Ann Demeulemeester Interview with Diane Pernet (2011)
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Lecce, Italy by DIANE PERNET
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US Vogue August 1985
Lucy Cunningham is wearing a 7/8 fawn print faux fur coat. By Diane Pernet. Leather skirt and turtleneck, Azzedine Alaïa. Pumps, Pancaldi, sunglasses, Wayfarer by Bausch & Lomb, Portolano Products gloves, belt, Kieselstein-Cord Salon, tights, Leg Looks by Burlington, bag (on the table) La Bagagerie.
Lucy Cunningham porte un manteau7/8 en fausse fourrure imrpimé fauve. Par Diane Pernet. Jupe en cuir et col roulé, Azzedine Alaïa. Escarpins, Pancaldi, lunettes de soleil, Wayfarer par Bausch & Lomb, gants Portolano Products, ceinture, Kieselstein-Cord Salon, collants, Leg Looks de Burlington, sac (sur la table) La Bagagerie.
Photo Andrea Blanch
vogue archive
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ASVOFF Festival receives official homologation from the French Ministry of Culture
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WOW Diane Pernet wants to connect with me on LinkedIn 😱🪦
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ERL, Eli Russell Linnetz at the Dover Street Market Showroom, march 2022. Photo by Diane Pernet
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Critic Cathy Horyn, OG Blogger Diane Pernet and More Walked the Balenciaga Spring 2024 Show
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For Diane Pernet, Technology With Imagination Marks the Future of Fashion Journalism
For Diane Pernet, Technology With Imagination Marks the Future of Fashion Journalism
In 1947, Harper’s Bazaar’s Editor-in-Chief Carmel Snow famously dubbed Christian Dior’s collection the “New Look”. And while it was Dior’s exceptional talent that created the new silhouette, it was Snow’s review that made everyone look and take note. In that context, the legitimacy of fashion journalism was cemented for a whole magazine-focused era that followed. An era that gradually came to an…
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Kim Jones @ Umbro.
Texto: Diane Pernet.
B-Guided #19 Primavera 2004
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