the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.
it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)
anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.
they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.
for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.
for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.
their insecurities are incredibly similar.
in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.
in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.
just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.
now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.
for mafuyu and tsukasa it's pretty straightforward.
mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.
tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.
and even then, there's some overlap.
tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.
mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.
and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.
mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.
tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.
mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.
can i just say. and this is probably a niche hill to die on. that i am so gobsmacked every time someone vaguely hints at the idea that jotaro doesn't care meaningfully for the other crusaders, usually particularly kakyoin and joseph, when those two actually tend to be the ones he reacts to being hurt the hardest
like he cares for his loved ones!!!! that literally plays into his character motives in every single part he shows up in!!! stop lying to me!!!!!!!
Henry Oak saying “I’m a polyamorous white guy, of course I know Dungeons and Dragons” proves yet again that Will Campos is the funniest person on this fucking podcast
I always though Mal's mom was meant to be like "Eleanor" but they stuck an M at the start honestly, Sobbing Emoji. But "Maleanor" also makes me feel less insane since in that scene where she's just handed egg Malleus to Lilia and went to battle, it sounds more like Lilia is saying "Maleanor" than "Meleanor" (Japanese accent pending). Mayhaps they went more with what it sounded like the characters were saying :0 (we don't talk about Doodle Suit to Paint The Roses)
the transliteration of her name is Marenoa (マレノア), which is what all the voice lines are saying! all the Draconias' names start with マレ (Malleus' grandma is Maleficia/マレフィシア) as a nod to Maleficent. :D it's almost certainly a take on Eleanor, which is Erenoa (エレノア), but her name is written in English at a couple points, and I was pretty surprised to see it was Mel instead of Mal!
and, like, that's fine, it wouldn't be first Twst romanization that's tripped me up (like Keito for Cater, I know that's something to do with the loanword specific to playing cards(?) but it's just not how my brain wants to read it). but now Eng has given us Maleanor! and someone else said it was spelled inconsistently between Maleanor and Maeleanor??????? so WHO KNOWS it's a SPELLING FREE-FOR-ALL
I AM torn on which I want to use, because Mel just sounds so cute to me (and is what I'm used to now), but...the Mal consistency is kinda too good to pass up. alas, alas, truly these are the most difficult conundrums of our times. 😔
readers in the cod fandom when they find out they can curate their own experience and successfully avoid dark fics (stalking, noncon, dubcon) if they don’t wanna see them 😨😨😨😨
antoine + étoiles insane moments, p.2. aka the ass saga. p1 here
transcript + context for some of the clips below
[Video Transcript:
[First clip plays.]
Rivenzi: You want to see Etoiles’ ass, of course…
Antoine: Yeah, I’m gonna stare at your ass, Etoiles…
Etoiles: Fuck, what dread, during Popcorn [a talkshow Etoiles had been invited on the previous week], when I went up to the map and you said that, and I thought ‘whoa—‘
Antoine: Sorry
[Second clip plays: the moment during Popcorn]
PA/Domingo: Antoine Daniel has posted a tweet for us: ‘I wanted to look at this map of Africa, but Etoiles’ ass in the shape of a standing bell is driving me crazy. Smiley face with eyes in the shape of hearts.’
[Third clip plays: a continuation of the first clip.]
Antoine: Sorry, bro…
Ponce: Oh but that tweet, besides
Rivenzi: A standing bell…
Antoine: What’s more is that I never tweet and when I do it’s to tweet this sort of shit
Ponce: That’s exactly what I told myself. When PA read the tweet, I thought to myself, ‘but he never tweets!’ And he tweets to talk about Etoiles’ ass
Antoine: There needs to be a good reason, you see
[Fourth clip plays: a clip from the Team du Lundi’s minecraft server.]
JDG: Someone (in chat) said, ‘I can’t tell whether the atmosphere is good tonight or—‘
Antoine: It sucks, it sucks
Florence: You don’t need to ask every time, it always sucks
Baghera: Always sucks. Especially when Etoiles talks about ass [which had been a previous topic of discussion for him that night]
Antoine: Stooop, I enjoy it
Mynthos: You enjoy it?
JDG: It’s true tonight that it’s more weird than bad
Antoine: I like it when Etoiles talks about ass….
[Fifth clip plays: a second and different clip from Popcorn.]
Etoiles: —you’re not allowed to tell me that [Xari claimed to not know much about cinema]. I know you, I studied, because you’re my rival [in pop culture]. I really enjoy what you do in life, Xari, and you’re really knowledgeable about cinema
Antoine: What do you mean he’s your rival? And I’m just shit?
Etoiles: You, you’re my lover
Antoine: Oh yeah, sorry, my bad
PA/Domingo: One of the three is gonna die soon. There’s a whole situation, there’s a whole lore
[Sixth clip plays: a clip from the QSMP.]
Antoine: Don’t you want to get married, dude?
Etoiles: Well, I don’t have the time to fuck
Antoine: What the fuck?!
Etoiles: I don’t have time to fuck, dude. I just need to kill everyone
Antoine: No but just a marriage, you see. You’ve watched Game of Thrones— you haven’t watched Game of Thrones, you can’t know how marriages work in that series
Etoiles: I’ve watched it, but I’m married to the street, dude. I can’t give out my heart that quickly
Antoine: Yeah but you can give out your ass quickly, no?
Etoiles: No, frankly, my ass—
Antoine: What the fuck?!
Etoiles: Giving out your ass takes time, dude
Antoine: What the fuck…
Etoiles: Then again, I need to think about it. I’ll give you my answer. I need to discuss, and everything
Antoine: I’m tired of getting betrayed. You get married with someone else—
Etoiles: Never in a million years!
Antoine: —it’s like yesterday. Apparently Maximus got the mic from his ass removed while I wasn’t there. I was supposed to be the one to do it
Etoiles: Oh okay, so I’m your second choice?
[Overlapping]
Antoine: No! It was just to help him—
Etoiles: No, but, okay
Antoine: He got— listen—
Etoiles: There’s no problem!
Antoine: Fuck, nevermind
Etoiles: There’s no issue! Oh, so you’re opening my chest and stealing?
Antoine: I was just looking! Out of curiosity
Etoiles: Yeah, that’s it
Antoine: I don’t even understand what’s in it
Etoiles: Yeah, out of curiosity. Dude, your opinion on my cave?
Something I wonder about Simon and Betty's relationship is how long they were together before the whole crown ordeal. But they were engaged, you say. My aunt (in)famously met my uncle and had a ring on her finger in 8 weeks. We've seen that both Betty and Simon were both weird outcasts, crazy determined and a pinch insane. I would not be surprised if they decided they'd met their one true love and got engaged super quick.
My point being, Betty's shifting to revolve around Simon and Simon's rose colored glasses of their relationship feels very much like New Love. They're people who love each other and love being a couple but still haven't quite figured out how to coexist together, as two people in a partnership. I feel like if they'd known each other longer, lived together longer, some of the issues we're seeing would have probably self resolved.
I don't think their relationship is toxic nor is it totally perfect. It's two lonely, most likely neurodivergent people in a relatively early relationship still figuring out how it works. Everything that happened afterwards: the crown, the seperation, the time travel, the magic/madness/sadness just exemplified issues they had both as individuals and as a couple.
people can Famously do whatever they want especially when it comes to enjoying media and generally i find this to be a good thing. but unfortunately i am a strange and unusual autistic that generally sticks very very close to canon. all this to say i don’t Get It when people headcanon k_k deltarune as using they/them Only or even she/her Only when he has literally been referred to with ‘he’ by one of the people presumably closest to him(brothers to me)
for the record i think he is he/they. i think all three of them are he/they. maybe even canonically but people fight me on this one (really just capn and kk since sweet has only indirectly been referred to as they like in the following screenshot from the wiki (bc I didn’t want to watch a video of their fight to screenshot and crop flavor text) BUT they’re still called by generally masculine terms alongside the other two like ‘guys’ (ost “almost to the guys”) and ‘young men’ (by seam)) (and they use overly-masculine self-referential pronouns in japanese, along with capn)
like im Fairly Certain the individual of scc are still the only one being lost in the groove in dance x. the “they” in ‘they’re totally lost in the groove’ is still Just One of scc. I don’t believe the fun gang are lost in the groove bc honestly they don’t talk like any of this fight was fun for them HSHSHDNDHDJDJ
also incase it isn’t clear i think it’s chill to add on she/her to k_k’s pronouns. people can famously do whatever they want especially when it comes to enjoying media and generally I think this is good. but saying they use she/her (or they/them) ONLY and not In Conjunction With is where I go “well. no. the game called him he. so he/him has to be part of their pronouns?” and i recognize it’s probably petty and stupid to care about to like any degree but know I don’t say this with hate in my heart
and of course there’s nuance like maybe the idea is they Change their pronouns later on but idk no one ever says this
It's baffling how even though Dolores' abuse is painfully obvious people still consider lolita a love story. She hates Humbert Humbert, she calls him different variations of "disgusting old man", she always refers to their "love making" as rape, she's constantly hiding money in different places to try and escape, she's defiant as fuck. Even with the romantic writing style, Vladimir Nabokov made Humbert Humbert's "love" very obviously shallow and surface level. He starts thinking she's too old less than an year later and has a full on meltdown when she turned 14 about how she doesn't look 12 anymore. Even Humbert Humbert says "though I had fallen in love with lolita forever, I know she won't remain lolita forever" how do you look at things like this and go "omg tragic romantic love story"
Dolores never has a voice in this story, but Humbert Humbert constantly tells on himself about how miserable she is with him.