#How to Build a Portfolio
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amanxkataria · 6 months ago
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How to Build an Eye-Catching Portfolio as a Graphic Designer
Discover how to create a stunning portfolio that captures attention and showcases your skills as a graphic designer. Learn the key elements to include, tips for organizing your work, and creative ideas to make your portfolio stand out. Whether you're a freelancer or looking for your dream job, this guide will help you build a portfolio that leaves a lasting impression.
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kagooleo · 5 months ago
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happy new years 2025! it's been nearly a whole year since I started posting about fluffyriceshipping here, and my art has changed a lot since then! what better way to start the new year than with some sweet potatoes with their partners 🍠🌅
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4threset · 1 year ago
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'Where Giants lay'
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dawnthefluffyduck · 9 months ago
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Sunday doodle, will likely clean this up later :3
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kvvkee · 11 months ago
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marcille sticker / keychain :) building portfolio for artist alley!!!!!!!
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cloudbends · 6 months ago
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Last year I took my first professional art class in order to study some basics I felt I was lacking, and I thought i'd post these 3 studies I made during it because I liked how they look together. Made me come a long way and feel more comfortable with colouring and working with more visible brush strokes, which I appreciate being such a lineart-oriented artist generally. From the top:
Study of Camille Corot, Road to a House in the Country, in grayscale
Study of Claude Monet, The Artist's Garden in Argenteuil.
Study of a picture I took myself.
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micromime · 2 years ago
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Woodie....
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fullscoreshenanigans · 1 year ago
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Is CloverWorks entirely at fault for TPN S2's mangled production?
I see so many people default to blaming CloverWorks for being the sole arbiter of S2's horribly disappointing production (sometimes Shirai is added into the mix too, especially by anime-onlys), but every time I do I'm genuinely asking the question of whether that's true and where they're pulling their information from.
I'm not involved in the animation industry at all so I'm interested in receiving input from people who are more familiar with it, but my understanding is the people in charge of the decision to truncate S2 would be The Promised Neverland Committee listed at the end of the opening credits.
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(I could not find a single video of the English dub that aired on [adult swim] for the English credits of S1, so a screencap from the Japanese credits)
TPN Committee is comprised of the following entities: Aniplex (Distributor), Fuji TV (TV Station), Shueisha (Manga Publisher), Cygames Anime Fund, Dentsu (ads)
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(Sources 1 | 2 | 3)
kViN from Sakugabooru details what a production company is in this post:
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"I personally find it enjoyable to see who is involved in a show, and as you’ve seen there is plenty of information to draw from that. Animation production studios are listed in the credits for each show, so it’s understandable why audiences would imagine they have a ton of influence over a production. It’s even natural to think that the company that is actually manufacturing something would have great input! If you start paying attention to these committees though, you get a clearer picture of the finances of production and how each show is actually made rather than assume that studios that often don’t have much of a say are in charge of everything."
And CloverWorks is the more prominent name, especially for English speakers watching the subbed version of the series.
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This is also something that Geoff Thew brings up in the last seven minutes of this video around the 18:50 mark:
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"I'd bet good money that the last credits were supposed to roll right after that big stone door slammed shut, and I'd further wager that a combination of fan reactions to and dipping ratings for early episodes is what caused the production committee—who are the ones who actually have final say in this, not Cloverworks or even Shirai—to cut their losses and turn that cliffhanger into a skeleton of a conclusion."
I disagree with him on them making the call to retool the series during the clipshow episode between S2e05 and S2e06 though. It doesn’t seem like they had enough time to do that when a single episode of animation takes on average nine months to complete, even with the ridiculous crunch they seemed to be in. My guess is it was made back in early 2020 after Shirai made everyone involved in production aware the manga was ending that year, with the pandemic potentially factoring in to a degree.
He also mentions this a bit earlier:
"It's just such a slap in face to anyone who ever gave a shit about any version of this story. Including the people telling it, apparently, since neither of the anime's screenwriters nor mangaka/series composer Shirai wanted to take credit for the last two episodes. They probably didn't have much say in how it all went down. That's important to keep in mind before you start yelling at animators or even studios on twitter. I guarantee that every adaption that hurts you personally was ten times harder on the people who actually had to make it. As hackishily slapdash as this finale is, a lot of people probably slept under their desks to get it out the door, if they slept at all."
I always come back to this tiny addition toward the end of S2 episode 2 as an indication that on the creative side of things, in storyboarding and animation at CloverWorks, the care was still there at some level.
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It was just squashed down in order to cut and condense 146 chapters into 11 episodes for a production that, as ZersEditor puts here, was "bleeding money."
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But CloverWorks is less to type out, so they get the majority of the ire over a tragically butchered production in casual conversation.
#The Promised Neverland#Yakusoku no Neverland#TPN#YnN#約束のネバーランド#約ネバ#Kaiu Shirai#CloverWorks#TPN Committee#FSS Chatter#TPN S1#TPN S2#TPN S2e02#Long Post#I'm not trying to portray CW as a saint of a studio because again I'm not involved in the industry so I don't know all the nuances to it#and this production of theirs is the one I'm most familiar with‚ with the other one being S×F for comparison#and like Ruby's pointed out in another post I can believe they're complacent in the lightening of skin tones for characters of color#as part of a larger industry-wide trend which is still shitty and should be critiqued#but I don't think they're the only ones guilty of this#so it kind of deflates me a bit when I see people comment on my posts taking a dig at CW#because it feels like a pithy comment of misdirected ire when the body of people actually at fault#get to continue on with their business of utilizing stories as investments to build up portfolios#instead of any genuine interest in a series' story or artistic merits#so then I kind of zone out even if I agree with the spirit of the sentiment of grieving over a series you care about#like “is it their fault? is it? are we talking about the same thing/on the same page here?”#tbf people are probably making more productive use of their time than I am#after delving into this for a sense of personal closure on how S2 turned out the way it did lol#but if anyone has any further reading on the subject or personal insight and feels like sharing I'd be interested#either in CW's favor or against
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souplups · 2 years ago
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i should not be left to my own devices!
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dkettchen · 11 months ago
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Now this may not seem like a massive change in format, but boy howdy do I feel proud of myself for writing the functions to automate this ehehehehehe (unfortunately for me ao3 ship stat op used a different formatting for the pre-2020 tables, so I'll have to write another function to sort those ones out too ToT)
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pikslasrce · 1 year ago
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maybe my mom is right . Maybe i should learn programming/web design...... w3schools.com and i will see a lot of each other in the near future methinks
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kagooleo · 9 months ago
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my WIPs are so unorganized but rice is forever, in doodles and Even when coding >:]
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ezlo-x · 1 year ago
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Yall got asks? :]
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silvery-stars · 6 months ago
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need to write a short film about being trapped but idk what plot exactly to explore. too many options but simultaneously none that i can think of
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cjgladback · 10 months ago
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[ID: Animated gif showing four test renders of a wheeled wooden dragon toy from the same angle; with each render, small adjustments happen to its textures, darkening portions and adding details like nicks in the edges of the wood piece that might be the dragon's eye or brow bone. The final render stays visible while hand-drawn arrows appear, with handwritten labels that point out locations of a knot, wear, dents, glued, cracks, and rings. Some of the cracks are visible but nearly everything else is obscured by the angle of view. End ID]
Getting some unique moments into the wood material, I'm aiming for subtle changes. They're supposed to blend well with the wood grain textures! But on the best of days I want a neon sign pointing to the intentional work I've done and that desire now is exacerbated by how precisely the test render angle I've been using hides the detail areas. Between the dents in the right wing barely visible due to a glancing angle that the glued crack in the left wing would conversely require to be spotted, the obscuring of both chunky end grain edges on the lower piece of the face that needed their ring direction reinforced, and that just-out-of-view hand painted knot near the back right hip...it looks like I'm planning some grand reveal. I am not.
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bas-rouge · 1 year ago
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Me: be patient
Also me: *refreshing my email every 20 minutes*
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