#I haven't found any cast info that mentions him

[john-laurens]

Do we think John Laurens is going to make an appearance in the upcoming limited series about Franklin's role in securing the French alliance during the Revolutionary War or no

[lemonisntreal]

heyo! Just found your blog and I was scrolling through your stuff and noticed your AU tone deaf. And I haven't found anything about what it is or what your idea is behind it. So I wanted to ask if you could give me an introduction to your AU!

Oh! And I absolutely love your artstyle and how you draw Buster! Anyway, hope you drink enough water and have a good day/night! ;)

Dear god this has been in my drafts for a while-

Hiya! Sorry for that lack of info lol, I'd been inactive for a long time, and the time that I actually WAS posting consistently was back when things were still being sorta fleshed out. But I've got a pretty good idea of how every single part moves at this point, so sure :D I'll give a not-so-brief summary lol [under a cut because I couldn't not dump multiple paragraphs teehee ~_~]

--------------

Tone Deaf is like a dystopian version of Sing, if I were to put it super duper simply. One where Buster's issues get more emotional focus, and we get actual bonds with the cast because the movie forgot to do that.

Buster is, also, a lot more unhinged, fair warning. This fic's gonna contain violence and tackle some darker subjects [adjacent to grief and denial more specifically] so if it feels like I jumped a lot of sharks, it's because I 100% did.

It kinda started with me noticing how, in the actual movies btw, smaller characters like Buster and Mike had more difficulty getting around places. This led me to ask myself about how species differences could lead to struggles for certain animals since the city just isn't built for everyone [this is NOT Zootopia]. Ash's quills, and Meena's towering size were things I noticed too that would be massive problems, realistically. So after a lot of pondering, now we're here.

The world of Tone Deaf in present day is in a post-war period that's lasted about 50 years now [Crawly is actually a veteran from this war- which was more like complete and total anarchy if I'm being real, since there weren't really any sides until near the end...]

Long story short, the wealthy capitalized off of the war and taking people prisoner- so they purposefully kept it going. A resistance ended up forming to stand against this [Miss Crawly being one of the generals, with that classic missing eye] and after their army stormed the unsuspecting stronghold, the war finally began to conclude. It still took around a year after that to release all of the prisoners of war, and by the end of it all, the damage that had been done to some races was permanent. Even extinction-level in some cases- some animals just straight up don't exist anymore because of it.

Back to Calatonia. Laws that are in place to protect animals from tearing eachother apart are still relatively new, and the criminal underbelly of Calatonia is kinda out of control. Animals get kidnapped/poached, smaller animals are at a huge disadvantage and have basically no power [politically or otherwise], endangered species are a very real thing, poverty is a huge issue for most of the population- and in the middle of all this is Buster Moon.

He's gonna be the main perspective. And the story will also serve as a slight character study on him, mixed with my own grittier and batshit insane changes/headcanons/alternate universe ideas on his backstory. He's a ray of sunshine with a lot of bottled-up feelings that will kinda really take control of the story.

Buster has been arrested multiple times. He's been put in unsuccessful therapy. He's still grieving his dad. He's committing crime and compulsively lying about those illegal actions too. He has emotional difficulties that he hasn't dared try touching on in years, and he has issues with letting go- which, is kinda how all of his new problems come to be.

The threat of his theater being repossessed if his show isn't a success gets a LOT more emphasis too.

But on top of that is the added threat of Buster getting sent out of the city if he can't get his business up and running. Remember how I mentioned endangered animals?? Well Koalas are one of them. One of the big ones, actually. He's the only Koala in a city of almost five hundred thousand, and it's been that way for almost half a decade now. It's been causing issues for the people in charge for half a decade now. Koalas have government-protected settlements far away from here due to their numbers being so few, so if Buster loses the theater? That's the next step for him.

But, to help this poor dude through all the stress of life is the found-family he develops with the cast he hired. He helps them for a lot of the first act, and then they give back his kindness in the second. They connect through their similar experiences, as well as their shared passion for music and performance. And by the end, maybe Buster's okay. Or maybe he's had a complete downward spiral [not gonna speak of act three 🥰]

Other characters have also had a shift in their dynamics. Things in the story have changed. Like for instance- Gunter already knew Buster and was a close friend of him and Eddie before the show, Judith is now the mayor and a main character, Pete has been put in place of the banker in charge of Buster's accounts, Buster unfortunately gets involved in politics, Mike actually gets to bond with the cast- actually the cast gets to bond with the cast point blank period [idc what you say, this just straight up doesn't happen in the canon movies], and to top it all of is a generous helping of angst with a few acts of violence sprinkled in 🤭

The actual Act I summary is this right now:

Buster had been in tight situations before-- suffocating situations, even. He’d been in every kind of trouble imaginable, he thought. With family, friends, local businesses, the law. But he'd always wormed his way out, either through loopholes or by charm. Or usually just by stacking another lie on top of his already crumbling facade. But this time it's gonna take more than a cover-up to fix this. ‏‏‎ Buster’s dishonesty takes him too far once again, a simple typo causing him to unintentionally land himself in a wager that could cost his very life. He has two months to fix this- to ACTUALLY fix this. And the worst part is that he hadn't even meant to lie this time. ‏‏‎ The First Act of Tone Deaf.

TLDR; Buster learns to love again after experiencing the horrors of animalkind firsthand and being healed by theater kids LMFAO

[getvalentined]

Not trying to be a bother here, but I was wondering a few things about your post on the FS crew.

Do we know for certain Glenn only started gambling when his grandma went to the hospital? There's a line in the game that to me implied that it was a habit he actually learned from her.

Where was the info that Lucia trained him? Been trying to find that since last night honestly but maybe I'm just blind lmao. I know that they were cadets at the same time but I want to know if its true she trained him somehow.

Where did we learn they weren't actually friends? Glenn mentioned being able to acquire them because of the rumor of interpersonal relationships being prioritized and Matt mentioning that camaraderie is important for the mission implying at they all at least trust and are somewhat friends with each other.

What part was posturing? I didn't pick up on any of that honestly. Nor do I see why a trio that has known each other for roughly 4 years would need to do so (Original FS trailers show them meeting in 1998). But I could have easily missed things honestly.

Did they have something to do with Sephiroth being called in?? I don't remember them sending out the distress signal. I thought that was a call Shinra made all on its own since he had new mission orders.

Sorry I'm not trying to be a pain I just genuinely feel like I might've missed those somewhere or that I was bad at picking up any hints the game might've dropped. I can be pretty rough with missing that info and haven't found anyone else that's talked about them with this much detail yet.

I mean, my biggest issues with these characters are still the acceptance of genocide, suggested child murder, and excitedly declared intention to kill a dog, but I'll break the rest of it down because a lot of it is probably pretty easy to miss if you're not already feeling critical of the cast. (Hopefully those issues get called out somehow eventually, but they haven't yet, so I'd have a bad taste in my mouth over the characters just from that.)

Putting the explanation under the cut!

This isn't stated directly, because very little of this is—but Glenn's grandmother is already in the hospital, so apparently there was no hesitation to put her in there, and any initial costs were apparently covered. There's no mention of paying other bills for rent or anything else, so those were paid prior to her being hospitalized, but Glenn confirms that it's the gambling that used up any money he might have had. This isn't solid, but the timeline seemed pretty suspicious. (Glenn has a problem and needs to talk to someone about it.)

Glenn calls Lucia senpai! Further, I think Lucia is confirmed to have been team lead previously in EC? Either way, in the original battle royale she was the commanding officer, and is the one that handled training in the game's tutorial. She trained a lot of people, not just Glenn and Matt! (If you played the battle royale, she trained you too!)

I don't think they hate each other, but they're not really friends. We can go all the way back to the opening cutscene where Glenn threatens Matt with actual violence, and Matt's response is basically "Bet?" Add on Glenn using a nickname Matt hates over and over, and Matt stating repeatedly that he goes along with Glenn because he knows he has good intuition—not because he actually likes being around him or because he trusts him otherwise. This isn't a remotely friendly dynamic. When Glenn explains why he picked them for the mission, Lucia's response is to express frustration that Shinra now thinks she's his friend. Matt also expresses some confusion. Glenn says that he trusts them because they were in training together. When Sephiroth takes command, Matt and Lucia are 100% on board with cockblocking Glenn and straight up just ignore him when he talks shit, if not tell him to stop it altogether. They're friendly acquaintances, but they're clearly not as close as Glenn keeps implying.

Matt subtly suggested Glenn straight up kill Rosen immediately after meeting him. Lucia and Glenn both refer to Rhadorans as monsters. And yet (and yet!) when they come upon Sephiroth's massacre, they immediately start questioning his methods, Matt starts coming up with some excuse to have left them alive—this is a stark contrast to how they've behaved up until this point, a moment when everyone drops the bullshit and admits that this is wrong and they know it's wrong and they're just trying to be too cool to care, but they do care. This is the definition of posturing.

I didn't say they called Sephiroth in? What I said was reiterating Sephiroth's tirade/breakdown, when he explains that the way they operate is the reason that SOLDIERs like him have to exist in the first place. Because operatives like them posture and pretend, operatives like Sephiroth have to do the actual dirty work. Because the adults can't do what they're supposed to (see again: Sephiroth's breakdown) Sephiroth has to be the one to do the war crimes.

Hope this clears things up! I want to reiterate that in spite of all this, I do have hope for this cast and I am genuinely enjoying the story at this point. The first three chapters were a garbage experience, but I honestly loved the narrative and gameplay shift in Chapters 4 and 5.

[observers-journal]

You know, you worded perfectly my problem with Las aparicio lol (plus the fact that his character almost sleeps with his half sister???? Like??? And let's not forget the scene where he's all emotional telling how he escaped and the girls are like ok 😐😐😐). I think they put him under a similar light in Vive por mi maybe that's why I thought about that movie. And it would make sense that he didn't choose the movie for the plot or character, since he felt compelled to do it bc of his own story.

You know, I tried to go back and find the podcast or interview where he commented on the situation but I can't find it (I'll keep trying though). Though I remember it vividly because I was so mad. Maybe someone can help? He said that he was traveling to a location point and he stopped the cars because he was hungry and the crew too. They stopped to eat and the director called him and told him something along the lines of "who do you think you are to take that decision?" And something racist. I figured it would be the director of Semana Santa because he said it was her first movie, and because he has worked with two female directors (movie wise) and he worked again with Issa Lopez. Maybe I'm wrong. I'm here just speculating.

Now I feel like a weirdo for knowing all this info. Maybe i do have a problem 😂 sorry to bore you with it.

I am running a blog for him, I don't think you can bore me with any information at all! 😂

Yeah las Aparicio and vive por mi both had him playing the eye candy part. Both make me feel like yeah I'm "enjoying this" but 🫣

I'm thinking more now: do you think De Tierra made him uncomfortable? I have a controversial take on that short film - even though it made us very uncomfortable with the depicted relationship, I think the topic they were trying to explore was very interesting. It definitely made me think.

The other movie I'm thinking about is Deficit- it was his first big break if I remember correctly, but I didn't like how he was stereotypically cast again. Although he was Gael García Bernal's pick, and they are good friends, and he later went on to do a nice role for him again (as Manu in Mozart in the Jungle).

I think a lot of this must be mentioned in detailed in his book Orgullo Prieto (I haven't gotten around to reading that unfortunately). I'm posting the next answer by you since you found out the episode yourself haha 😂

Nonnie, your search skills are amazing! 👏👏

[shamelessrabbithole]

Hey there, I thought it was time to come out of hiding. So far I have used the 🧸 emoji when sending you asks. I think this makes it easier to talk about things.

I have said it before, sorry for repeating myself, but I’m still so amazed at everything you have found out about the Hissrich connections. It fuels my hope for future projects that could involve former Shameless actors. I know that nothing is guaranteed and we have no evidence of anything, but I still love to speculate. Maybe they are all just friends/acquaintances and enjoy hanging out but I still feel that there is something more going on.

I would also really like to know more about the new John Wells show with Noah Wyle. John Wells has ‘re-used’ actors in his shows before, so I think there is always a possibility he might want to work with some of them again, even if it’s only for a guest appearance or a multi-episode arc. And since Hissrich is involved as well it just makes me think about the reason for the recent get togethers. I totally sound like a broken record I know. Sorry about that.

Can I keep calling you 🧸 though? 😉 Don't be sorry. You're fine. 😊 And thanks, I get such a jolt from detective work. I don't know why but it fuels my fire. 🔥 Anyway, I just went back and listened to the Michael Hissrich podcast again and took some notes. Given the information that we now have or believe we have, some of the content can potentially be seen in a new light.

At the 24:30 mark: He talks about how when you work with great people, you never want to let them go. And that he's got a project he's about to start working on, but is just waiting for the phone to ring letting him know when it begins. In the meantime, he keeps reaching out to his former colleagues to check in and make sure they're available and haven't taken any other big jobs yet.

At the 32:24 mark: He says that if someone called in a year or two and wanted to do another season of Shameless, he'd be the first one in the door.

At the 55:17 mark: He always jokes with John Wells that he’s got one more show left in him and that he'd like to go another ten seasons on a project before he retires. Also, he has young kids with a lot of energy, and that the host (Priscilla) has met them.  

There's other stuff he mentions that I didn't include, mostly about what it's like to work for him. If Priscilla is actually working for him now, then much of this podcast sounds like a rebroadcast of a job interview, in which he'd have been selling her on the position. That said, I feel like he's speaking from a place of not just hypotheticals, given how much of all this is likely in the works. So, I really don't know. His episode is worth a listen if you want to pick through his thoughts from a full year ago for any useful nuggets. I'd say the likelihood of seeing actors from previous John Wells' shows being cast in this one, The Pitt, is a pretty good one. Hopefully, it gets off the ground and those involved keep sharing info. 🤞🏻

[franki-lew-yo]

The Romantic (2009, R, Gothic Fantasy/Horror), aka the most forgotten animated film in the world

What if I told you there was a movie under serious threat of becoming lost media with no clear reason as to WHY it's been lost other than no one has apparently watched it besides me and a few people on Reddit? What if I told you that movie wasn't half bad and would no doubt have some interest peeked if anyone DID know about it?

The name of that movie is The Romantic.

It was released in 2009 and it's Rated R for nudity and sex scenes [insert Robbie Rotten meme here], though none of it too graphic. It was a pet project created by animator Michael P. Heneghan, originally starting as a flash project for his animation class before he expanded it into a feature film. The film was inspired by movies such as The Dark Crystal and Labyrinth, but what I see every time I look at it is a touch of Jhonen Vasquez, Tim Burton, and Roman Dirge- the guy behind Lenore the Cute Little Dead Girl. It's flash animation especially remind me of the puppet-rigged toons of the 2000s (again like Salad Fingers or Lenore). It's not bad, it's just not inherently 'feature film' quality flash, nor is it exceptionally artistic like Sita Sings the Blues in it's simplicity. Like, really, if you happen to find this thing it's not the worst animated project at all it's just amateur for a professional production. I've seen worse flash movies. Heck, if The Romantic were released in separate parts on youtube or Newgrounds as a series (ala Homestuck) I'm sure it would have been really successful and totally in it's element. But it wasn't.

Because next to no one has seen it and I'm lucky to have not only ever seen it when it was available for free but have also found it recently (hush hush, I ain't telling you how) I'm going to actually give you all a plot synopsis under the cut. There will be some details I leave out and I think I've spelled some characters names wrong. It's a bit of a surrealist film as well, so you might need some things explained.

Spoilers ahead:

The Romantic is set in an autumnal, surrealist world inhabited by humans and monsters and ruled by three gods; Po the goddess of love; Pik the god of Hate; and Pjorrc the god of time though Pjorrc was made to live inside a pumpkin moon as everything he touched rabidly aged and died.

((Tapestry art featuring the main three gods of the film.))

A young man (called “Romance” or “The Romantic” by the other characters) performs a bull sacrifice in order to summon Abbledepopa, the unseen creator of the other gods and ‘storyteller’ of the world. The sacrifice does not conjure Abbledepopa but, when Romance spares a monster that was ready to eat him, the monster tells him of a profit named Patience. Patience is a foul-mouthed dwarf living alone with an army of babies who points Romance in the direction of Po.

((Romance outside of Patience's house.))

Romance wants the god’s help because he has fallen out of love with his girlfriend. Po grants him his desire and restores his love only for Romance to return home and find his girlfriend with another man. Blinded by heartache and rage, Romance kills her. He then swears vengeance on the gods for ‘making’ him do it. In the midst of this vow, a corrupt prophet called Fat Daddy kills the queen of Vauxhaul (Romance's home) and her guards, and forges a new body for his newborn son with their bodies. Fat Daddy rallies the townsfolk behind him in supposedly finding the Queen’s murder into follow a new religion called "The Poetic End".

((Romance (right) besides the monster he spared at the beginning of the movie.))

Patience accompanies Romance on his quest and tells him to take Po’s mask, which hides her true face, once he kills her. Romance buys Po’s trust by weaving her a tapestry that tells her story: in the dawn of time Po and Pjorrc were in love. However, Pjorrc gradually became distant and Po became resentful when their daughter, Love, earned Po's original title as the god of romance and love.

In the present day, Romance sleeps with Po for over a year before finally killing her and taking her mask. He and Patience return to his home of Vauxhul only to be chased out by Fat Daddy’s personal army. They flee to Marshallton, the town nearest to the god Pik.

((Romance's hometown of Vauxhul. ))

The king of Marshallton, King Crookie, tells Romance of a prophecy he, Patience, Fat Daddy and all the gods are a part of and that the world is soon to change. Romance then fights and successfully kills Pik when he shows the god of hate his reflection in a mirror King Crookie gave him, but not before losing his hand to Pik.

When Romance comes down the mountain he learns from Patience that nine years have passed since his fight with Pik began. Patience reveals to Romance what Pik saw in the mirror that allowed Romance to take the killing blow; after Love had grown up and married, Po asked Pik to tell her where her husband was always running off to. Pik reluctantly revealed Pjorrc was disguising himself as a human and married a mortal woman. Po found Pjorrc and his pregnant second wife, forcing Pjorrc to leave his human family behind, but not before asking his wife to name their son “Patience”. In retaliation for his treachery, Po proceeded to sleep with fifty men and produce the fifty bastard children in Patience’s house.

((Fat Daddy, the main villain.))

Marshallton and the entire rest of the world has fallen to the rule of Fat Daddy, who captures Romance and Patience. Fat Daddy tortures Patience into telling him how to get to Pjorrc but is unable to convince Romance to take part in his ‘new world’ or give him Po’s mask. Romance and Patience escape and leave the village to be torn apart by the fifty babies Po had, now transformed into veracious monsters after Patience didn’t feed them for the past ten years. Romance confronts Patience when he realizes the latter is Pjorrc’s son. Patience calls Romance out on his mantra of vengeance and points out that all his decisions are his own, not the gods, and instructs him to seek Love herself in Po’s basement. Patience then attempts to confront Pjorrc but is cornered and killed by Fat Daddy before he can do so.

In Po’s basement, Romance finds Love nailed to a wall, her face torn off and half eaten by her deformed husband. Love tells Romance that Po ripped off her daughter’s face in rage over Pjorrc’s infidelity and Pjorrc did not intervene fast enough. Po then threw Love into her basement, turned Love’s husband into a monster, and wore her daughter’s face as a mask - which Romance had broken into pieces moments ago after Patience had shown him his face in King Crookie’s mirror. Romance then finds Pjorrc hanging himself. As he dies, Pjorrc tells Romance to take the hand Fat Daddy had cut off and sew it onto himself, which will in turn help Romance defeat Abbledepopa.

Romance traverses the wasteland and does not find Abbledepopa, but instead a golden loom. Having seen all the destruction he and others had caused, Romance sits upon the loom and accepts his fate as the new ‘storyteller’ of the world, as he begins weaving a new one...

---

I mentioned before the animation quality of the film and why maybe that caused people to overlook it. The only other thing I could complain about on a technical level with The Romantic is it's sound design. Some of the voices and music is a little too quiet and so all these key details I had to go through the film a few times to really piece together. But that leads me to the thing I like about this movie and I'm sure others would to: the lore.

It's very hard to create a new fantasy world w it's own customs, religions, history and rules out of the blue as any YA Harry Potter/Hunger Games ripoff book could tell you. The Romantic is so unique in how it handles the pantheon and culture of these three gods and their kin; really only four or five characters throughout the entire story aren't connected to the gods or prophecy in some way, as there's the main three gods, Abbeldepappa, and the prophets Patience, Love and Fat Daddy, who make up your main cast besides Romance. There's a lot that's intentionally left unexplained and other info that must be explained, like Pjorrc and Po's marriage and Romance's feelings towards the gods, if we want to understand the former. The movie is paced pretty well and knows when to follow up on what, it's just that again some of those animation and editting shortcomings might make it hard to understand...but I don't think THAT hard. Look, if someone can enjoy Starchaser: The Legend of Orin or even better surrealist world-building films ((Fantastic Planet comes to mind)), then I say there's no reason The Romantic wouldn't have a following. There's no other way I can articulate why and what doesn't work about the story except just to recommend you watch it yourselves, but before I get into that I want to talk themes...because I love the themes and tone of The Romantic.

I revisited The Romantic a week before I made myself watch Centaurworld and The Owl House for the first time...and what a week that was~! The Romantic has the vibe of those kinds of shows along with Adventure Time and Infinity Train ((so I hear, I haven't watched the latter)). It's surreal and you'll only marvel at 'woooah wut an acid trip' for so long before you get into the vibe of the universe. It also reminded me substantially of the Broadway musical Hadestown and not just because this movie is also a self-contained, somewhat self aware fable about the relationships between humans and gods - it's very raw in how the characters talk. It's very emotional and blunt in how kind and how cruel they can be, and it doesn't make excuses or really worships any one of them. Romance himself is the world's most likable Incel: he murders a woman he thought he needed to love and blames his emotions on the gods of those passions...except the gods AREN'T the manifestations of love, time, and hate - they simply dictate and oversee it in the lives of men. It's a dynamic I really like in religious works where Gods are powerful but not all knowing or puppet masters to everyone's design- they have morality too and there is only so much you can blame and get from them.

"You made your gods into excuses and your excuses into gods!"

-Patience. This here is a cool quote. I like this quote.

No matter what, The Romantic is not gonna be a film for everyone. We all have our tastes - I think I'm drawn to it and accepting because I've come to love these kind of worlds that used to keep me up at night - these trippy 70s inspired fantasy landscapes given a whole Avatar: The Last Airbender degree of worldbuilding and character worth. It also doesn't feel exploitive in it's violence, it's sexuality, it's grimmness - it doesn't feel like it's trying to hard or going over the top because it happens to be an adult animated film, something that I love in movies like 9 or Hair High but really turns me off in stuff like Sausage Party or Wizards. Whatever go watch The Romantic...

if you can.

-----

When I first saw this film in 2016 it was actually very accessible and was even uploaded to youtube by the creator himself. I don't know WHAT happened to Michael P. Heneghan, but simply put, the man's disappeared...like...REALLY disappeared.

Lookit his IMDB. He has The Romantic and a wapping two other projects to his name. His Twitter isn't very helpful either. He last updated in early 2020 and he says next to nothing about The Romantic. It's so odd that he would one day be happy with the film enough to host it on Vimeo and Youtube but then just cop out.

According to a Reddit user: "On Valentines Day 2011, Heneghan released the film for free online through all kinds of platforms including direct download, bittorrent, Vimeo, and even directly through Archive.org. He even joked about releasing a 300 gig uncompressed version.

I know I watched it on Vimeo probably as recently as 2016. Now I can't find it anywhere. The website is dead, the Vimeo video went private, even the archive.org version has been taken down. It really looks like he wanted to wipe it off the face of the internet. His newer website mentions it, but again, the Vimeo link is dead and even that website is closed for business."

It's weeeird. What happened Michael?

And yes, obviously, other people worked on the movie.

No - I can't find out anything about them either.

I'm betting on three theories at the moment: 1) this film is an SCP or some Candle Cove weirdness with only me and a handful of people ANYWHERE remembering it, 2) something weird is going on w Michael Heneghan and it involves too something about this film. It was a scam or a scheme or a hidden agenda weirdness, 3) Heneghan's doing okay he just doesn't like this film anymore and wants it hidden while he takes a break.

Look, I get it Michael! What was once our life's worth can become cringe as you improve as an artist - you're not the person making the stuff you were ten years ago...but you should still have the film kept alive somehow. Someway.

I'm seriously the only person to have ever made fan art of this movie on the internet. That just doesn't happen, and I don't think I like being in a fandom of one. The Romantic is a testament to the power of design and storytelling > animation quality itself. Too often I see people equate good animation with smooth animation, with a budget with squash and stretch. These animations are good but art is diverse and there's so many kinds of films out there, the value of the medium can't just be in one style/form. There's a lot of honestly wonderful pieces of art out there if you know where to look and you're willing to see where it leads you.

Don't let The Romantic be the most forgotten movie of all time. Reblog this post. Show it to your friends. PM the animation community reviewer people like Saberspark and someone who isn't Saberspark and smuggle them a copy.

Keep telling the story...

[liibrii]

Chapter 1 of Stillness || yokai hunter!Suna x fem!kitsune!reader || wc: 3.3k || 🦊

Synopsis: Arrival of an unexpected visitor promises your coming days to be interesting...

Genre: supernatural!au, enemies to lovers, angst & fluff, eventual smut

Warnings: reader is a nuisance, fire, mentions of blood

a/n: I'm no expert on Japanese mythology. I did my research but also took creative liberties so please keep in mind the information on yokai in this fic is lacking. Here are some links with basic info on yokai appearing in this series. 

as always feedback is greatly appreciated and if you want to be tagged let me know!

A streak of the new highway is planned to cut through your favourite part of the forest, the one you walk through when heading east to the river kappas inhabit. First trees have already fallen. You caress the bark of the mighty maple that once touched the sky and now lays at your feet, cut and bleeding from the wounds humans inflicted. You still remember when it was a sprout pushing roots into earth and hungrily reaching for the sun rays. Half a century later you fell asleep under its shade and hid in his branches from those chasing you. Why is this how you say goodbye?

Forest spirits peek out of their hiding places, their terrified chimes fill the air. They cling to you, your clothes, your tails. Some you have to convince to leave the branches of the fallen trees, the hollows in their barks that have offered them sanctuary for so many long years. They cry in pain.

And pain has a way of turning into anger.

It's searing and all consuming, spreading through your body as bright blue flames shoot from your hands. They burn all standing in their path. Equipment of workers, their machines and their boxes of metal go up in flames. Truck standing by the fence catches on fire. You transform back into your fox form, running away as it explodes with a bang echoing through the night.

It's a lonely existence, being a kitsune. With years most of your kind have hidden in the forest, many have moved to cities living together with humans, pretending to be them. As if they could ever be. You hold a bit of pity for them but mostly you just don't understand. Why do they go where humans live? Why do they want to live as humans live? Humans are interesting and fun to observe, that much you never denied, but they are also cruel and blind and they drove so many of your kind away. Empty lairs is all they leave behind.

You water the flowers around the temple as you do every morning before heading to bed. From your pocket a forest spirit you've rescued from one of the fallen trees peeks out. Morning sun makes it blink and rattle in confusion. None of your words reassure it so you leave the matter be. It needs time. Time to breathe and time to heal. As you pull out some weeds from between the cobble stones it watches and chimes, sorrowfully.

“I can't say.“ Weeds in your hands catch aflame and whither. You lay them down on the black soil. “We will find you a nicer home. There is a beautiful cherry blossom tree growing by the entrance. Would you like that?“ It gives a soft chime. “We can have a look at it later, alright? Careful!“ you catch it on your outstretched palm. “Stay with me, I'm almost finished with my duties. Do you have a name? Ah I see,“ you nod when it chimes. “How about I call you Koda? Would you like that? Now make sure not to fall off again, alright?“ You help it climb on your shoulder.

Koda turns it's head in all directions taking in the sight. It's probably its first time seeing anything but endless sky and branches. Not that the temple is anything special. It's small, with only two wooden buildings in need of repair and pond you hold particularly dear. No ducks live near it. You brought a pair once in hopes they'd have ducklings to keep you company but sadly before a month passed they became dinner to passing yokai. Ever since the only ducks at the temple are the ones on the edges of the roof.

Surrounding trees grow closely together, casting long shadows over the roofs and the small yard. In their shade a steep staircase leads towards the entrance of the temple. Every morning and every evening you sweep the leaves from the stairs, picking up and keeping the ones you find particularly beautiful. The golden, the deep crimson, and bright green, ones sprouting first when spring arrives, are your favourite. Moss has overgrown most of the steps. Koda chimes for you to put it on it and it sits on the soft green blanket seeming calm for the first time. Its home was taken but what said it couldn't make a new one here, with you? The temple has been your home for as long as you can remember and you doubt you'll ever know any other.

Your new friend still watches in amazement (At least you think it's amazement. Even you find spirits' expressions hard to read) and when you return to check on offerings you consider waking Chochin to help you reassure it. After a short consideration you decide against the idea. The stillness of the early morning is your favourite part of the day after all and you'll hear from your possessed lantern before noon rolls around anyway. Besides Chochin would only scare already rattled Koda. You'd like to spare the spirit further shocks, at least for a while. Luckily most days the temple grounds stand deserted. With each passing year less and less humans come to pay their respect to Inari. Less and less fields are to be found in the area so it's no wonder they forget how much depends on good harvest. They take it for granted and they forget. If centuries have thought you anything is that humans are incredibly good at forgetting.

You're just about to sweep the two fox statues by the entrance when you catch the sound of approaching steps. One person. Must be an early riser. You make your tails disappear and straighten the sleeves of your hoodie before instructing Koda to hide.

A young man steps through the tori gate. He's tall and lanky, a beanpole with dark hair. Most people pant and heave for air when reaching the top. He looks like he just took a pleasant stroll in the park. He takes in his surroundings then walks over to you. “Good morning,“ he greets with a polite smile that doesn't quite reach his slanted eyes.

There's an aura surrounding him. You can tell he's the kind of man people take a second glance at when passing him by. If you asked them why they'd give you a confused look. “I, I have no idea,“ they'd answer, “There was... something.“ If you asked them an hour later they'd be even more confused because they have already forgotten about him. But he is the kind of a man who wants to be forgotten. How else would he hunt yokai in peace?

“Morning,“ you return the pleasantries. Koda in your pockets shivers.

“I'd like to pay my respects. Can I offer alone or-?“ If he's embarrassed by being unsure of how to proceed you can't tell it from his face. You show him to the temple and excuse yourself, aware of how his eyes follow you as you walk across the small courtyard. You don't want him here. But you can't deny him entry.

He doesn't scare you. He's as green as sprouting grass, too young to have any real experience. He probably only recently accepted yokai are real and not just a folktale used to scare children. You might be the first he'd ever meet. At least one that isn't harmless. Still there is something about his calm voice and bored expression that keeps you alerted.

Koda peeks out of your pocket and chimes, worriedly. “We'll see,“ you murmur in response and head over to the pond. It's so empty. Should you get some koi fish? Or would they all too soon become dinner too? Many of those yokai who remain are growing hungrier. Wilder. Hearing approaching footsteps you wonder if that is what brought Mr Witch to your humble abode.

“I've heard there's a kitsune living around here.“

You straighten and turn to face the unwelcome visitor. Was someone else in your shoes they'd act smart and deny their nature. But you can tell he isn't asking. He's just confirming what he already knows. “There is.“

Visibly taken aback he hesitates. “Is it you?“

“I am.“ You don't like his eyes. They are too fox-like.

He bows politely. “I'm Suna Rintarou.“

“Good for you.“

He ignores the poison in your voice. “News of someone destroying the construction site has reached Inarizaki Clan.“ Ah, that explains the lack of fear. If he's here with the backing of a clan naturally he'd feel secure enough to directly challenge you. “I was sent to let the ones responsible know their efforts are meaningless. The road will be built no matter what you- What they do.“

“Ask? Your kind doesn't ask.“

“This might be the one for history books then.“ His face irks you. There's no fear, no nerves showing, no twitch of his mouth or fingers to betray what he's thinking. Humans are as easy to read as open books but the young man in front of you is a blank sheet of paper.

“Leave,“ is all you answer.

To your surprise he bows and obeys. Watching him leave you think he should straighten up.

As the sun rises higher you head to bed, newcomer so heavy on your mind he haunts your dreams. The sole presence of a yokai hunter is something to be worried about. First one comes, then a second, next your kind is being chased away. The only reason you're still here is because the humans can't seem to figure out a way to chase you away for good. Not that they haven't tried. If only they knew worst things live deep in the woods.

When evening falls you sweep the stairs and leave still rattled Koda besides Chochin who disapprovingly rolls it's one eye at you.

The town is only a short run away. It's small, at least you think so since there aren't many you've visited in your relatively short life. You know every nook and cranny, you know which tombstones are nekomata's favourite, you know which of the old street cats will soon join them. They can be a handful but they're the closest thing to friends you have. You pass the old house where teenagers like to gather. Its cellar has been home to keukegen for years now. You catch a glimpse of a few leaving. No doubt the fault of that damn visitor.

The place he's staying at is easy to find. How careless of him. All you have to do is follow the magic of protective charms scattered across the town back to its source. They're sloppy. Almost as if a child made them. But some of them are particularly well made. Work of another clan member perhaps?

You hide in the bushes of the garden surrounding a small house. Mr Witch left the sliding door open. Even in the garden you smell herbs meant to ward away evil spirits. He's sitting on the floor and watching a curious looking thin screen similar to ones you've seen down at the train station. He seems disinterested. When he stands up and leaves the room you silently creep closer to peek inside. The smell of herbs is stronger here. You don't find it unpleasant though many of your yokai friends would disagree.

On the screen you see a map of the town. More maps lay on the low table. Some have scribbles you can't quite read, arrows, and question marks. You hear him returning and scurry back in the safe embrace of darkness and bushes. He sits back down to continue his work, not noticing you were in his home. You lean your head on your paws and watch.

Following Suna around becomes a daily routine. You sweep the stairs in the morning and water the flowers then run the fastest your legs can carry you to the town. Luckily for you he likes sleeping in. His days are uneventful. Boring to be honest. He eats breakfast. Goes to town. Looks at historical monuments downtown. Sits on the only bench in the park and eats ice cream. Heads to library. From time to time he visits the construction site to inquire if there have been any more incidents. There were a few but none of them were your doing. Mr Witch doesn't actually think you're the only one enraged by the new road, does he? Honestly as much as you detest it you're also a little relieved humans haven't decided to build over the northern part of the forest. That would be a lot more troublesome.

You follow on a safe distance as he inspects the surrounding trees, no doubt to chase away the remaining forest spirits. For a very long time he inspects some footprints. You carefully step closer trying to see what caught his attention. Suddenly he stands up and continues on his way. As you follow you glance at the ground. Ah, of course.

He heads back to town after that, returns home and you return to your spot in the bushes. Sun hasn't set yet,  the day is still warm so he brings a low table out on the porch and pours two glasses of dark bubbly liquid.

“Are you going to keep hiding or will you join me for a drink? I have some tofu I can fry if you want. Kitsune like it, right?“ he asks without looking in your direction.

Crap. Well, no point in trying to be sneaky anymore. You step out, head raised high and your tails gracefully swaying with each step. A silver gem radiating light balances on the middle one. Once you reach porch you shapeshift to a human and hide the gem from Suna's eyes. You don't bother hiding the tails though and you take a sit across from him, carefully eyeing and sniffing the contents of the glass.

“Only three tails?“

“Are you judging my age?“

“Sorry. I didn't mean to be rude.“ That's not what his face says. “Thank you for leaving the construction site be,“ he chats on seemingly unbothered by your icy glare. “You must've noticed those footprints too, right? Have any idea where I might find the owner?“

“That sounds like your job Mr Witch.“

“It's Suna actually.“ He keeps talking like you're old acquaintances and it's making your blood boil. “Can I ask for your name? Don't want to call you Miss Kitsune.“

“Why are you here?“

Suna gulps down half of his drink before answering. “To make sure construction continues without any accidents. You seem to think yourself some kind of a yokai protector. Then I'm a protector of humans.“

You bark a laugh. “As if your kind needs protecting.“

“All the people getting sick from those keukegen would disagree.“

“Sounds like it's their fault for not staying away from infested places,“ you retort.

“Then one easy fix would be getting rid of those infested places.“

“An undertaking you have no doubt already started.“

“I'm just doing my job.“

“You can't chase them away for long you know. Your kind has tried before. They always come back.“

You've hoped your words would elicit a response from him. Anything. A trace of frustration, an arrogant grin. Suna pours himself another glass. “Do you want some ice?“

“What I would very much like is for you to leave.“

A grin flashes over his face. “Get used to my presence because I won't go away for a very long time.“

So this is how he wants to play. He isn't the tiniest bit alerted when you abruptly stand up. “We'll see.“

Your daily routine continues. The only difference is you no longer care to hide. Wherever Suna goes you're not far behind. He wants to stay, play the protector of humans, does he? Pathetic. He doesn't seem to be bothered by you following him around. Just slightly unimpressed. It makes you want to set his pants on fire. Just to get a reaction. Just to see his expression change.

“How long do you plan on following me?“

“Who says I'm following you? World doesn't revolve around you Mr Witch. Maybe I just wanted to buy myself some mochi. Have you considered that?“ You pretend to be interested in melons on the shelf. “Aren't these kind of expensive?“

Suna ignores your question. “I'm grocery shopping. There are no yokai here. And I haven't even harmed anyone.“

“Yet. Such a short word. Yet. Somebody has to keep an eye on your nasty tricks.“ You peek into his shopping cart. “Instant ramen and crab chips? Even I know humans need some you know,“ you wave your hand trying to remember what it's called but the word is buried too deep in your memory, “healthy food!“ you say instead and place the most expensive melon in the cart. “Like fruit for example.“

“Put it back.“

“It's healthy.“

“It's expensive.“

“I got money.“ You pull a bundle of bank notes from your pocket.

He puts the melon back on the shelf and grabs the cart with more force than necessary. You hum contently before putting the money in your pocket where it changes back to leaves you picked up last autumn.

The sheer number of different products on the shelves amazes you. And also makes you a little sad. All the offering humans bring to the temple are just rice and tofu and sometimes curry. Not that you don't like rice and tofu but why can't they bring one of all these colourful sweets? Or the chips Suna just put in the cart. Would he notice if one of the bags disappeared?

Walking past the vegetable stand you grab three cucumber packages and plop them down in his cart. You notice he added a bag of brown rice to it.

“Really? Three packages?“ he asks.

“They're a gift for kappas up the stream,“ you smile, innocently.

“Buy them yourself. You got money, don't you?”

“Why, would you like some? What's the matter Mr Witch, job doesn't pay well? Maybe you should consider a career that doesn't rely on destroying our lives.“

“Maybe you should live a life that doesn't harm others.“

You grin, satisfied. And so facade begins to crumble. A loud cough distracts you from throwing back another insult. An older man gives the two of you a disapproving look before returning to reading labels.

Suna grabs the cart and continues his way to the next item on the crumpled shopping list. You trail behind looking like a lost puppy peeking from behind him to see what the next item on the list is, adding new items to the cart Suna immediately puts back in their place. Even by the register you add one more package of chewing gum to the pile.

“At least take one with a fruity flavour,“ says Suna so you grab two more packages with watermelon on them. You think you see his eye twitch though it might be just your imagination. While he puts the groceries in a bag you snatch a chocolate bar from the nearest shelf, then follow him outside to take the cucumbers from the bag he's holding.

“You've been quite busy yesterday,“ you remark as you walk down the street.

“Since you followed me around the entire time I take it you weren't.“ He outstretches his hand. “Your stuff was 700 yen. Pay up.“

You give him a crumbled wrapper.

“Any particular reason you're interested in the old Nishikawa house?“ you ask, continuing to smile innocently when Suna glares at you and puts the wrapper in his pocket.

“I thought you were the local expert on all things paranormal in this town. I'll let you guess twice.“ He peels the sticker off the bananas and sticks it on your forehead. “See you around Miss Kitsune.“

Ch. 2: Red beneath the moon

tag list: @blurring-stars

[bbq-hawks-wings]

I want to express an unpopular opinion. I hope for your understanding, because such things don't like to listen. Why does everyone think that Hawks is a bird? I couldn' fit my logical arguments into the askbox :( (about how he sits on a pole "like a bird", supposedly likes jewelry and so on). Even his quirk is called Fierce Wings, not a Hawk, not a Red Bird. Do you remember the names of the quirks of Hound Dog and Tsuyu-chan? We haven't evidence to believe that Hawks is behaves like a bird.

I do believe very much he’s a bird, and if you would let me friend, I would love to try and prove it to you because I think the evidence is overwhelming. I’ll make a TL;DR at the end but I’d really like to take the opportunity to perhaps teach others at least one method for literary analysis since it can be a really dry and boring subject to learn in school but is SO useful not only for getting good grades but getting into colleges as well as interpreting both entertainment and genuinely important information like the news, history, laws, and scientific papers. Using fiction - especially such a rich, engaging one like HeroAca - is a great way to try it out without the pressure of a grade. I don’t have the qualifications to teach in any formal capacity, but as a “peer” tutor I hope I can be helpful.

I’m going to put everything under the cut from here because this is going to get LONG, but I promise the TL;DR at the end will be very easy to read. If you liked this sort of unofficial tutorial please let me know. I’d love to help make “academic” skills like this more accessible for those who might benefit from it and enjoy it, but it doesn’t make sense to put in all that effort moving forward if I’m garbage at it.

Before we get too into things, I want to lay out a few notes to keep in mind as we go.

I will only be using the official translations from Viz’s Shonen Jump website when available. Fan translations are more than close enough to casually enjoy and follow the story, but professional translators are paid to know and get various nuances correct and some of the trickier cultural background behind certain phrases (for example, the phrase “where the rubber meets the road” might make zero sense in a foreign language if translated literally, so an equal cultural phrase should be used instead) that give more exact information. Rarely is this too important, but sometimes it helps, plus it supports the source material.

If you’ve followed my blog for a while you might know I’m very fond of doing this kind of thing in my spare time and that I’m a huge fan of YouTube channels like Game/Film Theory, Overly Sarcastic Productions, Extra Credits, and Wisecrack that do this kind of thing with popular media as well. If you like this sort of content, may I encourage you to check them out after this to see how else you can apply these kinds of analytical skills to things that aren’t homework.

My writing style tends to meander, but I do my best to cut out the fat and only include relevant information so even though there’s a lot of information here, please know that I’m trying to be thorough and explain things to the best of my ability. If I seem to go off on a tangent, I’m trying to set up or contextualize information to explain why it’s relevant and then come back to the point. In other words, please be patient and bear with me as I go.

Now, to start, I want to explain at least my method for analyzing a text/piece of media. There is a set order and number of steps to take, and it’s as follows:

Read the material all the way through.

Come up with a hypothesis about something you’ve noticed when reading it. (In this case, it’s “Is Hawks actually supposed to be a bird?”)

Collect as much relevant information as possible and test the evidence to see if it supports the hypothesis we’ve made.

Step back and look at everything again with those points in mind.

Determine if we were right or wrong with the evidence we have.

If we were wrong, go back to step 3 to figure out what fell apart and see if we need to go back to step 2.

If that sequence sounds familiar it’s because it’s the scientific method! Aha, didn’t think we’d be pulling science into all this, did you? Don’t worry, we won’t be putting numbers or formulas anywhere near this discussion - the scientific method is just a way we can observe something and test if what we thought about it is actually true; and it applies to almost everything we as humans can observe - from the laws of the universe, to arts and crafts, to philosophy and religion, and so on! When you think about it that way, whole new possibilities can open up for you when it comes to understanding how the world works.

So with that set let’s (finally) begin!

Steps 1 and 2 are already done. We’ve read the manga and want to prove that Hawks is a bird. (We’re going to try and prove he IS a bird because in the context of the series there’s a lot that *isn’t* a bird and less stuff that *is* which will make our job easier.) So now, we’re onto: 

Step 3 - collect data and see what conclusions we can get just from our evidence.

Now, to pause again (I know, bear with me!) there’s a few different kinds of information and considerations we have to keep in mind as we collect. There are four kinds of information that are important to know about in order to determine if it’s good data that will help us with the testing phase in Step 4. The kinds of information to keep in mind are:

Explicit information - this is information that is directly spelled out for us. For example, Hawks says, “I like my coffee sweet.” and his character sheet says “Hawk’s favorite food is chicken.” That’s all there is to it, and it’s pretty hard to argue with. This is the easiest type of info to find.

Implicit information - this is info that isn’t directly spelled out but is noticeable either in the background or as actions, patterns, or behaviors that can be observed. For example, Hawks has mentioned in at least three very different places his concerns over people getting hurt while he tries to get in with the League:

Chapter 191 when confronting Dabi about the Nomu he says, “You said you’d release it in the factory on the coast, not in the middle of the damn city!”

Chapter 191 again in a flashback with the Hero Commission he asks, “What about the people who might be hurt while I’m infiltrating the League?”

Chapter 240 when discovering how much influence and power the League has gained, “If someone had taken down the League sooner, all those good citizens wouldn’t have had to die!”

Hawks never says in so many words, “I never want innocent people to get hurt under any circumstances!” but the pattern of behavior and concern is consistent enough to form a pattern and clue us in that this is a key part of his character to keep in mind.

Peripheral information - this is information that isn’t directly to do with Hawks or maybe even the series as a whole but is still relevant to keep in mind for his character and the questions we’re asking. This may include extra content that isn’t the “series” proper, but is still an official source like interviews with Horikoshi, etc. but it can go even further. For example, while we try to prove that he’s a bird, we should have some knowledge about what makes a bird a bird, some specific and notable birdlike habits/behaviors/features, etc. This is just to show how wide-ranging we need to cast our informational net.

Contextual information - this will be important when we get to Step 4, but it’s good to keep in mind now. This is when we compare evidence against the broader scope of the series and consider the circumstances under which we find the information. For example, if I told you, “Harry kicked a dog.” you might think “What a jerk! What decent person kicks a dog?”; but if I said, “Harry kicked a dog while trying to keep it from biting his kid.” suddenly it re-frames the story. “Is the kid ok? Why was that dog attacking? Harry put himself in danger to keep his kid safe - what a great dad!”

I’ll go chronologically to make it easier to follow my evidence as I gather and give references as to where I found that information. I’ll go through the manga first, and then any peripheral sources that are either direct informational companions to the series (like character books or bonus character information sheets) and interviews with Horikoshi. Please note the categories these details fall into may vary based on opinion/interpretation, but I did my best to list them out for reference.

Chapter 185 - Explicit Type: Feathered wings - regardless of the specifics of his quirk it’s undeniable his wings are made up of feathers which is a distinctly birdlike quality. There are many mythical creatures and even dinosaurs that also have feathered wings, but this is our first big piece of evidence.

Chapter 186 - Peripheral Type: Large appetite - birds have an incredibly fast metabolism because flying takes so much energy. They’re constantly eating. Plenty of young men are big eaters, but it was specifically pointed out and works towards our hypothesis so we’ll keep it in our back pocket for now.

Chapter 186 - Implicit/Peripheral Type: Fantastic vision - Hawks senses the Nomu coming before the audience even is able to make out what’s headed their way. It could be implied his wings caught it first, which might be the case, but he looks directly at the Nomu and brings Endeavor’s attention to it. Birds have fantastic long-range vision, especially birds of prey that mainly swoop in from high in the air to ambush highly perceptive prey. Also good to add to the pile.

Chapter 192 + Volume 20 Cover - Implicit/Peripheral type: Wears jewelry and bright colors - birds are well documented to be drawn to bright colors and are known for decorating their nests with trinkets. Scientists actually have to be careful when tagging birds with tracking bracelets because they can accidentally make him VASTLY more popular with the ladies by giving him a brightly colored band to the point they can’t resist him! Male birds are also known for having bright, colorful displays for attracting and wooing mates. While Hawks isn’t the only male character to wear jewelry in the series, he’s the only one (to my recollection) that wears as MUCH jewelry so often both during and outside of work. It may not be obvious, but the illustration on Volume 20 is actually an advertisement for his line of (presumably) luxury jewelry. In other words, Hawks on some level is synonymous with style and flair to the point he can make money by selling jewelry with his name on it.

Chapter 20 Volume Cover - Explicit Type: Hawk emblem on the watch face - If the name “Hawks” didn’t give it away, he’s very clearly trying to align himself with more avian qualities if his merch has bird motifs. In other words Hawk = “Hero Hawks” and “Hero Hawks” = bird.

Chapter 192, 244, clear file illustration - Peripheral Type: birdlike posture. Chapter 244 isn’t quite released yet on the official site as of writing this, but when Hawks swoops in and beats the kids to the punch apprehending the criminals trying to subdue Endeavor, his hands are clenched in a very talon-like manner similar to a swooping eagle. When walking with Endeavor in 192, he holds his resting hand in a similar fashion. On the clear file illustration he’s not only perched on his tippy toes in a pose that has been famously called “owling” (remember that trend/meme, y’all?) but his wings are slightly outstretched to catch the breeze to keep from falling over which a lot of birds can be seen doing when they don’t have great purchase on a surface in a place that’s a little windy. The fact that he seems to gravitate to high places like birds are often seen doing might also be a noteworthy indication.

Extra sources:

Hawks Shifuku: Horikoshi describes Hawks as a “bird person” and says that his initial design was based off of Takahiro from his old manga. 

Takahiro’s design:

Current character design: The banner image on my blog was commissioned from a friend of mine who doesn’t follow the series. When I showed her reference images of Hawks, you know what she said? “Oh! His hair is feathers!” Even his eyebrows have that fluffy/scruffy texture to them that his hair has. The markings on his eyes can also be seen on him as a young child in Chapter 191 which means it isn’t makeup meant to tie in a theme or look. He has those dark, pointed eye markings like many birds do. So on some genetic level he resembles a bird.

Step 4: Testing our hypothesis with the gathered evidence.

There’s already a lot of compelling evidence that already closely aligns him to birds which is promising. However, to really prove our point we should try to prove beyond a shadow of a doubt he is a bird. To do that this time around I’m going to see how the series treats people with animal-based quirks and see if it’s consistent with the way Hawks is portrayed.

You bring up Hound Dog and Tsuyu, and they’re fantastic examples. Let’s start with Hound.

He’s pretty straight forward - he’s like a dog. He has a dog face, has dog-like tendencies, and dog-like abilities. Superpower: dog.

And in Tsuyu’s case - quirk: frog, just frog. She’s stated explicitly to have frog-like features, frog-like tendencies, have frog-like abilities, and even comes from a “froggy family.”

So with these two very explicitly animal-like characters the common theme seems to be “If they’re considered to be like a specific animal, they have to physically resemble that animal, act like that animal at times, and have abilities like that animal.” Let’s see if another animal-quirk character matches up and then put Hawks to the test.

Spinner’s quirk is Gecko. Based on our criteria, is he a gecko?

Does he look like a gecko, even vaguely? 

Yes, he’s covered head to toe in scales, and his face is very lizard-like.

Does he occasionally act like a gecko? 

Unclear. We haven’t really seen any evidence of this, but that doesn’t mean he doesn’t. For the sake of our argument, we’ll just say no and move on.

Does he have gecko-like abilities?

 Yes! Though most of his abilities are limited to things like being able to stick to walls, it’s still gecko-like in origin and qualifies.

Spinner hits clearly hits ⅔ criteria and our standards seem pretty consistent, so let’s see how Hawks stands up.

Does he look like a bird? 

Not all of his features may explicitly scream “avian” at first, but upon closer observation and with his clear previous inspiration this is a resounding yes.

Does he act like a bird? 

Many of the mannerisms and behaviors he displays can just be chalked up to him being a little eccentric, but with the sheer number of them that also parallel birds in some way this is also a pretty convincing yes.

Does he have bird-like abilities? 

While most of the emphasis is on his wings and what they can do, it does seem that he not only possesses things like heightened senses which could be attributed to avian abilities but he also very much possess high intelligence and incredibly fast reaction times which birds are also known for.

Even if we only gave Hawks a “maybe/half a point” for those last two, he still meets the 2⁄3 that Spinner did. So we have another question to ask: Does a character have to have an explicitly named “animal” quirk to be considered to be/resemble a specific animal? Let’s look at Ojirou and Tokoyami for reference.

Ojirou’s quirk is just “tail,” but he’s been described by his peers and classmates as a monkey and does seem to share some more monkey-like features. It isn’t lumped in with his quirk because the only notable monkey-like quality he possesses is a tail. He doesn’t have fangs or an opposable toe - he just has a tail. For quirk classification as far as hero work goes, that’s the only important thing to note.

Tokoyami, on the other hand has an entire literal bird head, but nothing else. He has a beak, feathers, and even in illustrations of him as a baby he had fluffier feathers on his head. Even with only those details, he just screams “bird!” However, his quirk is classified as “Dark Shadow” because that’s what sets him apart for hero work.

Back at Hawks we see his quirk classified as “fierce wings” but like Ojirou and especially like Tokoyami, the emphasis on his wings is what sets his abilities as a hero apart. Otherwise, he’s just a guy who looks and acts a LOT like a bird.

But astute observers may have noticed I’ve left out a detail that’s more or less a nail in the coffin on the whole matter, so let me ask a question: Tsuyu in particular has something else of note that solidifies in our minds that she is, indeed, a frog - she explicitly calls herself a frog. Could we say the same about Hawks?

Chapter 199 - Explicit Type

Bingo. Hawks has known himself for as long as he’s been alive. He knows his habits, his impulses, his family/genes, and so on. If he calls himself a bird, are we going to call him a liar? In fact, he calls himself a bird not once, but twice!

That’s pretty much it. With the evidence stacked to that degree, I’d be hard pressed to NOT believe he’s a bird.

That was a long amount of text to get through, so if you’re here at the end thank you for sticking out with me to this point. I really appreciate it. This is more or less the process I use when analyzing anything and everything whether it be HeroAca related or not. Maybe it’ll help you if you’ve struggled with literary analysis, or at the very least I hope you got some enjoyment out of it.

TL;DR If Hawks looks like a bird, walks (acts) like a bird, is based on a bird (character), and calls himself a bird, he’s probably a bird.