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[ethanmaldridge]

Hi! I came across a post about brightblade and your art is gorgeous!!

I have a question though - since it's not digitally painted what was your process from bringing it from paper to the version it is in print? Are there special scanners that keep the details and colours as close to the original as possible? What kind of programs did you use to format the pages?

Or did you have an editor who was concerned with this part of the process? Sorry I'm just really curious.

A very good question! When I'm done painting my watercolor comic pages, I scan them into my computer (I use an old Epson Perfection V550 scanner).

Scanning tends to wash out the colors of the original painting, so I adjust the Levels (in either PS or ClipStudio) until the scan's colors match the original.

From there, I add borders, speech bubbles, and text in ClipStudio Paint, which has really good and easy-to-learn comic tools. That's it, if the comic is going to be web-based. If it's for my books, I then convert the files over to Photoshop to convert to CMYK (the better color format for print) and reformat the text so it can be edited.

[vintageslideshow]

today’s 10 minute project: restoring a tourist slide

So you have heard me tell about Pana-Vue slides, the ones that you could buy by the five-pack at every tourist trap and national monument in the 1950s-1970s, and how they were reprinted on cheap stock so after 10 years they shift colors toward amber or pink. Not long ago when I obtained a ridiculous number of slides there were three of these package, for a total of 15 slides, of the wonderful village of Skagway, Alaska.

Let’s see what I can do to fix one of the slides... namely “Looking Down Main Street” because we have a preconceived notion of what a ‘downtown’ looks like so the original colors are easier to guess.

First image: A raw scan to show the original image and its discoloration.

Yeah, we have a good candidate here. Second image, actually two of them for comparison, we’ll scan the slide using two scanner programs and have the Restore Colors settting turned on in both.

The left one is using my Epson scanner’s included software, the right one is using Vue-Scan from Hamrick Software. [I am not being paid to plug this, but I did buy it once upon a time because its restoration abilities are astounding.] The small differences cause me to select the Vue-Scan edition, so moving on...

Third image: It’s time to remove the dust and noise, so I enable the Digital ICE (Image Correction and Enhancement) feature, which in Vue-Scan is called Infrared Filter, and it does a second scan after the main one to come up with a noise profile to remove from the original photo. I think Medium strength should work best here. So let’s scan this slide again using the ICE:

Ahh, yes, that’s better. There wasn’t a lot of noise and dust on this slide but it’s definitely more visible in the clouds what was removed. Since the Vue-Scan version was a bit lighter than the Epson version, I’m going to use Kodak’s ROC (Restore Original Colors) filter in IrfanView to increase the vibrance a mite. Yes, I could fiddle in color settings in Irfan instead but it’s easier in ROC. So for the Fourth image: Adjusting the black and white clipping thresholds to 1.5 each and setting the strength to 30 in the ROC filter...

Fifth image: Since I was saving the ROC’d image manually anyhow, I took this moment to have IrfanView do a vertical flip because the writing on the sign in front of that building shows I had the slide turned over on the scanner...

But now my eye goes to the graininess of the original image, visible in the nearest building’s green roof. Kodak’s GEM (Grain Enhancement Module) filter may be of assistance here, so in the Sixth image: again using IrfanView I fire up the GEM filter, setting all sliders to 50% with the noise radius to 2 so it’s not totally smoothed out (as the default is) and yet not as ‘gritty’. Once that was processed, since I still had to save the image anyway, I bumped the Saturation to 70 to add a slight bit more color strength.

Surprisingly the grain filter had almost no effect on the dirt road, it just softened the roof. I can live with this rendition!

[yutaan]

Hi,

I love your papercraft and drawings. It’s always wonderful to see your work. I was wondering what you use to achieve your work in a digital format? I’ve used scanner attached to printers and for the most part all is fine until I scan something green. Most of the time the green becomes more yellow or faded compared to its in-person counterpart. Even with a lot of color manipulation or adjusting the scanner settings I can't seem to get a close rich emerald green that's on the actual painting. Do you have any tips or suggestions?

Hello! Thank you so much for enjoying my work! :D

I also use a scanner/printer combo - just a basic Epson home printer - and it tends to scan artwork much duller than it appears in person, save for red, which for whatever reason it blows way out. I also don't have much luck with adjusting the settings on the scanner itself, so to clean up my papercraft scans, I bring them over into Photoshop and adjust the colors there. PS is the art program I'm most familiar with, so I can't speak to what other programs might be best for this, but I believe most should have some way of achieving detailed color adjustment!

I first sharpen the image, then digitally clean up any dust that scanned in, then play around with levels and exposure until the piece's darks and lights look accurate to life, then go in and adjust the saturation of individual color. It takes a while, but by the end the scans do look much more true to life!

Best of luck! May your scans all look glorious.

[rockmiyabideusexmachina]

Hey there Miyabi! How do you get such high-res, beautiful, and professional scan quality? What's your process?

Thank you! I certainly don't think I do anything that professional, so glad you have been decieved into thinking that about them! LOL I started doing this scan of the day stuff just to bring better quality to a lot of the older contributions of mine floating around the web. Looking at them on here, the Megaman wikia and other places, they just felt small and dirty. Especially as basic technology had gotten better over the decade or so since I first scanned them. I have 2 different scanners, one of which is a fancier Epson that I bought specifically to scan film slides a year or so ago. Still use it for basic scans from time to time. But honestly, for the settei, I'm still just using my general home HP Envy printer/scanner combo. I always scan at 600 DPI. After that part is done and the bitmap image is scanned to my computer, it's really just doing some heavy touchup. As I have alluded to in some recent posts, some of these sheets will take me an hour to an hour and a half just to clean up, because they have so many artifacts and dotty garbage on them. Settei at auction are mostly just scanned copies themselves after all, so there's a bit of residue to clean up. Ever wonder why sometimes I don't post these at a regular time of day? That's why, I'm still working on touchup before I post (and probably off from work, so I'm not prepping the night before, like when I post at a scheduled time).

Let's use this recent Gauss sheet as an example.

The original scan was pretty messy. Probably can't see it as well in tumblr resize scale, so here's the original scan. But it is dotted all over the place, there's like a smudge line which goes through the whole bottom of the sheet, where the "Final Draft" stamp, character/episode number marking is, and through some of Gauss' headshots as well. You can also probably see some black on the edges, where the sheet comes to an end within my scanner.

The first bit of touchup I usually do is within my image viewer. I use FastStone Image Viewer to help organize and view everything. In there, I will adjust the brightness, contrast, and sometimes the gamma, to get the sheet background a bit lighter and the lines darker.

I just like the number 14. Is it always 14? No. But that's usually my baseline starting point. After that's saved, into the photo editing program of choice we go. I match my brush color to the background white and just paint over all those ugly dots and wipe those black edges away.

Zoom in at 100% to try not to miss those artifacts you don't notice zoomed out. Look at Gauss' speckled fingers. Ugh, cleaning that stuff up is hell. But I do it, so you all can see clean-ish looking art. Do I get everything? No. But I try to at least get the major issues out of the way.

Some things I take liberties on. The shading on his jacket goes outside the lineart. Should I leave it as is for authenticity? Probably. But if I'm cleaning it, I'm gonna clean it all. So you'll see in the finished version I posted, those shading lines are all inside the lineart only.

Some people are jerks and could easily resell these settei just by printing scans and claiming them as original. Another way I try to have a way to differentiate my edits without slapping a watermark on is my editing of the text boxes. See the top left and bottom right of it above Netto? There's almost always some overhang on the originals. I have usually taken the liberty of editing that overlap line off, so that the text box is a clean rectangle where the line stops at each corner, as close as I can take it. It's a dumb, but simple way for me to tell if it's my edit.

Otherwise, that's really it. Just a lot of added effort in touchup, honestly.

Cel scans are a little different, because most of them are too big for either scanner. Especially cels with backgrounds. So many of those involve 2-4 scans and then stitching them all together. Much less touchup that I do to them, but otherwise it's mostly the same. 600 DPI, and some brightness/contrast or slight color saturation adjustments to them, if needed.

And now you know!

[sacramentonewsjournal]

LPGA Q-College in Florida postponed on account of Hurricane Ian affect

The LPGA has postponed Stage II of LPGA Q-College as a result of affect of Hurricane Ian, a Class 4 storm that slammed into Florida on Sept. 28. Stage II will stay on the Plantation Golf and Nation Membership’s Bobcat and Panther Programs in Venice, Florida. The dates, nevertheless, have been adjusted from Oct. 18-21 to Nov. 17-20. The LPGA reported in a launch that whereas the membership didn’t endure catastrophic harm, the storm knocked down a major variety of timber and washed out many bunkers. Many Venice space inns and eating places face prolonged closures on account of lack of energy. “We’re so grateful that our associates at Plantation Golf and Nation Membership survived the hurricane and are all secure,” stated Kathy Lawrence, vp of Tour Operations and Q-Sequence. “Now that they’ve had time to survey the course, we agree that we have to make the troublesome resolution to postpone Stage II of Q-College.” Entries for Stage II closed on Aug. 8. The 72-hole match is not going to have a minimize. Those that full 72 holes and don’t advance to Q-Sequence will earn 2023 Epson Tour standing. A minimal of prime 30 and ties will advance to Q-Sequence. The ultimate quantity shall be decided previous to the beginning of competitors. Q-Sequence, the ultimate stage, takes place over the course of two weeks (Nov. 28-Dec. 11) at Magnolia Grove and Highland Oaks Golf Course in Cellular and Dothan, Alabama, respectively. Meet the ten Epson Tour gamers who earned LPGA playing cards for 2023 View 10 objects Originally published at Sacramento News Journal

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Use your multicore processor to the max! The software estimates your CPU usage and loads the processor cores in the most efficient way, converting 2 or 4 H.264 files simultaneously.Movavi Video Converter Mac Crack is a video and audio file converter. Support for NVIDIA CUDA, NVENC, and Intel HD Graphics hardware acceleration increases conversion speed up to 3.5 times. Using our innovative SuperSpeed mode, you can convert video up to 79x faster than using traditional conversion methods. Save time thanks to leading-edge technologies Prepare your video for uploading to video hosting sites and social networks quickly, easily – and automatically. Enjoy one-click conversion of media files for 200+ mobile devices using our handy ready-made presets. Choose the exact format you need: the program supports all current video, audio, and image formats and codecs. Convert image files between most popular formats.īe sure you get the best-possible quality results Process your entire music library with one click. Transfer your DVD collection to your hard drive – rip DVDs and save them as video files. Open video files in any format and resolution, including Ultra HD. Work with video, audio, and images in any format Plus you get a huge range of exciting extras: enhance video quality, adjust and normalize sound levels, trim, merge, crop, and rotate files before you convert – all through our trademark user-friendly interface that’s so easy to master! Enjoy video and music your way! With Movavi Video Converter, you can prepare your multimedia files for instant playback in any format and on any device.

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Nikon panorama maker software

#Nikon panorama maker software software#

Also, you only need to select the stitching modes and images to get a desired panorama without technical background. Whether you need to compose images shot vertically, horizontally, tiled or use 360 ​​panoramas, you can always find the stitching modes within the program. Stitch panoramic images with vertical, horizontal, mosaic and 360 degrees in 4 different modes. It also allows you to manually adjust stitch points, mix parts, and adjust effects.Īutomatically crop extras to present the best panoramic photo. Photos automatically joined with JPEG and RAW formats to take panoramic photos, provides 4 different vertical, horizontal, mosaic and 360 degree stitching modes. It should be the simplest and most powerful panorama maker to stitch photos into excellent results with just a few clicks…. Further edit panoramas with different parameters such as Saturation, Contrast, Brightness, Temperature, Tint and more. To eliminate ghosting, you can adjust the mix for the best result. When you need to tile images, you need to adjust the alignment points to make a perfect panorama. Adjust the alignment points to correct the stitching angles of different images. And you can also export panoramas to TIFF, JPEG or JPEG-2000 files. Should be the best Nikon Panorama Maker alternative. Supports JPEG and RAW files, including Canon, Epson, Fuji, Nikon, Olympus, Sony, and hundreds of other types of cameras. In addition, the program automatically crops the extras to present the best panoramic photograph. Align images without manually altering moving photos, automatic exposure leveling, and lens shading correction. Automatically merge collections of disordered images into panoramas. There are many customization options, such as adjusting alignment points, combining parts manually, and adjusting the effects of panoramas with ease.

#Nikon panorama maker software software#

WidsMob Panorama is one of the most powerful photo stitching software for composing photos in panoramas vertically, horizontally, 360 degrees and in mosaic. If you like our list of WidsMob Panorama and similar software alternatives in 2022, then please rate us below. We will also review the features, price, benefits, pros, and cons of WidsMob Panorama. WidsMob Panorama description and reviewīest list of WidsMob Overview Alternativesīefore we get to our list, let us take a quick look at the WidsMob Panorama review.In this article, I am going to share with you the 10 best WidsMob Panorama alternatives in 2022 that you can use.

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Reset máy in Epson XP-530, XP-630, XP-635, XP-830 ADJPROG

- Sau một thời gian sử dụng nhất định bạn sẽ gặp phải hiện tượng, trên máy in của bạn báo lỗi nhấp nháy 2 đèn đỏ không in được cũng có nhiều nguyên nhân như bị kẹt giấy, lỗi sensor hay đứt cáp ,nhưng nguyên nhân chủ yếu đó là lỗi reset tràn bộ đếm mực thải "waste ink pad counter", bạn đừng quá lo lắng hiện nay đã có phần mềm reset Epson XP-530, XP-630, XP-635, XP-830 Adjustment Program update Ver.1.0.5 build 6183 = Last Original Release hỗ trợ bạn xử lý lỗi một cách nhannh nhất chỉ trong một phút.

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#Ảnh : Phần mềm reset máy in epson XP-530, XP-630, XP-635, XP-830 báo lỗi tràn bộ đếm mực thải

Các bước reset máy in Epson XP-530, XP-630, XP-635, XP-830 nháy 2 đèn đỏ

1. Bật nguồn máy in cần reset (nhớ kết nối USB và cài Driver)

2. Download Resetter XP-530, XP-630, XP-635, XP-830

3. Open AdjProg_original.exe – Accept

4. Chọn Select : Model Name: XP-530, XP-630, XP-635, XP-830

5. Port chọn cổng USB : (USB-XP-630)- OK

6. Particular adjustment mode

7. Waste ink pad counter – OK

8. Tích check box Main Pad Counter và Platen pad Counter

9. Click Initializ the selected counters – OK

10. Tắt máy in và khởi động lại máy in – OK.

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DESCRIPTION: VueScan PRO Portable is a program for working with scanners from HP, Minolta, Nikon, Polaroid, Epson, Canon and others. You can work with an internal color depth. VueScan PRO Portable supports automatic and manual configuration of most settings and batch scanning. Over 500 scanner models are supported with some weighting towards slide scanners: Nikon, Minolta, Polaroid, Microtek, Epson. Provides automatic removal of image artifacts due to the infrared scanning channel and multi-pass scanning with subsequent averaging of the result, to suppress the scanner's own noise. There are filters for grain suppression, unsharp masking, and shading removal from the original. There is a means of manually adjusting the dynamic range and gradation characteristics (regardless of R, G, B channels). Using the often-hidden capabilities of a specific scanner, VueScan allows you to flexibly customize the image processing process, including advanced color correction, batch and multi-pass scanning capabilities, hardware exposure control, Maximum color and file format selection. Of great interest is the function of saving the original data from the scanner in a file (raw file) and the subsequent processing of this data when the device is turned off, which eliminates the need to re-scan the originals and increases the life of the scanner. team. The use of VueScan PRO Portable is especially important when working with transparent originals (negatives, slides), because. the program contains information on the color characteristics of more than 150 types of film. We are talking, first of all, about the mask of the color negative, which can be very different for different films and manufacturers. The program offers direct selection of a mask from a list of common films, as well as the ability to manually adjust the color components of the mask layer. User settings can be saved to a special file, allowing you to create individual profiles for each type of job. The main features of the program: Support for more than 1200 scanner models. Improve your productivity and scan quality. Creation of RAW scan files. ICC profiles and color spaces. IT8 color calibration. Release year: 2021 Version: 9.7.77 System: Windows® XP/Vista/7/8/8.1/10 interface language: Multilanguage- English included File size: 21.22MB Format: rare Execute as an administrator: There's no need

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Epson resetter Adjustment program free download

Epson resetter Adjustment program free download