one doing the killing. Rather, it's her brother, Nagi, a strong assassin who took a bullet to protect his sister, leaving him in a comatose state and having to use a wheelchair. However, Shizuka has figured out the key to waking her brother up: he must be faced with killing intent! Thus begins a violent journey of recovery, battling the most dangerous foes!”

I’ve already written about why I loved Tank Chair so much, but it’s worth repeating that whilst series like “A Sign of Affection” and “Blade Girl” are still great to have for disabled representation in popular media – nothing quite beats the euphoria I felt reading Tank Chair and seeing people get viciously murdered with disabled rage fueled Boudica spikes.

Magical Girl Dandelion by Kaeru Mizuho

T: Mei Amaki L: Finn K Publisher: Viz Media (App)

“Magical girls and villains are enemies, but can neophyte Tanpopo's bond with the villain Shade topple that destiny?”

To my knowledge, this is the first Shojo Manga that Viz have been simul-publishing from the get go! And they absolutely picked a superstar to start! Western Manga Fans have been chomping at the bit for more magical girl series to get localised into English, and this has not disappointed! Whilst series like Cardcaptor Sakura and Sailor Moon take a few chapters to get to their darker tones, Magical Girl Dandelion gets to it right off the bat! With cool battle sequences, fun character designs, and the battle between good and evil being morally murky from the start – Dandelion has the potential to be one of the all time greats!

Tokyo These Days by Taiyo Matsumoto

T: Michael Arias L: Deron Bennett Publisher: Viz

“After 30 years as a manga editor, Kazuo Shiozawa suddenly quits. Although he feels early retirement is the only way to atone for his failures as an editor, the manga world isn’t done with him. On his final day as an editor, Shiozawa takes a train he’s ridden hundreds of times to impart some last advice to a manga creator whose work he used to edit. Later, he is drawn to return to a bookshop at the request of a junior editor who wants his help dealing with an incorrigible manga creator who used to be edited by Shiozawa and now refuses to work with anyone else. For Shiozawa, Tokyo these days is full of memory and is cocooned in the inescapable bonds among manga creators, their editors, art, and life itself.”

A slow, thoughtful manga that gives you plenty of time to breathe and contemplate. The slower, and more mature pace was a great break from my usual diet of high energy action adventure romance. The book is a somber look at what it is to work in the manga industry in present day Japan, how it has changed over the decades, and what it means to age out of a business that’s famous for working their most talented artists to an early grave.

Colette Decides To Die by Alto Yukimura

T: Max Greenway L: Inori Fukada Trant E: Nancy Thistlethwaite Publisher: Shojo Beat

“Colette meets Hades, a fellow workaholic, while he is ill in bed with a rash and fever. After treating his condition, she learns about the work he does and what drives him, in turn renewing her sense of purpose as an apothecary. Colette is sent back to her own world, but is this the last she will see of Hades?”

This was one of those series that half my social media feed seemed to be absolutely begging to get published in English. And having read the first two volumes, I can see why! Whilst I don’t think it’s doing anything revolutionary, it’s still a cosy story of two people who struggle with self care falling in love and providing support, with a fun backdrop of greek mythology (although the lack of accuracy would make academics rage harder than at Disney’s Hercules) which makes it absolutely peek HanaYume. And heaven knows how much I love HanaYume! 

[frailtyofgenius]

they literally were just like. you know bdsm? well. [choking scene]

[sheepytina]

So people are talking about the artwork in Metal Slug games again

There's been a few posts going around talking about how weird the Metal Slug characters look in the mobile games, particularly female characters like Eri and especially fan favourite Fio.

This conversation comes up again every so often, but it's been reignited on Tumblr again this week with three new Metal Slug games coming onto the scene:

The recent re-reveal of the indie title Metal Slug Tactics from Dotemu, which was originally announced in 2021, during Summer Game Fest 2024,

The June 2024 Nintendo Direct shadow-drop of a revamped version of the former mobile game Metal Slug Attack as Metal Slug Attack Reloaded, and

The impending global launch of the Chinese mobile game Metal Slug: Awakening from Tencent Games next month (July 2024), which originally released in China and SEA in 2023.

Remember these three names, because this is what this post is going to primarily centre around.

However there's one version of this type of post going around that just posts artwork from Metal Slug 3 and MS: Awakening and doesn't adequately explain what the artwork actually comes from and why it looks the way it does, resulting in the confusion and bewilderment of many people who are less familiar with the Metal Slug series.

And so I decided I really need to throw my hat into the ring and see if I can dissect this and bring some actual facts to the conversation.

Look, it's not great. Basically, the stuff people are saying is indeed mostly true, but there's a lot of half-truths and even a few straight up lies being mixed into it. Such as how what the original Metal Slug games looked like is actually more complicated than people think, for starters.

Furthermore, one of the three games I mentioned actually looks really good, and oddly it seems to be the one with the least attention on it right now.

Now, because I'm me, this blog post ended up really long, long enough to have chapter markers, so please bear with me and stick around to the end if you can. — And if you don't care about the historical context, I'm happy for you just to look at the pictures too.

Part 1: The original NEOGEO Metal Slug games

So the main point of this conversation is that the classic Metal Slug games let the characters look weird and cartoony. That's a big part of Metal Slug's core identity, and this is lost in the recent mobile games.

(Of course I had to get a real CRT photo in here at some point.)

To define "classic Metal Slug" you can assume most people are referring Metal Slug 1 through to 3, i.e. the ones that SNK created before their bankruptcy in the year 2000. And most of all, that iconic character select screen from Metal Slug 2, X and 3.

As you can see, there's definitely a shift that took place here.

But hold on, Fio also looks pretty different on the arcade flyers, especially in her original debut in Metal Slug 2. So it's not exactly as clear cut at the cherrypicked images would suggest, but all the same there is still a distinct, extremely late '90s style to everything.

Metal Slug 4 and 5 also released for the NEOGEO system and are similarly loved by many, but were developed in the 2000s under the newly formed Playmore, aka SNK Playmore. I definitely agree with this sentiment that the "original identity" of Metal Slug was strongest in the early titles, and the artwork is the most noticeable reflection of that.

However, although it has little bearing on the conversation, I think it's important to clarify that this change to a contemporary anime style actually began in the early 2000s during the Playmore era of SNK. Like would happen with other SNK game series like The King of Fighters and Samurai Shodown, things got weird for Metal Slug once SNK was reborn as Playmore, eventually becoming SNK Playmore.

Still, all the mainline Metal Slug games through to Metal Slug 7 and Metal Slug XX are still considered classics by fans. The problem for a lot of fans would be SNK's push into new markets such as pachislot and mobile gaming.

Which brings us to…

Part 2: The Metal Slug smart device games, and the Chinese mobile game market

Mobile games would prove a highly lucrative market for SNK Playmore, with hundreds of titles published for Japanese phones during the '00s. A few of these also made their way to more conventional J2ME devices in China. Eventually the mobile gaming market would move to smartphones, with SNK bringing games such as Metal Slug Defense and Metal Slug Attack to market in the 2010s.

This is the first mention of China in this post and it won't be the last. SNK's arcade titles had traditionally been extremely popular in the Chinese market, and with the mobile game market rapidly growing and a hunger for bigger games from beloved SNK series, a lot of interest had grown for SNK titles in this market.

This would result in a huge investment from Chinese companies, with a new joint venture acquiring a 81% stake in the company in 2016, leading SNK Playmore to announce a new shift in their strategy, and with that came a rebrand, once again to simply SNK.

This new identity signified a new era for SNK. This newly reignited SNK would move away from non-videogame markets such as pachislot, and focus more on console games and character licensing. This is the SNK that gave us The King of Fighters XIV and a new Samurai Shodown game.

But this is also the SNK that really doubled down on the Chinese and South-east Asian mobile markets.

This is where this conversation stems from. Games such as the tower defence mobile game Metal Slug Attack and many other mobile games in series such as The King of Fighters would be massive money-makers for SNK. Even the new Samurai Shodown game on consoles/PC would centre Chinese audiences with its first DLC crossover characters pulling from Ubisoft's For Honor and Tencent's Honor of Kings.

But when it comes to centering the tastes of the mobile game market, the big one that bugs people is Metal Slug: Awakening, a mobile game developed and published under license by Tencent Games, which entered beta testing in 2021 and released in China and South-east Asia in 2023.

Now this game actually doesn't have all that much to do with SNK besides the license. However it would be disingenuous of me to say that means it's insignificant to the series. We didn't get to this point out of nowhere out of all. Plus this game is set for a global release in 2024, so this game is for all of us to enjoy.

Although, is it really for all of us? The game certainly seems to plays like a real Metal Slug game, retaining the series' famous run 'n gun gameplay, which is more than you can say for most Metal Slug mobile games. But it certainly doesn't look like a Metal Slug game. The in-game graphics are a strange 3D interpretation of the original pixel art, and all the game's promotional artwork and splash screens look like this. Fio in particular straight up looks like a different character in these pictures.

It's not great. I'm not about to try and defend this. It's just that I really need to stress that it's really not a game targeted towards us.

To make matters more confusing for a lot of people not super plugged-into Metal Slug is that it's not even the only Metal Slug game in the news recently. Metal Slug Tactics had been missing in action since 2021, and all of a sudden it gets re-revealed by Dotemu in June 2024 but overshadowed by many other announcements during the Summer Game Fest period.

But also, SNK themselves would, during the June 2024 Nintendo Direct, reveal and immediately shadow-drop a revamped offline version of the Metal Slug Attack game called Metal Slug Attack Reloaded.

I actually saw a lot of people confused by this. People who remembered the initial 2021 reveal of Metal Slug Tactics and thought this was the same game. It might seem obvious to some of us, but if this is you, then I assure you, it's not the same game.

Although SNK seems to be downplaying this for some reason, Metal Slug Attack is a pretty old mobile game that went defunct last year, and this is a revamped version of it for consoles and PC that can be played offline without microtransactions. (An increasing trend I want to see more of!) The game is still very much a mobile game to its core though and you can tell.

But, look, don't worry, there's hope for us yet, in the form of a new game that many western Metal Slug fans have been excited for for many years. I've already mentioned it, it's…

Part 3: Metal Slug Tactics, a new tactical Metal Slug game from Dotemu and French developer Leikir Studio

I'm going to preface this section with a clarification of my stance on this. As a strategy game this doesn't exactly scream classic Metal Slug. However, a few people have been lumping this in with the mobile games and I think that's pretty unfair.

For starters, this game is oozing with personality and really looks like it's developed by people who truly understand Metal Slug.

Second, the artwork in this game is clearly a very different beast from what can be seen in Metal Slug: Awakening.

Obviously this isn't the same as the funny looking characters you remember from the in-game graphics of the NEOGEO titles. I still however feel like this captures the spirit of these beloved characters better than any of the mobile games have. This is definitely along the lines of Sonic Mania or TMNT: Shredder's Revenge in terms of attention to detail, and that's especially reflected by how the actual game looks and moves in action.

This is really my true agenda if I'm perfectly honest. Please don't sleep on this game. Even if you don't like tactics games, this is the one you want to keep an eye on if you want a true return to form for Metal Slug.

[hyliedavenport]

✿ WHEN WE GOT HOME FROM THE DATE ✿

When we got home from the date, Matt unlocked the door, and we stumbled in kissing until we hit the dining room table. I had to tell him not here, so he said "okay" and picked me up and carried me to our room. I knew Matt wanted more kids, but I just wasn't ready, so I had to tell him that it just isn't the time yet... I could tell his heart was a bit broken. "Oh, I mean, that's ok... no worries" he says, gently letting me go walking to the bathroom to change out of his clothes. That night, I laid in bed thinking about what life might be like with a third little one running around... and if we should try for another baby. Should we?

✿ YouTube Channel

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✿ @simmireen poses🫶🏼

[flappyhappystim]

Irene wrote an article on navigating executive dysfunction! "In this blog post, we will explore some practical tips that can help autistic and ADHD adults overcome executive dysfunction and enhance their productivity and overall well-being."

If you have any tips for navigating executive dysfunction, feel free to share here or in the comments on the blog!

[tomato-bird-art]

Salah al-Din Yusuf ibn Ayyub, Sultan of Egypt and Syria. known as Saladin to the Franks.

I wrote about my process of making this piece, as well as my inspirations and image sources, on my website blog here

i had an interesting experience researching one of the images I had used as reference, since it turned out to have a different origin than I expected, so I documented my mini rabbithole as well!

[heroineimages]

While Bret frames this post as a critique of armor in Baldur's Gate 3, there's a lot of great discussion of how real armor works in contrast with what we see in BG3 and D&D 5e. I've learned several tidbits I didn't know, and even changed a couple lines from one of my stories because of it.

[rowenavood]

Czuje się przytłoczona uczuciami, których nie rozumiem.

_Raven_

[professorlonic]

CHECK OUT THIS RIKI PLUSH MY FRIEND MADE ME

FREAKIN OUT ITS SO GOOD

[arcassin21]

"There is no yoooooooouuu,

You just pretennnnnnnd,

Only got meeeeeeeee,

Your cycle ennnnnnnnds,

Don't tell me where you came from,

Don't tell me where you've been,

Don't tell me bout' ya' problems,

Don't spell me the excuses about why you was so fake,

The fact of the matter is you don't matter , take the bait."

New Poem Titled "Man-Child Angel" full link below

⭐️

[brainbuffering]

Anime/Donghua 2024 Wrap-Up!

 This was a great year for women in Anime! More and more series by female creators are making it into people’s all time favourites. From Apothecary Diaries to Delicious in Dungeon to A Sign of Affection, it’s been great to see so many women making huge successes! I also don’t think we’ve seen so many series gracing people’s top 10s that have so effortlessly passed the Bechdel-Wallace test! Frieren: Beyond Journey's End and Dandadan both featured main female characters who talked with their fellow named female co-stars about things other than men! 

Whilst obviously passing the Bechdel Test is not the be and end all for feminism, given how many beloved series have absolutely failed to pass this basic test, it’s certainly something to be celebrate! Heck, if the test was to all be about Lesbians being able to see themselves in media, then look no further than the flood of Falin X Marcille art, meta, edits, and fanfic that’s been all over my feeds. 

For me, personally, I was delighted to see the Female Centric arcs of Blue Exorcist getting animated at long last, showing why the manga sucked me in to begin with! We got an actually good traitor reveal that felt like an actual betrayal of trust, and fantastic development for a character who had previously been just another Tsuendere. Even as Izumo has her agency taken away as part of the narrative, Katou-sensei gives it back to her at every opportunity to ensure that this is her story and her arc. And that shone through in the anime too! Even with the tiny budget, she was still the one given the biggest moments. 

Heaven Official’s Blessing, A Sign of Affection, and Cherry Magic? 30 Years of Virginity can Make you a Wizard?! were all fantastic non-heteronormative romances that shone in their own unique ways! Heaven Official's Blessing had some of the best dubbing I've seen all year with so many side splitting jokes and swoon worthy sentences! Cherry Magic perfectly caputred the heart and humour of the series and I was especially excited to hear Kurosawa's internal song monologues. A Sign of Affections blew me away with its beautiful animation, in particular the care taken in animating the sign language. Which were all perfectly encapsulated in its elegant opening:

There were plenty of other series out this year that were just made of pure fun. Vampire Dormitory and Demon Prince of Momochi House both had me binge-reading their mangas. Mr Villian’s Day Off was the perfect slice of life comedy for these dark days. Sasaki and Peeps was an unexpected reverse-isekai X salary-man X evil-magical-girl mix up directed by Mirai Minato. The dub was great too, with Tyeson Reinhart perfectly encapsulating the exhausted middle aged man who just wants to have an easy life, and Erin Nicole Lundquist showing their incredible range as both a stoic, power magician… and an adorable little birb. Plus I loved both the original Japanese Gag of hiring a bunch of actors called Sasaki for the background characters, and the English Dub matching it with a bunch of Chris-es!

There were also a lot of great films that came out in the UK this year! Blue Giant was a great way to start the year, with the music being so good I felt like I was at an actual concert. It was followed by Spy X Family: Code White which had everything a weeb to ask for: MILFs with knives, DILFs with shirt sleeves rolled up, Cute Dogs, and the most beautifully animated poop joke ever put on screen. Look Back Short got brought to UK Cinemas, and was just as good as I thought it would be! Although I would have liked to see it dubbed because I think some of the subtitle choices took away some of the emotional impact felt in the manga. My favourite by far though was the Lord of the Rings Anime, War of the Rohirrim. It hasn’t been performing as well in cinemas as I would have liked, and I’m disappointed by the lack of merchandise available for it. But it was definitely a series made with me in mind specifically! With epic fight scenes, sword lesbians, horises, and an Incel getting his just desserts. It’s definitely the film I’m gonna be recommending the MOST out of this year! 

Overall, I had a great time this year. Whilst some seasons were definitely more jam-packed than others, there was still always at least SOMETHING I wanted to watch! I had my favourites, sure. But whilst I’m sure that at some point this anime bubble is gonna burst again as it did back in the 2000s, I’m happy to be enjoying all the great art currently being made!

[frailtyofgenius]

if you make sherlock's "bad" autistic traits go away when he falls in love i am shooting you with lasers