#ECDR

[mymechas]

[inkless-knight]

Update!!! Ch. 4

Rating: Mature Relationships: Otabek Altin/Jean-Jacques Leroy Characters: Jean-Jacques Leroy, Otabek Altin, Jean-Jacques Leroy's Parents Additional Tags: JJStyleWeek, AU, King and Knight, Hurt/Comfort, King JJ, Knight Otabek, Forbidden Love, Jjbek, Secret Relationship, Aged-Up Character(s), Flashbacks, Lovely dorks in lovely love, JJbekweek, Masquerade, Slow Dancing, NSFW, First Time, Awkward First Time, P0rn with feelings Summary:

Les había costado, pero el rey tendía a siempre lograr lo que quería, se había esforzado porque ambos disfrutaran. Incluso si era en contra del buen juicio del General, a quien los recuerdos todavía le dolían desde la primera vez...

[carolinasousawrites]

I’m tired of my story.

I spent the semester writing and rewriting the synopsis for my class. I just don’t wanna have to do this anymore. I’m 50-something pages into the script, finally getting close to the ending. And all I can think is how crappy everything is turning out because I’m tired of the story, because I can’t seem to balance dialogue and action in a script.

Part of me just wants to print the whole thing and pull my colored pen out and edit the hell out of it. Another part wants to throw it out of my window.

[travelwithvnb]

Có một Pù Luông nép mình ở mạn Thanh Hóa: Combo 2N1Đ Pù Luông Retreat + xe khứ hồi

Nếu chưa thì mau mau túm ngay lấy chiếc trend "lúc đi cứ ngại lối xa, nhưng mà lúc đến lại không muốn về" đi nè – combo 2N1Đ Pù Luông Retreat + xe khứ hồi hân hạnh được tài trợ về mặt tinh thần cho chuyến đi lần này. Bạn sẽ sốc khi biết được tổng thiệt nếu chọn Pù Luông Retreat đấy. Còn muốn biết sốc như thế nào thì phải kéo xuống thôi!

Xem thêm : https://g2.by/eCDR

[petrosolgas]

SBM Offshore está com vagas de emprego abertas para profissionais de nível técnico e superior

SBM Offshore está ofertando diversas vagas de emprego no estado do Rio de Janeiro. A empresa trabalha, principalmente, projetando, fornecendo, instalando, operando e mantendo embarcações flutuantes de produção, armazenamento e descarga (FPSO). Dessa forma, caso tenha interesse em trabalhar na multinacional, essa é sua chance!

Confira algumas das vagas de emprego ofertadas pela SBM Offshore

Supervisor de Carga — E-Squad

As qualificações mínimas necessárias para essa vaga são dispostas conforme STCW II/2 Chief Officer de navios de arqueação bruta igual ou superior a 3000. A empresa busca profissionais com 3 anos de experiência em petroleiros, preferencialmente VLCC, como OOW, Officer on Watch. É desejável experiência em Chief Officer.

Experiência anterior em FPSO será considerada uma vantagem e estar medicamente adequado aos padrões internacionais offshore, como ENG1 ou equivalente é essencial.

Local da vaga de emprego: Rio de Janeiro/RJ.

Fabric Maintenance Lead | Líder de manutenção de tecido

Para concorrer a esta vaga é necessário possuir graduação em Engenharia e conhecimentos avançados de Inglês.

Local da vaga de emprego: Rio de Janeiro/RJ.

Oportunidades de EX Inspector no Brasil

Os candidatos com experiência de campo/site liderando equipes em interface com estaleiros e clientes estarão aptos a participar do processo seletivo referente a este cargo.

A empresa também elenca como essencial que se possua um dos seguintes certificados válidos: COMPEX Ex 01-04 ou IECEx COPC 01-03-04-07-08 ou EEHA (AS/NZS 60079 e AS/NZS 4761).

Experiência e exposição real a estaleiros de construção nas disciplinas de qualidade de construção, fabricação ou construção são requisitos imprescindíveis para esse cargo.

Local da vaga de emprego: Angra dos Reis/RJ.

Veja outras oportunidades disponíveis na companhia

Superintendente de Revestimento e Isolamento no Brasil (contrato local)

Para concorrer a esta vaga é crucial estar totalmente familiarizado com os Requisitos Técnicos de Isolamento EQUINOR / SBM, assim como com os materiais de isolamento e PFP da KAEFER.

Capacidade de ler isométricos de tubulações e tubulações, P&IDs e diagramas de rastreamento de calor é indispensável, assim como capacidade de desenhar novas listas de materiais para isolamento e escopo de trabalho do PFP.

Aqueles com familiaridade com o modelo 3D do Navisworks, com ProCoSys (sistema de conclusão do cliente) e com os sistemas SBM, EDMS e ECDR estarão cumprindo itens obrigatórios para a vaga.

Local da vaga de emprego: Rio de Janeiro/RJ.

Superintendente de Telecom (TI) no Brasil (contrato local)

Os profissionais interessados em participar da seleção referente a esta vaga deverão possuir no mínimo de 15 anos de experiência em Petróleo e Gás, em Engenharia de Telecomunicações e/ou Construção e/ou Gerenciamento de Projetos, com 5 anos de experiência petroquímica com ênfase em instalações de produção FPSO/FSO.

De acordo com a SBM Offshore, é necessário experiência anterior em função similar, assim como excelente inglês escrito e falado, outros idiomas relevantes também são desejáveis. É obrigatório possuir 5 anos de experiência comprovada em supervisão.

Local da vaga de emprego: Rio de Janeiro/RJ.

Operador de GP/Marinheiro Capaz no Brasil (offshore)

Concorrentes interessados nessa vaga devem possuir mais de 2 anos de experiência em uma capacidade de convés nas indústrias offshore ou naval e certificação STCW Reg AII/4.

É importante estar medicamente adequado aos padrões internacionais offshore, como ENG1 ou equivalente.

É crucial possuir habilidade suficiente em comunicação escrita e falada no idioma inglês, necessária para permitir transferências de trabalho seguras e resposta a emergências.

Local da vaga de emprego: Rio de Janeiro/RJ.

O post SBM Offshore está com vagas de emprego abertas para profissionais de nível técnico e superior apareceu primeiro em Petrosolgas.

[youreageniususyoureallyare-blog]

How hyperlinking is different than Downlading?

The CJEU in the Lan Nordhein – Westfalen v Dirk Renckhoff [2018] ECDR 21 case, found that a school pupil who had downloaded a photo from an online travel portal, in order to use it in a school presentation, which was later uploaded to the school website, has acted an act of communication and therefore has infringed the copyrights owner’s rights. Interestingly, if the school pupil had used a hyperlink instead of downloading the photo, the decision would probably be completely different.

Specifically, according to previous Decisions of the Court of Justice, like the C-160 / 15 GS Media v Sanoma [2016] case for instance, users are not acting an act of communication when they use hyperlinks to communicate online copyright protected content, unless the original content is infringing itself and even then, only under the condition that they knew or ought to know the infringing nature of the original content.

Picture: ComputerHope.com viewed 26 November 2019, <https://www.computerhope.com/jargon/h/hyperlink.htm>.

There are two conditions any of which can be met, for an act to be considered as an act of communication, under the Section 20(1) SDPA: Either the communication to be done by new technical means or to be communicated to a new public. The court found that no new technical means where used when the photograph was communicated to the school website in comparison to the technical means used in the initial communication of the work. However, it found that there was a communication to a new public, even though the original website had no restrictions on downloading or accessing its content and therefore public targeted was practically every internet user.

A decisive factor which differentiates hyperlinks from this case, is the fact that in hyperlinks the author retains control as to weather the work is communicated to the public. On the contrary, as the course noted: “it is clear that, even if the holder of the copyright decides no longer to communicate his work on the website on which it was initially communicated with his consent, that work would remain available on the website on which it had been newly posted…” – Para 31

Another reason is that if it was found that the author after the first communication of the work to the public had no control over future reposting of it, this “would amount to applying an exhaustion rule to the right of communication.” – Para 33

Most interestingly though, the court, in an attempt to strike a balance between the author’s copyrights and the right to information and communication in the internet, noted that hyperlinks are not considered as an act of communication. Therefore, hyperlinks are considered essential to the sound operation of the Internet, while “the publication on a website …. of a work which was previously communicated on another website with the consent of that copyright holder does not contribute, to the same extent, to that objective.” – Para 40”

Source: A Brown, S Kheria, J Cornwell, and M Iljadica, Contemporary Intellectual Property: Law and Policy, Oxford University Press, 2019

[catherine970613-blog]

As for the protection of copyright in the digital environment, there are two famous cases about the Public Communication right which are C-466/12 Svensson v Retriever Sverige AB[2014] ECDR 9 and Case C-161/17 Land Nordrhein-Westfalen v Dirk Renckhoff [2018] ECDR 21. At first I read these two cases I found it confusing because I think there are lots of commons and leading to different held. Consequently, in this blog I’ll analyse the similarity and difference between the two cases.

First case is about a website, without the authorisation of the copyright holders, provided a hyperlinks to S’s articles. And the second is that a pupil of a school downloaded the photo( photo as shown below) and used it to illustrate a school presentation. Then, the presentation was uploaded to the school website. More succinctly, the first is giving a hyperlink and the other is to download a picture and repost it on another website.

Clearly, the common thing is that the two copyright works can be accessed freely online, which means the two plaintiffs did not use any restrictive measures to prevent anyone from accessing the works, so this may lead to a question “whether a work, which is freely available online, can be communicated to a new public during the process of giving the hyperlinks or reposting on another website”.

However, these two cases have more differences. Firstly, giving hyperlinks means author still has control on his work while reposting the picture is a way that the copyright owner loses control ( by removing the original upload, the picture on another website can still be available online). What’s more, reproducing the photograph and then uploading had “played a decisive role in the communication of that work to a new public”, contrasting with “the lack of any involvement by the administrator of the site on which the clickable link had been inserted”.

A common view saying Svensson case should be applied in the Land Nordrhein case. It may be argued that both copyright works are accessible online without the copyright owner imposing any restriction, every internet users can access to the work so there is no issue of “communicating to the new public”. At first, I agreed with this view, and then with deeper understand, I realized this view has a obvious problem, which is applying an exhaustion rule to the right of communication. This is obviously contrary to the Article 3(3) of the InfoSoc Directive. Author’s right to communication is quite significant which is a opportunity to claim an appropriate reward for the use of work.

As Cheng Lim SAW comment:”We should all be cautious about refering to a work online and it is best to simply supply a hyperlink to it on one’s own website so as to be able to take advantage of the CJEU’s fact-specific Svensson decision. “

[inveterade]

Escola de Cinema Darcy Ribeiro abre seleção para bolsistas

Escola de Cinema Darcy Ribeiro abre seleção para bolsistas

A Escola de Cinema Darcy Ribeiro (ECDR) torna pública a abertura das inscrições para o processo de seleção para o Programa de Capacitação em Mídias Digitais para Produção Audiovisual, através do qual serão selecionados 35 (trinta e cinco) bolsistas. A saber, o curso terá duração de seis meses, com carga horária total de 1.050 (mil e cinqüenta) horas, e é voltado para jovens e adultos de baixa…

[warthonblp]

Y llego , no me asusto , por que es real , y te amo con locura , ahora te digo : que mañana no se acaba jamas. Prueba mi veneno inmoral , ahora dilo ... que me amas , y que mañana no se acaba jamas . ECDRS

[ndpproduz]

Sábado na ecdr. (em Laranja)

[pius2017]

Identify commands that were of greatest benefit and provide general comments on the overall lab experience.

Identify commands that were of greatest benefit and provide general comments on the overall lab experience.

Lab Assignment 2: Disaster Recovery Planning and Implementation; Business Continuity Management Complete the following EC-Council Labs. Lab Version Module Title Location Lab #: Title Deliverable(s) for Submission ECDR-ECVT Disaster Recovery Planning and Implementation iLab Module 3 Lab 1: Implementing Disaster Recovery Plans Using EASEUS Data Recovery Wizard Screen shots after Steps 7 and 13 Lab…

[scidocpublishers]

Frequency and Determining Factors of Empiric Chemotherapy Dose Reduction in Patients with Non-Small Cell Lung Cancer

Frequency and Determining Factors of Empiric Chemotherapy Dose Reduction in Patients with Non-Small Cell Lung Cancer

To determine the frequency and key factors regarding empiric chemotherapy dose reductions (ECDR) in nonsmall cell lung cancer (NSCLC) patients.

Empiric chemotherapy dose reduction

Non-small cell lung cancer (NSCLC) is a disease of the elderly with a median age diagnosis at seventy-one years of age . Unfortunately, the risk of chemotherapy toxicities, such as mucositis, myelosuppression,…

[carolinasousawrites]

Actually wrote something today! Yay!

[carolinasousawrites]

My stories / Minhas histórias

In English

The Granddad Adventures - some of our mundane adventures

Friendship Really Is Forever - Immortal best friends Bryn Norling and Audrey "Audie" Wilcox get together to catch up on their lives and some good old gossip

Tales of Super Normal Life:

Birdie & Dave - after it didn't happen a couple of times, they met

1.Beginnings - Every story starts somewhere (or Charlie gets her dream job)

32. Sunset - It was the best place to take a break from underground (or Charlie, Nic, and perspective)

27. Parents - Lee & Bob and the two convos about kids

85. She - You never know when you'll meet a friend for life (or meet Jill)

49. Club - There's always another side to a story (or meet the newest hired muscle in Harrington)

96. Author's Choice 1 - Oliver Murphy, wingman extraordinaire (or how Charlie and Jill went from doctor and patient to friends)

94. Independence - Charlie moves out. Again.

Em Português

Fred e Gene - como Gene Kelly fez Fred Aistaire sair da aposentadoria (escrito para um trabalho da ECDR)

Amizade É Pra Sempre Mesmo - melhores amigas e imortais, Bryn e Audie se juntam pra tomar um café e botar a fofoca em dia

Contos de uma Vida Super Normal:

Birdie & Dave - depois de não acontecer umas vezes, eles finalmente se conheceram

1. Começos - Toda história começa em algum lugar (ou Charlie consegue o emprego dos sonhos dela)

32. Pôr do Sol - Lá era o melhor lugar pra dar uma folga do subterrâneo (ou Charlie, Nic e perspectiva)

27. Pais - Lee & Bob e as 2 conversas sobre ter filhos

85. Ela - A gente nunca sabe quando vai conhecer uma amiga pra vida toda (ou conheça a Jill)

49. Clube - Tem sempre o outro lado da história (ou conheça o mais novo capanga por contrato de Harrington)

96. Escolha da Autora 1 - Oliver Murphy, o melhor ajudante (ou como Charlie e Jill passaram de médica e paciente a amigas)

94. Independência - Charlie sai da casa dos pais. De novo.

[carolinasousawrites]

It’s so frustrating!

I have three days to finish feature film script or else I don’t graduate. And I know it’s crap. I don’t mean to say ‘oh, I’m dealing with self-doubt and I think that writing is bad, even though it’s probably fine’. I objectivelly know it’s bad. Because I have characters in a scene with barely any actual presence, no balance between dialogue and action - which makes them talking floating heads.

And I don’t know how to fix this. Because after two years of classes, I’ve written everything but a script.

The steps before getting to the script? Well, I don’t really know how to do them either. I can have an idea and plan aroun it the same way I could two years before, when I wasn’t a scriptwriting student.

My planning skills haven’t developed in the least. I still cannot write an argument, which is a basic skill in this market. I can’t write scene descriptions as drafts. And I’m struggling to push through and finish this film.

Because, right now, it feels pointless.

I’ve studied so much about the theory of writing and so little of its practice. A part of me just wants to get it over with, another part wants to throw this script out the window.

[carolinasousawrites]

There were so many times I wanted to write, but had work to do. Now I have to write, or else the last two years of studying will be for nothing. I know you can't depend on inspiration to get work done, but it's not even that. I'm tired of the story. I spent a semester working on it without any actual script writing. I gave myself two weeks off. About a month ago. I really hope I can sit down and push through to get this done.