#Cryptic Ancient Texts Decoded | Explore Tumblr Posts and Blogs

xasha777 · 20 days

Text

In the dim light of an ancient library, the enormous eye floated serenely within its glass cube. Its intricate web of veins glowed with an eerie luminescence, casting strange shadows across the dusty tomes and relics that lined the room. Among these treasures was the legendary Book of Kells, its richly decorated pages whispering secrets of an age long past.

Dr. Evelyn Hart, a renowned cyber-archaeologist, cautiously approached the eye. She had spent years unraveling the mysteries of forgotten civilizations and ancient technologies, but this discovery was unlike any other. The eye was said to belong to the fabled Oracle of Kells, a being of unimaginable knowledge and power, created by an advanced civilization that predated human history.

Evelyn had found the eye deep within the Bismarck Range, hidden in a subterranean chamber guarded by complex mechanisms and lethal traps. The journey had been perilous, but the prospect of unlocking the Oracle's secrets had driven her onward. Now, standing before it, she could feel the weight of its gaze, as if the eye itself was assessing her worthiness.

She took a deep breath and placed the Book of Kells on the table beside the cube. The book was not merely a religious artifact; it was a key, its illuminated illustrations and cryptic text a code that could activate the Oracle. Evelyn carefully opened the book to a page depicting a mesmerizing mandala of interwoven Celtic knots and symbols. She traced her finger along the intricate patterns, murmuring an incantation in the ancient tongue.

The eye reacted immediately. The veins pulsed with a vibrant energy, and the air around it shimmered with a soft hum. Evelyn stepped back as a beam of light shot out from the eye, scanning the pages of the book. The symbols seemed to come alive, twisting and rearranging themselves into a new configuration. The room was filled with a resonant tone, as if the very fabric of reality was being rewritten.

Suddenly, a holographic interface materialized above the eye. Symbols and diagrams floated in the air, displaying data streams and historical records from a forgotten era. Evelyn's eyes widened in awe as she realized the extent of the Oracle's knowledge. This was not just an artifact; it was a repository of all the wisdom and technology of the lost civilization.

"Dr. Hart," a voice echoed through the chamber. It was calm and authoritative, emanating from the eye. "You have awakened the Oracle of Kells. What knowledge do you seek?"

Evelyn hesitated, her mind racing with the possibilities. She could ask about the origins of the advanced civilization, their downfall, or perhaps even secrets that could change the course of human history. But above all, she was driven by a more personal quest.

"I seek the cure for the Terran Plague," she said, her voice steady despite the gravity of her request. The plague had devastated humanity, and countless lives depended on finding a solution.

The eye's light intensified, and the holographic symbols shifted rapidly. "Accessing medical archives," the Oracle intoned. "The cure for the Terran Plague lies within a synthetic compound developed by our scientists. The formula is encoded within the Book of Kells, hidden in the illuminated illustrations. To unlock it, you must complete the sequence of symbols."

Evelyn's heart pounded as she turned back to the book. The Oracle's instructions were clear, but the task ahead was daunting. She would need to decode the ancient symbols and piece together the cure, all while ensuring that the knowledge did not fall into the wrong hands.

With renewed determination, she began her work, knowing that the fate of humanity rested in her hands and the secrets of the Oracle of Kells.

0 notes

amitsaini012 · 3 months

Text

Top 15 Weird Programming Languages In Use in 2024

Programming languages have come a long way since the early days of computer science. While mainstream languages like C, Java, and Python continue to dominate software development, there are plenty of more obscure and unconventional options out there. These "weird" languages often prioritize things like ease of use, minimalism, or just plain fun over practical application. Some are little more than hobbyist projects, while others have managed to carve out a niche despite their oddities. In 2024, programmers will have more choice than ever when it comes to selecting a language for their next project. Whether they're looking to experiment with something new or just have a laugh, these 15 weird programming languages demonstrate the creative fringe of modern computer programming. Though not suited for large-scale software engineering, they highlight the endless possibilities in language design.

Note: If you are struggling with your programming assignment, then you can get the best programming assignment help from our experts.

1. Brainfuck

One of the esoteric programming languages, Brainfuck consists of only 8 single-character commands. Programs look like long sequences of +++++++--<>, which is where the name comes from. It's challenging to write anything useful given the extreme minimalism.

2. Velato

This language uses MIDI files as source code. Programs are literally music that gets compiled into executables. Debugging means listening to your code and fixing sour notes.

3. Chef

Programs in Chef look like cooking recipes. Variables are ingredients, mixing them together follows the syntax, and executing the program requires "baking" the final recipe. A taste of computing for Food Network fans.

4. LOLCODE

Inspired by the LOLcat meme, LOLCODE has verbose keywords like VISIBLE, GIMMEH, and OMGWTF. Semicolons are replaced by the phrase "NOW GTFO". Strange as it is, LOLCODE can actually be used to build applications.

5. Malbolge

Malbolge was named after the eighth circle of hell in Dante's Inferno, and it was made to be very hard to program in. Its language is based on encryption, which is hard to understand, and each command can only access a small group of registers and memory places. It is more of a virtual torture device than a language.

6. Shakespeare

This esoteric language aims to make programs appear like Shakespearean plays. Variables are cast as characters, IF statements become soliloquies, and functions act out scenes. The results are halfway between software and literature.

7. Emojicode

Feeling expressive? Emojicode lets you construct variables, functions, loops, and other programming fundamentals out of emoji symbols. You'll be coding smiles, winks, and kisses in no time.

8. Piet

Named after abstract artist Piet Mondrian, this color-based language has programs that look like abstract paintings. Different colors represent coding elements like variables or loops. Placement on the canvas determines logic flow.

9. Perl

One of the old standbys of scripting languages, Perl has fallen out of fashion due to its dense syntax and orthogonality. Reading Perl code feels a bit like decoding an ancient hieroglyphic text these days.

10. INTERCAL

Developed in the 1970s as a parody of other languages' cryptic syntax, INTERCAL is deliberately full of obtuse and nonsensical keywords that make writing sensible programs a fool's errand. More an academic curiosity than usable language now.

11. Befunge

The source code for Befunge programs looks like a ASCII game map. Instructions execute left to right, top to bottom or can jump to new points on the map. Strange by nature and design, it's tough to wrap your head around Befunge.

12. MATLAB

While not that exotic, MATLAB draws criticism for using 1-based indexing instead of the 0-based indexes common to C and other languages. This disconnect from programming norms qualifies MATLAB for weird language status.

13. IDL

Like MATLAB, IDL feels out of place because variables have to be explicitly declared before use. Due to this lack of dynamism and other limitations, IDL is often described as archaic by modern programmers.

14. COBOL

Few languages seem as foreign to modern coders as COBOL, which powers critical legacy systems. Its wordy syntax and niche application domain make COBOL programming an oddity.

15. HQ9+

This minimalist joke language has only 4 instructions - H prints "Hello", Q prints its own source code, 9 prints the lyrics to 99 Bottles of Beer, and + increments the accumulator. Vast programs are possible with those building blocks!

Conclusion

While unusual languages like those discussed above probably won't be powering the next great startup or operating system, they demonstrate that programming can encompass more than practical software engineering. Some weird languages like Velato turn code into music. Others like Chef and LOLCODE find the aesthetics in programming. And languages like Brainfuck and INTERCAL push minimalism and obfuscation to their limits. Most importantly, these esoteric languages show that even in computing, creativity comes in surprising packages. Weird languages keep pushing the boundaries and possibilities of programming itself. Even though few of us will write production software in Shakespeare or Emojicode, these novel languages represent the vanguard of creative expression through code. Their very existence highlights that computing is as much about human expression as logical rigor. So while businesses will stick to Python and Java for now, these weird languages continue to flex the diversity and range of programming possibilities.

#programminglangugae #programmers #hardprogramming #python #java #students #collegelife #programminghelp

0 notes

geekpress · 5 months

Text

Time Spectators: Unveiling the Tapestry of History's Secrets

Introduction

In the realm of historical exploration, the phrase Time Spectators holds a mysterious allure, hinting at a clandestine group witnessing the unfolding of historical events. In this article, we delve into the depths of this intriguing concept, unraveling the tapestry of history's secrets that Time Spectators may hold.

The Enigma of Time Spectators

Uncovering the Origins

The term Time Spectators, shrouded in enigma, traces its roots to ancient lost civilizations where whispers of a select group witnessing pivotal moments surfaced. While historical texts offer glimpses, the complete narrative eludes scholars, adding to the allure of this clandestine assembly.

Historical Significance

Time Spectators, if proven to be more than mere myth, could redefine our understanding of history. Imagine a group traversing through time, silently observing monumental events, leaving no trace. Such a revelation could reshape historical narratives, challenging preconceived notions and opening new avenues for exploration.

Decoding the Tapestry

Time Spectators in Key Historical Events

If we entertain the notion that Time Spectators exist, their presence in significant Historical Secrets events becomes a riveting study. From ancient battles to crucial political decisions, could these elusive witnesses have influenced the course of history?

Technology and Time Travel

In the modern era, the idea of Time Spectators gains complexity. Technological advancements prompt us to explore the possibility of time travel, making us ponder whether these spectators wielded advanced technology or possessed innate abilities to navigate the temporal landscape.

Unraveling Secrets

Cryptic Messages and Artifacts

Legend has it that Time Spectators left behind cryptic messages and artifacts as breadcrumbs across different eras. A meticulous analysis of ancient texts, artifacts, and symbols might unveil these secrets, providing a deeper understanding of their purpose and influence.

Connection to Myths and Legends

Could Time Spectators be the mythical beings often referenced in folklore? Exploring connections between these mysterious observers and legendary figures could lead to profound revelations, connecting dots across diverse cultures and time periods.

Debunking Skepticism

Historical Critiques

Skepticism surrounds the concept of Time Spectators, with critics dismissing it as a fanciful tale. However, a thorough examination of historical accounts, coupled with a nuanced understanding of cultural contexts, can dispel doubts and present a compelling case for further investigation.

Scientific Perspectives

From a scientific standpoint, exploring the theoretical underpinnings of time travel and its feasibility could offer insights. Collaborating with experts in physics and temporal mechanics might bridge the gap between skepticism and plausibility.

Conclusion

In conclusion, the mystery of Time Spectators transcends the conventional boundaries of historical inquiry. By peeling back the layers of time, we may uncover a narrative that challenges our understanding of the past. As we navigate this labyrinth of secrets, one question persists: Did Time Spectators truly exist, silently observing the ebb and flow of history?

#Ancient Mysteries #Historical Secrets #World History

0 notes

theotakufiles · 9 months

Text

What the Font?! A Manga

In "What the Font?!", join font enthusiast and amateur detective, Alex Foster, as he delves into the intriguing world of fonts and uses his keen eye for typography to solve perplexing mysteries. When strange occurrences happen around town, from cryptic messages on billboards to mysterious letters in newspapers, Alex realizes that these enigmatic clues are tied to a secret society obsessed with fonts.

Teaming up with his tech-savvy best friend and fellow font nerd, Emma Adams, the pair embarks on a thrilling adventure to uncover the truth behind these font-related puzzles. As they follow breadcrumb trails leading them through hidden typographic landscapes and decoding ancient texts written in unique letterforms, they encounter a range of eccentric characters who hold the key to unraveling this enigma.

To crack each case, Alex and Emma must delve deep into typography history, identifying rare typefaces while deciphering complex wordplay embedded within ancient manuscripts. With every discovery inching them closer to revealing the society's ultimate goal, they find themselves entangled in dangerous situations where their font expertise becomes both a blessing and a curse.

"What the Font?!" combines elements of mystery, action, and humor as it explores the intricate world of typefaces. With each episode bringing forth new typographic challenges across various cultural contexts — from medieval monasteries preserving rare letterpresses to modern digital platforms harboring unexplored fonts — Alex and Emma struggle against time to prevent catastrophe while sharing their passion for beautiful letters.

With memorable characters who are as peculiar as their chosen typographies, "What the Font?!" captivates audiences by shedding light on an often overlooked aspect of design that hides secrets waiting to be unveiled. As our heroes navigate typographical labyrinths with wit and tenacity, viewers are invited along on this visually stunning journey that celebrates fonts while keeping them guessing until the very last pixelated serif is revealed - all while proving that sometimes even font can be a matter of life and death.

Dear manga enthusiasts,

Embark on a captivating journey into the world of 'What the Font?! A Manga' and support its talented author. Immerse yourself in this exciting tale that combines captivating storytelling with stunning artwork. Don't miss out on this opportunity to be part of something extraordinary – head over to gekimanga.com and purchase your copy now!

#What the Font?! A #Manga #comics #animefans #otaku #MangaFans

0 notes

theoldcurator · 9 months

Text

Slave Species of the Gods

an Old Curator Special Report

💫 Are We the "Slave Species of the Gods"? Unraveling the Mysteries Welcome to a journey into the unknown. An expedition into an enigma that has intrigued humanity for centuries. The provocative and riveting narrative of the "Slave Species of the Gods". Sounds pretty dramatic, doesn't it? This story is no ordinary tale, but one that dances on the edge of reality and myth, science and faith. It's a tale woven with threads of ancient texts, archaeological discoveries, and extraterrestrial theories. A tale that questions the very essence of our existence. Are we, humans, truly the masters of our destiny? Or are we mere pawns in an intergalactic game played by otherworldly entities we've termed 'Gods'? This topic has been a hotbed of controversy, attracting both fervent believers and skeptical critics. It's a debate that has raged within the hallowed halls of science and in the mystical realms of spiritual circles. And in this newsletter, we dare delve deeper into this enigma. We'll explore ancient astronaut theories and genetic manipulation hypotheses. We'll decipher cryptic legends and scrutinize archaeological evidence. We'll question mainstream narratives and dare to look beyond the veil of accepted history. So fasten your seatbelts, dear reader. It's time to embark on a mind-bending exploration into the "Slave Species of the Gods". 👥 Decoding the Divine: Who Are These 'Gods'? Who, indeed, are these entities we refer to as 'Gods'? The term 'Gods' itself is shrouded in ambiguity and mystery. Spanning across cultures, epochs, and civilizations, interpretations of these divine beings have been as varied as they are numerous.

From omnipotent, ethereal entities in monotheistic beliefs to pantheons of gods with human-like flaws and virtues in polytheistic cultures, the concept of 'Gods' shifts like a kaleidoscope through the lens of different perspectives. Ancient texts, revered by civilizations of yore, paint vivid pictures of these 'Gods'. They were not just distant, divine spectators but active participants in human evolution. Creators, protectors, educators, destroyers - their roles were as multifaceted as their personalities.

Ancient Texts Yet, beneath the reverence and wonder, the subject of 'Gods' isn't without its controversies and debates. Who were they, really? Literal divine beings or metaphorical representations? Or perhaps, as some daring theories suggest, extraterrestrial visitors misinterpreted as 'Gods' due to their advanced technology?

Gods Debate As we journey through this newsletter, we'll delve deeper into these riveting questions. And perhaps, by the end, we'll have a fresher, more nuanced perspective on the 'Gods' of our ancient past. 🌍 Earth: The Divine Sandbox As we delve deeper into the intriguing mythos of the 'Gods', a myriad of theories arise about the pivotal role our home planet supposedly played in their grand scheme. From being an experimental lab to the birthplace of a new species, Earth's narrative transcends the mundane in these theories.

Earth from Space A popular belief suggests that these 'Gods' utilized Earth as their cosmic laboratory. Here, they purportedly engaged in an array of activities, from mining precious resources to manipulating the DNA of existing lifeforms.

Gods experimenting Mankind, as per these theories, was not merely a byproduct of evolution, but rather a designed species. Some even propose that humans were engineered to serve as labor for these divine beings.

Human creation This idea, as controversial as it may sound, does find potential backing in various archeological and historical pieces of evidence. Ancient structures like Egypt's Great Pyramids, Peru's Machu Picchu, or England's Stonehenge often defy conventional explanations of their construction.

Great Pyramid These grand structures, built with a precision and scale unimaginable for the time, lead many to the tantalizing prospect of divine intervention. The presence of these 'Gods' on Earth, as remote as it may seem, is a concept embedded in countless ancient cultures and civilizations. Perhaps, it's time we take a closer look. 👽 "From the Heavens They Came: Exploring the Ancient Astronaut Theory" Ever been gripped by midnight musings of cosmic voyagers from galaxies far, far away? If yes, then you're in for a treat. Let's dive into the fascinating realm of the Ancient Astronaut Theory and its intriguing propositions. The Ancient Astronaut Theory, as intriguing as it sounds, is a concept that has sent shockwaves through the corridors of conventional historical understanding.

Ancient Astronaut Theory This theory posits that extraterrestrial beings, referred to as 'Ancient Astronauts', visited our blue planet eons ago. But that’s not all; it further suggests that these celestial visitors significantly influenced human civilizations in their nascent stages. And the 'Gods' that our ancestors worshiped? According to this theory, they were not mythical beings, but real, flesh-and-blood extraterrestrials with advanced technology that was perceived as divine power by our ancestors.

Extraterrestrial gods Sounds like a sci-fi blockbuster plot, doesn't it? But hold on to your skepticism. This theory is not without its fair share of compelling arguments and intriguing evidences. Take, for instance, the unexplainably advanced architectural marvels of ancient civilizations, like the Pyramids of Egypt or the Stonehenge. Our ancestors, with their limited technology, supposedly built these? Or, the curious depictions of 'Gods' in ancient art, often shown with what seem to be high-tech devices, helmets or even spacecrafts. These are just snippets of the vast body of evidences that proponents of this theory point to. So, the next time you look up at the night sky, remember: we might just be living in the remnants of an ancient, cosmic crossroads. Extraterrestrial Gods, Ancient Astronauts? The evidence is out there, and the debate is far from over. 🧬 The Genesis Code: Gods as Genetic Engineers

Ancient DNA helix Sliding down the rabbit hole of the 'Slave Species of the Gods', we have come across a fascinating theory. A theory that could potentially redefine our understanding of divinity and creation. The theory of Genetic Manipulation. This theory postulates that these so-called ‘Gods’ were not just otherworldly visitors but were also pioneers in genetic alteration. They were scientists working on the biggest canvas possible - life itself. Researchers who support this theory suggest that these Gods had a purpose to their experiments. They needed workers. Beings capable enough to understand and execute orders but submissive enough not to question their masters. Sounds like a familiar scenario? Only this time, it wasn't human masters but Gods at the helm. Thus, they claim, was born the 'Slave Species', through a cocktail of divine and native DNA. Peculiar? Absolutely. Improbable? Not necessarily.

DNA double helix There are several scientific observations that lend a shred of credibility to this wild hypothesis. Take the human genome itself, for example - a marvel of biological computing. The ENCODE project conducted by scientists globally revealed that a vast portion of our DNA, previously labeled as 'junk DNA', is in fact functional and vital. Could this 'extra' DNA be the legacy of our supposed divine creators? Only time, and more research, will tell. Next time you marvel at a feat of human accomplishment, remember - we might all be part of an experiment conducted by ancient extraterrestrial geneticists. A chilling thought, isn't it? 📚 Old Scripts, New Insights: Unraveling Ancient Texts and Legends Over the centuries, numerous texts and legends have emerged, painting fascinating pictures of 'Gods' and what are dubbed as 'Slave Species'. A notable one is the Sumerian texts. These ancient tablets, originating in Mesopotamia, often speak of 'Anunnaki', believed to be 'Gods'. Intriguingly, they also mention 'lu-lu', a term some experts interpret as a reference to a primitive worker or 'Slave Species'.

Sumerian+tablets Similarly, Hindu scriptures like the Vedas and the Puranas describe 'Devas' and 'Asuras'. Researchers often draw parallels between these entities and the 'Gods' and 'Slave Species' narrative. But what do these interpretations really mean? Researchers dive deep into these symbolic narratives, trying to decipher the cryptic language. They use linguistic, archaeological, and even astronomical tools to piece together a narrative that could help uncover humanity's hidden past. The interpretations, however, are not without their controversies. While some scholars argue these texts are descriptions of real events masked in allegory, others contend they are purely mythological. Regardless of the debates, these interpretations have certainly shaken our understanding of human history.

Historical+interpretation They pose thought-provoking questions: Could our ancestors have been more advanced than we assume? Is our history intertwined with beings from other worlds? Answers remain elusive. However, the exploration of these ancient texts and legends continues to offer intriguing insights, each one bringing us closer to understanding our own story on this blue planet. 🧐 Mythbusters: Dissecting the 'Slave Species of the Gods' Theory When it comes to theories as captivating and controversial as the 'Slave Species of the Gods', it's no surprise that a bunch of misconceptions find their way into the mix. Let's address a few of these myths head-on, shall we? Myth 1: The theory is purely fiction, with no scientific basis. While it's true that the theory ventures into the realm of the speculative, it's far from being baseless. There have been numerous archaeological discoveries and historical interpretations that support some aspects of this theory. Myth 2: Supporters of the theory reject all conventional explanations of human evolution. Not exactly. Most proponents of the 'Slave Species' theory appreciate established scientific theories. But they also believe in the possibility of our understanding being incomplete. They argue for an open-minded exploration of alternative theories that could add another layer to our understanding of human history.

Alternative theories Myth 3: The theory is based on wild interpretations of ancient texts and symbols. Interpretation is indeed a key aspect of this theory. But calling it 'wild' is a bit of a stretch. Many of these interpretations are backed by expert linguists and historians, and they often provide fascinating new perspectives on ancient texts and symbols. In the end, whether you subscribe to this theory or not, one thing is clear: the 'Slave Species of the Gods' theory stimulates thought, encourages questioning, and invites us to look at our history from a fresh perspective. So, keep an open mind. Let's not be afraid to dive into the depths of controversial theories and come out with a more enriched understanding of our past...and possibly, our future. 📣 The Final Word: Inviting Your Thoughts on the 'Slave Species' Conundrum Well, friends, we've certainly journeyed through a maze of theories, interpretations, and ancient enigmas today. From the mysterious 'Gods' and their potential role in shaping our Earth, through the labyrinth of the Ancient Astronaut Theory, to the controversial notion of genetic manipulation birthing a slave species. And let's not forget our delve into the myriad ancient texts and legends that have kept scholars guessing for ages.

Ancient Texts and Legends Remember, these theories and ideas are all pieces of a puzzle that we're trying to solve together. And the reality? Well, it could be all these theories combined, or none of them at all. That's the beauty—we're still searching for the truth. We encourage you to think critically about these ideas. Question the theories, scrutinize the evidence, and debate the possibilities. Formulate your own opinions because, in the end, your thoughts are what truly matter.

Think Critically We'd love to hear your views on the 'Slave Species of the Gods' theory. Join us on our social media platforms to engage in a healthy, open-minded debate about this fascinating topic. Who knows? Your insight might be the missing piece to this age-old puzzle. We can't wait to hear from you. Until our next exploration, keep wondering, keep questioning. Your curiosity is our greatest asset. Check out Slave Species of the Gods Read the full article

0 notes

sapphorarelyreads · 3 years

Text

Mystery of The Voynich Manuscript

In 1912, Wilfrid Voynich, a Polish-American antiquarian and bibliophile discovered this cryptic codex among a pile of manuscripts in Villa Mondragone in Italy. It’s thought to have been written in the 15th or 16th century. The mystery part is that no one knows it’s true author and the language it’s written in. Ever since it was discovered, scientists and scholars have been trying to decipher the text but only a small amount of progress has been made. The language or code used in the book is unknown, but the elaborate illustrations helped divide the book into 6 sections – botany or herbal, astronomy and astrology, balneology or biology, cosmology, pharmaceutical and continuous pages of text with short entries thought to be recipes.

The first and the largest section of the manuscript contains 113 detailed illustrations of plants and herbs, some of which exist and the others were nowhere to be found. The second section was found to be astronomy which was figured out by the drawings of the arrangement of stars, the sun and the moon, and zodiac symbols. The third section features many women immersed in fluids and interconnected tubes. The next section is composed of drawings of nine medallions filled with stars and other shapes. The fifth section contains drawings of plants and herbs again, but this time, enclosed in jars or bottles.

The fact that the codex showed multiple letter-like styles repeated leads to the conclusion that it holds either a language that existed eons ago, a cryptic message or a language invented by the unknown author. But the hypothesis that it might be a hoax cannot be rejected. By analyzing the illustrations, especially the plants, some existing species were identified and their names compared to the respective word given under the drawings. In 2017, it was discovered that a lot of text and illustrations were plagiarized from two medieval Latin books.

The ownership of this manuscript has been contested but its believed to have been under the care of Emperor Rudolf II after he bought it for 600 Ducats, then Jacobus Horcicki, followed by Johannes Marcus Marci, Georg Baresch, and finally Wilfrid Voynich.

The script is hypothesized to be a codebook cipher, shorthand, glossolalia, a constructed language, or written in an ancient Indo-European or Asian language.

10 people have claimed to have decoded the script as of now, the latest being that it’s written in calligraphic Proto-Romance language. The text consists of over 170,000 characters with 8,114 of them considered to be unique. Sometimes, a common word seems to appear about thrice in a row. The general impression of the manuscript, however, is that it addresses medieval medicine.

Only with more research and findings can we conclude that this book might be an uncrackable code or a well-orchestrated hoax.

#voynich manuscript #article #mystery #unsolved mysteries #mysteries #books #manuscripts

27 notes · View notes

garadinervi · 6 years

Photo

Gillo Dorfles, Le scritture asemantiche di Irma Blank, in Galleria Cenobio, Catalogue, April 1974, and in «Geiger» No. 6, Edizioni Geiger, Torino, 1974 / The Asemic Writing of Irma Blank, English translation by Nerida Newbigin, Book design & transcription of original Italian text by Tim Gaze, Coromandel Valley Books, 2014 (scan here). Italian and English texts in «gammm», July 18th, 2007

/ «[...] Sicché queste pagina scritte si presentano ai nostri occhi come messaggi segreti e criptici che vorremmo poter leggere; non altrimenti di come ci accade di voler decifrare senza riuscire qualche antico gerografico di lingue ormai morte, sopravvissute su qualche antica lapide e di cui possiamo apprezzare solo l’armonico succedersi del segni senza penetrarne l’intimo misterioso significato.» / [...] Thus these pages are presented to our eyes as secret, cryptic messages that we would like to be able to read; in just the same way as we might want to decode without succeeding some ancient hieroglyphic of long dead languages that survives on some ancient stone and of which we can appreciate only the harmonious succession of signs without penetrating the mysterious innermost meaning.» – Gillo Dorfles, 1974 /

(image: Irma Blank, Untitled, ca. 1974, Fondazione Bonotto)

#graphic design #art #visual writing #catalogue #magazine #irma blank #gillo dorfles #galleria cenobio #geiger #edizioni geiger #gammm #1970s #2000s #2010s

32 notes · View notes

wingedfabray · 7 years

Text

Merry Go ‘Round || Self-Para

Tagging: Quinn Fabray with mentions of others When: September-October 2017 Where: New York, Connecticut, Italy, Switzerland, & Poland What: In which Quinn finds her number. Warnings: None.

She was sitting at her desk, when the package arrived. The soft knock on her door was enough to make her jump. Her focus was far away, drifing over campus, drifting up. Too much had happened, since Harper had slipped a note into her hand and walked away. There was too much to do, too much chaos, too much noise. The note had been slipped into a bedside drawer, and she had settled into casual research. But the knock at the door brought everything right back.

The package was obviously a book, wrapped in brown paper and tied with pale string. Her grandmother's looped handwriting was scrawled in one corner, "This should be everything you need." She opened it slowly, carefully, peeling each corner back with shaking hands. It was an old journal, the edges soft and worn. Her hands shook as she layed it upon her desk. This was important. This was something from her grandmother's past, something that she'd held close for so long. Quinn could tell. It was in the way the leather gave easily when she opened it, how the pages were bent and frayed at the edges. It was important, she felt like she was holding history.

Quinn hadn't expected much, when she'd asked for help. She'd expected silence, a nod, or perhaps another string of numbers that would take her months to decode. That would take Sam Evans giving her a nudge in the right direction. This was so much more than a nudge. This was so much more than a nod, or silence. Her grandmother had handed her a journal. She was almost afraid to turn the first page. What if it was empty? What if it was just another mystery?

Finally pushing past the initial hesitation, Quinn turned the first page. It was full. Her eyes widened as they trailed over the looped handwriting, the first entry was signed and dated Harper Fabray, but the second entry caught her eye. It wasn't her grandmother's handwriting at all. It was dated and signed Regina Isolde Anderson, the handwriting sharper, more succinct. It wasn't just a journal. It was a correspondence.

She had her own. It was bound in black leather, with the imprint of two angel wings imprinted in the bottom right corner. Harper had given it to her when she was very little, just after her Godfather had left, when things seemed to hurt the most, and there was no way up. Their interactions were sparse, but years had filled the ledger almost to the end. Quinn was familiar with how the worked, with the magic soaked into the pages. While she’d never heard it, Quinn felt like her grandmother’s voice was hidden in the looped scrawl of her ledgers.

Quickly flipping through, she found that some sections were blurred out, as though the writing was there, but hidden behind a filter. The pages felt warm, hinting at worse if she tried to lift whatever spell kept them from her sight. Resolving herself against knowing all of Harper Fabray’s secrets, Quinn turned to the beginning once more. A small flame of excitement flickered to life somewhere in her chest, and a grin spread across her face. Jenna’s tail twitched in interest, paws shifting against the carpets in response to Quinn’s mood.

September 23rd, 2017

“October 3rd, 1967: Yale is a storybook in Autumn. The leaves have turned contrasting shades of orange, yellow, and red. Sidewalks are adorned in bright colors, shiny with rain. I wish I could take you, my dear Russell. I do hope you’re doing well with your uncle. They’ve taken quite an interest in you. They’ll have you running numbers from dusk ‘til dawn, but my son, do not forget the sun, your swing set and the little wooden sword you made from birch, do not forget me. I’ll bring you a book back from Yale: something 'with pictures’ you said, yes?”

Yale wasn’t quite the way her grandmother had described it. The leaves were just beginning to turn, but they had not yet fallen, and a bright sun beat cool light onto dry sidewalks. Quinn wonders if her grandmother had walked those paths. If she’d taken the same route to the library, cutting through old brick buildings, past well-manicured lawns, dodging students absorbed in their texts. It was so long ago, she wonders how much it had changed.

The library itself was grand, sweeping views leading the eye down floors and floors of books. Somewhere deep inside the rare books section was buried, and Quinn barely paused as she made her way through, a pass clenched tightly in her hands. Her grandmothers decimal number was burning a hole through the pocket in her sundress, and she wondered why she’d even brought it. The number was emblazoned in her mind, she’d likely never forget it again, even long after she’d discovered exactly what it meant. Her footsteps only faltered through the literature section, her eyes catching on ‘Austen.’

Everything smelled like old books, dusty paper, and ink. Beinecke was quiet and still, her footsteps echoing off of the protective glass. It was clean, techs handling books and manuscripts with gloves, holding them out as though they were bombs, ready to burst with a simple draft. A tech shook his head gently, when Quinn asked about outdated listing systems. “Manuscripts are brought in and transferred out all the time. Sorry, can’t help ya there. Is there anything else you need?”

October 4th, 2017

“December 12th, 1968: Dearest Regina Isolde Anderson, I have finally arrived in Venice. It’s colder here, and the cobblestone is dusted in frost. St. Mark’s has proven to be an excellent suggestion, but I expected no less of someone as savvy as you. I’ll be spending a few days here, the corner cafes are exceptional, and I’d rather I never had to leave. I’ll be brief, as I’ve said this many a time in the past year, but thank you for your support. In light of recent events, this trip has been something of a necessity for me, one that has been made possible through the care and support of friends and family. I shall be back before too long, do keep me up to date on the happenings with the UMC.”

It looked like a church. Quinn’s heels click clicked against the stone floors, and her wide eyes caught on every arch, every contrast in the stone, every globe, railing, and leather bound book. Light filtered in through windowed walls, and she had to resist the urge to run her hands along the spines of each book as she walked by. If Quinn had ever dreamt of traveling, if she’d ever sat down and thought about where she would go, what she would do, this library would feature every single time.

Too many days were spent in Venice, even after she’d rifled through every possible answer it had to offer. She wore her hair in curled up-dos, gloved hands wrapping silken scarves around her neck, sunglasses shading out the bright but cool sunlight. Days were spent in corner cafes, just as Harper had done so many years before. When she left, she was no closer to an answer, but she felt lighter, and closer to her grandmother than she ever had before.

October 12th, 2017

“June 26th, 1974: Daniel Fabray, I’ve found myself lost. Please, do not be alarmed. There’s no need to send for me, it is in..

I am in St. Galen, Switzerland. It’s so different here, than it is in New York. It’s different in ways that feel more like home than New York ever has. You see, Daniel, I’m lost of mind. I’ve found myself surrounded by books, so full on information that I should be content. But there’s no way for me to voice it. What good is knowing what I know, if I can’t use it? You know better than anyone, dearest brother. You know what this means. We’re capable of so much, you and I. What we can do is beautiful, grand. I remember how it felt, how wonderful and quiet and peaceful it could be. Now I’ve seen so much more, inked into ancient pages. The words sound so beautiful in my head, Daniel. But I’ll never know what they feel like, will I?

My apologies, I’m simply missing home.”

There was something darker about the cobblestone streets of St. Galen. The ground was uneven beneath her feet, stones wet from a recent rain were painted in the golden light of the streetlights. It was just cold enough to warrant a coat, which was drawn close against her chin, a scarf covering her mouth and nose. Most people passed by her with their heads turned down, unconcerned with another lost tourist.

She’d spent hours in St. Galen, most of which running over Harper’s words over and again. It hurt, somehow, even years later. She wondered if her grandmother had ever learned what those words felt like. There was a difference, she knew, between reading a spell, and saying it. Enochian felt different. It wasn’t just conveying a point, it wasn’t just another way to say ‘hello.’ She knew that, even before Harper’s cryptic note, even before her journey around the world.

She knew that, when she stood outside St. Patricks, asking the doors to open and feeling empty instead.

There was a book, tucked away in Abbey Library of St. Gall. It was old, the pages dusty. It wasn’t it, Quinn knew, but it was more than she’d had before she began her journey. She’d pulled out an empty notebook, whispering a quiet << Transfer >> and stepping back. The words inked themselves into the empty pages, her circle hovering above them, spinning slowly.

She’d tucked the book back where she found it with a sigh, fingers lingering over the spine.

“June 27th, 1974: Dearest Sister, Please come home.

I’ll be back soon; I’ve only one more stop. Please give Russell my love.”

October 25th, 2017

“September 19th, 1974: Daniel Fabray, I have found it! Daniel, I do believe Father was expecting me. I asked for their records, and he simply smiled. This text is beautiful, but it is old. You wouldn’t believe the kind of magic it proposes. It’s everything that I’ve ever wanted. It’s what I would have made of myself, had I still...

There is no use dwelling. I will record what I can, and return home as soon as I’ve had my fill of Poland. Father has expressed interest in visiting New York, perhaps I’ll bring a visitor. I’ll see you before too long, dear brother.”

Quinn traced the words over and again. Poland. She couldn’t help but wonder what she was truly looking for, when she stepped through an obscure portal in Kraków. There was still a number in her pocket, but...Quinn knew who her grandmother was talking about, she was sure of it. She knew he had bushy grey eyebrows, and a kind smile. His accent was strong, but his voice was gentle. He spoke with a slow patience that settled her, even when all she wanted to do was scream and cry. She could still hear his quiet “You are loved, Lucy.”

When she walked through the doors of the Parish of St. John, she was looking for him.

But the pastor was young, and he spoke very little english. Quinn quelled her disappointment with a sharp breath, fists clenched at her side. She offered a smile and inquired about their records. He smiled, as though he’d been waiting for her.

They made their way down a set of stone steps, leaving the grand architecture behind, replaced by plain cement walls. The air was dry, and it smelled of paper. Flickering lights illuminated rows of books, each with a number written in crooked ink at the bottom of the spine.

When she found hers, it had two angel wings imprinted into the bottom right corner.

#paras #p: merry go round

9 notes · View notes

popcartoonkabala · 7 years

Text

The Superman in super-heroism: Tipheret in Yesod because the problem starts from need.

Before was created the yawning absence through which reality was made possible, by getting out of the way, and inviting a world to be, as if, completely devoid of The Perfect and whatever That is--

--there was no drama.

No injury. No boundary violable. No story and no crime. No world, for all this trouble is impossible in the Pure Presence of whatever perfect used to be. That was a long time ago, by definition. History is made of the bouncing and pop! that filled the absence of that initial pre-day with movement, passion, novelty and accident. The God thing that could be described was entirely problematic, mercenary according to the sensory capacities of the most honest and expressive demand, animal and then human and more human. Maybe memory, maybe dream. What’s noticed when gazing down the absence, back at the Source of all Flavors in the appendage-tips of Allah Most High. Because, lets say, there are at least two fundamentally different ways we, popularly, when not being overtly facetious or ironic nowadays use the idea of “god” --The characters we identify with fundamental popular priorities. As regional as the priorities themselves, the local Elohim.

--The real that we cannot perceive, because it’s too big and all inclusive. The actual-beyond-regional. Whatever that is, the mystery behind science, maybe trivial, maybe utterly present and involved

Either the Real, or the True that discredits the Real. The core experienced that we cannot help but notice, identify, love and fear. This what what religion and popular media both formed as tools for relating to, but also, for unmasking and ritually stripping the power of, so that we could feel like we understand enough to at least relate to, safely. The forces that insist on being Problem, Solution, or Phenomenal Mystery Theater for the whole. This is what Kabbalah, historical and ongoing, traditional and experimental, aspires to clarify, that we might be empowered to at least understand how we are relating to Being. And solving problems! This is the moral aspiration in Kabbalah: overcoming cycles through perspective. --- Hi! My name’s Yoseph and this is Pop Cartoon Kabala, where I try and relate the historic mystical language that offers to contextualize and decode the meaning behind All The Stories, in the simplest terms available, breaking them down into convenient and accessible little codenames, elaborated and associated at length later on, as has been the history of written mysticsm. Start cryptic, because you can say more with less and so you won’t get in trouble, and then let generations build up to more detail the less was understood from context. Pop media mostly eschews this model? Only for a while. Every series, every program serially produced finds its way back from it’s novel pilot distinction to Approaching the Ancient of Days, delving into genre, history or just cliche for lack of the compelling in the unelaborated novel. It’s one of the blessings of the super-modern Netflix era, the extra episodes and spaces for character-or-theme development, deleted scenes, and all the nuance that remains peripheral and thus esoteric, saved for those who love enough to long for more detail and understanding. Written esoterica, i.e. Judaism but also all the rest is characterized by its infinite and expanding corpus of Apocrypha and commentary, each one more obscure than the last until or unless it emerges as Super-Canonical and becomes a certain kind of defining text for the whole community for the rest of all time. All the books, canonical and extra-- these compilations and elaborations became the main source that most communities have for their entire connection to the original source texts, and the original and everdefined divine expressed and experienced through them. This is the virtue and danger in making anything clearer. Responsibility for the update, the main work of the Tzaddik, the Hero, the Foundation, the protagonist: authentic and balanced sensitivity, as much as could be wanted, whatever will compels and continues to compel an engagement with. In this groping for language, personification and relation, is the beginning of the euphemisms that shine with our truest will and the testimony behind them.

-----------

The Problem With People, even and especially the most sweetest amongst us: Manipulative dishonesty or unapologetic insistence on unhelpful satisfactions. It’s the sort of problem that goes until noticed except half unconsciously, making us uncomfortable until a language emerges to express the problem. This is the problem with deific language that seems to constantly demand heresy and blasphemy, just to be honest, righteous or real. It’s one of the radical kindnesses of post biblical modernity, the vicious hostility to divinity, even as much as divinity is the main voice speaking, and purest sought thing. It’s why arch-cynics can have the 10 commandments on their desks: the invitation in even the worst excesses of religious dogma is a certain amount of re-clarified honesty. And the main concern that allows fundamentalists and evangels to intrude upon Our peace is the fear that we do not even understand ourselves, what we yearn for or mean. And so, rightness swivels and moves to be, according to the natural excess that it longs to offset. Hero literature invites clarification of a certain kind of super best good. This is what a Superman is for: Truth, etc. “Justice” is clarification, resolution, a harmony purchased through effort, and even sacrifice, for clarity’s sake. Super = Tipheret & Man = Yesod. Because need is the void that pulls imaginary hero into being. Win the war, whichever war is rightest and closest. Exciting mediums of moral conflict, in which fantasies of relative scales of infinite power and success are used to express a yearning for constantly changing and renewing stories of “justice.” The main difference between the previously revealed and popularly acknowledged-as-torah torah is only in the use of the visual/verbal fusion in the emerging comic book language. --- Yoel Chajes, scion of a long dynasty of rabbinic scholars and musicians, as well as mighty whalers and religious dissenters, once gave a “vort” at his Bar Mitzva comparing the visions of the mighty G-d of Israel and his power at the Song of the Sea following the exodus, just as the sea is splitting, with King David’s victory anthem, both ritually chanted on the seventh day of Passover, when his Bar Mitzva happened to come out. To do this, he contrasted the original vision of a merely super-powerful Superman circa Action Comics #15 with the nigh-invincible demi-god that Superman would become, transitioning from leaping really high (wow! Over a building? Whoa!) to flying at light speed around the sun to go back in time at his leisure (“yeah, sure. I can do that. Whatever.”) As if to say: the same El takes on different scales of role, depending on how much we need to be impressed and redeemed. From simple gravity? Or from Life and Death themselves? The more infinite Superman’s powers are, the more responsible he is to explain why he isn’t doing more, so theological answers start to be given for why Superman must allow some bad things to happen so humanity can work their shit out. The best and wholest of these efforts range from the generous to the theodic, with the mystery laying on Where Are The Limits of Our Expectation? Paul Dini and Alex Ross’s Superman: Peace on Earth, where, at least, he does try, features a beautiful shot of Him weeping as the food supplies he was carrying to African refugees smolder around him, destroyed by a rocket fired by some faction or another, intent on controlling the food. This is contrasted by a similar frustration in Garth Ennis and John Mcrea’s Hitman #34, where Superman is weeping bemoaning his own limitation in not being able to rescue an Astronaut. In Ennis’s story, there is nothing to be done, because nature and space and limits are what they are. In Dini’s story, the problem is more just the human heart. Both stories, notably, are Christmas stories. Because Superman is a super-Christ, as is known, a Solar deity in the aspect of Tipheret, often killed and resurrected. Often limited but the virtue is not giving up. Like G-d, the more infinite Superman’s power is, the harder it is to feel good about him, because after all: he’s letting the bad structure that rules the world endure. He must have his nifty reasons always, but the more he accepts his own limits, the sooner he becomes the lame tool of stories like Dark Knight Returns, endlessly justifying the sanctity of the status quo, until the point of nightmarish dystopian demiurgency. Who feels inspired by a god like that? Only the wicked. That’s a short history of world religion, and the development of the Theology in “the” Torah for you: God/the world/good is described in a certain way, to arouse the heart to excite people to a certain truth about how good is repressed and must not be accepted as such by any one in a position to do anything about it, until the limitations of that position are recognized by, like, everybody, and the relationship towards the responsibility evolves in response to the popular interest, now easier to track than ever thanks to sales figures (er… not counting all the torrented copies, alas--)

Ignored in the context of talking about Superman is his fictionality: Why not just take His presence in the world seriously? He is a metaphor for the power that is wielded by Something, and could be wielded by Us… if only we knew how? Enter the One hero, whose victory defines us, and hopes to survive us, in every sense in that he is certainly us, once. But the first could not last there alone for long. My theory here, that every hero is Superman in the same way that every God is Yahweh is the only god that any one can worship, or hero that one can revere: whichever one we're looking at now. Superman is the Christ that always wins, that's what he means, and I reckon, what the Christ is supposed to mean. There are only three things that can happen to superman, that have been discovered, that can be the end of his infinite saga of transendence. He can become evil, fall in love, or go off into space to approach bigger concerns, not to return to earth until the final crisis. This is how many Return of Superman sagas have begun, from the failed Superman Returns movie to Rob Liefeld's Supreme pastiche, which began as a violent superman ripoff in the context of early nineties grizzle, but emerged as the introduction of Alan Moore's Kabbalistic mythologization theory, where all retreads and retcons could make sense as part of one cosmic untidy poly-continuum, a principle which would soon become normative in all comic book universes, now unfettered from the need for an internally consistent alternate-reality justifying theory. It is all just narrative now, and some patterns for that narrative have been described.

Superman can only return from his slumber or distant war for the sake of One Last Victory, at the end of which he must be honored forever. This is the difference between Superman and Captain America, someone in many ways very similar, except that Captain America is defined, upon his resurrection, by his dissonant anachronism, as opposed to superman who can never function as an anachronism for long. Superman must fully assimilate into super-competence, including socially, in order to be, and if not, he must degrade into something less-useful, an intolerable situation, from which he must flee as soon as possible, to where he can super-function again. This can be any kind of need, from the powered down adventures on Kandor, or New Krypton, or in the 30th century-- That's ok, he can handle that, AS LONG AS THERE IS A NEED FOR HIM.

This is the hall mark of the Sephiros-- they are summoned by need. On the higher levels, it's unclear whose need-- there is little distinction when everyone is in the same boat. Superman's defeat of his enemies is special, in that even his enemies tend to ultimately benefit from his victory. This total victory is beyond distinction, and climbs up the ladder to the very highest priority. Tipheret is the center of the tree, bound to the highest and lowest of it's aspirations and sources. The irony of the kabbalistic tree is the degree to which it is upside down-- it's roots are singular and monistic, it's branches ultimately more like leaves. If you want to defeat Superman, you must make his priorities change.

Therein lies the mystery of the evolving living god, the emerging better priority of Harmony: adaptation to emerging need and emerging morality, the daughter of need. Law is a boy in love with a girl named need, and seeking to impress her, and superman has never given up on his first love, the one his mother inspired: devotion to the best and most modern good. “The American way” gave up to some better term for the righteousness that superman MUST represent if he's not going to be terrible, just as Christ has to die a little in order to not be as flawed a god as his father was (and he is) before the great sacrifice. Same with Dumuzi and Horus, the elohei tipheret, who represent the new order and it's marriage to infinite power. Batman is so different somehow, the Yesod hovering over malchus, closer to where the bad world becomes good. Maybe he's as high as Daas, but no, his virtue is too much about goodness and discipline. In some contexts, he could represent something closer to gevurah, but the truth is, Yesod is where he lives. Alan Moore's thelemic Kabbalah relates Yesod to the imagination, but that's not the association that we get with it in Jerusalem. Here, it's identified rather exclusively with righteousness, piety, faith and devotion, a certain kind of grounded harmony, the perfect balance between giving for the needs of the giver and giving for the needs of the receiver, a level of true sensitivity and intimacy that the Tipherets of infinite pre-packaged perfection can never touch. Yesod comes down to kiss reality in a way that Truth never can, and this is why Batman is always going to have a deeper and better relationship with Wonder Woman than Superman will, and why Batman is ultimately more resonant forever. The Saints are always going to be cooler than the Christ, no matter how much they love each other. There is much more to say about this, and so we will (G-d willing) every day or so, for the next week and half, relating to these last few days of Sephirat Haomer, until the Pentacost. So much for intro into the middle! I’ve been working on this for while, and it’s still a work in progress. Feel free to comment, ask questions, argue, clarify, or anything. What Id’ really appreciate is as much art as y’all want to send me; this project is being published as a big Art Book eventually, and the finest of submissions here will be paid for permission to use. But more than that: we’re trying to illuminate, take the resonant and spin it into the profoundly meaningful, the core that is appreciated inside of the noise and medium clarified like pure gold. Won’t you help me? Any illustrations inspired by the words above, please.

0 notes