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Ludovica Polo, Trasformazioni verbovisive. Parola e immagine fra arti e design: un percorso storico, (MA thesis), [lecturer/thesis advisor: Salvatore Zingale; Politecnico di Milano, Milano], Pittogramma, 2022 (pdf here)

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L'École d'Ulm: textes et manifestes, Design by Jean Widmer, Éditions du centre Pompidou, Paris, 1988 [Benoît Waterkeyn. typoswiss]

Exhibition: L'École d'Ulm: design, architecture, communication visuelle, Centre de création industrielle (CCI), Centre Georges Pompidou, Paris, February 24 – May 23, 1988 (poster here)

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Rosemarie Trockel, Untitled, (foam plastic, wool), 1990; from Rosemarie Trockel: Material, (installation view), Sprüth Magers, New York, NY, May 8 – August 1, 2025 [© Rosemarie Trockel / VG Bild Kunst, Bonn, 2025. Courtesy the artist and Sprüth Magers. Photo: Axel Schneider]

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Rosemarie Trockel, Vera Falling Apart, (acrylic wool on canvas, framed in plexiglass), 2022; from Rosemarie Trockel: Material, (installation view), Sprüth Magers, New York, NY, May 8 – August 1, 2025 [© Rosemarie Trockel / VG Bild Kunst, Bonn, 2025. Courtesy the artist and Sprüth Magers. Photo: Ingo Kniest]

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From: Rosemarie Trockel: Material, (installation view), Sprüth Magers, New York, NY, May 8 – August 1, 2025 [© Rosemarie Trockel / VG Bild Kunst, Bonn, 2025. Courtesy the artist and Sprüth Magers. Photo: Ingo Kniest]

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Rosemarie Trockel, Series of works Less-than, (plexiglass), 2017-2024; from Rosemarie Trockel: Material, (installation view), Sprüth Magers, New York, NY, May 8 – August 1, 2025 [© Rosemarie Trockel / VG Bild Kunst, Bonn, 2025. Courtesy the artist and Sprüth Magers. Photo: Ingo Kniest]

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Works in progress, Los Angeles, 2024 [Art/Photo: © Rebecca Morris]; from In the Studio: Rebecca Morris, Interview and editing by Jenny Gill, Joan Mitchell Foundation, New York, NY, April 21, 2025

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Left to right: 'Untitled (#17-24)' and 'Untitled (#16-24)' in Rebecca Morris' studio, Los Angeles, CA, 2024 [Art: © Rebecca Morris. Photo: © Flying Studio]; from In the Studio: Rebecca Morris, Interview and editing by Jenny Gill, Joan Mitchell Foundation, New York, NY, April 21, 2025

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Rebecca Morris in her studio, Los Angeles, CA, 2025 [Art: © Rebecca Morris. Photo: © Flying Studio]; from In the Studio: Rebecca Morris, Interview and editing by Jenny Gill, Joan Mitchell Foundation, New York, NY, April 21, 2025

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Karel Martens: Unbound, Texts by Thomas Castro, and Rein Wolfs, Design by Karel Martens, Susu Lee, and Jordi de Vetten, «Roma Publication» 492, Roma Publications, Amsterdam, 2025, in collaboration with Stedelijk Museum Amsterdam (pt. 2) (pt. 1 here) [Art: © Karel Martens]

Exhibition: Stedelijk Museum Amsterdam, July 11 – October 26, 2025

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Karel Martens: Unbound, Texts by Thomas Castro, and Rein Wolfs, Design by Karel Martens, Susu Lee, and Jordi de Vetten, «Roma Publication» 492, Roma Publications, Amsterdam, 2025, in collaboration with Stedelijk Museum Amsterdam (pt. 1) (pt. 2 here) [Art: © Karel Martens]

Exhibition: Stedelijk Museum Amsterdam, July 11 – October 26, 2025

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Gianpaolo Pagni, ROBERT POÈTE. Fabriquer / Ferme, (oil pastel on a dictionary page), 2025 [© Gianpaolo Pagni]

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Gianpaolo Pagni, ROBERT POÈTE. Flou / Frisson, (oil pastel on a dictionary page), 2025 [© Gianpaolo Pagni]

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From: Shobi Shobikai, [Beauty of clothing], (1 page of text and 190 silk colour samples mounted on 12 cardboard sheets), Horiguchi dyeing sample factory, Kyoto, 1954 [Ursus Books & Gallery, New York, NY]

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From: Shobi Shobikai, [Beauty of clothing], (1 page of text and 190 silk colour samples mounted on 12 cardboard sheets), Horiguchi dyeing sample factory, Kyoto, 1954 [Ursus Books & Gallery, New York, NY]

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From: Shobi Shobikai, [Beauty of clothing], (1 page of text and 190 silk colour samples mounted on 12 cardboard sheets), Horiguchi dyeing sample factory, Kyoto, 1954 [Ursus Books & Gallery, New York, NY]

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From: Shobi Shobikai, [Beauty of clothing], (1 page of text and 190 silk colour samples mounted on 12 cardboard sheets), Horiguchi dyeing sample factory, Kyoto, 1954 [Ursus Books & Gallery, New York, NY]