#Göran Strindberg

[byneddiedingo]

A Ship to India (Ingmar Bergman, 1947)

Cast: Holger Löwenadler, Anna Lindahl, Birger Malmsten, Gertrud Fridh, Naemi Briese, Hjördis Patterson, Lasse Krantz, Jan Molander, Erik Hell, Åke Fridell, Douglas Håge. Screenplay: Ingmar Bergman, based on a play by Martin Söderhjelm. Cinematography: Göran Strindberg. Production design: P.A. Lundgren. Film editing: Tage Holmberg. Music: Erland von Koch.

[sesiondemadrugada]

Skepp till India land (Ingmar Bergman, 1947).

[genevieveetguy]

- I do care what you think. You’re the first person to be nice to me without wanting anything back. If I could fall in love with anyone, I’d fall in love with you. - You don’t realize what you’re saying. You’re crazy.  - I’m completely mad. Aren’t people allowed to be mad sometimes? - I’ve always been alone. Nobody has ever cared about me. - People shouldn’t be alone. You need someone to take care of. You need someone to love. Otherwise, you might as well be dead.

A Ship Bound for India (Skepp till India land), Ingmar Bergman (1947)

[svensklangblr]

Hello! Can you recommend Swedish writers that are a must read? Sorry if you already answered this!

hello! :) the biggest must-read for any swede (or person speaking swedish) that wants to call themselves well-read to any degree would be 

August Strindberg, who amongst others wrote Röda rummet, Tjänstekvinnans son, Ett drömspel, Fröken Julie, Inferno, En dåres försvarstal, Hemsöborna, I Havsbandet, Skärkarlsliv, Till Damaskus, Giftas, Ensam, Leka med elden 

though do note that August Stringberg lived between 1849 and 1912 and the swedish language has undergone a lot since then, alors he can be a bit hard to understand if you’re not used to reading older literature

Hjalmar Söderberg, who amongst others wrote Den allvarsamma leken, Dr. Glas, Förvillelser, Martin Bircks ungdom, Historietter, Gertrud 

Selma Lagerlöf, member of Svenska Akademien and winner of Nobelpriset i litteratur, who amongst others wrote Nils Holgerssons underbara resa genom Sverige, Gösta Berlings saga, Löwensköldska ringen, Charlotte Löwensköld 

Viktor Rydberg, who amongst others wrote Singoalla, Den siste athenaren and the famous poem Tomten which is customary to read around Christmas

Carl Jonas Love Almqvist, who amongst others wrote Det går an

Stig Claesson, more famous as Slas, who amongst others wrote Blues för Mr Shelley, Vem älskar Yngve Frej?, På palmblad och rosor, Om vänskap funnes, Nästa man till rakning, Efter oss syndafloden, En vandring i solen, Att resa sig upp och gå, Flickor

Klas Östergren, member of Svenska Akademien, who amongst others has written Gentlemen, Gangsters, Den sista cigaretten

Sara Stridsberg, (up until recently member of Svenska Akademien) who amongst others has written Drömfakulteten and Darling River

Per Lagerkvist, who was a member of Svenska Akademien and winner of Nobelpriset i litteratur, who wrote amongst others Dvärgen and Ångest

the poet Harry Martinson who was a member of Svenska Akademien and winner of Nobelpriset i litteratur, and wrote amongst others Nässlorna blomma, Vägen till klockrike, Aniara 

the poet Tomas Tranströmer who won Nobelpriset i litteratur and who wrote, 17 dikter, Hemligheter på vägen, Den halvfärdiga himlen, Klanger och spår, Mörkerseende, Stigar, Östersjöar, Sanningsbarriären, Det vilda torget, För levande och döda, Sorgegondolen,  Fängelse, Den stora gåtan

the poet Gustaf Fröding who amongst others wrote Nya dikter, Guitarr och dragharmonika, Stänk och flikar

Frans G Bengtsson who wrote among others, Röde Orm

Stig Larsson who has written amongst others, Autisterna, Nyår, and who worked on Kris together with Horace Engdahl, Tomas Näsholm and a list of other important names in modern swedish literature

Per Wästberg who is a member of Svenska Akademien and who has written amongst others Förbjudet område, Minnets stigar

the (primarily) poet Kristina Lugn who is a member of Svenska Akademien and who has written amongst others om jag inte, Till min man, om han kunde läsa, Döda honom!, om ni hör ett skott…, Percy Wennerfors, Bekantskap önskas med äldre bildad herre,  Hundstunden, Hej då, ha det så bra!

Göran Tunström who wrote among others Tjuven, Juloratoriet, Berömda män som varit i Sunne

Ivar Lo-Johansson who wrote among others Godnatt, jord, Pubertet, Bara en mor, Analfabeten, Jordproletärerna, Stockholmaren, Statarna

Vilhelm Moberg who wrote among others Utvandrarna, Invandrarna, Nybyggarna, Det gamla riket, Sista brevet till Sverige, Långt från landsvägen

Per Anders Fogelström who wrote among others Sommaren med Monika, Medan staden sover, Mina drömmars stad, Möten i skymningen, Barn av sin stad, Minns du den stad, I en förvandlad stad

Bodil Malmsten who wrote among others Nefertiti i Berlin, Och en månad går fortare nu än ett hjärtslag, Priset på vatten i Finistère

Karin Boye who wrote among others Ja visst gör det ont, Kris, Kallocain

Agnes von Krusenstjerna who wrote among others Tony-triologin, Fröknarna von Pahlensviten, Ninas dagbok, Helenas första kärlek, Fru Esters pensionat

if you want to know more about swedish literature (or literature in general) you can read the books of literary scholar Sara Danius, especially Husmoderns död

[elcinelateleymickyandonie]

Doris Svedlund.

Filmografía

1946 : När ängarna blommar

1949 : Prisión

1949 : Smeder på luffen

1949 : Bohus Bataljon

1950 : Den vita katten

1951 : Frånskild

1952 : Möte med livet

1952 : Kärlek

1954 : Gud Fader och tattaren

1954 : Café Lunchrasten

1954 : När man löper julklappar

1954 : Blondie, Biffen och Bananen

1954 : Foreign Intrigue (TV)

1955 : Våld

1955 : Ute blåser sommarvind

1955 : Paradiset

1955 : Ensam

1955 : Leka med elden

1956 : Moln över Hellesta

1956 : Den långa julmiddagen

1957 : Möten i skymningen

1958 : Påsk

1960 : En av sju

1960 : En löskekarl

1960 : Diana går på jakt

1961 : Dacke

1961 : Frisöndag

1962 : På jakt efter lyckan

1962 : Dödens arlekin

1962 : Halsduken (TV)

1967 : Grannar (TV)

1968 : Slättemölla by (TV)

1972 : Mannen från andra sidan

1975 : Kulstötaren

1977 : Lära för livet (TV)

1978 : Strandfyndet (TV)

1978 : Streber

1984 : Vargen

1985 : Rid i natt! (TV)

1986 : Gösta Berlings saga (TV).

Teatro

1949 : Lycko-Pers resa, de August Strindberg, escenografía de Göran Gentele, Dramaten

1950 : Brand, de Henrik Ibsen, escenografía de Alf Sjöberg, Dramaten

1950 : La loca de Chaillot, de Jean Giraudoux, escenografía de Olof Molander, Dramaten

1950 : Erik XIV, de August Strindberg, escenografía de Alf Sjöberg, Dramaten

1951 : Det hände i Marseille, de Marcel Pagnol, escenografía de Erik Berglund, Riksteatern

1961 : Mamma San, de Leonard Spigelgass, escenografía de Per Gerhard, Vasateatern

1961 : Miraklet, de William Gibson, escenografía de Per Gerhard, Vasateatern

1980 : Fullmakten, de Nikolaj Erdman, escenografía de Ernst Günther, Göteborgs stadsteater.

Teatro radiofónico

1953 : Midsommar, de August Strindberg, dirección de Palle Brunius.

Créditos: Tomado de Wikipedia

https://es.wikipedia.org/wiki/Doris_Svedlund

#HONDURASQUEDATEENCASA

#ELCINELATELEYMICKYANDONIE

[djeflabocker]

Ekman, Hans-Göran Teatermästaren Strindberg : två studier

Ekman, Hans-Göran Teatermästaren Strindberg : två studier

isbn: 9789178448470 168 s., [6] pl.-s. Gidlund 6%

[byneddiedingo]

Anita Björk, Märta Dorff, and Ulf Palme in Miss Julie (Alf Sjöberg, 1951) Cast: Anita Björk, Ulf Palme, Märta Dorff, Lissi Alandh, Anders Henrikson, Inga Gill, Åke Fridell, Kurt-Olof Sundström, Max von Sydow, Margarethe Krook, Åke Claesson, Inger Norberg, Jan Hagerman. Screenplay: Alf Sjöberg, based on a play by August Strindberg. Cinematography: Göran Strindberg. Art direction: Bibi Lindström. Film editing: Lennart Wallén. Music: Dag Wirén.  "Opening up" a play when it's made into a movie is standard practice. Directors don't want to get stuck in one or two sets for the entire film, so they shift some of a play's scenes to different locations or have new scenes written. But nobody has done it with such imagination and finesse as Alf Sjöberg, taking August Strindberg's Miss Julie out of the kitchen in which the play confines the characters and into the other rooms of the house and onto the grounds of the estate. Sjöberg plays fast and loose not only with space but also with time, giving us scenes from the childhood of some of the characters, showing us the cruelties that warped them into the twisted adults they have become. But he also does it by letting the characters from the past appear in the same room as their equivalents in the present, giving a sense of the indivisibility of past from present. Granted, Strindberg's play, with its long reminiscent speeches, facilitates this reworking of the drama by providing the material for Sjöberg's added scenes, but there's a fluidity to Sjöberg's melding of memories into the tormented present of Julie (Anita Björk) and Jean (Ulf Palme). There are some who argue that Miss Julie is meant to be a claustrophobic play, that dramatizing too much of Julie's relationship with her mother or Jean's early lessons in not transgressing the limits of class undermines the play's psychological realism with too much action and melodrama. The answer to this, I think, is that the play remains, and continues to be performed with success -- and, incidentally, to be filmed repeatedly in ways more faithful to Strindberg's original plan. What we have with Sjöberg's film based on Strindberg's play is a second creation, rather like Verdi's Otello and Falstaff, works that can stand on their own as masterpieces without denying the virtues of the Shakespeare plays on which they're based.