#Hell I often look specifically FOR them and can't find them because y'all call them animatics

[murky-tannin]

I miss people distinguishing between AMVs, PMVs, and animatics. especially the latter two. The amount of times I've gone looking for animatics only for PMVs to pop up is incredible

[vannybarber]

Know Your Place

Summary: Christopher Jamal Evans puts your ass in place.

Chris Jamal Evans x Reader

Warnings: SMUT, cursing, aggressive behavior (nothing serious), mentions of cheating, implied smut, degrading.

This is based off of Barbershop: The Next Cut with Terri, Rashad, and Draya, with their whole situation😂.

"Just get in the damn car and meet me at the house. We're not doing this here."

"Fine!" You rush around to your car door and slam it shut once you get inside. You watch Chris go to his, also slamming it shut but not for the same reason as you. You were more so the reason.

Starting the car and driving off with him right on your tail, you turn the music up to drown out the many cars that honk at your recklessness and poor wheel skills. If only they knew, they would be acting just like you.

You had come over to the building where Chris was shooting a movie with his female costar, Melanie. You absolutely despised her because she often came onto Chris. Both infront of you and when you weren't around. Of course he shot her down every time because he knows better. He knew you weren't the one to be played with.

But today, when you didn't see him as soon as you walked inside the shoot, you scan the room for Melanie. Not seeing her either, you began to roam around through the halls. You look in a room and see his stuff on a couch inside. You walk into the room calling his name.

"Chris? Baby, where you at?" You check in the bathroom and its empty. "Boy, I got your nasty seafood salad. Where the hell are you?" You scan the room one more time before smacking your lips and heading to the door.

Chris was in the closet changing when Melanie came in trying to feel up on him. He was getting ready to finally cuss her out, but he heard you yelling for him and so he freaked, shutting the door. He specifically told her not to make a sound and she followed orders, up until the last minute.

As you hit the threshold, you hear something hit the floor. The sound seemed to have come from the closet. You pause, scared at first because it was evident that no one was in the room except you. But then you grow suspicious because Chris and that bitch were both missing. You turn around slowly and stalk towards the door.

Chris was fuming when she knocked the box over, but then started to freak when he heard you walking over to the closet door. He gave her the look with a mix of panic and 'I'm gonna fucking kill you'. He sees the door handle turn and prepares for your wrath because you damn sure were gonna give it to him.

You open the door and there was your man and Melanie. Her hands were covering her mouth, eyes wide. Your eyes relocate to Chris and his shirt was halfway on his torso. He clambers to get it fully in, stepping towards you and away from her.

"Babe, just listen and you'll understand everything. She came in while I was changing and-" he doesn't get a chance to finish, for your voice overpowered his.

"You got five seconds to explain to me what the fuck you're doing." You hand is still on the door, not planning on letting them out the closet just yet. Chris was confused, but discerned that you weren't talking to him. You were talking to Melanie. He looks back at her and she was now biting her nail, clearly anxious.

"Look, Y/N, I really don't want any problems." She is trying to be straight about it, but her voice is fastened with fear. She knew exactly what you were capable of and she still is trying to bullshit you.

"You don't want want no problems? You've been trying to sleep with my man since the first day you found out you were working with him!" You must look like boo boo the fool for her to think she was pulling this shit on you.

"And as for you Christopher," you turn towards him, jabbing your finger in his chest, "what the hell are you thinking? Are y'all just lying to me and actually messing around?" You had no problem whooping both their asses.

"Y/N no! Listen, she came inside the closet while I was changing and I was going to kick her out, but I heard you coming and I just...freaked out." He's trying to dissolve the situation, but is only making it worse.

"You instead of coming out, you decide to stay in there with her? You see how this is worse right? You're just giving her the benefit to think she could even get with you. This is entertainment for her. Don't you realize that?" Now your hand was off the door and balled into a fist because you were 2.5 seconds from losing it.

"Baby, I was going to put my foot down this time. I know its long overdue, but I didn't want any issues with the people I work with. And I should've realized how unfair that was to you. I'm sorry. But don't think I would ever cheat on you." He grabs your arm and pushes you back so he could get out the closet.

"Yeah, you damn right. All this could've been avoided. She's harassing you. You need to report her ass!" You snag your arm away from him and point back at her, who's now trying to ease out of the closet. You catch her and she runs off, you not far behind. You damn sure were not a runner, but you were going super sonic right now.

She turns down she same way you came to find them and Chris is right on your ass too. You guys get to the front of the building and you lunge for her, but no contact was made for Chris had you in a hold. You brawl against his wide chest and eventually give up when he doesn't let go.

People are watching in absolute shock and some even were laughing their asses off. It would've been even funnier if Chris had let you get one hit in. Of course that didn't happen since he scooped you up with minimal effort.

"Y/N chill! Stop, you're making a fucking scene!" He grabs on your flailing arms, yanking them back.

"I don't give a shit! Let me get her. Just one good time," you plead and scream at the same time. He literally drags you away outside with great struggle since you weren't giving in. When he got you out there, you accepted your defeat and he let you go, watching you extra closely in case you pulled a fast one.

"You should've let me get her! Why the hell you stop me?!" He runs his hands through his hair, obviously frustrated and very much embarrassed. But you could care less. She needed her ass whooped.

"It's not worth it. We need to go now!"

"I don't have to go anywhere!" You could give less of a fuck if the onlookers labeled you as 'the angry black woman'. Because infact, you are a black woman. And damn right you were angry.

"Just get in the damn car and meet me at the house. We're not doing this here!"

"Fine!"

After reminiscing over the lovely previous moments, you pull up at your even lovelier home. You hop out the car and open the gate. Walking back to the car you peek and see Chris with his arm against the window, leaning on it and watching you. For sure he had a headache by now.

Instead of pulling up all the way into the driveway, you park at the end, leaving no room for Chris to drive in.

"Really? Pull all the way in!" You sit for a minute with your arms crossed for a bit of rebellion before complying like a child. Only because you didn't want to walk the extra way to the door of course. When you park again, Chris pulls in and gets out to shut the gate.

You were already unlocking the door and stepping in, but before you could slam it in his face, he was right behind you. You toss the keys and kick off your shoes.

"Where are you going?" You hear him call from the front of the house.

"None of your business." You were just going to the fridge to get your pineapple juice. You drink it almost every single day. And you definitely needed some right now.

"Okay we need to discuss what the fuck just happened. What the hell was that Y/N?" He's standing across the kitchen island from you staring in anger.

"Well for one, I caught you in a closet half naked with that bitch after I called your name repeatedly. Then she's playing in my face and you're trying to defend her! You really need an explanation for my actions, Chris?" You close the bottle and slam it on the counter.

"Look Y/N, I explained to you what happened. I am sorry. I knew that if I had came out that closet with her, you'd still react the same way, probably even worse. I was literally fearing for my life, no joke." He puts his hands up in surrender. You almost laugh.

"I rather you just have came out and told me straight up. Yeah, I would be mad of course. Who wouldn't? But you made it more difficult yourself." You still have an attitude and even though he apologized, you still wanted to be mad.

"Baby, I tell you you're beautiful everyday. Why? Because I want you to know that no other woman could ever be at the level you are for me. I want you to know that you're the only one I see and there isn't anyone else for me." He's now standing infront of you, his 6'0 figure imposing over your frame.

You can't and won't lie that those words had you in your feels. You swear, Geminis really are sweet talkers. You could've gave in right then. But not just yet.

"You sound like a real bitch right now." You fold your arms and look at him with testy eyes. You slightly regret saying that because what he said was genuine. But who are you without some back talk?

His eyes go caliginous. You've only seen this a one time when you've stepped out of line with him. Your big mouth could argue for days, but you never held a grudge. You kind of forced yourself to keep going as if you were still upset. Stubborn was an understatement.

You scratch your straightened hair nervously before flattening it back down. You internally hope it wasn't obvious that you lamented what you had just said.

"I already apologized to you and explained what happened. Now you can be mature and we can have a real conversation or you can be childish and act like you're still upset and we can end it right here." He steps closer to you, if that's even humanly possible. "But this is will be the first and last time you call me a bitch. Got it?"

He's breathing heavily on your face. If only you could see your face right now. It would read shock, with a bit of fear. He never checked you like this and let you get away with a lot. But this right here, was well deserved. But the way he's over you and his voice lowering with a sharp tone had you...turned on.

Something about him putting you in place made you wet and excited. All the fear had vanished almost immediately. You finally respond.

"Yes," you say quietly, nodding your head. "I'm sorry." Your eyes remained on him looking up through your lashes nibbling your lip. If only you knew what it was doing to him.

The sight of your body go automatically submissive to him after he got firm with you threw him in a complete frenzy. He was dominant most times, but you had many moments where you didn't back down to a challenge and took the lead. You not clapping back and apologizing threw him off a slight bit, but did not disappoint him. It turned him on.

"Good girl." He grabs your arm, spins you around so that your back is turned to him and bends down next to your ear.

"Go into the room, take off everything but your panties and lie on the bed. Mkay?" He moved his hands behind your arm to your lower back. You might as well save yourself the embarrassment and take off your panties too because once he sees the tropical storm, it's a wrap burrito. But you nod your head in compliance.

He gives you a smack on the butt and pushes you forward. You walk the rest of the way to the room and follow his exact orders. You remove every clothing item except the saltwater cloth covering your most needy part. You lay on the bed and wait for him.

He comes in a few moments later and eyes you down, making sure you followed his instructions. Of course you would. He stands in front of the bed and starts to remove his clothes. The entire time his eyes alternate from your body to your eyes. It made you nervous, but still excited.

"I'm very much used to your little tantrums and what not, but there's a limit. And when you pass that limit and step out of line, you need to be taught a lesson." He's in just his briefs by the end of his sentence and crawls in the bed.

You adjust yourself onto your back, shamelessly welcoming him to help himself to you. He positions in between your legs and lowers his face to yours, lips gliding against yours and pulling back when you try to kiss him. You pout and he smirks a little.

"Tell me what you want, honey" he whispers as he rubs up your leg to your thigh, grazing his fingers against your soaked panties. Just when you thought you couldn't get any wetter. Damn.

"I want you to touch me. Please." Your hands are gripping the sheets just thinking about his hands on your body. You completely forgot about messing up your hair as you throw your head back when he starts circling his fingers on your clit.

"I'm starting to think that this isn't very punishing for you, sweetheart." He picks up pace and reaches for your boob, kneading it full in his palms. "You seem to really be enjoying it. A little too much."

You weren't even listening to him, only chasing your orgasm, rolling your hips against his forceful touch. You successfully make it a few seconds to cumming before he snatches his finger away. You pick your head up right away, looking appalled.

"Why'd you stoooop?" you whine out. He looks at you innocently.

"Hmm that's just something us bitches like to do." Before you could respond, he flips you over and smacks your right cheek. "These have been on way too long." He pulls your panties off quicker than Pietro Maximoff. Tossing them to the floor, he starts his teasing.

"Damn, Y/N. All this is for me? If this doesn't tell me you loved the beginning of your lesson, I don't know what does."

He drags his fingers through your wet lips, coating them with your wetness. He brings his hands to his face to taste the mess you made for him.

"Hmm. That pineapple juice is kicking in fast."

The entire time he's talking, you're moving around coding him to stop teasing you and do something to make you feel good.

"You really are a desperate whore, huh?" You moan in the sheets in agreement. You were never into name calling, but it was something with Chris that made you love it.

He lowers down to your pussy, breathe frisking over it. You shiver and wait for him to start.

"As much as both you and I would love this, you don't deserve it. So ass up." You internally start cursing him out, calling him all things forbidden. But you comply and slightly lift your lower half.

Chris gets directly behind you and lines up with your entrance. When did he even take his briefs off? You inhale sharply at the contact and moan as he slips inside you with little to no effort. He fills you quick, starting his thrusts right away.

Your left cheek is against the mattress and both hands are gripping the sheets.

"Oh my- fuck!"

"How's it feel baby?" He asks you, going deeper at every thrust back inside you. Between the loud claps of your bodies, your pornographic moans and the sounds of your WAP, he knew the answer.

"It feels so good Chris" you manage to get out between breathes that were suddenly hard to take. You suddenly get a hard slap on your right cheek, making you squeal.

"That's not my name." You quickly correct yourself.

"Sorry..Daddy."

"Look at this" he starts thrusting faster, both of you not far from climax.

"Just an hour ago you were bitchin' about me and now you're basically grovelling at my feet. You can barely make a word. I guess I'm not such a bitch now, huh? " He locks your arms behind you and you automatically lift your ass up further, helping him slide in you even easier.

"No Daddy, I'm s-sorry." He groans and grabs a fistful of your hair and leans down to your ear. Normally you would be pissed because he touched your hair, especially since it was just done. But you could give less of a damn right now.

"Yeah I bet you are. Would a bitch be fucking you like this? Hm?" He pounded into you hard at every word. Your face in the mattress, you let out a scream that would have the neighbors dialing 911.

"No, baby- oh GOD" you yell, right at your peak. Just a couple more thrusts away and you were gone. Chris recognized that yell. He wanted to send you off right.

"Go ahead and cum for me baby. But just remember,"

He was right behind you and close himself.

"No matter how smart you get with me, at the end of the day, you're always gonna be a little slut for me." The last 4 words sent you over the edge and you cum all over him. He doesn't fall short and fills up the rest of you.

"Fuuuck" he let's out as his seed spills inside you.

His body collapses next to you and you find the energy to move your body. You turn and look at him with this dumb smile on your face. He reciprocates with the same dumb smile and pats down your hair. You slap his arm, turning your nose up at him.

"Ow. Why'd you do that for?" He rubs his now red arm.

"That's what you get for messing up my hair. You're gonna give me money to get it done again." Remembering, you hit his arm again.

"Baby, what the hell?"

"That's for also making me leave my pineapple juice out the fridge."

Idek what I was doing here 😭 This is the kind of stuff I daydream about, but it never looks as good written out 🥴

masterlist

[cerulean8looded]

Hello, what are some interesting rarepairs you think exist in any quadrant?

AAAAAAAAAAA THANK YOU ANON I LOVE TALKING ABOUT RAREPAIRS

HorKri: Good in every quadrant, I have a penchant for pitch. 1: Blue x Red is always great. 2. Their personalities are so similar yet so different in all the right ways. Their outlooks are totally different, but they also have so much in common and GOD can you imagine the paragraphs that Kankri would come up with yelling at Horuss?

MeuJake: Pale specifically. 1. Green babes. 2. They both have the vibes of someone who would live in a small cottage in the middle of the woods. 3. Meulin isn't all that clingy and get intensity is in specific things, so Jake wouldn't have such an issue with feeling suffocated. He'd decide to leave every so often to clear his head, Meulin wouldn't mind and would probably just hot box the house while he's gone.

KurTula: Really dig it flush and pale, but it works pitch too. 1. They already have to spend time together since they both date Mituna so it's easy to see how they could get together. Also I like poly ships a lot, so this doesn't interfere with their relationships to him. 2. They're both chill but in totally different ways, and have intense sides in also totally different ways, which I find very appealing. 3. Honestly, the aesthetic just works so well. They look so good together. What, am I supposed to NOT be obsessed with them?

SolNep: Every quadrant works! 1. They just vibe together. They're both fucking feral in different, complementary ways, and I think Nepeta should become a gamer so they can play together. 2. They just fit, I can't even put it into words properly. They just make sense.

VrisKat: Every! Quadrant! All at once! 1. Their canon flirting was ADORABLE I don't care if it was supposed to be jokes. My shipname for them will always be sweetheart because of it. Literally just read this page. She's so in hate with him, and the red/black vacillation potential is HUGE. 2. They piss each other off so perfectly!!! Read the page!!!! The pitch aspect is just sooo good. 3. Karkat KNOWS she can be better. Vriska KNOWS Karkat can be better. Now if they can just force each other to do it, they'll be in love forever.

DamLoz: Every quad, but I like flush the most. 1. The aesthetics are immaculate. Japanese schoolgirl and this fuckass in a skeleton top, booty shorts and juggalo makeup? Fantastic vibes. I want them to be e-thots together. 2. Forgive my language but they are fucking sexy and they would be the best fucking power couple.3. Damara just deserves a guy with some loyalty and Kurloz is loyal as hell.

CroJane: Fluuuuush. Pitch and pale are cool too, but god, flush. 1. Jane does not get complimented. Y'all remember when Dave called her John's hot mom and she absolutely lost her mind over it? Imagine meeting Cronus. YES, he's weird and inappropriate. But if he sees her responding to genuine compliments, he's going to give her more of them. 2. Again, aesthetics. They look so good together. 3. I just want them to be happy, dammit. They would be happy together.

MeuCro: Pale specifically. 1. Look, Cronus is on that simp shit. He manages to land a girl like Meulin? He'll be cleaning his act up in a second. The threat of losing her would change him on the spot. 2. I wholeheartedly believe that he would listen to her when she criticises him. I really think he'd take her advice and try to do better. 3. He would do anything for her in a heartbeat. He would dedicate his fucking life to it. Again, he be on that simp shit. 4. I like to imagine that he'd change his whole vibe overday. Greaser -> softboy, speedrun.

TavKri: Pitch pitch piiiiitch. Easily summarised as: Kankri cancels Tavros for saying slurs (which he can reclaim) and Tavros cancels him back 10x harder through rapping a full album. I didn't expect to love it, but I do.

[caranfindel]

Recap/review 14.13: “Lebanon”

THEN: They hit me right in the face with gorgeous young 1.01 Dean saying "Dad's on a hunting trip and he hasn't been home in a few days" and beautiful baby 1.01 Sam saying "we've got work to do" and we end with 14.12 and Sam furiously punching his brother and then furiously hugging him and Dean saying "let's go home" and does anything else matter? No.

NOW: We see the reflection of Sam and Dean walking up to a pawn shop, with a nice selection of guitars and sunglasses and that weird monkey that was in Rocky's Bar. The proprietor seems friendly enough. Dean flashes him a wad of hundred dollar bills because they're looking for "the really good stuff." This gains them admittance into a secret back room full of things hunters would be interested in, including a hockey mask (?) and a perfume atomizer full of dragon's breath. They tell the guy they're looking for the skull of a specific woman who was executed during the Salem witch trials, and the fact that he has it basically proves that he killed the friend of theirs who previously owned it. (Also Sam picks up a teddy bear and starts to pull the string to make it speak and the guys warns him not to and this is Dean's role, isn't it, messing with things he shouldn't be messing with? But I don't care because chastized Sam and eye-rolly Dean are precious to me.)

Sam goes through a ledger of the guy's inventory and says he's got a lot of occult objects that they should take with them. (Dean plays with the dragon's breath. Sam ducks and flinches and does the really, Dean? thing with his hands and face. I laugh again.) Dean agrees they should take the stuff home.

Title card!

The Impala zooms past a sign welcoming us to Lebanon, Geographical Center of the USA. Then we find ourselves in front of a movie theater showing Beetlejuice and Hell Hazers (All Saints' Day is coming soon, and I imagine Route 666 can't be far behind), where a group of teenagers is talking about... somebody. "People say they're brothers," a kid in a knit cap says, "but all I know is, I was standing right here, and I heard this bam from the trunk of their car. And then, this like, shallow breathing." I'm pretty sure this is a fake-out, and it will turn out he's talking about someone else, but the Impala pulls up in front of the theater and Knit Cap Kid says "that's them!"

As the Winchesters get out of the car and enter a liquor store (decorated with that Family Business neon sign from Rocky's), Sam is still reading the ledger, which lists things like a hangman's rope, fairy dust, and John Wayne Gacy's cigar box. Well, that's oddly specific! The guy working there greets the "Campbell brothers" and knows their usual order. Oh, wow. I love that they're actually known in Lebanon, and that they're going by Campbell. And we know that actual Lebanon, Kansas is too small to have a movie theater or this much business downtown, but I'm happy to handwave that.

What do you mean, "happy to handwave that?" You're always complaining about the inaccuracies regarding tiny Lebanon having traffic cams and whatnot.

Well, maybe this episode just MAKES ME HAPPY, okay?

Anyway. Sam thinks cataloguing the confiscated items would be a good way to take Dean's mind off "things," but Dean's pretty convinced nothing will ever take his mind off that.

Outside, the teens are asking where the guys even come from, and what about their weird trenchcoat-wearing sidekick, and "that kid with the dumb Bambi look on his face all the time" (!) One girl says that, whatever the deal is with these guys, they do have an awesome car, and no one can argue with that. And the other girl, Max, who seems to smitten with the first girl, gets an idea.

Inside, Sam has discovered something significant in the ledger - the "beyzoo" (no, I know that's not how you spell it), which is one of eight ancient Chinese treasures. A pearl that gives you "what your heart desires." Oooh, getting rid of Michael, maybe? But as the guys are discussing this, Dean sees the Impala drive by the window. Guess Max figured out how to impress that other girl! (BTW, there are couple of COOL old trucks on the street.)

The guys see Knit Cap Kid standing on the sidewalk looking confused, and while Sam tells him the car is dangerous to whoever stole it, Dean looks like he wants to murder someone. And yet the Winchesters are confused when the kid says he doesn't want to die. (Or get locked in the trunk!) He says Max is new and he doesn't know where she lives. Dean raises a fist, but Sam pulls him away.

MURDER. I'D MURDER THEM.

Post office. There's a poster of stamps featuring old cars behind the customer service counter. I'm really getting my old truck fix tonight. Sam comes in with his sweet anxious smile and asks for help finding the girl who washed his car, since he forgot to tip her. Post Office Lady is not amused or helpful, or the least bit swayed by his sweet anxious smile. Then Dean comes in and calls her by name and asks about her grandson and she MELTS and he gets sincere and puts his hand on hers and she does exactly what I would do, which is offer up ANYTHING YOU WANT, ANYTHING AT ALL, WOULD YOU LIKE MY SOCIAL SECURITY NUMBER WHILE I'M AT IT? Unfortunately, all she knows is where Max's mother works.

SAM’S FACE.

(Sidebar: Have I mentioned that Sam is wearing that nice blue jacket from the episode where he killed the alpha vampire? I like it. Toss that stupid orange jacket, Sam, and wear this more often. And Dean's wearing the black jacket that I always love.)

At the restaurant where Max's mom works, we learn that she has no idea where her daughter is, because she was supposed to be in school. But the guy working in the kitchen knows February 7 is Skip Day (is it always February 7? what about when that falls on a weekend?) and that she'll probably be at a party at this old house on Route 36. (Yes, I did confirm that Route 36 is just outside of Lebanon. Yes, I did use Mapquest. I'm old school up in here, y'all.)

Party house. The little batch of delinquents has taken all the boxes of occult objects out of the Impala for some reason. Including the evil teddy bear. Luckily, someone announces "pizza's here" before a girl pulls the teddy bear's string. At some point I've got to find out what would happen if you pulled it. Fic it for me, friends! (Also, I just noticed the teddy bear's mouth is SEWN SHUT and that's not creepy AT ALL.) The camera slowly pans to a wooden box, and we watch the lid open to reveal a smoky/dusty ghost hand. With a ruffled sleeve. Uh oh.

Knit Cap Kid runs in to warn the partiers that "those guys" are looking for Max, and he's told to chill. Another teen goes into the bathroom, where the mirror frosts over and then the CREEPIEST CLOWN EVER comes out of it. Seriously, creepier than the clown in Plush, which you wouldn't think was possible.

The Winchesters pull up in yet another antique truck, where Dean greets his car with "Baby, Baby, please tell me you're not hurt." Sam's more concerned about the boxes of dangerous occult objects missing from the back seat. Ghost Kid comes running outside and the girl following him tells the brothers that he saw a clown ghost that tried to kill him. Maybe it's my imagination, or maybe Sam has a flash of crap, a killer clown ghost expression before they run into the house.

Dean announces they're FBI and everyone needs to get out, now. Once the room is cleared, he asks if "anything screams clown to you?" Sam immediately notices John Wayne Gacy's cigar box and guys, I'm ashamed to say I didn't put the two together until now. The killer clown ghost is John Wayne Gacy. And Sam is freaked the fuck out about it. "We should burn that right now," Dean says, in a lovely holding-in-the-freakout way, and Sam rushes to throw it into the fireplace. Then Dean says "I mean, this is like a best worst thing that's ever happened, because you love serial killers, but you hate clowns" and I'm DEAD. (I'm also loving TWO gifts from the Continuity Fairy in once sentence.) The lights start flashing before Sam can get his lighter lit, and then the killer clown ghost shows up and tosses Dean around. Knit Cap Kid and the girls run back inside just in time to watch John Wayne Gacy's ghost go up in flames. So the kids get the "monsters are real" speech and are told to keep it secret.

Back at the bunker, Sam's going through the occult goodies and thinks he found the magic pearl. Dean's ready to use it right now, and dismisses Sam's suggestion that they call Mary or Cas. If it doesn't work, he doesn't want to have gotten their hopes up. Sam looks distressed at the idea it won't work, but agrees. The pearl doesn't come with any instructions, so Sam suggests Dean hold it and concentrate on what his heart desires. "Michael out of my head," Dean says, and I'd have been more specific. I'd have concentrated on Michael out of my head and destroyed, and me perfectly fine, but, well, what do I know?

(Also, I KNOW all you Wincest and Destiel fans are gonna have your own ideas about what - or who - appears in front of Dean when he’s granted what his heart desires. This setup is better than sex pollen. Have fun, my kinky little friends.)

Dean clutches the pearl and concentrates, and the lights flash and then go out, and in the red emergency light we see someone in the bunker. Someone fighty, who knocks both brothers down and then pulls out a shotgun and says "don't you move," but it's a familiar voice and then the lights come on and what do you know? Winchester Surprise!

So, was anybody truly surprised? I covered the guest stars on first viewing, as I always try to do, but I noticed on rewatch that they didn't even credit JDM at the beginning of the episode. Which they sometimes do, to avoid spoilers. And yet. Has there been a single episode of this series that was more spoiled? I don't think so.

(Sidebar: What do you think would have happened if Sam had taken the pearl and made a wish? I think Michael would be gone. Because I don't think there's anything Sam wants more than saving his brother.)

Back to our story. Everyone is shocked. John thinks Sam should be in Palo Alto, apparently in his 14th year of post graduate work. He thinks he's still in 2003, and he doesn't notice his boys are older. And they apparently don't notice that his hair is very short and a lot greyer than it was when we last saw him. (I mean, really, they slapped a wig on Samantha Smith to make her look like The Last Version Of Mary, so why couldn't they do the same thing with JDM? It's distracting.) Sam figures they must have accidentally summoned John from the past. So they do what one does in this situation - sit down and drink.

John's astonished. Dean's proud. Sam's visibly anxious. We don't get to see exactly how much of the backstory they tell him, but they do tell him about the apocalypse and Lucifer and living with "an angel and Lucifer's kid." And now John thinks he died "taking out Yellow Eyes," which... not really? But okay. And they don't tell him Mary's back, until he mentions her and Sam's, all, yeah, about Mom, and then she comes in and John hears her voice and tears up and dammit. This reunion is everything I didn't think I ever wanted. I mean, I've made no secret of the fact that I'm not a fan of John Winchester. He's a fascinating character and JDM does a great job with him, but he's such an awful father (don't bother arguing with me, you will not change my mind) that I can't really like him. And I'm not too impressed with resurrected Mary, either. But when these two come together... damn. It's good. It's very good. Well done, you two.

I love that the boys give them some privacy, because it's been over a decade since John saw them, but it's been even longer since he saw his dead wife, and this should really be a John and Mary reunion.

Out in the hall, Dean's gleeful and Sam's all, how the hell did this happen? Dean explains that he's wanted this since he was four years old (oh, my heart) but Sam warns that messing with time will not end well. I don't actually remember Sam being that concerned about the unintended consequences of time travel, but I'm sure there's a good reason he's bringing it up now. Dean doesn't care. Dean just wants one family dinner together (oh, my heart again, remembering his one last dinner with Mary).

Sam, sans Dean, runs into John in the library, because Mary's off making a shopping list and he decided he'd rather examine the bunker than be involved in that I guess? Okay. But then this happens.

I screwed up with you a lot, didn't I?

No, that's okay.

No, it's not. Sammy, tell me the truth.

I don't want to talk about that.

You didn't have a problem talking about it before you left.

Dad. For me, that fight, that was a lifetime ago. I don't even remember what I said. I mean, yeah, you know, you did some messed-up things. But I don't... I mean, when I think about you... and I think about you a lot... I don't think about our fights. I think about you... I think about you on the floor of that hospital, and I think about how I never got to say goodbye.

Sam. Son. I am so sorry.

I'm sorry too. But you did your best, Dad. You fought for us, and you loved us. And that's enough.

OH MY GOD. This is everything I ever wanted.

1. John admitting he was a crap parent to Sam.

2. Sam trying to sidestep that - because he's Sam Winchester and that's what he does - and John not letting him.

3. Sam finally calling him out instead of just saying nah, it's fine.

4. John calling him Sammy.

5. Sam pointing out that he didn't get a goodbye from John. (Did he ever find out that Dean got praise and an apology?)

6. John apologizing.

7. Sam forgiving him.

8. "And I think about you a lot."

9. The way Sam keeps having to stop talking and look away and make that little "hmmm" noise.

10. And the tears.

10b. The way Sam tears up even before The Talk, when he remembers them as kids trying to make Winchester Surprise.

11. The shaky voice.

12. And Sam's shirt.

13. And the way Sam's expression looks so much like his expression in Sacrifice, when he tells Dean that his confession was about how he let his brother down.

This, right here, is two minutes and 24 seconds of the best television I've ever seen. I don't care what else this episode does, this 2:24 is worth it. And yes, this is three weeks in a row that Jared Padalecki has ripped my heart out of my chest and STOMPED ON IT.

And I love it.

Meanwhile, Dean gets the shopping list from Mary. Sam finds him and tells him he's right, because Sam also just got everything he ever wanted, and then offers to go shopping with him. (Saaaaaaaaaaammmmmmmmm!!!!!!!)

When they get to town, the guys split up - Sam to the grocery store, Dean to the liquor store. Dean's surprised to see the liquor store guy, the one who remembered his "usual" earlier in the day, has no idea who he is. If Dean had ever seen "It's a Wonderful Life," he might say this is just like when George Bailey goes into Martini's Bar and isn't recognized. But apparently Dean Winchester, pop culture aficionado, has never seen that movie (no, I haven't gotten over that, and I never will) so he doesn't recognize a classic uh oh, we changed the course of history moment when he experiences it.

Meanwhile, Sam steps out of the grocery store and finds that neither Max nor the postal clerk recognize him. And then he sees a wanted poster in the post office window. Dean Winchester, wanted for assault, murder, and credit card fraud. Whoops! He trots to the car, where Dean is waiting, and tells him they have a problem. "Yeah, we do," says Dean. "Check this out."

He shows Sam his phone and it's a video of SAM IN GLASSES AND A BLACK TURTLENECK AND SLICKED BACK HAIR GIVING A TED TALK. HE RUNS A LAW FIRM AND LOVES KALE. IT IS THE SECOND MOST AMAZING THING I'VE SEEN TONIGHT.

HE'S STEVE JOBS.

So, those of you who were spoiled... did you know about this? Or did they actually keep THIS AMAZING THING under wraps?

Sam Jobs tells his audience that being your best leaves no time for hobbies or a family, and Sam has seen enough. He tells Dean about the wanted poster, and Dean says yes, of course he googled himself too ("a lot of beheadings," hee!!!) and wonders if there are alternate versions of them running around. Sam thinks it's a "temporal paradox," and time is self-correcting, changing to the new one. If they don't fix things, they'll become those alternate versions of themselves. "Well, I'm cool," Dean says, "but you're, ugh." Sam's less worried about them, and more worried about what else might have changed.

(Sidebar: You know, I could quibble about why bringing John forward in time has such a significant butterfly effect, but bringing Mary back, and their other time travel, and Henry's time travel, changed nothing. I absolutely could. But I choose not to, because SAM JOBS, Y'ALL. But okay, let's think about it. 2003 John would have disappeared while Sam was at Stanford. Dean wouldn't have gone to get Sam. Or Sam would have refused to go. Maybe the hurt on both sides was still too fresh. Maybe that's why Dean's hunting alone, and Sam's an internet-famous lawyer.)

What else has changed, you might ask? How about ZACHARIAH? That's right, my favorite angel is back. And with him is ORIGINAL FLAVOR CAS WITH HIS FLUFFY HAIR AND THINGS JUST KEEP GETTING BETTER AND BETTER. Zachariah calls him "Constantine" and Castiel says "I don't understand that reference" and THANK YOU BABY JESUS, I DON'T KNOW WHAT I DID TO DESERVE THIS, BUT THANK YOU. They enter Max's mom's restaurant and ask who's been messing with time. (Because she would know?) And if they don't start talking, he'll have Cas murder all of them. "My name is Castiel," he intones solemnly. "I'm an angel of the Lord." YES YOU ARE. He reveals himself like he did to Dean (no, not like that, jeez) with the shadow wings. Outside, the Winchesters see the bright light of an angelic reveal coming through the restaurant windows, and they know something's up.

They herd everyone out of the restaurant, and are shocked to see Cas and Zachariah. Zachariah is equally surprised to see them. He says they had big plans for the Winchesters, but then their father disappeared and... and he doesn't finish, so we'll never know why yoinking John out of 2003 changed any of that vessel stuff. (Handwave!) Cas, of course, doesn't know them, and when Zachariah orders him to kill them, he complies.

Dean pulls out an angel blade but is, of course, unwilling to actually kill Cas, so he starts hitting him with other things. And Cas, for whatever reason, doesn't just put a finger on his forehead and kill him dead. (Handwave!) Zachariah chokes Sam and asks him what they did, even though he can't talk because he's choking (handwave!) and Sam acts like he's trying to speak so Zachariah gets closer to hear him, and Sam stabs him with an angel blade. Cas continues fistfighting with both of them, and slams Sam head-first into a table a couple of times, leaving him spitting blood on the floor. Which Sam uses to paint an angel-banishing sigil while Cas is choking Dean. Smart Sam for the win!

Bunker. Pretty bruised Dean has explained the temporal paradox, and John accepts that he has to go back, or else Mary will probably disappear. "Okay," he says. "I mean, me versus your mom, that's not even a choice." DAMMIT JOHN WINCHESTER DO NOT MAKE ME CARE ABOUT YOU. Elsewhere, pretty bruised Sam explains it to Mary, and tells her John won't remember anything.

John tells Dean he never meant Dean to have this kind of life. He's proud of him, but he hoped he'd be able to have a normal life, with a family. "I have a family," Dean says. They sit down and have one final family meal together, and everyone's quiet and sad until John points out that they can either think about what's going to happen, or appreciate what they have right now. They cheer up and listen to Bob Seger (well, we listen to Bob Seger) and talk and laugh and have the family dinner Dean has always wanted.

Later, while doing the dishes, Sam says how unfair it is that they all had this and then have to throw it away, and John has to go back to being Dad. He thinks it would be nice for John to go back knowing what he knows now. "I used to think that too," Dean says, and admits that he's blamed both John and Mary for their crappy lives. And if they could send him back to 2003, or even earlier, maybe none of the crap would happen. "But here's the problem. Who does that make us? Would we be better off? Maybe. But I gotta be honest, I don't know who that Dean Winchester is. And I'm good with who I am. I'm good with who you are."

Later. Mary and John are holding hands, and I guess they're doing the thing now. I'd hoped they'd at least let these two have one last roll in the hay (especially since I'm pretty sure Mobby is permanently done after this), but no. They have a very sweet goodbye and their sons are brokenhearted and I am too. John tells his boys to take care of each other and Sam says "we always do." That's a nice change from telling Dean to take care of Sam, isn't it? He tells them both (BOTH) that he's proud of them and loves them, and they have a three-way hug and Sam wipes his eyes and Dean says "love you too" and I REALLY CAN'T, BOYS, YOU HAVE TO STOP. Then John takes Mary's hand again and Sam crushes the pearl (why does Sam have to be the one to do it?) and John glows and then fades away.

We get a quick glimpse of downtown Lebanon returning to normal, and the three teens talking about how cool it is that "those guys hunt monsters," and then we're back to the bunker. Cas walks in the door and sees the remaining Winchesters, obviously distressed, and asks what happened. "Well, there's a story," says Dean.

And finally, we see the Impala WITH HER ORIGINAL KANSAS PLATE. John's asleep in the driver's seat when he gets a phone call from Dean. "No, I'm okay, I just had one hell of a dream. No, it was a good one."

GUYS. GUYS.

When I heard there was going to be a musical episode for the 200th, I was sure it would suck. When I heard about the Scooby Doo crossover, I cringed, because I knew it would be awful. WHY AM I ALWAYS SO WRONG.

Eh, who cares why. Let's just appreciate what we were given. Happy 300, my friends. Here's to 300 more.

(Please help me stay unspoiled for future episodes, thanks!)