#I also wanted to point out the parallels with Amane on the audience repeating the character’s traumas

[laniemae]

The sexualisation of Mikoto, stalking, and how the fandom is repeating this.

CW: Stalking, sexual harassment, fanservice, murder

I’ve been thinking a lot about Double’s thumbnail, and especially the stalking theory. And if you think about it a lot basically everything fits up and that his victim was likely his stalker. Although a lot about what happened I never really have seen discussion on the why or how it’s been happening, so I just want to give my thoughts and theories on this all before Double.

The fanservice in MeMe:

The fanservice in MeMe has always felt really off to me. Milgram never has any fanservice-y stuff, minus Yuno in Tear Drop, but it’s only just her revealing outfit and nothing to do with strange camera angles or whatnot, and it’s very important to her character. For me and what I’ve think the consensus in the fandom has been, is it’s nothing more than that. That the fanservice is only there to appeal to thirsty fans or whatever. But I’ve been thinking a lot, and with the music videos extracted from prisoners minds, everything has a meaning in one way or the other. So for the creators to just throw a bunch of fanservice scenes in MeMe with no meaning apart from just plain fanservice feels really counter intuitive to the whole point of the MVs. And especially how this has never happened before makes it really strange to me. And with this idea in mind and going back to the stalking theory I mentioned earlier, I think it’s disgustingly clear what has happened to Mikoto.

Mikoto being watched:

I think what’s going on is that Mikoto was stalked for sexual reasons. The constant scenes of him in embarrassing moments (taking of his shirt, having a shower, having a bath) is what the stalker has been seeing and this subconsciously put itself into MeMe from Mikoto’s POV. Camera imagery in MeMe is very prevalent, from at the beginning him grabbing the camera and at the end him picking it up and punching it. I think this is supposed to represent him realising he’s being stalked and trying to hunt down who’s been doing it, and the destruction of the camera at the end to represent him killing the person. 

Also around the middle of the song, we see security cam footage of him entering his apartment and crying on his couch, with Mikoto hyperventilating and gasping in the background. I feel like with everything I’ve said before this scene makes it extremely clear, that someone put up a bunch of camera around his house to catch him in those moments, if we’re taking that scene literally.

Then it cuts to him laughing at the screen in darkness, and the aforementioned fanservice scene right after this sequence of events really makes things scary to what was happening in his house. And also like I said before about the hyperventilating during this scene. I could mean multiple things such as him having a panic attack, being actually attacked or worse.

And the imagery of being watched doesn’t stop at just the camera stuff. At the beginning of MeMe in the scene at the train station, the camera moves around from behind a wall to reveal Mikoto sitting there holding a bat, like someone is watching him directly. To further back this up there’s a vignette around the edge of the camera and wee see it blink, like from a POV shot. And after the blink Mikoto disappears, and then we see him outside swinging a bat at the POV (just want to note this is outside and is probably in a different place than the train station, but I don’t know what to make of that right now, and how also the vignette I pointed out before isn’t present here). Then it cuts back to the scene in the train station, now with Mikoto holding a bat and walking towards someone on the ground, attacking them. Noticeably the vignette is still here in this scene, so the person Mikoto was attacking likely wasn’t his stalker, perhaps he just thought they were.

Wait I suddenly just got a theory from this. I just mentioned how the vignette in the scene I just mentioned likely means that Mikoto attacked someone else and the stalker was watching on. Me and basically everyone else has assumed that guy was his victim, but then what about the stalker? I’ve always strongly believed that Mikoto only killed one person but now I’m just starting to doubt that. If MeMe is to be taken in chronological order in this part, he probably killed that guy then realised that he was continuing being stalked. And as I said at the beginning of my analysis I mentioned that Mikoto punching the camera at the end could be representative of him killing the stalker and ending it (also to mention he gets the death card right before hand). And I didn’t think of it when I wrote that but what if he did actually kill multiple people in an attempt to kill his stalker. Hmm.

And going back to what I was talking about before, he probably entered his apartment afterwards and switched to Bluekoto after it was assumed everything was safe now. (Just saying I’m using Mikoto interchangeably to refer to all of the alters as it’s not clear who’s doing what, but this takes the theory of that blue was the murderer and not the other/s into account, because there’s a part of me that feels it wasn’t him attacking those people as red/green has a strong desire to protect blue and hide him from the traumatic events taking place).

I feel like I’ve gone way off track with what I’ve been saying here because while writing this I just keep noticing more and more stuff to write down and I just thought of someone thing again.

Every time it appears that Mikoto killed someone (the train scene, the garbage scene although the bag doesn’t look like a human body just saying), it cuts to a fanservice-y scene right after, maybe implying that the person he killed wasn’t the stalker, and he’s still being watched afterwards. Although this makes the bath scene kinda out of place as it doesn’t take place after a murder I think, and someone mentioned it was before the shower scene which kinda debunks this but I just wanted to mention this because why not.

Mikoto’s mindscape in MeMe:

Another thing I’ve been thinking about a lot is every character’s “mindscapes” as I call them. Yuno has an empty pink void with a tower, Fuuta has a fantasy land, Mahiru has a room inside a birdcage ect. And all of these places represent an aspect of their characters. Yuno’s representing her feelings of emptiness, Fuuta feeling that everything he’s doing is for justice and that he’s a cool hero, Mahiru being trapped and sheltered in an ideal concept of love and stuff like that. I’m going to make a theory on this in the future as it’s very interesting to me but Mikoto’s mindscape is always something that’s confused me.

Mikoto’s mindscape is a parallel of his apartment. Down to the couches, tables and everything, but lacking the bookcase and tv being buried in the water for whatever reason.

(Also I just noticed but there’s a blue thing behind the couch that Mikoto laid his head down on before which could be a bed or whatever. But in the mindscape and this other shot we don’t see it???)

(Actually maybe we do if we squint, oh well)

Okay, okay back to what I was actually going to say. The furniture from the apartment appearing in the mindscape makes sense, but what about everything else? The broken, tiled walls, the mirror, how everything is covered in a thin layer of water, the clear blue sky. There’s a bunch of this stuff I could analyse in my future post about mindscapes but I’ll just say the stuff that relates to what I was talking about earlier. But to say it right now, I think all that other stuff is supposed to be the bathroom we see him in.

Notice here the tiles are exactly the same, and we even see the same mirror he looks at himself in, in real life then Mikoto in the mindscape.

Also to point out how the Mikoto we see looking into the mirror here is wearing a sleeve and likely in the mindscape and as someone mentioned, since the ahoge is backwards it’s likely a reflection. Although it’s strange that it has the same green filter both ways.

After this we see bluekoto (presumably) fall backwards into the water. And another strange thing I noticed is that this mirror is behind the couch, but when he falls down the couch is tipped over.

Don’t know what it make of this but again I’m just constantly pointing stuff out I notice as writing this.

So basically I think the mindscape is a mix of the living room and the bathroom. The furniture from the living room and the water, mirror and tiles from the bathroom. But this makes things confusing, why the bathroom? Why would Mikoto project imagery of his bathroom into his own mindscape? This brings me to what I was saying before. The walls in the mindscape are completely collapsed, providing no closure or privacy to this “room”. The sky is also out, so his mindscape feels very exposed. And what I said earlier about my staking theory. It’s likely that someone placed cameras up in/around his bathroom to record him naked, a complete breach of privacy and that’s why this mindscape is so exposed and has elements from there. Even in this world that he created, he still doesn’t feel safe at all.

The audience and the repeating of Mikoto’s trauma:

Basically to sum it up from what I’ve said. Mikoto was being stalked and sexualised by someone. Cameras were placed up around his house to record him in embarrassing situations and he figured out, and attempted to kill the stalker.

But here’s one thing, that story we likely see in MeMe is happening again. But with the audience.

When MeMe came out everyone went ballistic. Lots of people were very surprised in how violent it was, how compared to the calm preview we saw it instantly started off with death metal and destroyed every idea we had about him, and kept switching between being calm and violent. But what I want to walk about right now is the reaction to the fanservice.

As we all know, when MeMe released a horde of thirsty tiktokers came over and started absolutely obsessing over Mikoto and all the fanservice scenes we see. Things got so out of control that people tried to vote him innocent just because he was hot and even jackalope bought this up. But thinking about this, it’s getting dangerously close to what I think happened in his story. Being filmed in embarrassing moments without consent, and having people obsess and sexualise you for that. The music videos are representative of the prisoner’s minds, and in no way would have Mikoto known how he was shown naked and shirtless for a huge chunk of MeMe. Same as him being stalked and recorded in his story if I’m right.

The fandom here is doing exactly what his perpetrator did to him down to a T. It’s almost like what happened with Amane when people tried to reverse her brainwashing by showing her tough love by not forgiving her, exactly like what the cult did to her to try and make her obey them more. This thing is happening to Mikoto as well as Amane and repeating their traumas. And also to mention how Mikoto has DID which is a result of repeated childhood abuse so it’s likely this has been happening to him alot and just can’t escape from this reality. And for the alters to take in all the trauma and leave the host blissfully unaware of everything’s that’s happening.

This brings into account how the guilty prisoners can hear the voices of the audience judging them. Fuuta completely broke down as he was constantly harassed with strange voices judging him and denying his actions. And he’s mentioned a lot of times how he can’t stand this feeling of being watched and this manifests through the eyes in Backdraft. And with Mikoto from everything I’ve been saying before it’s very likely he has trauma from this. And now feeling like he’s being watched and hearing the voices of the audience, who we know constantly sexualises him. It’s likely he’ll have to relive his trauma once again that he thought he finally escaped…

Conclusion / TL;DR

To sum this whole theory up I believe that fanservice in MeMe actually has importance besides just fanservice. And it’s likely Mikoto was being stalked by someone and recorded in those situations, and he ended up hunting the person down and killing them. And now because of the audience’s constant thirsting over him and how the guilty prisoners can hear everything we say about them, Mikoto will have to relive his suffering again.

Other things I’d like to briefly mention but didn’t have any space to put in, Is how since Mikoto rides a bike instead of a train to work as he said but we see lots of train imagery. And I think what happened is that he was probably being harassed on the train and switched to going to work alone. And the thumbnail in Double we see him looking depressed, on a train surrounded by destroyed mannequins.

[good-beanswrites]

So, uh, may I request a director's commentary on your attack against me?

Why do you do this to meeee (and masterminding everyone else!!) Lol, well thank you for the ask regardless -- drabble is under the cut with my little commentary in pink!

“Amane, you must – please – !” Shidou’s voice changed from pleading to an icy calmness. “Kazui, hold her still.” 

So uhh I made myself sad realizing that no one would speak respectfully to Amane in this state -- Shidou would either use a placating kid-voice or a completely detached doctor voice. Kazui and Mahiru would also be tempted to use a protective kiddy voice, or they just talk amongst themselves and not directly to her...

Amane struggled from his grasp, but there was no hope of success. Even if her little form stood a chance against Kazui’s strength, even if her uniform wasn’t locking her arms in place, she knew she would not manage to draw up any power with all this pain rocking through her body. Her chest stung so that she could hardly breathe. The throbbing from her right eye made her dizzy.

I'm pretty sure the pain would be so overwhelming that it would stop her on its own, but I wanted to point out that she has so many obstacles in her way -- it really does feel like everything in the universe is against her. I wanted to do a lot more with her relationship with her god in this piece (feeling like he isn't there because everything is against her) but it kept sounding detached from the action. I ended up focusing on her tangible relationships rather than spiritual ones

Through her spinning vision, she could see Fuuta nearby. She was struck with the selfish thought that she wished she couldn't. He looked awful. Shidou had rolled him over so he wasn’t lying facedown in blood, but it still clumped in his hair and over his eyes. His arm was stuck at an odd angle. 

RIP FUUTA SORRY I INCLUDED HIM DIEDED 😭 Though I did include it to drive home the fact that at this point, even though we the audience knows he makes it, Amane is convinced this is the end for him.

“No,” she gasped. “Stop…” 

It was unclear who she was commanding. Shidou? Fuuta? God? Maybe all at once. 

She doesn't blame Fuuta per se, but this and a later line hint that she sees him in control of his fate. She was taught that life or death has nothing to do with medicine -- it's willpower and spirit -- so she's urging him to live as if it's something he can control for her sake. Similarly, she's feeling like she can control her own safety, as long as she makes god happy in these moments (which she currently thinks she's failing at by "letting" Shidou do his work)

The room wobbled as a wave of pain washed over her. Shidou’s hands were around her face. Though seeking her eye, he may as well have been covering her mouth with how suffocating it felt. Amane shook her head violently back and forth in an attempt to stop him.

I love Shidou but he definitely needed to be painted very villainous in this. Amane isn't one of his typical patients, and what would be really comforting to anyone else (speaking with calm precision, having strong and unshakable movements, reassuring hands offering care) is really traumatizing to someone who sees it as condemnation to hell :(

There was the ceiling – then Shidou’s face, far too close – a blood-spattered wall – Fuuta’s ginger hair caked in blood – the ceiling – intense gray eyes – the wall – a broken arm – ceiling – scowling lips – wall – ginger fur caked in blood – ceiling – a screaming mouth – blood-spattered floor – a paw bent the wrong way – ceiling – green eyes filled with fire – 

Crazy about the cat parallels!!! She is reliving her dooming moment over and over again! She cannot escape her "mistake"!! She will forever be haunted by that day, and it's repeating itself a little too perfectly for her liking!! Oh hey do we know what color Ms Momose's eyes are? I figured green was a safe bet

A hand clamped down on her head to keep her still. Her vision swam. She released a cry of anguish. The others probably thought it was from the pain, but she knew how to bite her tongue through pain. No, this was utter frustration.

Obligatory reminder that she's used to physical abuse because I hate myself apparently. I also wanted to highlight that there's a big gap of understanding between her thoughts and everyone else's

Then came a glimmer of hope. An angel.

Mahiru stood over her. Amane only had so many people left in this world who treated her kindly, didn't lead her towards sinfulness... and weren’t beaten to death. With the recent turn of events, Mahiru may be the only one left. 

Between the cat, her mother, and Fuuta, this girl has witness a lot of bloody beatings :( It's impressive she still likes cute things and has fun, colorful dreamscapes seeing how dark things have been to this point in her life

There was some arguing as Mahiru was told to leave, but she convinced the others to let her stay by Amane’s side. She smiled, though tears streaked down both her cheeks.

“It’s alright. I’ve got you. You’re safe now.”

That was it. Mahiru had been sent to save her. Everything would be alright.

Shidou’s tone was as cold as the disinfectant he was applying. “Tell her to hold still.”

Mahiru gave her a gentle nod. “Please, you have to listen to him.”

And just like that, the breath was knocked from her lungs. As quickly as her savior had come, she disappeared. Mahiru had turned against her, for the sake of that damned doctor.

Now Amane had nobody left in the world.

I'm still not sure if this part hit the way I wanted to, but at least writing it, I was struck with that gut-wrenching shock of betrayal. Mahiru, who always let other people stick to their beliefs and codes, is turning against her in her darkest moment.

She lashed out one last time before her injuries overtook her completely. Her adrenaline was receding.

“This is for your own good.”

It wasn’t. 

She’d experienced things for her own good. When her mother punished her, she’d repeat the reason for it over and over. When her father brought down his wrath, Amane knew exactly why he was doing so. Her teachers would ask her, when they’d finished giving out their discipline, if she’d learned her lesson. It made sense. It was fair.

Trying to build up a painful dissonance between making the reader think "yeah, this isn't for her own good!! Please, stop doing this to her!! She's right!!" and being plagued with "oh god that wasn't for her own good either... oh... she's not right about that..."

There was no lesson here. 

I was tempted to go into detail that technically Kotoko tried to offer a lesson, and drag the reader through all the awful things Kotoko told her while beating her up, but Amane wouldn't see that as a lesson, either, thinking she and Es are mislead. Including all that for no reason would have just ruined the flow of these paragraphs, but I was sad thinking of what she must have been yelling at Amane, much like her abusers...

One must work towards holiness. Amane had been working her whole life. She’d fought to learn from each punishment. She tried so hard to be good. But now, there was nothing to learn, nothing to strive for. There was nothing at all. Yuzuriha Kotoko was killing her, Kajiyama Fuuta was leaving her, Kirisaki Shidou was dooming her, Shiina Mahiru was betraying her, and there was absolutely nothing she could do. 

Hopelessness was a trial all on its own.

This last line read "Unfairness" until literally two minutes before I posted asdfsd. I was worried it was too melodramatic to say hopelessness, but unfairness kept bugging me since it was SUCH an understatement 😭I figured it was better to lean into the drama than not do her pain justice. I was already drilling it in with that last paragraph summary, so I wanted to keep saying things exactly as they were.

[elizabeatrice]

Walking Blind + Thoughts on The Little Mermaid Being Episode 12

Let’s Talk About JSHK Anime #2

Warning: Manga spoilers up until Tanabata Arc (basically that + the entirety of season 1 + the skipped arcs)

I’m gonna talk about how the anime keeps proving my predictions wrong with skipped arcs, and later right, with consequences. Due note that this isn’t me hating the anime (because I love it). Just my funny experience attempting to Sherlock my way through the anime, plus my thoughts on The Little Mermaid being the finale.

No deduction works when it comes to predicting this series.

It all started when episode 5, The Confession Tree, came out. I was looking forward to it ‘cause I’m hananene trash af. Legit thought the entire episode was gonna be about Kodama.

But then the episode preview pics came out and I was like, “Sakura wtf are you doing here you don’t show up again until three chapters later?”

My first prediction was ep 5 would be entirely Kodama, and then ep 6 would be Young Exorcist. Seeing that these arcs serve to build up Nene and Kou wanting to know more about Hanako, I thought it’d be nice that we set aside two episodes just for that.

But then Kodama finished somewhere around the fifteenth minute mark, and we started Young Exorcist Part 1. Which was, you know, fine. But then instead of continuing, they jumped right to the end of the arc when Nene met Sakura for the first time, and then kept going to No. 5′s rumor and revealed Tsukasa early. Next episode’s title preview confirmed it, too. Ep 6 was gonna be 4PM Bookstacks.

Okay. I still had hope. Maybe they just rearranged the order.

On the other hand, the lack of ‘Part 1′ in the title was alarming. And it came true. They packed four chapters into one episode. A lot of things got cut. There wasn’t enough room for the op, and they had to run the credits while the episode was still ongoing. Though, tbh, other than Tsuchi’s line about him being able to change the books (with dire consequences), I didn’t have much problem with the cut scenes.

Then this thing showed up.

Before ep 5 I didn’t think we’d get Donuts until around episode 9-ish. But nope the No. 7s would meet each other in ep 7 (lmao see what I did there?). Again, I was fine with it, but I was a bit upset about Young Exorcist.

Someone said it may be moved to the finale, and I didn’t like that idea. Mostly because Yashiro, our main audience POV, isn’t in the arc. And it just sounds weird having a finale without your main audience POV.

They could put her there, sure, but that would mean adjusting Nene and Teru’s every future interaction. Even without shipping goggles or Nene’s romance-colored glasses, do you think Nene would still act the same towards Teru if she saw him hurt Hanako like that? ‘Cause that was brutal. Like she wouldn’t run and protect him like she did when they met Kou.

They put Kou and Teru’s resolution from Young Exorcist into their convo in episode 7. This kinda makes Teru a bit useless, though. I mean, he still doesn’t do much in the manga but the tension between him and Kou was supposed to set up this badass fight. Since it didn’t happen, and Young Exorcist isn’t gonna be the finale either, then he’s pretty much useless.

Anyway, the thing about Teru being onto The Broadcasting Club?

Not from the manga.

I’m not sure if Manga!Teru is really onto them. As far as I remember, it wasn’t hinted anywhere in the manga. Do correct me if I’m wrong. So what was the point of that change?

I didn’t get pissed until halfway through episode 7 and suddenly Mitsuba was there, but no fishes.

“What is he doing here, where’s that puffer fish, where’s his murder? Hello?”

I was very neutral about Mitsuba from the very beginning but when he showed up where The Little Mermaid (and my fish murder!!!) was supposed to be I kinda began to grow undeserved resentment toward him (I’m cool now though!). Totally, totally undeserved, because it wasn’t his character’s fault.

I was happy because Mitsuba stans got to see him animated (he was cute, and his VA was so good). But putting him in episode 7??? I mean they just left Hanako and Nene’s tension unresolved like that. That makes the episode really choppy in my opinion. They could’ve had the coolest final shot of the season of Tsukasa murdering that fish to scare and excite the anime-onlys. They missed that chance.

We got to episode 8. Pretty solid. Still would’ve preferred if its first bits weren’t in Donuts, but solid.

Preview title basically confirmed they’re skipping The Little Mermaid too. That was when I lost hope in Young Exorcist. But I tried to compromise. If they weren’t animating The Little Mermaid, then they have to put Hanako and Nene’s conversation and pinky promise in The Little Mermaid at the end of ep 9.

Episode 9 turned out to be my favorite. It was all thanks to Natsuhiko. He really cheered me up over our loss of two arcs. And my prediction was right for once. Hanako apologized for ruining the donuts. That’s definitely not the point of their tension (Tsu-ka-sa and trust), but it was still nice and I’d take what I could get. The hug. The hug was very nice.

I was mostly content, excited to see my boi Akane the next week. But then I thought, wait, we only have three episodes left. And we’re definitely reaching Hell of Mirrors, ‘cause No. 3′s silhouette is in the OP. Then the horrifying thought hit me.

They were gonna skip Searching.

But! The freaking post-credit showed up followed by this:

“They skipped Searching AND Clock Keeper??? Why on earth would you highlight Akane, with Teru of all people, in the OP then?! Paralleling Mitsuba and Kou no less!”

Due notice, yet again, the lack of ‘Part 1′ in the title preview. Before the episode actually aired, this was my train of thought: “Okay so they skipped The Clock Keeper and Searching, and decided to outdo episode 6 by packing 6 chapters (yeah, I counted “Reach Out Your Hand”) into one episode. Ahahaha ... what?”

Thankfully, they proved me wrong. Kay. Good. Thanks a bunch for fooling me with that title preview.

But then it freaking hit me. You got one episode left. The finale. Sure, Clock Keeper as a finale will be perfect. It’s a good hook for season 2. However. You can’t do Clock Keeper without doing Searching. It’d basically be almost the same as doing Donuts without doing The Little Mermaid. The finale wouldn’t feel resolved this way, because, again, there’s tension between Hanako and Nene (and Kou too) that isn’t resolved yet.

Not that Searching addressed the cause of the tension, but at least it brought the trio back to their status quo (well, with a bit of kounene and hananene development haha). Also, without Searching, it’ll only end like this:

Clock Keeper itself is 5 chapters. They can cut and modify. Sure. But y’all saw ep 6.

So that’s why I was sure we’re definitely not getting No. 1 this season. To me, that leaves three options for the finale.

A. Delivery + Tanabata Arc

Best pick in my opinion

It’s the direct continuation to Hell of Mirrors

The main trio are all there, especially our audience POV

More glimpses of Amane is always a plus point

The ‘getting hit by a bull, waking up in the past, and seeing your boyfriend before he died’ is just so random I think it’d be a pleasant surprise for the anime-onlys

Just wholesome in general, leaves the audience feeling good

The-ma-tic!!! You begin the series with Nene’s wish and end it with Amane’s isn’t that just asdfghjkl wish wish wish, everything’s about wishes in JSHK

B. Young Exorcist

Classic boss battle finale

Just Teru’s badassery *chef’s kiss*

Hanako getting emotional (something we haven’t really seen before)

Getting deeper into Hanako’s motive (episode 8 would’ve been more impactful had we had Young Exorcist before it, what with his view of disappearing/exorcism for ghosts being salvation)

Kou’s character development

^ counter argument: he already got the character development he went through in Young Exorcist in episode 6 and 7, plus, he and Teru already resolved their disagreements - though, not as impactful as in the manga

Also wholesome, HanaKou is great I love their friendship so much *sobs*

C. The Little Mermaid

@emee-ems​ pointed out here: “it started with the mermaid so they’ll end it with the mermaid” and I agree

Yashiro being persuaded to leave Hanako, while their friendship was what began the whole series? That’s some good conflict right there

Seeing Hanako worried about Yashiro leaving him? Good shit

Also wholesome (extra shipping content never hurts, either)

Hanako willingly opening up to Yashiro for the first time!!! That’s a big milestone for them

Yashiro accepting that he’s just not ready instead of not trusting her like she’d thought is *chef’s kiss*

That pinky promise! Starting the series making a bond due to unfortunate circumstances and ending the series making/staying loyal to a bond out of choice??? Good shit

Aaaaannnnddddd the verdict was:

Mmmmmkay.

I did previously think we’re gonna end the season with The Little Mermaid. But here’s the thing. It only works if everything is in chronological order.

Why? Because the tension that led to this arc in the first place is resolved already in episode 9.

The whole point of TLM is that conversation at the end, really, where:

Hanako apologizes for ruining the donuts (he already did in episode 9)

Hanako thanks Yashiro for telling him that she liked him

Hanako admits that he had a little brother and that he killed him (Tsukasa already confirmed both of this for Nene, both in episode 7 and episode 9)

So having Hanako repeating all this seems kinda redundant. Nene already knows. Sure, it’ll be nice to hear it from him directly ... but it’s too late now, isn’t it? It’s been four episodes. She’s met Tsukasa three times now. However, point number 2 is still available.

Furthermore, since Hanako already apologized in episode 9, I’m not sure if the fishes can use what happened in episode 7 to persuade Nene to leave him. I mean, she forgave him already. Tension resolved. They hugged and all. And it’s been so long since then.

Animating the fish murder scene is also kinda useless. It was supposed to give the audience a glimpse of how dangerous Tsukasa is. But we already know that. We saw him rip someone’s heart out and force-feed it to someone else.

The first half of The Little Mermaid Part 1 and The Broadcasting Club at the end of Part 2 are already animated in episode 7. That leaves them even more room for extra scenes. I hope they take good advantage of that.

Basically, they have to make a lot of adjustments and I’m curious to see what they’re gonna do.

I am happy that we’re gonna see The Little Mermaid. The way Hanako wipes Nene’s face with his sleeve, and then cradles her head? I need it, they make my heart melt. Can’t wait.