#Hold On We're Going Home

[nicoledollanganger-songs]

Hold On, We're Going Home (cover) Nicole Dollanganger

[adolliver]

[seeabout-afterdark09]

Hold On We’re Going Home

Hold On We're Going Home

Drake ft. Majid Jordan (August 7, 2013)

If Unthinkable acts as the foundation for Dricki then I would say Hold On We're Going Home acts as a solid pillar that holds up this relationship in between fantasy and reality. At first glance this song would seem like the standard, romantic mainstay to a rhythmic, melodic hip-hop infused r&b album — but it is far deeper than that. Drake, out of his own mouth, views Hold On We're Going Home as a wedding song. In an interview with MTV Drake is quoted: "It's not a rap record," he added. "It's not 'Versace,' it's not 'Started From the Bottom.' In approaching this album I was like man, it would be great if we had a record that was played at weddings in 10 years or that people that are away from their families in the army could listen to." To make matters even more interesting, there's this famous clip of Drake being asked by a woman about what the song was about. He asks the girl her name and she replies, "Nikki." Drake is seen smiling and simply comments, "ironic." Ironic indeed.

Drake starts off by singing, "I got my eyes on you/You're everything that I see/I want your hot love and emotion endlessly." What makes this line so interesting is that at the time Drake was creating this, he admits that he wasn't ready for commitment yet. But despite not being ready to commit, he can't stop thinking about this woman. He gets in the same room with her and now suddenly she's all that he sees, and he becomes engulfed in a tidal wave of emotions as he sees her (reality), while still fantasizing about what they could be. Then he sings, "I can't get over you/You left your mark on me/I want your hot love and emotion endlessly." Still in the realm of fantasy, I believe that around this time Drake struggled with differentiating between his strong romantic/lustful feelings for Nicki and his more "platonic" friendship feelings for Nicki. They were friends in reality, but even without entirely being ready to commit yet, he still daydreamed about her.

Drake in the pre-chorus sings: "'Cause you're a good girl and you know it/You act so different around me." Drake has always said that he prefers when Nicki is more like "Onika". Less makeup, less stage theatrics, but more of the natural sensualness she exudes when she's by herself. For the chorus Drake sings: "Just hold on, we're going home/It's hard to do these things alone." I believe that this line can be taken figuratively. Figuratively speaking, Drake is trying to convince the woman he's falling for to "just hold on" because even though he's not ready for commitment yet, he will be in the future. When all is said and done — he'd rather be "going home" with her (Nicki). But he's struggling at the moment because he doesn't want to be alone. It's the inverse of the song Unthinkable. In Unthinkable, Drake wants to wait for Nicki. In Hold On We're Going Home, Drake wants Nicki to wait for him.

[grimmiearchive]

19th February 2015

Christina Grimmie performs Hold On We're Going Home in Bristol, UK

[toncharts2]

23 de maio de 2014

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158ª semana

23 de maio de 2014

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Hold On We're Going Home

Drake, Majid Jordan

240

2

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Fancy

Iggy Azalea, Charli XCX

164

7

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3

This Moment

Katy Perry

137

2

3

4

Dark Horse

Katy Perry, Juicy J

135

20

1

5

Circle the Drain

Katy Perry

118

37

1

6

Deep Sea Diver

Angel Haze

49

6

1

7

Judas

Lady Gaga

48

19

1

8

April's Fool

Angel Haze

47

1

8

9

Red Wine

Kelly Rowland

46

18

1

10

E.T.

Katy Perry, Kanye West

44

75

1

11

Paper Gangsta

Lady Gaga

43

9

5

12

Back to Black

Beyoncé, André 3000

40

11

1

13

Wide Awake

Katy Perry

39

15

1

14

Tonight (I'm Fuckin' You)

Enrique Iglesias, Ludacris, DJ Frank E

32

5

2

15

No Champagne

Frankmusik, Natalia Kills

30

9

3

16

That High

Pitbull, Kelly Rowland

22

3

4

17

Box

Katy Perry

21

4

5

18

Radio

Lana Del Rey

15

9

3

19

Young and Beautiful

Lana Del Rey

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5

2

20

Parachute

Cheryl

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Hold On We're Going Home

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Fancy

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Katy Perry

Dark Horse

4

19

Katy Perry

This Moment

5

17

Katy Perry

Circle the Drain

18 mai

1

68

Drake

Hold On We're Going Home

2

46

Iggy Azalea

Fancy

3

40

Katy Perry

Dark Horse

4

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Katy Perry

This Moment

5

34

Katy Perry

Circle the Drain

19 mai

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102

Drake

Hold On We're Going Home

2

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Iggy Azalea

Fancy

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59

Katy Perry

Dark Horse

4

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Katy Perry

This Moment

5

51

Katy Perry

Circle the Drain

20 mai

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137

Drake

Hold On We're Going Home

2

92

Iggy Azalea

Fancy

3

78

Katy Perry

This Moment

4

78

Katy Perry

Dark Horse

5

68

Katy Perry

Circle the Drain

21 mai

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172

Drake

Hold On We're Going Home

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116

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Fancy

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98

Katy Perry

This Moment

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97

Katy Perry

Dark Horse

5

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Circle the Drain

22 mai

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206

Drake

Hold On We're Going Home

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Iggy Azalea

Fancy

3

118

Katy Perry

This Moment

4

116

Katy Perry

Dark Horse

5

101

Katy Perry

Circle the Drain

23 mai

1

240

Drake

Hold On We're Going Home

2

164

Iggy Azalea

Fancy

3

137

Katy Perry

This Moment

4

135

Katy Perry

Dark Horse

5

118

Katy Perry

Circle the Drain

1

Katy Perry

494

103

1

51

6

2

Drake

240

7

2

1

3

Iggy Azalea

164

15

1

4

1

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Angel Haze

96

5

1

1

2

5

Lady Gaga

91

76

1

16

2

[biscuitboba]

Idk but i love how everyone seems to be looking straight ahead, but zoro? he is looking at his captain like, alright-

[jvzebel-x]

here's an update for all the "tOuRiSm iS fOr ThE pEoPlE" fucks. always remember that the second anyone steps foot on that land in the name of "tourism" or any other haole institution, that is colonizing&that person is a fucking explicit modern colonizer who made the conscious decision to be one and has spent a lot of fucking money on that trip to get their title. only that kine want more of their kin there-- don't pretend that shit is for anyone else.

drop dead of spontaneous combustion specifically, not even the sharks would want that pīlau fucking meat.

[happyhauntt]

SUMMER OF BUDDIE. ━━ week one: mixed media + creating a gifset for your fic. (@summerofbuddie.)

synopsis: when buck gets a call asking if he'll take emergency custody of a young relative, he doesn't hesitate to say yes. especially when the alternative is her ending up in the care of his parents. but taking care of a traumatised kid is hard, especially when you're still running from your own demons. (or, buck fosters a traumatised teen and together they start to heal.)

read on ao3.

[yonemurishiroku]

something something Hades holds Nico's hands to bring him home - seventy years ago in Venice, and many years later, to the Underworld.

brb i gotta cry and then write st

[statementlou]

hello :) could you maybe explain a little bit how dan wootton blackmailed louis?

ugh sorry for taking a while to get to this. The problem is I feel like the only two ways to answer this are by spending a week and a half of full time labor sifting through old posts and evidence to get every detail right and lay out an airtight case, or to halfass something very serious, and so I felt a little stuck. So since I can't seem to find a good halfway point, apologies but here is the half assed version, if you want to get into it more I invite you to do your own deep dive or talk to other people, but here's how I remember things. Louis has almost never on video explicitly said things about Larry not being real and/or anything negative about fans and their theories (mostly the opposite), up until the last couple years when he obviously decided to make a major change he didn't talk about Freddie much at all let alone saying he was his kid, honestly not that much about Eleanor even; except for in two major interviews with Dan Wootton, each of which lined up with a serious traumatic Tomlinson family event that they managed to keep out of the tabloids until the very end (Jay's illness and Fizzy's struggles with substance abuse). After the fact of those events a lot of small things that didn't make sense at the time came together to look very much like Louis traded those interviews (and those answers) for having his family's private matters kept private. Story trading of this kind is a publicly known real thing that happens, and there were various clues that suggested he was being leaned on about those stories to lend legitimacy to the idea that it was something that happened in these cases. Given what we know about Dan Wootton and how he operates even before the recent flood of information and even more now, I think it's more than likely that he has been holding the threat of outing Louis (as he has done to many other public figures) over his head for over a decade, and has used his family's tragic struggles to get Louis to dance like a fucking puppet for him and I will REJOICE at his downfall when it comes whether it is now or 20 years from now... because someday it will, he has made too many enemies to stay above it forever

[bumblingbabooshka]

I think it's funny if every Voyager au has its own 'delta quadrant' and 'Maquis v Starfleet' circumstance that they're treating with the same level of seriousness and angst. Flight attendant Au but they're experiencing several long layovers and are from two competing airlines. High School Au but they're from different schools on a tense joint overnight trip.

[look-at-the-stars-tonight]

i would like to stop experiencing the full spectrum of human emotions every day please. putting this out into the universe

[wildwood-faun]

four! weeks! holiday!