#I just love this stupid dynamic and if I have to draw a thousand comics of Kallus and the Ghost crew then I guess y'all better

[plounce]

rob you are killing me with this wmspn au I need like 80 thousand words of this Immediately ! Im in agony you're so good at Fic and Gay Yearning and Dynamics! like thank you for creating this au bc its glorious but also Please (also I love ur little drawings! so good! I love ur molly and his hair)

;__________________;!!!!!!!!!!!! THANK YOU FOR SENDING THIS ASK… god im so glad other people like my rambling about all this because i have a lot of fun even with the uh… somewhat suspect inspiration lmao. but it’s my duty as a gay person to mine what gold i can find from fallow fields and plant it in my own garden.

i feel like i didnt get it across super well in the comic (i was busy watching the tonys) but basically back during the first season that molly was in (i tend to structure half my aus in “seasons” and “episodes” esp this one thats based off a tv show) he was just… blossoming like a flower, being in humanity.

he lost half his memory of heaven after rescuing caleb from hell (probably his arc for one season is trying to find the demon who made that happen to extract Answers so he can combat the other seraphim from his garrison (the tomb takers) who are trying to smite him and his friends, but back to the point) and was wandering around people’s pockets of heaven kind of confused and wondering what his Purpose was, because in this au he’s an angel and i think that angels would be built to be dependent on their Purpose. he grows away from this when/after he Falls but to start with… well. not knowing what’s going on is unfun. and then he heard Prayers for him (from caleb, guided by caduceus the psychic) and was like !!!

and then he got to know caleb and beau and their friends and their lives and their goals and he fell so thoroughly in love with humanity and the world, and this combined w his remaining knowledge of the beauty of creation made him fight so strongly for the world not to be destroyed. and the other angels back up top start cutting him off, and he starts losing his grace.

he really thought he was gonna do the equivalent of die when he lost all his grace, but beau&caleb did some sort of something that preserved him as a human at some sort of great cost. so after that happens he’s extremely torn between his sheer gratefulness at getting to keep his life, keep this self he’s built and keep seeing all the wonderful things in the world, and rage at beau&caleb for doing whatever they did. maybe they made a deal with a demon for info or something. it probably endangered one of them. so he has yasha take him on their OWN siblingesque journey and they’re the subplot of the next season or so.

beau was the one who was freaking out the most about molly dying, while caleb was keeping a lot of his terror and guilt about causing an angel to fall inside. repressed bastard. beau pushed and pushed to find a way to save molly (because she’s terrified of losing people and molly has done so much for her and hers), and caleb of course agreed to help researching, but beau really spearheaded the efforts.

then caleb found whatever method they used and beau was like “NO… well… maybe… no we SHOULDN’T… but…” while caleb settled into full “i will do whatever it takes to accomplish my goals, especially those regarding people i love” calebness. and usually beau reins that in (because those two rein each other in nigh constantly) - but this time she had a strong reason not to.

then molly got grievously injured helping them after a hunt or something went wrong and then, after he teleported the three of them to safety, couldn’t heal himself up. at all. he didn’t have enough grace. he was just coughing and bleed with this gaping wound in his chest. and it was terrifying, they thought he would die, they couldn’t reach yasha, and it was a lot of backseat first aid before he was out of the woods. and caleb and beau experienced what it would be like if molly died for their stupidity, and while molly rested in the backseat (not sleep - power saving mode, beau joked, and molly took to the term with glee), they quietly agreed that they’ll do what needs to be done.

anyway. the COMIC. basically when molly was early!molly and was so full of excitement at discovering the world and puppydog in love with caleb, he’d pretend to fall asleep on him in the backseat of the car, because he’s a sappy idiot. when he Fell, he still fell asleep in the backseat on occasion, but never on caleb, even when caleb was sat back there. he leaned away, against the window, streetlights and moonlight illuminating his face.

it’s for the best, caleb thinks, after all that’s happened, because caleb can’t give molly what he deserves, but it still aches.

[wlwtsubomi]

do u have bnha ocs? 0:

YES I DO THANK YOU FOR ASKING

akfjafkahglad throwing them all under read more bc i have,,, A Lot(TM)

i actually have a fuckin uhhhhh nextgen au?? and thats where A Majority Of Them come from??????? and i love them all id die for them

ok so like

ok so two of my Main Ones are era and takuma!!!!!!!! ft. some changed designs bc im considering revamping laylaylb bc it Kinda Sucks. 

so era is the shark one!!!!! her quirk is minor shark and its a mutant quirk that gives her vague mutations from a whitetip reef shark!!! that includes (but is not limited to) double rows of teeth, gils, some fins, enhanced smell and like, you know that thing that sharks do where they can find things from like,, those feely things from their chins?? yeah era can do that. she also tends to be more wild at night?? but it can be passed off as loopiness. since shes from a nextgen au shes the adopted daughter of kiri and baku???? her full name is bakushima era and she is like,,, just Rowdy and Easily Excited.

takuma is a more obvious nextgen kid and hes a tododeku fankid?? THOUGH in the revamp im gonna make him a todoiideku fankid with siblings bc ive always had concept for siblings for him but i was a Coward and never went through with them. his quirk is temperature control and its an emitter quirk that, when he touches something, he can adjust the temperature of an object. whenever he raises the temperature in something, the temperature of his body lowers, and vise versa. that often leads him to being cold constantly and having to bundle up his body in like a thousand jackets. its Very Relatable to me tbh. anxiety is hereditary so hes very anxious and withdrawn. he tends to be very scatterbrained and more often then not he forgets words mid-sentence and needs eras help to remember them. that leads him to repeat things a lot and quit a lot of things midway because he cant describe them. thats Also Very Relatable. his full name is midoriya takuma although in the revamp, its most likely that his name will be changed to iida-midoriya takuma

another important character to the nextgen who isnt actually a nextgen kid is siryoku karashiro (despite me often using first names as a way to refer to characters, i called him by his family name (siryoku) so frequently in laylaylb that thats just how i refer to him at this point) and hes really fun to draw. so hes kinda hard to explain without giving a lot about his backstory and eventual character arc away?? but hes from a rich family of lawyers who all have quirks that allow them to intimidate people by meeting their eyes. however, due to a recessive quirk from his moms side, he ended up having an variant of the black hole quirk. unlike thirteen, who (presumably) can channel theirs through their fingers, his is through his eyes. without a lot of practice with his quirk, he cant really control it and it often ends up being an all or nothing sort of trump card. siryokus very socially awkward and often has a hard time keeping up with extroverted people like ame and era. he also tends to miss expressions and figures of speech. but other than that, hes very earnest and despite his fumbles, wants to help others

while takuma era and siryoku are the Main Trio, takuma and era are also in another trio alongside ame, full name uraraka ame. shes a tsuchako fankid who really likes wearing christmas sweaters in the middle of summer. a part of this generations “big 3″ ame is a third year and an intern under thirteen. her quirk is zero gravity, inherited directly from ochako. shes very caring, and the “big sister” of the group if you will. she tries to help people as much as she can, and is the role model of both era and takuma. she is very energetic though, but she misses a lot of social cues and can as such be seen as pushy or overbearing. 

while she hasnt appeared a lot yet in either my comics or in laylaylb, another character who will end up being important is kyousou hansha!!!! she will be (eventually) the vice president of their class and has been shown to be very driven, determined, and almost judgemental. she hasnt come with the intention of befriending people who dont come up to her standards, though what exactly those standards are is currently unknown. (i know it though) all thats currently known is that she often knows how to take charge of a situation with a very analytical point of view, and that perhaps thats what helped her land a recommended spot into ua. (who recommended her and what her quirk is hasnt been officially shown, though if you look through my blog, im p sure i mentioned it at one point)

this is a very bad drawing, because kazankawa (full name kazankawa atsui) is one of my favorite characters to draw (without coloring because her details is hard for me to color) and has one of my favorite character designs out of my bnha ocs. her quirk is volcano, and its a mutant quirk that almost makes herself like a living volcano. however, she cant ‘erupt’. her skin literally has cracks around where it folds the most, so think at the joints of her fingers and in her elbow. it also has cracks below her eyes. the cracks are filled with lava, though it is purely stationary. she gives off heat and can produce smoke from her mouth (though she doesnt know it yet). she is also able to throw up lava, but thats just kinda gross. she comes across as level-headed, chill, and sleepy almost all the time. however, once she gets riled up or in the battle field, she becomes more wild and reckless.

some other characters and wow isnt this a great drawing, is the houkai squad. i dont have an official name for their group, but they have a really fun dynamic to write. houkai genki (the middle one in the screenshot) is the one that this entire group revolves around, because they are the one who taigun and kuroiya are around for. they have an emitter quirk called emp, which is. an emp. yeah. its,, self explanatory. some people think theyre slick, but really, theyre kinda just really stupid and has no self restraint. 

taigun kisaki (the leftmost) is literally the groups voice of reason and impulse control. her quirk is literally the most terrifying quirk ive ever come up with and its an emitter quirk that lets her control the bees. fuck you vigilantes i made it up before i knew you made a character with a similar quirk. shes by all means an extrovert, but has very thin patience and is constantly done by the shenanigans of this god forsaken group.

kuroiya fumukoi was actually the third bnha oc i designed, and was originally supposed to be a very withdrawn softspoken character. but as i wrote laylaylb, she was changed to an enabler of houkais, with just vaguely more intelligence than houkai, but instead of doing things out of sheer stupidity, more out of just ballsy-ness. her quirk is called shadow step and allows her to travel through shadows. it often leaves her hungry, so a lot of times she can be caught munching on something.

some other characters are the rest of the big 3!!! i love them a lot. like,, listen i would die for them. besides ame, theres suiro takara, the one on the right, and her quirk is crystal channel?? shes an intern under aoyama and can channel her own energy into crystals on her body (which is why she wears so many necklaces) in the form of lasers. shes constantly tired and stressed and honestly really offput by ame. ames excited and loud personality is a bit too much for her, so she tends to lash out or act cold. then theres yasuyou natsuki, the middle, whos quirk is flame body. her bodys literally a fire. as a result, all of the the third years had to be made extra fire durable outfits and gym uniforms to withstand being worn or coming into contact with her. ame has a crush on her, though yasuyou isnt aware of it. yasuyou is dense but upbeat, not interacting with ame a lot because theyre in different classes. (ame is in 3-a while yasuyou is in 3-b). also, ame, idk about u, but idk how ur gonna smooch fire.

of course there is A Lot of other characters from laylaylb that i wont write bc i dont have the screenshots or drawings on hand or bc they havent been revealed or i dont have the energy to explain all about the background characters

BUT

i DO have a non-laylaylb bnha oc and i dont have a name or set design for her yet but ive been stewing over the idea of her quirk for the LONGEST time

so basically shes a support student whos quirk is balance. its an emitter/mutant kinda quirk that gives her impeccable balance and things that she touches the same balance as well. it comes in handy when walking/maneuvering with things in her hands, and allows her to stack things without the fear of them fall over. think about that one sasuke figurine that could balance anything on its head and think ‘what if that was a quirk’

she isnt keen on sharing her ideas with others, though when she does, its often for critique. she has an odd sense for knowing when people lie to her about their opinions, and prefers brutal truth. perhaps its because thats how she is-- overly blunt and bad at determining which things are and arent right to tell to someones face. 

i could see her getting along with hatsume

[minaminokyoko]

Favourite avengers movies scenes?

How on earth do you expect me to ever narrow down enough to not list the entire trilogy in general? Holy hell. I am a big fat Marvel fangirl and I could write a fucking dissertation on scenes complete with charts and graphs. For the sake of argument, let me see if I can at the very least just highlight the tippy top favorite moments from the first three Avengers films. Keep in mind, I fucking love all three of them to death and could rave about them for days at a time.

The Avengers

-Loki’s confrontation with Nick Fury. This scene sets the tone for the rest of the film so fucking well, man. It’s just brilliantly done to see that whatever humanity that we saw in Loki in Thor has pretty much flown out the window and he’s here to wreak havoc and start a war, and he doesn’t care how many people he destroys in the process. I also like that it shows the vast gap in power and experience between the SHIELD agents and an Asgardian. Loki all but flattens everyone in a matter of seconds. Seeing him among other Asgardians can kind of make you forget he’s literally a thousand year old god and is tough as nails. He’s also low down and ruthless and that’s the kind of thing that is scary as hell when you realize that’s what they’re all up against.

-Nat’s “interrogation” with the Russians. I actually love every single Avenger’s introduction scene, but this one is so delightful in that Nat shows us just why she is an Avenger even though she has no enhanced abilities: deception, manipulation, and just being an incredibly agile combat expert. I am most delighted with her scene because before Avengers, I had no regard for Nat at all and thought she was just fanservice, but here, she completely proved her worth as a character and to the team, and I got on board as a fan of her just from her opening scene wiping the floor with these idiot Russian dudes.

-Tony and Bruce getting to know each other in the lab. From a character standpoint, this is an outstanding scene. Tony is trying to draw Bruce out of his shell, and the sympathy and empathy he has for him is so palpable that it’s why we all dubbed them the Science Bros and why it’s one of the best friendships in the Avengers. Tony is so awesome for joking with Bruce and treating him like a normal person and reminding him that there is at least one person aboard that helicarrier who doesn’t see him as some terrifying monster and knows just from reading up on him that he’s not a bad person. It’s so charming and wonderful.

-Stuttgart. Man. Man, oh man, this is a well done scene. The build up to Loki’s horrifying actions is so great and so is this freaking diva’s grandstanding once he demands the poor, confused Germans kneel before him. It’s fascinating to me because Loki has an almost childlike need for attention, as if his frustrations with his failure to take over Asgard as king has manifested itself into this very basic need to be acknowledged as being a powerful threat. Loki could kill an average human being with a flick of his wrist. His comparison of “an ant has no quarrel with a boot” while cruel is accurate, but here’s the thing, Loki: if you fuck with enough fucking ants, you can get your ass into a lot of trouble, and we’re fireants, not sugar ants, buddy. And ants who band together get shit done. The old man who stood up to him, in my book, is a fucking hero all on his own and I think it’s one of the most well crafted pieces of dialogue in the entire MCU. “There are no men like me.” “There are always men like you.” Oh, standing ovation for that piece of dialogue. Give it an Oscar. Then Cap swinging in to kick ass and Tony swooping in beside him with an equally over the top entrance to Loki’s was the icing on the fucking cake.

-Thor retrieving Loki. Hnnnnnnngh, okay, so here’s the thing: I fucking love Thor and Loki’s relationship even before Ragnarok came out and upgraded it. Thor is and always has been since his first movie a man with very deep emotions who loves and loves deeply with all his heart, and his confrontation with Loki just wounds me so much. How Thor throws Loki to the ground and yet yanks him to his feet and just holds him there, his hand on his face, looking so torn between agony and relief that his brother is alive. “I thought you dead.” “Did you mourn?” Fuck me, this scene is absolutely brutal to my feels. Thor and Loki’s debate was nothing short of excellent as Thor tries to bring Loki around, and the thing is, he means it. He means every fucking word, that he would take the Tesseract and bring his brother home, and he doesn’t care about facing the music, he just wants his goddamn brother back even after all Loki has done so far in the story. Y’all better stop sleeping on Thor, man. His heart is by far the best thing about him, forget all the delicious muscles and that perfect teddy bear smile. Thor has miles and miles of heart, and that’s why I love this scene so much. 

-Nat tricking Loki into revealing his plan. This scene is so good I based an entire goddamn fanfic around its premise. Dude. Nat fucking Romanov, y’all. I love how this scene is staged and executed. I love Loki starting out almost gentle and conversational, as if for once he’s going to just be an actual person and not a monster, and then he slips back into that nasty egotistical megalomaniac when he thinks he has one over on Nat. And then Nat fucking schools him. It’s why I have a personal headcanon that he developed a hatecrush on her after she, a mere mortal, tricked the goddamn God of Mischief. It solidified Nat as one of my favorite female heroes forever. I loved seeing her use that feminine “weakness” to let him run his mouth. I also love that his cruel words did in fact affect her and motivated her even more to both save Clint and to go to war with Loki at the end.

-The whole ass helicarrier attack sequence. I mean, I don’t even need to go into detail. You already know. 

-Tony confronting Loki. This is the scene that assured us that what followed would be one of the greatest fight sequences in cinematic history. I pretty much have most of Tony’s dialogue memorized because it had such an effective impact on me from a storytelling standpoint. Tony standing up to Loki as a mortal man with no suit, candidly threatening him with barely suppressed rage that Loki murdered Coulson, a comrade, in cold blood, is downright amazing.

-The battle of New York. Boom. Again, no words necessary. Perfect fucking sequence from start to finish.

-Thor trying one last damn time to bring Loki around. Oh, my heart. My poor fucking heart. Thor really loves his brother and he would do anything to have him back. Is it naive? Yes. But it’s also a beautiful statement of what family truly means to Thor and it breaks my heart. The fact that a tear slides down Loki’s face when he stabs Thor and mutters, “Sentiment” is so not cool. As much as Loki pretends to be the Big Bad Wolf, there is something still young and human inside of him even though he pretends it isn’t there. All my creys.

-Hulk trouncing Loki. I went and saw The Avengers three times in theaters, and two out of the three times, everyone cheered so loud I didn’t hear the Hulk say “puny god” over all the noise. It was that satisfying a scene.

Age of Ultron

-The entire beginning sequence. Fucking loved it. What masterful ass-kicking and showcasing of the team dynamic. It made me want a longer lead in to how they all got reunited because it was so enjoyable. “Language!” Oh, Cap.

-Jarvis and Ultron’s first scene together. Dude. James fuckin’ Spader, man. I never knew I could be so intimidated by a man’s voice. It was so unsettling for so many reasons, the resentment, irrationality, and anger from his unusual birth and creation. It was all the more frightening when he turned on Jarvis, and at the time, we didn’t know he hadn’t killed our beloved butler. 

-Picking up Mjolnir. This scene needs no elaboration. It’s just perfection. Even people who complain about Age of Ultron admit this scene is just flawless.

-The team confronting Tony over creating Ultron. Cap’s line, which we now know goes even further after the events of Infinity War, just make me want to die. “We’ll lose.” “Then we’ll do that together, too.” Tony’s face, realizing that Cap doesn’t care that he fucked up–he cares that Tony couldn’t trust the team enough to let them in on what he was dealing with–is soul-crushing. Tony realizes he was wrong to assume instead of being honest with them. 

-The confrontation in Wakanda. Everything about it was badass and it hits you right where you live seeing the Avengers having to face their biggest regrets and most painful moments of their pasts. Especially Steve’s. The image of him and Peggy finally getting their dance was so not okay. Special props to Tony in the Hulkbuster armor. That was one hell of a fucking brawl.

-The Sokovia final battle. There are just so many awesome points in the final battle sequence, man. Everyone is out there just kicking ass and doing what they do best. Special props to Hawkeye getting through to Wanda, and Hawkeye’s “nobody would know…nobody” moment with Pietro. 

Infinity War

Disclaimer: I have no idea how to isolate moments in a movie that is by far one of the most well written comic book movies since The Dark Knight, but I guess since you asked, I have to try anyway. Hoo boy. Strap in. 

-Loki’s death. Let me explain something to you: I went entire years without caring about Loki, and then around the time The Dark World came out, I slowly became converted to both a Tom Hiddleston and a Loki fan, and then after Ragnarok, he finally just seduced me completely to being smitten with his stupid trashy self. It is important that you realize that I recognize that Loki is a selfish, inferiority complex-having, murdering bastard and I do not excuse a goddamn thing he does because of his fucking Daddy issues. That being said, in spite of how much of a flaming trashbag he is, I love him anyway, and I tried for months to tell myself that I knew as a fellow writer that Loki was going to die in Infinity War. It was assured not only from the trailer, but from me knowing that his character arc was always going to end with his death. What hurt most of all is that, as I predicted, Loki died trying to save Thor. I cried my eyes out. Hell, once Thanos closed his hand around Loki’s neck, I covered my eyes because I just didn’t have it in me to see it end this way for him and for Thor. Thor being helpless to stop it is truly what made it worse. There is nothing on heaven or earth Thor wouldn’t do for Loki, even knowing how wicked Loki is. And the fact that Loki couldn’t let Thanos kill Thor after all these two have been through was like an icepick through my heart. Loki wouldn’t have died protecting Thor if Thor had not loved him unconditionally this entire time we’ve watched their story. Thor’s love did have an effect on Loki throughout these films, and that’s why I literally burst into sobs and couldn’t bear to see him die that way. It is one of the most gut wrenching things ever put to film, and certainly in the MCU. I’ve only had the stomach to watch that scene twice because it hurts me so much, and neither time was I strong enough to actually watch Loki’s final moments. Goddamn, it’s just so painful. Capped off with Thor slowly crawling over to his brother to be with him one last time before the ship explodes and just laying his head on his chest in the kind of grief that honestly should get Hemsworth a fucking Oscar. Bravo. 

-Cap, Widow, and Falcon reuniting with Vision and Wanda. Holy shit, yes. This fight was gorgeous, gripping, and fucking awesome. Special props to Cap and Widow being the ride or die Avengers Mom and Dad team. We can infer from their actions that the two of them have been together since the end of Civil War possibly, so you can not tell me Cap and Widow are not a thing on some level. Captasha all day, err day. They perfectly compliment each other and I headcanon that they’re together and no one will convince me otherwise.

-”We’ll fight you too.”/”We don’t trade lives.” That sound you hear is me screeching. Some people have said Cap wasn’t given a ton to do this time around, and I emphatically protest it simply because, yes, he has less screentime, but man, he does so much work in this role that reminds us of why we all love Captain America. His values mean so much. Cap will lay down his life in the blink of an eye for someone who needs it. He cares so deeply. He is the pinnacle of selflessness and it’s so important to see in this film.

-Thor meeting the Guardians. Perfection. Just…perfection.

-Irondad and Spiderson aboard the Space Donut. Jesus fucking Christ, I am so on board for Irondad and Spiderson that it’s insane. I love that entire fucking interaction from start to finish. I love Tony’s strict, fatherly anger and exasperation because he just wants his baby boy to be safe on earth while he’s on another suicide mission, but the baby boy wants to help his dad out and baby boy also doesn’t quite realize the consequences because he’s too young. Extra points for Tony’s death-glare after Parker says, “It’s kind of your fault I’m here” and the fact that even the fucking cloak did a double take at Parker when he said it. Oh, it’s so perfect.

-Gamora making Peter promise to kill her if Thanos gets to her. I just…I want to die. This was so beautifully done, and so in character for both of them, and Peter and Gamora are just so soft and sweet and in love that it’s so overwhelming. At the very least, I take a small comfort in knowing that they were a happy family for four years before this shit happened to them.

-Gamora “killing” Thanos. Again, can we just award Oscars to like half the fucking cast in this movie? Jesus Christ, I cried at this scene too because the fact that she’s just completely unraveled as she finally thinks she’s killed her goddamn abuser is so deeply tragic. Gamora is my favorite Guardian. Hands down. She is so three dimensional. She tries so hard and she is so much more than the deadliest woman in the galaxy. She is so complex and it is the worst pain ever to know that Peter actually kept his promise and tried to kill her to prevent her from being in the hands of her abuser again and Thanos foiled their plan, and had the fucking nerve to say, “I like him” before he took her again. 

-”It’ll kill you.” “Only if I die.” “…yes, that’s what killing you means.” 

-The battle of Wakanda. Motherfucker. This is some A+++ motherfucking good shit hurr. What always gets me hype as hell is Cap and T’Challa sprinting down the goddamn hill at 80 mph and I just can’t even handle that shit because it was so good and satisfying. Everything about this battle was incredible.

-The battle on Titan. Same thing. It’s so creative and well crafted and amazing. You feel every blow. You flinch. You want them to beat that son of a bitch but he’s just so fucking strong. It is an incredibly engaging fight, man. Hoo boy. 

-Thor’s entrance to the battle of Wakanda. I distinctly remember the entire audience going absolutely apeshit during this scene the night Infinity War premiered. Like the first Avengers, I saw it three times in theaters, and two out of the three times, the crowd went fucking wild. That was so fucking satisfying, man, as are the neat little scenes of levity with Cap introducing himself to Groot and Cap and Thor remarking on each other’s changes in appearance. It was so pure and good and perfect.      

-Cap squaring up with Thanos. I. Can’t. Breathe. It was so powerful. Like the above scene of “we don’t trade lives,” this is why we love Captain America. Why we love Steve Rogers. This man, this mortal human man, took one goddamn fucking look at that twelve foot all powerful alien giant and said, “Not today, bitch.” Steve fucking Rogers stood there and took it. He put his life on the goddamn line for Wanda, and for Vision, and for the rest of the universe, and he actually held that goddamn line for a moment. The incredulous look on Thanos’ face is what seals it. He is utterly confused that this little man is actually holding him back, that this mere mortal doesn’t give a fuck that he can’t overpower him, but he is giving it his all because that is who he is. Steve will not quit. Steve will not falter. Steve will die doing what’s right and that is one of the most moving things in the whole MCU, imo. He just planted his feet and said, “No, you move.” I know we saw that scene in the trailer, but it was so unbelievable to see it in context that Cap gave it everything he had trying to protect Wanda and the rest of the universe, and I still get choked up just thinking about that shit. 

Welp, you asked for it and now you have it. I told you I was gonna rave, man. God bless anyone who actually read this nonsense. Marvel had me at hello with these characters and they have way too much sway over my emotions, as you can see above. Ten years, man. Ten years. 

[theskyexists]

series 10 finale

can i just say- that thing, that they do in series ten, that thing where

the universe rhymes and if you really listen, you can hear its music?

that’s some good shit

‘what does he call you? companions? pets? SH-nacks?’ god michelle gomez is just! so! good!

‘time lords are friends with each other dear, everything else is cradle-snatching’ pfftjlkdjsfkalkds she’s got perhaps...a point? (not really, but)

‘these are my disposables, exposition and comic relief’ FULJSDFJSDFJ MOFFAT YOU he really went there. HE REALLY WENT THERE HALJSDKD

‘we’re not functions’ ‘darling those are genders’

ok????? hahahahahaha

wow, doctor who meta dslafldk and then a dab

‘is this the emotion that you humans call...spanking?’

‘are you human’ ‘oh don’t be a bitch’ ljsdldsajlfjlkdf (moffat got so surprisingly woke that he knows exactly what he can have her say, damn. and michelle’s delivery what the hell so good hahaha)

oh no. no no no no. this is the moment she gets shot huh? what. no i. why do the Doctor’s companions in moffat’s era always die of being bravely stupid? (well..clara) like, not stupidly brave, but bravely stupid? i don’t like that narrative

why did Bill say that???? like i don’t get it.

jump in front of her??????? why. does he not stand in front of the damn gun?? why does he walk past it? why? dude?? now i understand why Thirteen keeps saying ‘STAY BEHIND ME, BEHIND ME’ always catching bombs to the face and shit.

those were some great flashbacks peppered in. ‘she scares me’ yeah well the Doctor was the one who fucked up here. he wasn’t fast enough. he didn’t reach hard enough for the right card in the pack.....but there was another time lord there - maybe she reached harder.

‘assumption!’ ‘deduction!’ ‘hope!’ ‘faith!’ ‘idiot!’ ‘always!’

this is the thing. like, the Doctor just lets her get shot and lets her get taken away - it’s barely believable.

yeah the crew went down, time dilation, they procreated, somehow they grew some shitty cybermen. (why does human society keep producing them?). YUP i called it.

365000 days, a hundred thousand years. yoikes. but if they have such fast lifts why is it a problem? and why go up to get the humans (yeah cybermen always wanna make more) i think knowing moffat we won’t really get an answer to these essential plot-driving questions

ohhh that’s chilling huh. makes you think they got some more anaesthetic but they’re still pressing the button - it just doesn’t make any noise any more.

but it’s hard to hear such pain.

and SUDDENLY, the theatre broadens - it seemed like just a part of the ship - narrow - but then we see the whole colony ship populated and a dystopia, this hospital just a building in a landscape. very cool.

How does the Doctor not realise that he hasn’t got TIME for explanations??? Bill is either dead or DYING RIGHT NOW BECAUSE HE’S WASTING TIME.

i do love this concept always have and it is executed well here - but look. the Doctor is written as very dumb to make it so.

‘how many more years’ YEARS????? oh my god. why does she close the window? interesting

fuckin bullshit. they never returned because time went slow for them. he KNOWS this, so why does he think it’s because the people were ‘weak’? he knows she came from command, that it’s possible to go up, because they took her! the conversion is only controlling her. so does she buy it? (I do like this guy, but he’s probably evil)

how has Bill remained SANE? years of this. years of this??? what an exceptionally resilient person.

yeah we’re not getting an explanation for why these people uh managed to go up and take her down huh? except ‘evil villain lied to everybody’ i think. oh well that can be satisfactory

wait. is he the master? is he the MASTER??? i mean i was considering it but.

he spent like 10 years living with Bill and it didn’t make a dent in his psychopathy hmmm. so the explanation is that the Master has taken over and wanted to fuck over the Doctor just for laughs. lol

why scarecrow them??? xD sometimes these aesthetics make zero sense in real life. do love how they went back to : look how these settlers went up to the solar farm! living a lovely life except they’re being attacked by cybermen.

so what im learning from moffat’s writing is - push your concept first thing you can - something incongruous - and something familiar to those familiar with the work.

woah that gloating wasn’t quite long enough for teh Doctor to have a win. i thought the Masters were having him on. (fascinating though, that he attributes the emergence of cybermen not to the Master’s presence but simply to the humans - and the Master’s responses prove him right. do feel like he messed with it all though...)

‘there’s only ever been one way to stop that many cybermen. me’ hmmmm hmmm, i always dislike the Doctor boasting like this. just pride. though i would welcome it for thirteen, just a couple of times.

‘i’m in two minds - fortunately the other one’s unconscious.’ hah

we gotta cut away from this because we don’t know how this unwieldy Bill cyberman got the Doctor into the ship.

The Master constantly veers between almost killing the Doctor and then kinda deciding not to because they’re having so much fun or caring about their complex relationship a bit too stupidly much. lotta storytelling packed into this ep, bit unwieldy.

great switch, making Bill look human again as we switch to her pov

where the FUCK did the Doctor get jelly babies

this is a beautiful scene, but also, goddamn, they made her into a cyberman and now she can’t be angry any more?? i mean that’s not very woke

they didn’t allow bill the opportunity to hit the Master?? AGAIN?? Bill should have been able to hit the Doctor AND the Master this season for the cruelty they showed her!!

I do think the Master is THE character for Moffat because all of the plot bullshit can be explained as: the Master is just that dramatic. like, why wait with Bill’s conversion until the pain part was developed and the Doctor would be coming down? could have converted her right there. and he only kept her around to rub it in the Doctor’s face. like all of that - somehow explained by what a particular person they are.

redirection, the cryptic, it’s one of the Doctor’s main tools for hope. the beyond, the in-between, that which we cannot yet know, may never know - that’s flux babey, that’s hope.

but ya can’t un-call the lifts? what. they won’t have ‘thousands’ of years if you run straight at the TARDIS.

so im not sure why they had time to build a weapon’s grade cyberman but not uh time to send lots and lots of them up?

AND NOW THEY’RE JUST GOING TO BURST THROUGH??? THE FUCKIN SHIP? xD ahahahaha why???

i do love how you SEE the Master use make-up while male. fuck gender roles! I do love the Masters’ dynamics hahaha

the Doctor always makes time for fuckin - explanations. the cybermen are coming up but WHATEVER!

that Master on Master kill was honestly hella tender and i loved it.

‘can’t find the words’

Bill was glad that her space granddad knew she was a lesbian- ha. somehow that....how did Moffat write that? seems uniquely gay but maybe he’s just drawing on - yeah gotta make sure that this time it is NOT read as romance.

NOOOOOO!!!!!! NO!!!!! MISSY!!!!!!!!!!!!!!!!!!

so...are they just not evacuating teh adults? like was it so hard to get them adult actors in the shot a few times too??? like wtf these kids aren’t like: MY PARENTS!!! before they blow it up? before the blow up a WHOLE countryside?

he didn’t get blown to pieces? fuckin bullshit lol

but BILL survived? enough to walk. I KNOW it’s for drama but it’s just lol

ok but Heather is SO CUTE HOLY FUCKIN SHIT. i don;t understand how this freak of sentient oil puddle got to create an immortal ethereal being - but WHAT EVS. (I can pilot anything, even you.  what a come on lol)

where there’s tears, there’s hope, yes but you also gave him a tear huh, as a puddle-being, so you can track him hmmm

all the flashbacks to modern companions!!! i loved that!

i actually think the christmas special kind of ruins this real good finale!

i am gonna miss Missy, Michell Gomez did something truly incredible there. but i also liked the return of Simm!Master, and i loved their chemistry.

anyway i genuinely think this was a good finale. very complex, and very moffat. but mostly his strong writing, very little of his shitty tics.

GOOD STUFF!!

meanwhile cybermen are still coming up the colony ship converting people on every deck though, so that’s unfortunate.