#Huang Binhong

[linusjf]

Huang Binhong: Cleverness and stupidity

“To understand that cleverness can lead to stupidity is to be close to the ways of Heaven.” — Huang Binhong.

[fannyjemwong]

Bellas Artes en China: Huang Binhong

[boywithflowersartgallery]

A collection of 27 high-resolution digital images of Huang Binhong/黃賓虹 ▶️https://boywithflower.gumroad.com/l/qzvcq ▶️https://www.boywithflowers.com/product/huang-binhong/ ▶️https://www.patreon.com/posts/74625274 Get more digital paintings. https://boywithflower.gumroad.com/ https://www.boywithflowers.com https://www.patreon.com/boy_with_flowers_art_gallery

[faithitsrighinthename]

chinese fans I found on Sotheby's website part 1/?

Fine Classical Chinese Paintings & Calligraphy

[glitteryrebelexpert]

HUANG BINHONG (1865-1955) Chinese Painting - Landscape

[eacbooks]

Da Shi Chinese Paintings and Calligraphy, Shanghai Mission 2013 The First Art Auctions, Sunday October 20 2013 Sale Catalogue

https://www.abebooks.com/servlet/BookDetailsPL?bi=30741446862&searchurl=sortby%3D0%26vci%3D65071755&cm_sp=snippet-_-srp1-_-title2

[sunkentreasurecove]

[aic-asian]

Landscapes, Huang Binhong, 1945, Art Institute of Chicago: Asian Art

Gift of Mr.Jiang Ershi Size: 22 × 33.5 cm Medium: Album leaves; ink and color on paper

https://www.artic.edu/artworks/133365/

[bm-asian-art]

Album of Eight Paintings, Huang Binhong, 1870-1955, Brooklyn Museum: Asian Art

Size: Album: 16 3/4 x 22 1/2 in. (42.5 x 57.2 cm) Paintings: 13 1/8 x 17 3/8 in. (33.3 x 44.1 cm) Medium: Ink and color on paper

https://www.brooklynmuseum.org/opencollection/objects/156192

[collectat]

copying old masters - 黄宾虹

copying old masters – 黄宾虹

a few samples of my copies of Huang Binhong’s works If you learn traditional Chinese painting, it is extremely important – from the Chinese point of view – to copy old masters. As I think so too I accepted the challenge and the work was well received. In a certain way it is similar to studying classical music: finger exercises, up and down the scales, trying to understand why a composer put…

[neoko67]

黄宾虹 （1865-1955）

江南山水

立轴 设色纸本

钤印：黄宾虹、宾虹八十以后作

题识：画中逸品，谓在神妙能三品之上，学力有余，尤重修养，非徒含毫吮墨者可拟议也，兹以江南山水写之。宾虹。

HUANG BINHONG

LANDSCAPE

Hanging scroll; ink and colour on paper

Signed Binhong, with two artist seals.

76.5×30 cm

估价 ESTIMATE:

HK$ 400,000-600,000

[louis-jean-germain-blog]

This painting is a reproduction of an original of Huáng Bīnhóng (黃賓虹; 1865-1955). He was a Chinese literati painter, born during the Qing Dynasty.

He is considered one of the last innovators in the literati style of painting and is noted for his freehand landscapes (ref: Wikipedia).

You can appreciate the wild strokes and large dots, spreading all over the painting, which reminds me the contemporary European painters depicting abstract art. I also appreciate the blue color, between cobalt and azur, providing an ashtonishing overall aspect to the painting.

Huang Binhong 01 - Rice paper with ink and colors, 70*40cm - April 2018

[fannyjemwong]

Bellas Artes en China: Huang Binhong

[dddcl-archive]

A landscape painting by the Chinese ink-brush master Huang Binhong, an inspiration for Mr. Liang’s “A Thousand Mountains, a Million Streams.

”Credit: Elna Tsao with support from the Mozhai Foundation

[selfportraitsofcolor]

Lin Sanzhi / 林散之, b. 1898, d. 1989 Self Portrait China (undated) [Source]

The British Museum says:

Lin Sanzhi was born into a peasant family living near Caishiji, a village located some fifty kilometres south of Nanjing, Anhui province. Despite his family's poor financial situation, Lin received quite a good classical education.

In 1929, at the age of thirty-two, he moved to Shanghai, where he eked out a living while at the same time taking lessons from Huang Binhong (1864-1955), a famous landscape painter from Anhui. After two years, however, he was so impoverished that he was forced to rejoin his wife and young son in his home town and take up work as a school-teacher. In addition to painting, he took a keen interest in Buddhism and practised martial arts. 

In 1947 his growing reputation as a painter and poet lead to the offer of a professorship of art and literature at the university of Hefei, the capital of Anhui province. He declined, preferring in those troubled days to stay close to Nanjing, which was then the seat of the Nationalist Government of Jian Jieshi. After the Communist takeover in 1949, Lin Sanzhi became a minor government official in Jiangpu and by 1956 he had been made deputy mayor. In 1959 he retired from politics and once again turned to art. In 1963 he became a teacher at the Jiangsu Academy of Chinese Painting in Nanjing, and began devoting an increasing amount of his time to mastering the fast-flowing cursive style of calligraphy (草书), which he believed best expressed both his skill and his spirit.

During the Cultural Revolution, the Red Guards persecuted him and destroyed many of his works. His misery at this situation was soon compounded by the death of his wife. Over the next three years he lived in several different places across China, teaching calligraphy, until he decided that it was safe to return to his family village of Caishiji in 1969 to live with his son. 

His life was to be transformed yet again by a terrible accident. During a visit to a Chinese bath-house in 1970, he stumbled and plunged his right hand into boiling water. It was so badly burned that three of his fingers became fused together. After his wounds had healed, his brushwork was no longer elegant and fluid, but exhibited a certain rawness and naivety. Before long these qualities hardened into the so-called 'iron line' that became the defining feature of his work in his later years. 

[glitteryrebelexpert]

Huang Gesheng: Splashing ink to write homes

Among contemporary Chinese painters, there are few painters who can persevere in life for decades. Huang Gesheng’s artistic path with sketching as the main means is not original in terms of creative means. Many of his previous landscape paintings The same is true of masters such as Huang Binhong, Fu Baoshi and Li Keran. They adopt the same methods, all of which are in-depth life sketching, but this does not prevent their arts from having different appearances, different values ​​and meanings. The value and significance of Huang Gesheng is precisely his way of sketching and creating a road of his own, a road of new ideas. Years have proved that he has embarked on a road of success, and eventually led to the rise of a new southern painting school-Lijiang Painting School, and therefore also Huang Gesheng and Guangxi art history, and even the entire history of contemporary Chinese art Closely and deeply connected.