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sinful-mind-joyful-thoughts · 3 months

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ᴜɴᴅᴇʀ ᴀ ғᴀʟsᴇ ᴀʟᴛᴇʀ

⤷ Credits: Pinterest

Summary : Your father is fed up with your shenanigans, so he arranges a marriage to Rome's famous general and gladiator, Marcus Acacius.

Warnings: DUB-CON (Forced/Arranged marriage) SMUT, LOSS OF VIRGINITY, unprotected pinv (wrap it before you tap it), Oral F and M, Implied age gap, Scars, Misogyny, Spitting, both give switch vibes,

A/n : I put a dub-con warning just because it is a forced/arranged marriage also ty and enjoy @multiversed-daydreamer for listening to me yap about this all day luv ya 💕

The table was set, lit, and ready for a feast. Grapes, wine, cheese, and meats lined the table. Being the daughter of a powerful general had its perks, not that you liked the kind of life you had. You understood you were privileged, your place in society clear. You knew that if it weren't for your father's position, you would probably be a slave to the hierarchy. But it didn't mean you had to like your life.

You were 18 and shockingly unmarried—not that you cared. You had more fun sneaking away to the parties that would happen late at night. You were happy for the fact you weren't tied down yet. The thrill of escaping your father's watchful eye and diving into the forbidden world of Rome's underground festivities made your heart race.

You had a reputation, one that was far from ladylike. Wild child, they called you, and you wore it like a badge of honor. You knew what sex was, what things happened in the dark corners of those parties, but you were still a virgin. Your knowledge came from observation, whispers, and the daring escapades you had witnessed, but you hadn't crossed that final threshold. Not yet.

Your father, a stern and formidable general, was a man who worked with gladiators and other powerful figures in Rome. His influence was vast, and his expectations were high. He had grown increasingly frustrated with you lately, and you couldn't quite understand why. His annoyance with your antics was palpable, but there was something more, something beneath the surface that gnawed at him.

As you sat there, wine goblet in hand, you sipped slowly, savoring the taste. You knew he would tell you to only have a single glass, a rule you delighted in bending. The door to the grand hall burst open, and there he was, your father, his expression a storm of irritation and something deeper, something darker.

"What are you doing?" he demanded, his voice echoing through the hall. "Drinking again?"

You looked up at him, feigning innocence. "Just a single glass, Father, as you always insist."

His eyes narrowed, and he crossed the room with swift, purposeful strides. "You think I don't know what you get up to, do you? Sneaking out, causing trouble. Do you have any idea how this reflects on me? On our family?"

You sighed, placing the goblet down. "I know, Father. But you can't keep me locked away forever. I'm not a child anymore."

He stood before you, the tension between you crackling like a live wire. "You're my daughter, and you will behave with the dignity and decorum befitting your station."

You met his gaze, unflinching. "And what if I don't want that life? What if I want to be free, to make my own choices?"

His frustration seemed to boil over, and for a moment, you thought he might explode. But then, he took a deep breath, his shoulders sagging slightly. "You don't understand the dangers out there. The people I deal with—the gladiators, the politicians—they're not like the ones at your little parties. They're dangerous."

You softened slightly, sensing the genuine worry behind his anger. "Then tell me, Father. Explain why you're so frustrated lately. What aren't you telling me?"

He hesitated, the walls he had built around himself momentarily crumbling. "It's complicated," he finally said, his voice quieter. "There are threats... to our family, to our position. I'm trying to protect you, even if it doesn't seem like it."

You reached out, touching his arm. "I want to understand. Help me see what you see."

He looked down at your hand, then back at your face, a mixture of anger and sorrow in his eyes. "Maybe it's time you did," he said, his voice resigned. "But you must promise me, you'll be careful. This world is not as kind as you think."

You nodded, determination filling your chest. "I promise, Father. I'll be careful. But I won't be caged."

Your father's expression hardened once more, and the momentary softness disappeared. He sat down at the table, grabbing a handful of grapes and popping one into his mouth. "Enough. This isn't up for discussion," he snapped. "You are to be married."

Your heart plummeted. "Married? To whom?"

His eyes were cold as steel. "To a man who can protect you, who can secure our family's future."

You jumped to your feet, the chair scraping harshly against the floor. "No! I don't want to be married off like some piece of property. I won't do it!"

He towered over you, his presence suffocating. "You have no choice. This is for your own good."

"Who is it then?" you demanded, your voice rising in defiance. "Is it Lucius? That lecherous old man who can't keep his hands to himself?"

Your father shook his head, his jaw clenched. "No, not Lucius."

"Is it Gaius, then?" you asked, pacing around the table, barely noticing your father grabbing a slice of cheese and eating it with deliberate calmness. "The pompous fool who thinks he's the smartest man in Rome but can't even string a coherent sentence together without tripping over his own ego?"

"Not Gaius."

"Then it must be Quintus! The brute who only knows how to solve problems with his fists, who would treat me like a possession rather than a person."

"No, it isn't Quintus either," your father snapped, his patience wearing thin. He took a deep drink from his own goblet, trying to steady himself.

"Who then? Who could possibly be suitable in your eyes?" you spat, your desperation clear.

Your father took a deep breath, his eyes never leaving yours. "It's Marcus Acacius."

The name sent a jolt through you, and you took an involuntary step back. Marcus Acacius, a name whispered in both awe and fear throughout Rome. A man known for his prowess in the arena and his cunning outside it. A man with a reputation as cold and unyielding as stone.

"Marcus Acacius?" you echoed, disbelief coloring your tone. "You can't be serious. He's a gladiator, a killer."

"He's more than that," your father insisted. "He's powerful, respected, and capable of protecting you from the dangers you don't even know exist."

You shook your head, your mind reeling. "No, Father. You can't do this to me. I won't marry him."

"You will," he said firmly. "And you will do it for our family, for our future."

You felt the walls closing in, the life you had known slipping away. You slumped back into your chair, staring at the untouched food before you. "What if... what if I've already been with someone else?" you blurted out, hoping to find some way out of this nightmare.

Your father's eyes narrowed. He leaned forward, his hands gripping the edge of the table. "Have you been taken by another lover?"

You hesitated, the lie heavy on your tongue, but the fear of his wrath kept you silent. "No," you finally admitted, defeated.

"Then it's settled," he said, the finality in his voice chilling. "You will marry Marcus Acacius, and you will do so with dignity."

Tears of frustration and anger welled in your eyes, but you refused to let them fall. "I won't be happy, Father. Not with him, not with this life."

He reached out, a rare gesture of tenderness, and touched your cheek. "Happiness is a luxury we can't afford," he said softly. "But safety, security—that is something I can give you."

You pulled away, the weight of his decision crushing your spirit. "I don't want to be safe. I want to be free."

His hand fell to his side, and his eyes hardened once more. "Freedom is an illusion, my daughter. And you will learn that soon enough."

With that, he turned and walked away, leaving you standing alone in the grand hall, the weight of your impending marriage pressing down on you like a vice.

Rage bubbled up inside you, a seething mass of frustration and helplessness. The weight of your father's words pressed down on you like a heavy shroud, suffocating your spirit. With a sudden, violent motion, you swept your arm across the dining table, sending grapes, cheese, and meats crashing to the floor. The wine goblet toppled, spilling dark red liquid like blood across the pristine tablecloth.

Breathing heavily, you glared at the mess you had created, but it did nothing to alleviate the fury burning within you. Without another word, you turned on your heel and stormed out of the grand hall, your footsteps echoing through the marble corridors.

You reached your room, slamming the door behind you. The silence was oppressive, the walls closing in as your mind raced. You had to get out. You couldn't marry Marcus Acacius. You couldn't be trapped in a life you didn't choose, a life that would suffocate the very essence of who you were.

You paced the room, the dim light from the oil lamps casting flickering shadows on the walls. Your eyes darted around, searching for a solution, a way out of this nightmare. Your thoughts turned to your mother, a fleeting glimmer of hope piercing through the darkness.

Your mother had been sent to the countryside years ago, a decision made by your father to keep her safe from the political intrigue and danger that plagued Rome. She lived a quiet, secluded life on the family estate, far from the city's chaos. You hadn't seen her in years, but you knew she would help you if you could reach her.

It had been a month of plotting and planning, each day dragging on as your impending fate loomed ever closer. Today was your wedding day, the day your life would be sealed into a destiny you hadn’t chosen. Final preparations had been completed yesterday, and now you were meant to step into the role of a dutiful daughter and bride. You had woken up earlier than your maids would have roused you, knowing your father would want you to rest more so you appeared extra fresh for Marcus. Instead, your nerves had kept you up all night, the shadows on the walls morphing into ominous shapes as you thought of your future.

The first light of dawn crept through the narrow window, and you knew you couldn’t waste any more time. Your small bag, packed with bread, a few pieces of jewelry to sell, and the spending money your father occasionally gave you, lay hidden under the covers of your bed. The plan was simple: catch the slightest bit of rest before your handmaid came in to wake you, then escape before anyone noticed.

The door creaked open, and Lucia, your handmaid, entered with her usual gentle and serene presence. She glided to the window, pulling back the heavy curtains. Sunlight flooded the room, casting a warm glow that felt almost mocking given your circumstances. You sat up in bed, the light highlighting the bags under your eyes from a sleepless night.

"Good morning, my lady," she said dreamily, her voice like a lullaby. "The sun is shining so beautifully today. It's a perfect day for a wedding." She moved to your side, her hands deftly beginning to arrange your hair with practiced ease. You watched her reflection in the mirror, feeling a pang of guilt for the deception you were about to execute.

"Your dress is so beautiful, my lady. It's like a dream come true. You'll look like a goddess, a vision of perfection," Lucia continued, her words meant to comfort but only adding to your anxiety. The dress she spoke of hung in the corner, a symbol of the life you were being forced into.

You let her continue, her words a soothing balm against your churning thoughts. As she began to apply a light makeup, using berries to tint your lips and cheeks, you couldn't help but feel a sense of finality creeping in. "You'll be the envy of every woman in Rome," she continued, her voice full of admiration. "Marcus Acacius is a powerful man. You'll be safe with him."

Safe. The word echoed in your mind, tinged with bitterness. Safety was a cage, and you longed for freedom. Suddenly, you sat up, startling Lucia. "I need your dress," you blurted out, your voice urgent.

She looked at you, shocked and confused. "My dress, my lady? Why would you want my dress?" she asked, her hands frozen in mid-motion.

You gave her a reassuring smile, reaching under your bed to pull out a dress you had kept for a long time. It was a simple yet elegant gown, one she had always admired. "I have something for you," you said, handing her the dress. "I've seen how much you like it. Today, I want you to wear it and have fun. I just... I want to feel normal before the wedding."

Her eyes widened, and a smile of pure joy spread across her face. "Thank you, my lady. Thank you so much!" She looked at the dress, then back at you. "But what about you? Where will you be?"

You hesitated for a moment, crafting a believable lie. "I'll be eating breakfast with the soldiers. I need a moment to myself before the chaos begins."

She nodded, believing your words, and quickly changed into the dress you had given her. You watched as her usual plain attire was replaced by the elegant gown, the transformation bringing a genuine smile to your face despite the turmoil in your heart. "You look beautiful," you said, forcing a smile. "Now go, enjoy yourself."

Lucia beamed, her happiness palpable. "Thank you, my lady. I'll remember this day forever." She gave a small curtsy and hurried out, eager to enjoy the brief taste of luxury you had gifted her.

As soon as the door closed behind her, you sprang into action. Your heart pounded as you grabbed your small bag from under the covers and moved swiftly towards the door. The corridors of the castle were quiet, the early hour ensuring most were still in their beds. You moved with purpose, your sandals barely making a sound on the stone floors.

Every step you took was filled with a mixture of fear and exhilaration. You had never been so bold, and the risk was immense. If you were caught, the consequences would be severe, but you couldn't live a life that wasn't yours. The thought of being trapped in a loveless marriage with Marcus Acacius spurred you on.

You reached the courtyard, the cool morning air filling your lungs as you dashed towards the farthest end where the horse stables were located. The sound of hooves and the scent of hay greeted you as you approached, your eyes scanning for a suitable mount. Freedom was within reach, and your heart soared with the possibility.

But then, a familiar, stern voice cut through the morning air. "Where do you think you're going?"

You sprinted, your sandals slapping against the cobblestones as the guards closed in. Heart pounding, you reached the barn, your fingers fumbling with the latch. The sound of pursuing footsteps fueled your frantic efforts, and finally, the door swung open. You dashed inside, the scent of hay and horses enveloping you. There was no time to lose.

Without wasting a moment, you chose the newest and fastest horse, a powerful chestnut stallion that had always intimidated you with its raw strength. It was your only chance. Your hands shook as you grabbed its mane, your heart hammering in your chest. The stallion snorted, sensing your urgency. You took a deep breath, steeling yourself.

"Hyah!" you urged, kicking your heels against its sides. The stallion reared, its powerful muscles tensing beneath you, then surged forward, galloping towards the gates. The wind whipped through your hair, the thundering of hooves drowning out the shouts behind you.

The gate loomed ahead, freedom tantalizingly close. You leaned forward, urging the horse faster. As you rode, you navigated the narrow alleys and sharp turns of the castle grounds, the stallion's speed making every twist and turn feel like a life-or-death gamble. The guards were not far behind, their yells growing louder, but you kept pushing, your eyes fixed on the gate.

You had run from the guards before, slipping through their grasp with quick wits and nimble feet, but this was different. The stakes were higher, the danger more palpable. The horse beneath you was your only hope, its powerful strides eating up the distance between you and the gate. But it was also a wild, untamed force, difficult to control.

As you neared the gate, you saw it beginning to close. Panic surged through you. With a desperate cry, you urged the stallion faster. The ground seemed to blur beneath you, the world a whirl of motion and sound. The horse’s breath came in powerful snorts, its muscles straining with effort.

Just as you thought you might make it, the stallion stumbled on a loose cobblestone. You were flung from its back, the world spinning around you as you hit the ground hard. Pain shot through your body, your vision swimming with stars.

When you opened your eyes, the sky above was a brilliant blue, and the scent of earth and grass filled your nostrils. You groaned, trying to sit up, but a gentle hand on your shoulder stopped you.

"Easy there," a deep, soothing voice said. You turned your head and found yourself staring into the concerned eyes of a stranger, his face handsome and strong, framed by dark curls. He knelt beside you, his touch gentle but firm.

"Are you all right?" he asked, his brow furrowed with worry.

You blinked, trying to focus through the haze of pain and confusion. "Who... who are you?"

A small, enigmatic smile played on his lips. "My name is Marcus Acacius. And you must be my bride."

The revelation hit you like a bolt of lightning. This was the man you were meant to marry, the man you were running from. But as you looked into his eyes, you saw not the tyrant you had imagined, but a man filled with genuine concern and curiosity.

"You shouldn't be out here alone," Marcus continued his voice a mix of authority and kindness. "It's dangerous. Let me help you."

The irony of the situation was almost too much to bear. You had been fleeing from your fate, only to run straight into its arms. As Marcus helped you to your feet, his hands strong and reassuring, you couldn't help but wonder if perhaps your destiny was more complex than you had believed.

Marcus's strong arms guided you inside, each step a reluctant surrender to the fate you had been trying to escape. The castle's grand corridors, usually bustling with servants and courtiers, were eerily quiet in the early morning light. You were disoriented, the pain from your fall mingling with the turmoil of your thoughts.

As you entered your bedchamber, a familiar and unwelcome face greeted you. Aurelia, one of your father's maids and his well-known mistress, stood there with a smug expression. Her presence was a bitter reminder of your father's indiscretions and the fractured state of your family.

"Well, well," Aurelia purred, her voice dripping with condescension. "What a surprise to see you here, my lady. Running away on your wedding day? How very unbecoming of you."

You shot her a withering glare, your temper flaring. "Spare me your lectures, Aurelia. I'm not in the mood for your sanctimonious drivel."

Aurelia's smile widened, enjoying your discomfort. "You should be grateful for the match your father has arranged. Marcus Acacius is a powerful man. You could do far worse."

You clenched your fists, your anger barely contained. "Is that what you tell yourself to justify spreading your legs for my father? That you're doing it for power and security?"

Her eyes flashed with anger, but she maintained her composure. "Watch your tongue, girl. You may not like me, but I'm here to make sure you fulfill your duty. Now sit down and let me get you ready."

Reluctantly, you sat down, feeling trapped and helpless. As Aurelia worked on your hair and makeup, her touch was firm and unyielding. Her presence was suffocating, her every word a reminder of the life you were being forced into.

"You think you can escape your destiny?" Aurelia continued, her tone dripping with disdain. "You're just a foolish girl. This marriage is your only chance at a future."

You bit back a retort, knowing it would only fuel her smug superiority. Instead, you focused on the mirror in front of you, watching as she applied the final touches to your appearance. The reflection staring back at you was almost unrecognizable—a vision of beauty and elegance, but one that felt like a mask hiding your true self.

Once Aurelia finished, she stepped back, admiring her handiwork. "There," she said, a note of satisfaction in her voice. "You look perfect. Ready to be a proper bride."

You stood, your heart heavy with dread. The grand hall awaited, filled with guests and the weight of expectation. As you made your way towards it, you felt the walls closing in, your fate sealed with every step.

The hall was decorated with lavish flowers and banners, the scent of incense filling the air. Guests whispered and watched as you entered, their eyes following your every move. At the far end, Marcus Acacius stood, his gaze fixed on you with an intensity that made your pulse quicken.

The ceremony began with the priest’s voice, resonant and solemn, echoing through the hall. The guests fell into an expectant silence, the only sounds being the faint rustling of their silk garments and the distant clinking of goblets. The hall, lavishly adorned with ivy and flowers, seemed to shimmer with an almost otherworldly glow, casting shadows that danced like phantoms along the walls.

You stood at the altar, your heart pounding against your ribs like a trapped bird. The priest’s words, though intended to be a comfort, were like a dark incantation, each syllable wrapping around you tighter, dragging you deeper into the abyss of your fate. Your eyes flickered over to Marcus, standing with his back straight, his gaze unwavering. He looked every bit the powerful man he was rumored to be—tall, imposing, with a presence that commanded the room.

You recalled the whispers you had heard over the past months—the stories of Marcus Acacius. The tales were rife with speculation and fear, his name often mentioned in hushed tones. They spoke of a man whose ambition knew no bounds, whose cruelty was whispered about in every corner of Rome. Some said his eyes held a darkness that could see through to the soul, while others claimed he had a penchant for the macabre, often indulging in extravagant displays of power.

As the priest began the traditional vows, his voice a monotone murmur, you tried to focus, but the words blurred into a cacophony. "Do you, Marcus Acacius, take this woman to be your lawfully wedded wife, to have and to hold, in sickness and in health, for richer or poorer, until death do you part?"

Marcus’s voice was steady, unwavering. "I do," he said, his tone deep and commanding, sending shivers down your spine.

When it was your turn, the words caught in your throat, your voice barely a whisper. "I... I do," you managed, the words tasting bitter on your tongue, the weight of your submission crushing your spirit.

The priest nodded, a satisfied smile curling his lips. "Then by the power vested in me, I now pronounce you husband and wife."

As the priest declared you bound by law and faith, the room erupted into applause, the sound a thunderclap that seemed to echo off the very stones of the castle. Marcus took your hand, his grip firm and unyielding, leading you down the aisle. The guests showered you with petals, their faces a blur of congratulations and forced smiles. You felt like a puppet, each step you took dictated by an invisible string.

The reception hall was a whirlwind of opulence, the air thick with the scent of spiced wine and roasting meats. Long tables groaned under the weight of sumptuous feasts, while musicians played melodies that mingled with the laughter and chatter of the guests. The hall’s high ceilings seemed to stretch into eternity, adorned with golden chandeliers that sparkled like stars.

You clung to the edge of the hall, the laughter and music a distant hum, your mind wandering back to the dark tales you had heard of Marcus. The rumors were impossible to ignore: they spoke of his ruthless ambition, his cold demeanor, and his unsettling fascination with power. Some said his parties were a mask for darker pursuits, where the line between pleasure and pain blurred into obscurity.

As Marcus moved through the crowd, his demeanor was that of a king—gracious yet commanding, his laughter rich and resonant. He was surrounded by his closest allies, men whose eyes gleamed with greed and ambition. They raised their goblets in his honor, their voices melding into a chorus of congratulatory toasts.

You stood near a heavy oak door, the cool stone beneath your fingers a reminder of the stark reality you now faced. The night was growing darker, the moonlight streaming through the tall windows casting an eerie glow on the festivities.

Suddenly, a hand gripped your arm, pulling you away from the door. It was one of the guards, his expression grave. "My lady, you mustn't go near that door. Your father has given strict orders. Any guard who aids your escape will be put to death."

You stared at him, a chill running down your spine. "What do you mean? You can’t be serious. There’s no way out of here. You’re all trapped too."

The guard’s eyes flickered with a mix of pity and resolve. "It’s true, my lady. Your father’s command is ironclad. He has spies everywhere. If you try to leave, he will know. And the consequences for anyone who helps you are severe."

A knot of fear and frustration tightened in your chest. "What do you expect me to do? Just stand here and pretend everything’s fine?"

He hesitated, his grip on your arm softening. "No, my lady. But perhaps you could find a way to make the best of this night. Try to speak to him, learn his intentions. There may be more to him than the rumors say."

Taking a deep breath, you nodded, your mind spinning with the guard’s words. With a determined stride, you made your way through the crowd towards Marcus, who was leaning casually against a pillar, a goblet of wine in his hand. His eyes were slightly glazed from the alcohol, but his gaze sharpened as he saw you approaching.

"Marcus," you began, your voice steady despite the turmoil inside you. "I wanted to thank you for your help earlier today. I... I appreciate it."

He raised an eyebrow, a slow smile spreading across his face. "You mean when you tried to flee?" His tone was teasing, but there was an edge to it. "You have spirit, I'll give you that."

You forced a smile, trying to gauge his true nature. "I only wished for a moment of freedom. But I suppose that is behind us now."

Marcus took a sip of his wine, his eyes never leaving yours. "Freedom is a fleeting thing, my dear. But power... power is eternal. And together, we shall wield it."

Your stomach churned at his words, the rumors about him echoing in your mind. "Is that all you care about? Power?" you asked, unable to keep the bitterness from your voice.

His smile faded, replaced by a more serious expression. "You misunderstand me. Power is not an end, but a means. It ensures safety, prosperity, and control over one's destiny. Is that so terrible?"

You struggled to see past the image you had built of him. "I’ve heard things about you, Marcus. Dark things."

He chuckled softly, a sound that sent chills down your spine. "People fear what they do not understand. Let them talk. What matters is that I have the means to protect those I care about."

His words, though seemingly sincere, did little to quell your doubts. You opened your mouth to respond, but before you could, your father’s voice boomed across the hall.

"Honored guests!" he called out, drawing everyone’s attention. "The hour grows late, and it is time for my daughter and her new husband to retire to their bedchamber."

A murmur of approval and knowing smiles rippled through the crowd. Your heart raced, a mixture of dread and resignation filling you. Marcus extended his hand to you, his grip firm and possessive as he led you through the throng of guests towards the grand staircase.

As you ascended the stairs, the weight of your future bore down on you. You glanced back once, seeing the guests' faces fade into the distance, their laughter and conversations becoming a dull roar. When you reached the door of the bedchamber, Marcus paused, turning to face you.

"This is just the beginning," he said, his voice low and intense. "We have much to learn about each other."

You swallowed hard, forcing a nod. "Yes, we do."

He opened the door, and you stepped inside, the room lit by the soft glow of candlelight. The bed, draped in rich fabrics, seemed to loom ominously in the center. Marcus closed the door behind you, the click of the latch sounding like a final seal on your fate.

As he moved closer, you felt a mix of fear and curiosity. This was the man you were now bound to, and despite the darkness that surrounded him, there was a part of you that longed to understand him, to find the truth beneath the rumors.

"Let's start anew," he said, his hand gently brushing your cheek. "Whatever you have heard, whatever you fear, put it aside. We are bound by more than words and vows. Let’s see where this path takes us."

You recoiled from his touch, your anger bubbling to the surface. "I'd rather fuck a pig than you," you spat, your voice dripping with venom. The shock on his face quickly morphed into a cold, calculating expression.

"You need to learn your place," Marcus hissed, his grip tightening on your arm. "You should consider yourself lucky to have me, especially with your reputation."

You glared at him, your temper flaring. "Lucky? Is that what you think this is? A blessing? I know what people say about you, Marcus. They call you ruthless, a monster. I'd rather die than be your plaything."

He leaned in closer, his breath hot against your ear. "You speak so boldly for someone in such a precarious position. But let me make something clear: you are mine now. And I will do whatever it takes to keep you in line."

Your heart pounded in your chest, a mixture of fear and defiance. "You can't control me. I'll never submit to you."

A slow, dangerous smile spread across his face. "Is that so? Tell me, my bride, are you truly a virgin, or have your wild antics already sullied you?"

The question caught you off guard, your cheeks burning with a mix of embarrassment and anger. "How dare you—"

"Answer me," he demanded, his eyes boring into yours. "Are you a virgin?"

You clenched your fists, refusing to be cowed. "Yes, I am," you snapped, your voice trembling with rage. "Not that it's any of your business."

He seemed taken aback for a moment, his eyes narrowing as he studied your face. "So, you are pure, despite everything. Interesting."

"You think you can just claim me like some prize?" you retorted, your voice rising. "I won't be your obedient little wife. I won't be another notch on your belt."

Marcus's expression hardened, his grip on your arm like iron. "You will be my wife, and you will learn to respect me. You don't know the first thing about power or survival. But you will."

"You don't scare me," you lied, your voice faltering slightly.

"Don't I?" he whispered, his lips dangerously close to yours. "You should be scared. But perhaps you're just too stubborn to realize it."

"Stubborn?" you scoffed. "Is that what you call it when someone refuses to bow to a tyrant?"

His eyes flashed with anger, and for a moment, you thought he might strike you. But instead, he did something even more unexpected. He leaned in and kissed you, his lips crashing against yours with a fierce, passionate intensity.

You froze, your mind racing as his kiss deepened. There was a raw, undeniable heat between you, a clash of wills and desires. Your initial shock gave way to a whirlwind of emotions—anger, fear, curiosity, and something else you couldn't quite name.

As his hands moved to your waist, pulling you closer, you found yourself responding, your body betraying your mind. The kiss was a battle, each of you struggling for dominance, neither willing to yield.

When he finally pulled away, you were breathless, your heart racing. His eyes were dark and intense, a storm of emotions swirling within them. You stared back at him, defiance and confusion mingling in your gaze, unsure of what to say or do next.

"I'm sorry," Marcus said, his voice unexpectedly soft. "I shouldn't have forced myself on you like that."

His words, so out of character, only fueled your anger further. "Sorry?" you scoffed, pushing him back slightly. "You think a simple apology will make up for everything? For the way you've treated me, for the way you think you can just claim me?"

His jaw clenched, but he didn't back down. "I know I can't make up for it. But perhaps... perhaps we can find a way to understand each other."

You were silent for a moment, then your eyes narrowed. "Understand each other?" you echoed, your voice dripping with sarcasm. "Is that what this is about? Understanding?"

A dark, reckless impulse surged within you. You grabbed him by the front of his tunic, pulling him closer. "You think you can control me?" you whispered, your breath hot against his ear. "You think you can just take what you want?"

Before he could respond, you pressed your lips to his again, this time with even more intensity. The kiss was fierce, a clash of wills and desires. You could feel the tension between you, the thin line between hate and something far more dangerous.

Marcus responded in kind, his hands gripping your waist with bruising force. The room seemed to spin as you lost yourself in the raw heat of the moment, your anger and frustration boiling over into something wild and unrestrained.

You broke the kiss, your breathing ragged. "You want me?" you demanded, your voice a low, challenging whisper. "Then take me."

His eyes blazed with desire and a hint of confusion. "Are you sure?" he asked, his voice rough.

"Shut up," you snapped, pulling him closer. "No more talking. Just... take me."

With a growl, Marcus responded, his hands tearing at your clothes with a desperate urgency. You mirrored his actions, your fingers fumbling with the fastenings of his tunic. The fabric fell away, and you pressed your bodies together, the heat of his skin igniting a fire within you.

"You're infuriating," he muttered, his lips trailing down your neck.

"And you," you retorted, your hands exploring the hard planes of his chest, "are a tyrant."

He paused for a moment, his breath hot against your skin. "Then why are you doing this?"

"Because," you said, your voice trembling with a mix of anger and desire, "I hate you. And I need to feel something other than this... this helplessness."

He captured your lips again, his kiss searing and demanding. "I hate you too," he whispered against your mouth, his hands roaming your body. "But I can't resist you."

The world outside ceased to exist as you gave in to the storm between you. Clothes fell away, and you were left exposed, vulnerable yet defiant. You pushed him onto the bed, straddling him, your eyes locked in a battle of wills.

"You think you can control me?" you challenged, your voice breathless.

"I don't need to control you," Marcus replied, his hands gripping your hips. "I just need you."

Marcus brought his thumb to circle your clit, his rough touch sending jolts of pleasure through your body. You moaned slightly, your head falling back in bliss. His voice teased you, dripping with arrogance. "What, haven’t you touched yourself before?"

You gasped, grinding down against the hard length of his cock straddled between your legs. His smirk faltered at your audacity. "Of course I have," you retorted, your voice edged with defiance, a spark of rebellion lighting your eyes.

Marcus gripped your hips, lifting you off him with ease before moving to sit back against the headboard, his arms casually behind his head in a display of smug dominance. "You want the virgin to do all the work?" you taunted, your eyes narrowing in displeasure as you crawled closer.

His smirk returned, darker this time. "The virgin, huh? That's what I get to call you now?" He paused, watching you with an intensity that made your pulse quicken. "You're the one who's on me like a dog in heat."

You looked at him with a dark expression, sitting back on your thighs, your chest heaving with frustration and desire. With one hand, you began to caress his upper thigh, mimicking the movements you'd seen from the sex workers in your father's employ. Though inexperienced, you weren't ignorant; you'd read secret novels and asked questions of your father's mistresses. But nothing had prepared you for the raw reality of this moment.

"You know what to do?" he questioned a challenge in his eyes, his voice a low growl.

You didn't answer with words. Instead, you leaned forward, your tongue darting out to lick from the base of his cock to the tip, tasting the salty pre-cum on your tongue. The taste was oddly addictive. You wrapped your hand around his thick length, marveling at how it almost didn't fit in your grip. Steadying him, you licked the tip, eliciting a deep groan from him.

"Don't be shy," he patted your head condescendingly, his fingers tangling in your hair. Despite your nerves, you collected spit in your mouth and let it fall onto the tip of his cock, watching as he rubbed it around with a satisfied smirk.

You took the tip into your mouth, savoring the taste of his pre-cum, and groaned at the flavor. He moaned deeply as you sucked gently, guiding your head with his hand. You gagged slightly as you tried to take more of him in, your hand still gripping the base, your eyes watering with the effort.

"Spit on it," he commanded. You did as he asked, letting more saliva dribble onto his length. He patted your head again, a gesture both condescending and encouraging, and you resumed sucking, taking him deeper into your mouth. You gagged again, but he didn't let go, enjoying the sight of you struggling to accommodate his size.

"Come on," he urged, pulling you up to straddle his hips once more. You thought he was finally ready to take your virginity, the moment you'd both been building towards, but he surprised you. Gripping your hips with firm hands, he moved you so his face was between your thighs.

"What are you—" you began, but he cut you off, his lips attacking your clit with a fervor that stole your breath. He completed the arc with his tongue, taking your bud between his lips and sucking hard. You almost screamed, the pleasure overwhelming you. "Oh God," you moaned, your hands flying to his hair to steady yourself.

He paused for a moment, his dark eyes meeting yours with a predatory glint. "Marcus, baby… Marcus," you whimpered, your voice trembling with need and desperation.

He resumed his assault, his tongue and lips working in tandem to drive you wild. You began to grind against his mouth, the sensation too much to bear, yet not nearly enough. The tension built rapidly, your orgasm approaching with a force that took you by surprise.

"Marcus!" you cried out, your fingers gripping his hair tightly as your body tensed and then shattered into a million pieces. He held your hips firmly to his face, lapping up every drop of your release as you rode out your orgasm on his tongue.

You fell back onto the bed, spent and trembling, and he crawled over you, his face slick with your essence. "Well, well," he said, a wicked grin spreading across his features as he rubbed his cock against your still-sensitive pussy. "Are you all fucked out already?"

You managed a weak glare, but it melted into a moan as he pushed into you. The stretch was intense, making you claw at his shoulders for support. He kissed your neck, his lips and teeth leaving a trail of fire as he pulled out slowly before thrusting back in deeply. You moaned at the sensation, your body arching to meet his every movement.

"You hear that?" His gruff voice asked, pulling you back to the present as his cock dragged from your cunt, pushing back in slowly. The squelch of him pushing deep inside you was loud, the sound of your arousal undeniable. You threw your head back, moaning his name.

"Yeah, you do," he muttered, his breath hot against your neck. His teeth grazed your delicate skin, sending shivers down your spine. "Hear how wet you are?"

You opened your eyes slowly, your vision filled with the sight of him. His beautiful, sweat-covered face was close to yours, every scar and wrinkle telling a story, the grey in his beard adding to his rugged appeal. His eyes burned with an intensity that made your heart race.

A moan escaped your lips as his thrusts grew more desperate, more hungry. He caught your wrists together in one of his big hands, pressing them down into the mattress with a grip that left no room for escape. Your thighs were splayed wide, almost uncomfortably so, pressed down by the width of his hips. His cock was splitting you open, and you were so impossibly wet that you could hear it every time he pushed back into you, a lewd squelching sound that only seemed to spur him on.

He grinned wildly, his teeth flashing in the dim light. "You like that, don’t you?" he taunted, his voice dripping with smug satisfaction. "Only I can make you this wet, make you submit so completely."

You could only moan in response, your body arching beneath him, every nerve ending on fire. "Marcus," you whimpered, the intense pleasure making you delirious. Your mind was a haze of sensation, every thrust sending you spiraling further into a world where only he existed.

His grin softened slightly, a hint of something almost tender in his eyes as he looked down at you. "That's right," he murmured, his voice a low growl. His thrusts were deep and relentless, each one driving home his dominance. "You're mine now."

You wanted to hate him, to deny the truth of his words, but with your body quivering beneath his, you knew he was right. You were his. Every thrust, every touch, every whispered word claimed you, bound you to him in ways you had never imagined.

His pace quickened, his hips snapping against yours with a ferocity that left you breathless. The room was filled with the sounds of your combined moans, the slap of skin against skin, and the wet, obscene noises of your coupling. His free hand roamed over your body, caressing and squeezing, leaving trails of fire in its wake.

"You're so fucking beautiful," he muttered, his lips brushing against your ear. "I can't get enough of you."

Your response was a garbled moan, your head thrown back in ecstasy. His words, his touch, everything about him overwhelmed you. You felt yourself teetering on the edge, the coil of pleasure tightening in your belly, ready to snap.

He seemed to sense your impending release, his movements becoming even more deliberate, his thrusts hitting that perfect spot inside you over and over again. "Come for me," he demanded, his voice rough with his own need. "Let go. I want to feel you."

The command sent you over the edge. Your orgasm crashed over you with the force of a tidal wave, your body convulsing beneath him. You cried out his name, the sound echoing in the room, a testament to your surrender.

His weight pressed you into the mattress, his skin hot and slick against yours. You felt every throb of his heartbeat, every shudder of his breath. It was an intimacy you had never experienced before, raw and all-consuming.

As the waves of your shared climax ebbed, you lay there, wrapped in the warmth of his body. For a moment, the world outside ceased to exist. It was just the two of you, tangled together in the aftermath of passion.

As he lifted his head, his eyes met yours, filled with a complex mix of emotions. The intensity of his gaze made your heart flutter, but the softness in his expression was unexpected, almost tender.

"Well," he murmured, his voice low and taunting, "I guess the rumors were wrong. You're not a virgin after all." He paused, a smirk playing at the corners of his lips. "Well, not anymore."

You felt a flush of anger rise within you. "And what if I wasn't? What difference would it make to you?"

He smirked, the familiar arrogance returning. "Just proves you're not as innocent as you pretend to be."

You pushed against his chest, forcing him to roll onto his side. "You're insufferable," you snapped, your breath still coming in short gasps. "You think you know everything, but you don't."

He chuckled, a sound that sent shivers down your spine. "Maybe not everything. But I know enough."

You glared at him, the heat between you not entirely dissipated. "You don't know anything about me."

His hand moved to your cheek, thumb brushing over your flushed skin. "I know you're stronger than you think. And I know you feel something for me, whether you want to admit it or not."

You scoffed, turning your head away. "You're delusional."

"Am I?" He leaned in, his lips ghosting over your ear. "Or are you just afraid to admit it?"

Your body reacted before your mind could catch up, a shiver running down your spine. "Get over yourself," you muttered, trying to sound indifferent.

He laughed, a low, rumbling sound that made your insides twist. "I could say the same to you."

You pushed at him again, trying to create distance, but he caught your wrists, holding them against the mattress. "Let go," you demanded, struggling against his grip.

"Not until you admit it," he said, his voice soft but firm.

"Admit what?" you hissed, your anger flaring again.

"That you feel something for me," he said, his eyes boring into yours.

You glared at him, refusing to give in. "You're impossible."

He sighed, releasing your wrists and rolling onto his back. "Maybe I am. But so are you."

You lay there in silence for a moment, the tension between you thick and palpable. Despite everything, you couldn't deny the magnetic pull you felt towards him, the strange mix of hatred and desire that left you breathless and confused.

Finally, exhaustion began to creep in, your body heavy with the aftermath of your intense encounter. "This doesn't change anything," you said, your voice softer now, almost resigned.

"Maybe not," he agreed, his tone equally soft. "But it's a start."

You turned your head to look at him, finding his eyes already on you. "What do you want from me, Marcus?" you asked, the question hanging heavily in the air.

He reached out, his fingers brushing a stray lock of hair from your face. "I don't know," he admitted, his voice a whisper. "But I want to find out."

You closed your eyes, a sigh escaping your lips. "I'm too tired to argue with you."

He chuckled softly, the sound surprisingly comforting. "Then don't. Just sleep."

You turned onto your side, your back to him, trying to create some semblance of space. The room was silent, the only sound the soft rustle of sheets and the faint crackle of the dying fire in the hearth. You closed your eyes, willing sleep to come, but your mind was a whirlwind of thoughts and emotions.

Despite your best efforts to maintain distance, you couldn't ignore the warmth radiating from Marcus's body, the solid presence of him beside you. There was a strange sense of comfort in his nearness, an unexpected feeling of safety that contrasted sharply with the chaos of your emotions.

As you lay there, the exhaustion from the night's events slowly began to overtake you. Your muscles relaxed, and your breathing grew steady and slow. You felt the mattress shift slightly as Marcus moved closer, his arm draping over your waist in a possessive yet gentle gesture.

For a moment, you considered shrugging him off, but the weariness was too much. Instead, you let yourself sink into the feeling of his arm around you, the rhythmic rise and fall of his chest against your back. It was oddly soothing, a stark reminder that despite the tumultuous start to your union, there was a potential for something more, something deeper.

"Goodnight," Marcus murmured softly, his breath warm against your ear.

You hesitated before responding, the word barely a whisper. "Goodnight."

PART 2

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why-animals-do-the-thing · 2 months

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Folk were really into the post I made about Tandie, the zoo lion with a (then) undergrown mane due a period of time on testosterone blockers. He's having quite the glow up this summer.

But!

Did you know that manes are hormone dependent in both sexes of lion?

Let's talk about maned lionesses!

To recap the previous post quickly: the existence of a mane, and it's color, appear to be pretty heavily androgen-dependent. Neutered males or males put on testosterone blockers, like Tandie was, will drop their manes - but like Tandie, if taken off the meds, it will generally grow it back. Darker manes are indicative of higher testosterone levels, and long/lush manes are generally a good signal of a male's fitness and mate quality. Females seem to show a preference for males with longer, darker manes and other males will preferentially avoid scuffles with them. (Yes, as many comments have pointed out, that means Scar was actually a hunk. Do with that as you will.)

The fascinating thing about androgens being linked to manes in lions is that it goes both ways - females with higher levels will also grow manes!

Mane growth in females lions is most commonly seen with elderly animals who have stopped cycling and are basically in lion menopause. And they have to get pretty old for it to happen - captive lions generally only live into their late teens and early second decade, and most of the maned ladies I know about started growing manes around like, seventeen.

Not all old female lions grow manes, but some of the career cat people I've talked to said it happened to about a quarter of the females they've worked with over the years. Which... is an interesting contrast to the news articles about Zuri, who we'll meet in a bit, that breathlessly reported in 2022 that her mane growth "left scientists baffled."

Old lady lion manes are just... precious. They grow in first at the chest and then around the sides or on the back of the head, but they don’t normally get the length, density, and connectivity seen in the mane of an adult male. It leaves the lionesses manes kind of awkward, in the way I associate with very young males, and they're absolutely adorable. Prepare yourself for the photo spam.

I have to start with Daisy, because she's the only maned lioness I've had the privilege to meet in person.

I don't know exactly when she started growing her mane, but she was over 20 years old when she passed in 2019 with these luscious locks.

Here's another female at the same facility, named Adeena. On the left is a photo of her from 2021, on the right is from this spring (I think she's mid-sneeze in the photo). She turns 20 in October.

If you've heard about maned lionesses before, it’s probably because of Zuri, at Topeka. She’s the most recent one to get media coverage and she went a little viral.

(Just a side note here, but I have some strong feelings about knowledge loss in the exotic animal management world due to political/philosophical schisms. This is one of those topics where it's clear: Topeka told a reporter that the zoo had “never" heard of this happening before, but it's common enough to be well known as a thing in other sectors of the exotic cat world. There's so much expertise and knowledge being lost due to infighting between accrediting groups, and it drives me up a wall).

Anyway. Zuri had one of the best manes I've seen on an elderly lioness. It grew long and lush and she totally could have done shampoo commercials. I mean, look at this.

Zuri lived with her sister, who didn't grow a mane in her old age. Here's the two of them together, Zuri on the left, Asante on the right.

We don't completely know what's going on with these golden girls to cause them to grow manes. It's theorized to be related to the end of estrus and higher levels of androgenic hormones, although it's not clear if that's just due to lower levels of other hormones during "meownopause" or if there's something else also going on.

There was some speculation with Zuri's mane growth that it was caused by the death of the male she lived with, in some biological need to "take over the role." The zoo dismissed that idea pretty quickly, and it makes sense, although there is one other instance where I've heard of that happening before.

The cat people I've talked to say that older lionesses who grow manes don't tend to act differently - they're not taking over new social roles in their prides or anything. Sometimes they can be less active, or be a little more nervous around males, and want to be left alone more, but it was emphasized to me that those behaviors could also just be associated with the fact that manes tends to develop in elderly lionesses.

The mane growth can happen pretty quickly, as we saw in the photos I've posted of Tandie over the last year. Here's Bridget, from the Oklahoma Zoo. The left photo was taken in March of 2017 and the right in November - look how much hair she gained over six months!

The zoo did some research into what might have cause Bridget's mane growth, and found that she had elevated levels of androstenedione, which is a hormone that can be converted by the body into either testosterone or estrogen, depending. In AFAB people, it's known to have a masculinizing effect. The zoo theorized that this was the cause of her mane growth, and that the elevated levels might have been caused by a benign tumor. Fascinatingly, though, blood draws revealed that her testosterone levels were the same as her mane-less sister, Tia.

Tia is on the left in the photo below, Bridget and the beginnings of her mane are on the right. Bridget was 17 when her mane started growing in.

I don't think there's any formal hypothesis that there might be a genetic component to lionesses growing manes in old age, but it's interesting to note that one of Tia's daughters, Zari, also grew a mane. (And she grew it young! It started around age 13, interestingly, also right after their male died). She's on the left in the photo below.

And to circle back around to where we began: Tandie is related to a number of maned ladies! His father, Xerxes, was Bridget's son; Zari was Xerxes' half-sister.

Here's a few more beautiful maned ladies to leave you with. In order, Ngala, Pepper, Skye, and Dandy Lion.

Next up, and last in this lion mane series, is the story of five younger lionesses in Botswana who not only have manes but also express a range of masculine behaviors.

A huge thanks to all the folk who shared photos of and stories about their golden girls for this post: M. Townsen, S.W. Simpson, E. Day, S. Cook, M. Stinner, M. Paul, K. Vanaman, D. O'Halloran, R. Simpson, D. Souffrant.

#lions #lion #big cats #the mane event #maned lionesses #science #zoo animals #golden girls

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room-surprise · 2 months

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New Ryoko Kui interview dropped!!!

(This is a quick and dirty translation made using machine translation, and which I've lightly edited to add clarity. I'm not fluent in Japanese so I may have gotten things wrong. I'm sure others will do a better job later.

ADDITIONAL CONTEXT: This article is from a Japanese gaming magazine, like the previous interview in Famitsu, so they focus on video games and don't discuss other influences, even though they do get mentioned and are clearly pretty major.)

Kui was able to write "Dungeon Meshi" because she was not good at eating food and participating in human relationships. In this interview, we dig deeper into the influence of games, and how Ryoko Kui focuses on things she likes and dislikes while writing. [Writers of the Gaming Generation]

Dungeon Meshi.

This manga is attractive for its unique theme of "dungeons, defeating monsters in the labyrinth, and cooking them," as well as the unique characters, detailed human relationships, and deep worldview depicted in the labyrinth. It is currently being made into an anime, and adventurers from all over the world are fascinated by the world of "Dungeon Meshi."

So I thought , "I wonder if this work was drawn by someone who loves food and people." The depiction of such delicious-looking food and the construction of delicate human relationships and characters. Surely, it must have been drawn by someone who absolutely loves it.

However, in reality, the author, Kui Ryoko, says that she "is not good at either food or relationships."

So why was he able to continue drawing things she was not good at?

During the roughly 10 years of serialization, Kui has continued to confront "things she dislikes." This interview delves into Kui's unique creative techniques... and at the same time, it also delves into her "favorite things."

That's the "game"!

Those who are familiar with the subject may already know this, but Kui is also a big gamer. And it seems that "Dungeon Meshi" is heavily influenced by RPGs such as "Wizardry."

As a result, this interview turned out to be "I asked Kui a lot about her likes and dislikes." Likes and dislikes. They are the source of all interests and curiosity.

So how do we use this knowledge in our creative endeavors? How does this knowledge manifest itself in Dungeon Meshi?

How were those charming characters and the deep world created? We spoke to the original author, Kui Ryoko, and the editor, Masaru Hiroi, about things they could only talk about after the series was completed.

This is a game with the volume of a great labyrinth. I hope you will explore it all the way to the final floor!

Dungeon food. It's eat or be eaten. There is no superior or inferior, to eat food is simply a privilege of the living. Dungeon food. Ah, dungeon food.

First, I want to ask about how Kui first encountered video games.

--What are some influences from games in Dungeon Meshi? What was your first game, Ms. Kui?

Ryoko Kui (hereinafter referred to as Kui): I played traditional RPGs such as [blank?] and "Final Fantasy."

I think the first game console I ever played was a Famicom, which my parents won in a lottery . So before I knew it, we had a Famicom at home. I think my parents bought me the Super Famicom and PS1 after that...

After that, I took a break from games for a bit around the time of the PS2, but around the time of the PS4, I was finally able to buy games with the money I had earned myself .

--Why were you able to stay away from games around the time of the PS2?

Kui: I was too busy with exams, so I thought, "Well, I shouldn't be playing games," and left. When I started living alone after that, I couldn't play games because I didn't have a TV. My computer was also a Mac. [Macs aren't compatible with many games.]

--What was the trigger that made you think, "I want to play games" again?

Kui: I think the biggest thing was starting the serialization of "Dungeon Meshi."

Fantasy stories all have different settings, but at the same time, there are also things they share in common. For example, if you want to create a fantasy work, but you only know "Dragon Quest," it will end up resembling "Dragon Quest." It's scary to copy the setting of only one work.

So I just wanted to play a ton of different fantasy games and get an idea of what the most common general understanding of fantasy is.

--Did you start playing it while you were still developing the concept for Dungeon Meal?

Kui: That's right. If I'm going to talk about "eating food," I have to play a game that has a system for eating food .

So I was interested in "Dungeon Master." However, at the time there was no easy way to play "Dungeon Master" on a real machine, so I played "Legend of Grimrock", which can also be played on a Mac.

["Dungeon Master," is a computer RPG released in 1987. Time passes each time you take an action in the dungeon, such as moving, fighting, or resting, so its biggest feature is that the game progresses in real time according to the player's actions. "Legend of Grimrock," is an action RPG released in 2012. It has a game design similar to "Dungeon Master."]

Until then, I had felt that overseas games and games played on PC were too difficult, but I felt like I had overcome one obstacle there. I thought, "Oh, this is pretty easy," and started playing a lot of different games.

-- Those two games are quite heavy even among RPGs, I think, so did you actually have that much difficulty with them?

Kui: No...I would say that my impression is more that best-selling games are easy to play (laughs).

I'm not that good at games myself, so I usually play games that allow you to adjust the difficulty on a super easy setting. So, games that allow you to lower the difficulty are always a lifesaver.

-- I've heard that apart from RPGs , you also like games such as "13 Sentinels: Aegis Rim" and "Paranomasite FILE23: The Seven Mysteries of Honjo ." Do you have a favorite genre, Mr. Kui?

Kui: I guess I'm just not very good at games that require you to use your brain through trial and error.

But in RPGs, if you just level up and keep tapping, you can win and progress in the game. Also, in novel-type games, if you read the text, you can progress. By this process of elimination, I quite like RPGs and text-based games .

Personally, I like games like Disco Elysium the most, which are text-heavy, top-down, and have maps to explore.

...Even I think that's a pretty negative reason (laughs).

Everyone: (laughs).

Hiroi Masaru (hereinafter referred to as Hiroi): But, Ms. Kui, you have really played quite a lot of games, haven't you?

Kui: No, the reason I'm able to play so much is because I play in a pretty callous way ...

I often buy a game, play it, and then just don't play it. So there aren't that many games I complete... I only complete a few a year. I play around 40 games, and if I complete 5 or 6, that's good.

When I asked if I could draw at Comitia, I got scolded.

-- Have you had any exposure to fantasy outside of digital RPGs?

Kui: I think it's not just games, but also the fact that I've always loved foreign fantasy novels . I was given books like "The Neverending Story," "The Lord of the Rings," and "The Chronicles of Narnia."

-- Dungeon Meshi gives off an atmosphere of Western fantasy like gamebooks or tabletop RPGs, rather than the typical Japanese fantasy games like Dragon Quest.

Hiroi: I think I went to Kui's house before the series started. At that time, we were discussing the name of a sci-fi manga called "Drawing Inside the Brain," which I had rejected many times.

Ms. Kui said she wanted to serialize this sci-fi manga... and when he was on the fourth draft, he said, "No, this isn't going to work," and when I looked at the scribbled notes next to her desk, she had already drawn the original version of "Dungeon Meshi" ! (laughs)

Kui: ……………No, I don't remember much (laughs).

Everyone: (laughs).

Kui: But I had wanted to draw a manga about exploring a dark dungeon, like Wizardry .

Since I was in elementary school, the manga I drew in pencil in my notebooks were all fantasy stories about swords and magic, so I had always wanted to draw a proper fantasy manga. However, there weren't as many fantasy manga in bookstores at the time as there are now, so I wondered, "Maybe fantasy doesn't sell."

Hiroi: At the time, there were a lot of people in their teens and twenties posting fantasy illustrations on online communities for artists, such as pixiv, and Kui was one of them.

I thought, there are so many people who want to write fantasy, so if she writes a fantasy aimed at this generation, it might sell.

And when I saw Kui's notes, I thought to myself, "Let's make a straight-forward fantasy manga, without making it weirdly twisted."

Kui: I originally thought of making this "dungeon exploration manga" as just a hobby... When I asked Hiroi if I could draw it at Comitia first, he got angry.

[Comitia is a comics convention in Japan for original self-published comics.]

Everyone: (laughs).

Hiroi: I said, "If you're going to draw at Comitia, then make sure you draw it as a proper serialization!" (laughs)

However, at that time, Kui had already published two collections of short stories, and they were being reprinted. In other words, she had a certain number of fans even before the serialization began.

So I decided, if Kui creates a pure fantasy for those fans, we can't fail badly. If it doesn't work, we'll just learn that fantasy is difficult to sell after all.

--By the way, were there any discussions between you and Ms. Kui about the fact that fantasy doesn't sell?

Kui: I remember vaguely talking about how fantasy manga doesn't sell well and how difficult it seems. I don't know much about light novels, so that might have been there for a while.

However, since a lot of fantasy manga were coming out around the same time, it was probably a "transitional period ." Maybe it was just when people started to feel more and more like they wanted to draw and read fantasy.

Not everyone is that interested in the things I like

-- I feel that "Dungeon Meshi" is a title that has breathed new life into the fantasy genre. How did you go about creating the setting and world when dealing with fantasy?

Kui: I try to think, "Not everyone is that interested in the things I like."

I like to think about pointless settings endlessly, but there are times when I think , "When this setting is actually made into a manga, people probably won't be interested in this story." So I try to include things that will make people interested, and cut out things that will distract people as much as possible.

For example, in "Dungeon Meshi" I initially wanted everyone to speak various languages. On top of that, I wanted to make the characters "only able to communicate with each other in one language"... but Mr. Hiroi said "Don't do that" (laughs).

Everyone: (laughs).

Kui: Even when I'm drawing it myself, I think, "It takes more than six panels to explain this setting...", and if I explain the setting more than necessary, it slows down the pace of the story.

Moreover, since "Dungeon Meshi" was a monthly serialization, unlike a weekly series, there wasn't much time for extraneous stories. Specifically, I had to draw one episode of about 30 pages per month.

In that case, there was no time to add in settings like "Actually, he was thinking about this behind the scenes" or "Actually, he can speak two languages." So, rather than there being any clear choices, there were quite a few times when "there was no time to do things normally." If it had been a weekly serialization, I might have included more.

--Does the scene where Chilchuck yells insults in his own language feel rather "forced"?

Kui: That's right (laughs).I thought, this only takes one frame...it's my chance [to include information about language]!

--So you haven't thought through all of these "fictional languages" yet?

Kui: If Dungeon Meshi were to be my life's work and I were to spend my whole life creating this world, I think it would be more fun to think about it...but initially, I thought that Dungeon Meshi would end in a few years.

Hiroi: Initially, I said, "It'd be nice if it continued for about five volumes" (laughs).

However, Kui's first draft really had a lot of material... so the editors cut out a lot of it. I understand that it's the parts the readers want to read, but I cut out the parts that deviate from the main story. So it's a battle between the "author who doesn't want to be cut" and the "editor who wants to cut."

--By the way, what kind of discussion took place between the "parts you want to cut" and the "parts you don't want to cut"?

Kui: There were a lot of them every time, but I can't remember them specifically now...it was just small, unimportant details that got cut.

In the scene where the hams made by the Red Dragon go back into the pool of blood, I remember saying, "You don't need these," and they were about to cut them off, but I remember desperately stopping them by saying, "We'll need them later!" I'm glad they weren't cut off.

But once I think of the setting, I want to include things, and then they get cut out, so at first I didn't want to expand the world too much.

I also wanted to complete the story within the dungeon. I didn't want to reveal the name of the country, and I didn't want to give the characters surnames. But in the second half, Hiroi-san told me, "The world is too small, so you should make it bigger," and I was like, "Are you sure?"

--Mr. Hiroi, why did you say that?

Hiroi: As the story progressed, it became clear that "Dungeon Meshi" was no longer just about saving a sister in a dungeon. So I decided that it would be unconvincing if the story had no involvement with the outside world, since what was happening in the dungeon was something that would affect the fate of the whole world.

For example, in real life companies, the more important a decision you make, the higher your superior's rank becomes, right? When I thought about it that way, I felt something was off about the idea of Laios and his friends deciding the fate of the world on their own. "How can they make that decision without anyone knowing about it?"

The fact that the Canary Team was there meant that there must have been a system of reporting, contacting, and consulting here, because that's how "society" and "organizations" work.

In short, I think we were thinking about the situation and asking, "If an organization were to get involved in saving the world, how persuasive could they make it given the society that exists in the story?"

Kui: Well, the plot hasn't changed at all.

From the beginning, I had intended to write a story about saving the world, but I also thought it was possible for the world to be saved by only a select few people in the dungeon who knew the circumstances. Changing it was what Hiroi-san thought would make it more persuasive.

When I was drawing the first half, Hiroi told me, "You don't have to decide anything yet." I was in a hurry to move the story forward and explain the world and story setting, but he told me, "It's better to limit it to introducing the four main characters until about the fourth volume." But in the second half, he said, "Introduce more people and expand the world."

Everyone: (laughs).

Hiroi: Kui-san was like , "That's not what you said originally!" (laughs) But both had meaning...

Kui: I was the one saying, "If we expand the world there, the story will never end, right...?"

After drawing it through to the end, I realized that the balance between holding back and expanding didn't work the way I had expected. I think this is one of the reasons why the serialization of "Dungeon Meshi" took so long.

-- But there are a lot of characters in "Dungeon Meshi," and the relationships between them are complicated. I heard that you also created the relationship diagram for "Taikaishu" [※3] ...

Kui: No, I haven't made one [I didn't do that?]!

[Taikaishu is a full-color web comic by Funako Tsukasa that began serialization on a website in 2005 and is still ongoing. Its unique worldview has earned it a loyal fanbase, especially on the Internet.]

-- Eh? Is that not the case?

Kui: To be precise, I just created an account on the fan wiki.

When I started reading "Taikaishu," I struggled with the complex setting and the large number of characters...and I thought "it would be easier to read if there was an explanation or a list of characters."

So I searched for a bulletin board where readers were sharing their thoughts and asked if there was a summary, but they said there wasn't. So I thought, "Maybe if there was a place where someone with more knowledge could summarize it," and I just made a wiki account.

So I didn't actually edit it. It seems like I've been given credit for someone else's work, and I'm sorry about that...

Dungeon Meshi was created from a sense of guilt about food?

-- "Dungeon Meshi" started off with the catchy theme of "cooking monsters," but little by little the darker aspects and deeper world were revealed. Was the structure of "little by little revealing the darker side" something you had in mind from the beginning?

Kui: I thought I needed a theme to serialize it so I thought I'd try "food education." There were a lot of gourmet manga at the time, but I felt like there weren't many that focused on food education.

-- Considering that the theme is "food education," it makes sense that the nutritional value of the dishes in the story is clearly written down.

Kui: With the theme of "food education," I also thought up a rough outline of the story. Rescue the kidnapped princess, defeat the evil wizard, defeat the final boss, and become king... the framework is pretty simple.

But when I actually tried to proceed with the plan, I realized, "No, this story can't be done so lightly..." At first, I thought I could draw it in a more light-hearted manner.

Hiroi: At first, you were trying to finish the fight against the Red Dragon in one episode, right? I was like, "is that possible?" (laughs).

Everyone: (laughs).

Kui: When I tried to actually tell it in one episode, it ended up feeling like a very brief summary... In order to tell the story I wanted to tell, I had to tell it more thoroughly than I originally thought.

-- Did you have any special thoughts about the theme of "food"?

Kui: No... well... if I had to choose, I'd say I have a strong grudge against food.

Since I was a child, I was a very picky eater, and mealtimes were a pain for me. I hated eating in front of other people, and there was a time when I hated seeing other people eating, so I would look for toilets that were rarely used and eat my meals in the toilet.

When I was doing it, the word "toilet meal" didn't exist, so when the term actually appeared in society I was so happy, thinking "everyone was doing it!"

[Toilet Meals are a social phenomenon in Japan.]

Everyone: (laughs).

Kui: I was thinking, "This is so terrible, right...?" but it was a relief to realize that other people were doing the same thing.

--So what made you choose the theme of "food education"?

Kui: My parents, who were struggling with my picky eating, taught me many things, including the "triple eating" method, but it was no use and I continued to be a picky eater into adulthood. My parents had instilled knowledge about food education in me, but I was not able to put it into practice.

[Kui might be talking about Triangular Eating but I'm not sure.]

So the only thing that remains is that I feel an enormous amount of guilt when it comes to food and eating...

Hiroi: If you think about it objectively, the series starts off on a very negative note.

Kui: But now I've gotten over the habit of eating with other people... or rather, I've come to like it. My editor takes me to lots of delicious places.

--When I was a student, I was trying to leave my udon bowl at school, but my teacher found out and made me eat the packet of udon by myself. There was no soup, and it was really hard to eat the udon by itself.

Kui: It must be tough. I tried to hide it, but my teacher found out and I got really angry.

Hiroi: I've tried to hide it in a drawer before. Then, something dried up came out of the drawer... (laughs bitterly).

How can I draw things I hate?

-- Or rather, is it the fact that you're not good at it that gives you a higher level of insight into the food?

Kui: I think it's because you're interested in it that you either like it or dislike it. Inevitably, you spend a lot of time thinking about it.

Since "Dungeon Meshi" depicts a lot of food, one might think "Do I like eating?", but in fact there are many times when I draw it because I dislike something .

--Aside from food, do you also draw things that you dislike?

Kui: Maybe. For example, human relationships, modern times, fashion...?

-- Perhaps the relationships between the characters in "Dungeon Food" are portrayed so delicately because the author is not good at dealing with human relationships?

Kui: I've always been very curious about things like, "(This person is usually so cold, but has such a charming smile in front of other people)" ...

I feel the same way, but I think people are different in the way they show their true colors. I think it's strange that it stands out to me...

-- I have a simple question. When you draw something you hate, how do you feel? No matter how much you hate something, do you find it fun to draw it?

Kui: The events in the manga don't directly involve me, so I don't dislike the things I'm drawing as much. Also, when I draw while looking for the good parts, it can lead to new discoveries.

Also, I think it's scary to draw only what I like.

In my work, the important thing is "what to capture with the camera," and there's no need to go out of your way to capture filthy things, but at the same time, I think the world will look bigger if you keep in mind that "there are a lot of inconvenient, dirty, and unpleasant things outside the camera." That's the feeling I have when I paint/create manga.

When playing a game, if I have to choose between a game where I only feel like I'm in the world inside the game screen, and a game where I feel like there are lots of people living on the other side of the screen, and that the people in that world could travel anywhere they wanted, I think the latter is more fun to play.

I'm always thinking about how to express that "sense of the vastness of the world" ...and I personally like games that have "a world" to them.

-- Do you ever incorporate elements from the game into your manga?

Kui: On the contrary, I think that is a part that cannot be adopted .

The best thing about games is that each person has a different experience. Games that have lots of endings are also a result screen for what you've done up until that point. When I see something like that, I think, "That's so cool."

Personally, I think that's the game's greatest appeal, and something that could never be replicated in a manga that doesn't have players.

If you're so busy, when do you play games?

-- I'm personally curious, how do you find the time to play games? Even though you're busy with your work as a manga artist, you play quite a lot of games.

Kui: I often use the Steam Deck before going to bed or during breaks between writing manuscripts. In fact, I almost only use the Steam Deck now. I keep it by my pillow, so I can take it and play before going to sleep, or during breaks...

--Is Steam Deck really that convenient?

Kui: I recommend it. The screen is small, but it can run Cyberpunk 2077 .

Also, personally, I've gotten tired of having to turn on my PC to start up a game...with Steam Deck, I can just turn it on and it starts up instantly, even when I'm lying down. How do you writers usually play games? There are times when you have to play games for work, aren't there?

--When it comes to work, I calculate backwards how long I'll be playing before I start playing...If it's a game that can be completed in about 60 hours, I usually estimate that I'll play for 3 hours a day and complete it for 20 days in a row.

Hiroi: It's a lot of work!

Kui: That's amazing... You really are a gamer.

I've always thought that I have a talent for playing games ... but I'm not really good at that. If I'm given a game that's a little difficult, I get tired of it right away, and I'm not very good at trial and error. The range of things I can enjoy is very narrow.

I wonder if game developers around the world are also struggling with the question of "Should I make my games accessible to a wide range of people, even those who aren't particularly gamers?" or "Should I make games that are challenging and can be played deeply?" The same problem exists with manga, too.

When there's a game that I can't play well, I feel happy because it means the creator decided that there's no need to pander to people who can't keep up.

-- By the way, when you play games, do you do it as a normal "hobby"? Or do you play more often to find material for your manga?

Kui: Of course, a big part of it is that I play games as a hobby, but it is alleviated by the fact that playing games might be useful for my work (laughs).

Even if I'm not that interested in a game, if I think "it might be useful for work," I'll find the courage to buy it, and no matter how expensive a gaming PC is, I can still buy it if I think of it as a work tool. So the hurdles for many things related to games are lowered for the reason that it's "for work."

--So, when you read manga, do you feel like you're reading it for work?

Kui: In my case, manga has become my job, so when I read it I can't help but think of work.

However, I still enjoy gaming as a hobby . That's why I don't want to lose this hobby... and I don't think I'll be able to enjoy it as much if I get involved in games as a job, so I don't take on any games-related jobs.

Does the depth of the world come from the fact that it is "not decided"?

-- I heard in advance that "Dungeon Meshi" was written with a clear awareness of "what should be explained" and "what shouldn't be explained," so could you tell me more about that?

Kui: Having read a variety of fantasy novels and games, I thought that the "moment of discouragement" was the "repeated use of foreign words." When you write something like "XX of XX of XX," if there are three or more katakana characters, there is a high chance that it will be skipped over by Japanese readers.

That's why I try to refer to town names as "the neighboring town" whenever possible, and refer to characters who appear in flashbacks as "uncle" rather than by their full names, so that readers can understand without having needing exposition.

The magic used during battles in "Dungeon Meshi" is depicted in such a way that you can "understand what kind of magic it is just by looking at the picture."

-- What other aspects of Dungeon Meshi are there that you deliberately left out of its concrete settings?

Kui: Numbers and language are the settings I avoided touching. For example, just by deciding the month of birth, it is first determined that there is a moon in this world. From there, it is also determined that there is gravity.

What's more, just the concept of a "birthday" means that there is a division into a "year" and that the world is determined to have a 365-day cycle. It quickly becomes complicated.

But on the other hand, if I were to set the details and make it something like "This country's currency is 1 gold, which is worth 5 yen," it would be a burden on the reader. When reading the work, the reader would be forced to convert it into "1 gold = 5 yen" in their minds every time. That's why I try to write it with "readability as a priority" as much as possible.

However, if you're creating a "fantasy" in the truest sense of the word, it would be better to create something that corresponds to that world's calendar or metric system in order to really immerse yourself in that world, so it's difficult to get the balance right...

-- I think that style of "deliberately not giving explanations" is quite amazing.

Hiroi: I think that 's definitely partly because "Dungeon Meshi" is a silly title.

The "mindset" of the reader is a little different...I think that from the very beginning, the reader is made to recognize that "this work isn't going to say anything too difficult."

Kui: Also, we had to give a bit of thought to coming up with the character names.

For example, the main characters in Wizardry are given names that correspond to their professions, such as "Warrior" or "Wizard." The "Senshi" in Dungeon Meshi was taken from that ... I named him after thinking, "I want that person to play an active role."

That's why I wanted the overseas version of Senshi's name to be "Fighter", but I was worried that overseas readers would be like, "What does that mean...!?" so I kept it in my head.

--The character names in "Dungeon Meshi" tend to be around 3 or 4 letters long and fit nicely.

Kui: If the name gets too long, it won't fit in the speech bubble...It's generally said that a line in a speech bubble should be about 7 to 8 characters long to be easy to read.

So "Chillchuck" is really long... I actually thought that the abbreviation "Chill" could be used more, so I named it that way, but it didn't work out so well, so in the end I just kept calling it "Chillchuck". Even I was thinking "that's long" while drawing it (laughs).

Everyone: (laughs).

Kui: Anyway, there are quite a few manga-like circumstances where "maybe four characters would be enough."

--By the way, are there any rules for naming the characters in "Dungeon Meshi"?

Kui: It's not detailed, but there are "settings within the story" and "meta-settings that are just for my own enjoyment."

For example, [if Dungeon Meshi was a game] the Shuro party has names that would be given by a certain type of player. When playing a games, some people give their characters themed names that follow self-imposed rules. In that sense, meta-wise, the Shuro party is played by a player who names their characters with a plant-based restriction.

Also, since the player likes girls, the party members are all girls, and so on... (laughs).

Hiroi: Oh, I didn't know that!

Kuon: ...While it's fun for myself, I also create characters by asking questions like, "Why is the party mainly made up of women?" or "Why do they all have similar names?"

However, even if I revealed these settings in the story, it wouldn't have made the story any more interesting, so they are merely "settings that only exist in my own mind."

-- What are some specific examples of "settings that you deliberately didn't reveal"?

Hiroi: I still remember when I said, "I want you to depict the elven kingdom in more detail," Kui replied, "That's going too far."

The dwarven country was depicted quite a bit, so I personally thought it could have been shown a little more...

Kui: I felt that if I depicted that, it would limit the reader's imagination.

There are definitely "lines that suggest something might happen," and when it comes to parts that are better left to the reader's imagination, I often choose not to draw them.

Also, even when we present settings that readers think they can just skim through, they often try hard to remember them...

It all started with the manga "Eating soba through your nose."

--Let's go back to the topic a little. How did Ms. Kui and Mr. Hiroi meet?

Hiroi: I think we scouted her.

I saw a short story that Kui had posted on Pixiv and sent him an email asking if I would like to draw a manga. I remember that he had a really funny four-frame manga called "Eating soba noodles through your nose ." It was about a character eating soba noodles through his nose and crying out in pain... I think I was drawn to his drawing ability, which made me feel like "Wow, that looks painful" when I saw it (laughs).

And from that point on, we have come to this point.

[This may not be the exact comic that Hiroi is talking about, but it's a comic Kui posted on her blog about someone eating soba through their nose.]

Kui: Oh, is that so? Isn't it something like "Shugaku Tenshi" [※4] ?

Hiroi: No, that's not true! The manga about eating soba noodles through the nose was made before "Shingaku Tenshi". By the way, that manga was planned to be published in "Rakugakihon" , but when I asked Kui-san "Can I publish this?", she was very against it...

Kui: No, that's fine, but... I didn't think other people would find it that interesting.

Everyone: (laughs).

Hiroi: But that was more than 10 years ago...

--By the way, was Mr. Hiroi the first publisher to contact you?

Kui: Before that, an editor at East Press had contacted me. I was originally publishing fantasy manga that I had drawn as a hobby on my personal website. I compiled them into a self-published original comic and exhibited it at Comitia, and they asked me, "Would you like to publish this long manga as a book?"

However, after the editor asked around to various people, it seems he was told that "this will be hard to sell"... so the plan was dropped. Instead, it was decided to release a "short story collection" of short manga that had been published at the same time . This is "The Dragon's School is on the Mountain: A Collection of Works by Ryoko Kui" published by East Press.

I was contacted by a few other people as well, but the two people I still keep in contact with are Mr. Hiroi and the editor at East Press.

-- When you went from drawing short stories and web comics to starting a commercial serialization, did you study anything like "how to draw a serialized work"?

Kui: I learned almost everything about how to draw manga from Mr. Hiroi and the editors and writers at Harta .

I had absolutely no understanding of whether panel layout was good or bad, so up until the middle of the serialization, I would rearrange the storyboards one panel at a time, and I would get lectured like "Don't put a panel like this here."

I was also impressed when I was shown original manuscripts by other artists. They look beautiful in print, but the real thing is even more impressive. This is what it means to be good at drawing manga.

It didn't finish as I expected

-- Speaking of "serialization," you mentioned earlier that you initially intended to end it at about volume 5. Did "Dungeon Meshi" continue longer than you had anticipated, Ms. Kui?

Kui: First of all, I didn't really understand what a "serialized" comic meant, so I didn't even know how much of a story I could get done in how many pages. So, I thought I could wrap up the story nicely in about five years, in five volumes.

But I never quite got around to finishing it. It was so hard... (laughs).

Hiroi: To be honest, when I first heard "Volume 5,"I thought to myself, "(Are you kidding me...?)" I didn't say it out loud though (laughs).

--Honestly, even as a reader, around the time of the fight with the Red Dragon in volumes 4 and 5 I was starting to feel like, "Huh? It seems like it's coming to an end soon..."

Kui: From the beginning, my goal was to "defeat the Red Dragon at the halfway point." However, I was supposed to fight the Red Dragon in Volume 4, even though it was supposed to be 5 volumes. So I thought, "Huh? It's not over yet," and I gradually lost interest.

By the time I got to around volume 10, I felt like no matter how much I drew, it would never end. I didn't want to drag it out, but no matter how much I drew, it just never seemed to finish.

Hiroi: Even from an editor's perspective, it seemed like Kui was getting very anxious from around volume 10 onwards.

-- Having finished the long-running serialization of "Dungeon Meshi," did you experience any changes in your mindset?

Kui: I think it was great to have the experience of learning that it would take 10 years to draw a story of this scale. And when I think about my lifespan and how many more works I can draw... it makes me dizzy.

Hiroi: I feel like I'm constantly fainting...

-- Ms. Kui, are there still any works you want to draw in your mind?

Kui: Not that much. But I love drawing manga, so I want to draw a lot. I don't know if I'll have the stamina to continue for another 10 volumes, but I want to continue working as a manga artist somehow.

But maybe... I don't think it will sell that well next time...

Hiroi: Stop! Don't say that!

Everyone: (laughs).

Kui: In that respect, "Dungeon Meshi" sold well, so I was able to draw what I had imagined to the end. Next time, I think it would be better to consider the opposite scenario of "if it doesn't sell" and make it shorter.

That's the next new challenge.

-- In addition to the expectations for your next work, do you feel any pressure?

Kui: In my case, the first collection of short stories I published was fairly well received. For a manga I drew for the first time, that's about it.

That was a relief, but at the same time, I felt that "Ideally, the reputation of my next work will also steadily increase, but there will definitely be ups and downs." If the reputation of the next work is bad, will I be able to continue drawing without getting discouraged? I realized that the "battle with myself" had just begun , and I was terrified when I read the first volume.

What game has cute illustrations, in your opinion?

Kui: This is a completely different topic, but you 've played SaGa Frontier 2 , haven't you? Aren't the pixel art in SaGa Frontier 2 really cute?

--The pixel art in SaGa Frontier 2 is...the best!

Kui: The illustrations in "SaGa Frontier 2" have such exquisite balance... if you try to express that in a picture, you can't reproduce that cuteness. It's like "exquisite head-to-body ratio."

-- In your opinion, Ms. Kui, are there any games that have cute illustrations?

Kui: The first one that comes to mind is definitely SaGa Frontier 2. Also, I still remember how cute the character designs were in Final Fantasy Tactics.

But back in the day, I used to trace characters from FF7 . I thought, "There are so many cool designs in the world..." (laughs).

Hiroi: Nomura (Tetsuya)'s drawings are amazing, aren't they?

Kui: I traced Cloud and Aerith on tracing paper and quietly said to myself, "So cool..." and got really excited. I noticed something while I was working on the "Dungeon Meshi" anime...basically, games and anime are made by many people, aren't they? So I always thought, "Many people must be giving various opinions to make them."

But when I got involved, I realized that one person's power is quite large. This was quite surprising. I thought that there were multiple people who wrote the script and storyboards, and that each person had their own responsibility, but... the power of one person is quite large.

──No matter how much the work is divided up, it's important to have a director or supervisor who brings it all together.

Kui: Yes, in the end, it depends on the power of the person who takes the lead ...

However, at the same time, I think that the division of labor between scriptwriting and storyboarding is something that would never be possible with manga. In the end, you have to create everything in one person's mind, so "bias" inevitably arises. So personally, I don't like the idea of it becoming a "world created in one person's mind."

Hiroi: However, not only in manga but also in novels, the individual author's personality is strongly expressed. I wouldn't go so far as to say "ideology"... but the person's way of thinking is strongly expressed.

Kui: Speaking of which, people who create games alone, such as indie games, are amazing.

It's often said that manga artists "come up with everything, from the art to the story, all by themselves," but I don't think they can compete with independent game creators who create the music, programming, and art all by themselves.

Moreover, even more than manga, no one can give their opinion until the game is completed. If you think about it that way, making a game by yourself is really a "one-man battle." At the same time, what I like about games is that there are quite a few "works that are not made with much consideration for cost" ... I enjoy it a little bit.

-- Do you ever think, "I want to make a game?"

Kui: I once bought RPG Maker , but it ended up being a complete failure... (laughs).

Everyone: (laughs).

Love for "classic RPGs" was a major influence on "Dungeon Meshi"

-- I'd like to ask you, Ms. Kui, since you play a lot of titles on Steam and other platforms, have you ever had any problems playing a game?

Kui: Simply put, a "game that doesn't work" is a problem (laughs).

This sometimes happens with games made by individuals on Steam... they don't have any reviews, so there's no way to deal with it other than contacting them directly. There have been a few times when I've been stuck and wondered, "What should I do?"

Other times, I'll buy a title that just happens to pop up at the top of Steam's rankings. Sometimes I'll play it thinking, "The graphics are kind of cute, so I'll give it a try," only to find that it's incomplete beyond the framework.

--So now people are playing titles that aren't that major.

Kui: Also, when I played Planescape: Torment, which is said to have influenced Disco Elysium.

While playing, I came across a character who was suffering from a terrible curse that made his whole body smell and become sticky. A quest was triggered to ask the NPC who had cast the curse to lift it, but when I asked them to lift the curse, I ended up being cursed with a curse that made me have constant hiccups ...

So when I was walking around the town, the "hiccup" dialogue started popping up all the time. What's more, every time it happened, I would freeze up for about 0.1 seconds. All the dialogue was filled with "hiccups." Anyway, it was a troubling curse.

I had no idea how to deal with this either, so I decided to just kill the NPC who had put the curse on me. The NPC also challenged me by saying, "Maybe if you kill me, the curse will be lifted?", so I tried killing him, but... it didn't lift the curse at all (laughs).

Everyone: (laughs).

Kui: I thought maybe the quest would progress in other places, so I walked around here and there, but the curse was not lifted after all. I was really curious, so I looked back at overseas information exchange thread online, and I found someone had written a lecture that said "You know what happens if you kill an important NPC without thinking about it, right?"

So I realized that this curse can never be lifted again. Even if I wanted to rewind, it was an auto-save, so I had to go back almost to the beginning... I was really... in trouble!

-- But "Planescape: Torment" hits a pretty impressive spot. Was it something that just happened to catch your eye while you were browsing Steam?

Kui: I originally liked games in the same genre as Baldur's Gate, so I think that's how I got into Planescape.

Also, I saw information that a huge amount of text in Planescape was translated by one person... I'm not very good at English, and games like Planescape have a lot of text to begin with, so I'm at a loss if it's not translated into Japanese .

However, when extraordinary people like those who make Planescape use their precious time from their lives to accomplish great things, I feel very grateful.

-- So, Ms. Kui, do you prefer games that are closer to the classics?

Kui: That's right. The first game I played was The Elder Scrolls V: Skyrim, and it was so much fun that I searched for "games similar to Skyrim" and played a lot of the games that came up.

All of them were completely different games from Skyrim, but they were fun. However, I don't like "old games". I think that newer games are generally more polished and well-made.

-- Wizardry, which influenced Dungeon Meshi, is also a classic work.

Kui: When I was a child, I saw my father playing Wizardry V : The Heart of the Maelstrom. As time passed, I remembered that there was a game called Wizardry. The game I played at that time was Wizardry VI: Forbidden Pencil.

I also played Wizardry V , but it was hard to see the map unless I chanted a spell. I was directionally challenged, so even though I had a guidebook at hand, I couldn't progress.

--By the way, were you more interested in making a manga out of "Wizardry" than the tabletop RPG "D&D" ?

Kui: When I was researching fantasy, "D&D" was often mentioned... but I had never even heard of "TRPG" before. First of all, you can't play it without friends, and I was shocked to find out that lots of people have friends they can play with like this...!?

Everyone: (laughs).

Kui: So when I looked up TRPGs on Wikipedia, I couldn't imagine that people actually played this kind of game. I was more confused and thought, "How can people really role-play in front of other people?"

After that, I watched replay videos on YouTube and it was only then that I understood how games like D&D worked.

Games, manga, novels. What is the purpose of all creative works?

-- What was the last game you played?

Kui: Recently I played a school management game called "Let's School." It's made by a Chinese company that also made "My Time at Sandrock."

Hiroi: You really like that kind of game, don't you? (laughs) Oh? Haven't you played "FF7 Rebirth" ?

Kui: I'm thinking about playing the remake of FF7 once it's completed.

Hiroi: No, no, if we don't do it now, we'll never finish it! It'll be a long time before we do it!

--Honestly, I also thought it would take about 10 years for FF7 Rebirth to be released.

Hiroi: I thought it would take about that long too... I really wanted it to be completed while I could still see. So, please do it!

Kui: Once it's finished...I want to play it all at once (laughs).

--Do you and Ms. Kui often talk about games?

Hiroi: Ms. Kui sometimes says, "I want to talk about this game, so I want you to play it." I played "Red Dead Redemption" because of that. Also, a long time ago, Ms. Kui recommended "13 Sentinels: Aegis Rim."

Kui: Whenever there's a game I want to discuss with someone, I always recommend it to Hiroi.

But maybe I haven't been playing games as much lately. Until now, I've been playing games because I thought of it as "for work," but now that the serialization of Dungeon Meshi has ended, I've been playing less games.

Moreover, I'm not the type of person who gets that into one game...I don't generally play through a game in repeated playthroughs, and I'm usually satisfied once I've finished the story.

Hiroi: Then we have to start [a new ] serialization soon.

Everyone: (laughs).

-- I'd like to ask you personally, do you have any "recommended indie games"?

Kui: I highly recommend "Papers, Please" and "Return of the Obra Dinn."

First of all, "Papers, Please" is a simple "spot the difference" game, so I didn't have high expectations at first. But when I played it, I felt like there was a proper "world" to it . Also, I was curious to see how the story continued.

And "Return of the Obra Dinn" had a great atmosphere. There were hints to solving the puzzles if you looked closely, but there was also a good balance of being able to force your way through, and the music and production were cool.

Hiroi: Come to think of it, you read quite a bit of the novel after the serialization ended, didn't you?

Kui: Ah, you mean "1984" by George Orwell? That was good...

I've always thought that creativity isn't necessary for life... It's entertainment, so it's not essential to life. But after reading "1984," I thought, "I guess creativity is necessary after all."

Humans need stories to experience things that should never come true, to prepare for bad things, and to prepare for understanding other people... You might think, "You should have already learned that when you were younger," but I was deeply moved by this realization.

Anyway, I feel that it would be great if people could learn things they didn't know before through this work.

Hiroi: ...Overall, it just felt like we had a fun time talking about games (laughs).

Kui: We just used the interview as an excuse to talk about the game (laughs).

-- No no, thank you very much for sharing your valuable story! (End)

I think I can understand a little bit about being interested in things you hate.

It's easy to analyze "why do you like something?" when you like it, but it's surprisingly difficult to analyze "why do you dislike something?" When you understand the reason, it seems that "why do you dislike it" is often more meaningful.

Perhaps creative works exist in part to help us understand the things we dislike.

I was able to hear a lot of deep "creation stories" that made me think about such things. Also, Ms. Kui is a huge gamer. Mr. Hiroi also likes games quite a bit. Since serious talk and game discussions alternated, the content may have been emotionally confusing. But I feel like "Dungeon Meshi" has a similar atmosphere.

If you haven't read "Dungeon Meshi," please take this opportunity to read it. It depicts a fun adventure. On top of that, it may help you prepare for difficult things that might happen in your life someday. Of course, it's also extremely interesting as a manga. I think it's definitely one of the best "entertainment" of our time.

Why does the body want to live? What does the mind want?

This is because we have a "desire" to pursue what we like and dislike. In fact, "things we dislike" are just as important as "things we like." By understanding our own "likes and dislikes" through creative works and entertainment, humans can prepare for things that happen in their future lives. Food and creative works are equally important for human growth.

...That said, I'm not sure if it has a nice punchline, or maybe not.

To eat. To experience creative works. These are truly the privileges of life. In order to live, we must continue to eat.

Now it's time to eat. What shall we eat today?

#dungeon meshi #delicious in dungeon #ryoko kui #kui ryoko #dungeon meshi research #translation

1K notes · View notes

nouearth · 5 months

Text

let me in.

peter parker x male reader.

summary: peter struggles to balance between life and work, and it's ruining his relationship with you.

wc: 6.6k. genre: smut. warnings: andrew!peter, college au, established relationship, brief fighting, brief injury and blood mention (nosebleed), misunderstandings, peter reveals his identity, dry-humping, over the pants (or suit) handjob, body worshipping, lots of sweat, fingering, frotting, riding, spandex fetish, reader has a thing for peter in his spider-man suit!

You were starting to feel antsy. You could feel it—the nerves kicking in again. Anticipation—a suspension of doubt—made your hands clammy at first, but it was the time that made your hands clutch nothing but air. You rubbed the sweat off your hands onto your pants, your knees not so comforting with their pointedness.

Acceptance—when it was evident that Peter was late, again.

Birthdays have never been a big deal in your family. Sure, it was great that you had the privilege to live another year. To witness yourself grow older, to stand a few inches taller, to live a little more knowledgeable than yesterday. But growing up with parents who had to constantly work, well-late into the depths of night, it had never been more than a birthday wish that had greeted you in the mornings, and bid you slumber in the evenings. Since then, you knew not to expect anything.

If only Peter hadn’t made such a big deal out of it this year.

“Excuse me?” The familiar timbre of a voice speared your thoughts; deep and tunneling as you were transfixed on the glasses of water before you. Yours had been refilled, though a little sparse compared to Peter’s full cup.

Your eyes widened with feigned curiosity, a small smile plastered alongside to hopefully negate any annoyance from the waiter—because you expected what he was about to follow up with.

“Hey… uh,” he shifted on his feet awkwardly, eye bags weighing heavier than the last time he had checked up on you. You looked around, surprised by the amount of patrons who had filled the space around you while you were daydreaming. Laughter and smiles completely lit up the room. The dim lights were practically stationed in the restaurant for decoration, and seemingly to spotlight your ‘dinner for one’ status. “I’m sorry, but… we have no more tables to fill, and if you aren’t ordering soon, then we’ll have to give your table up for the next party...”

It was obvious that you weren’t, you hadn’t even torn into the buttery bread rolls that were piping hot forty-five minutes ago. Now, the fat had solidified into spotty, yellow clumps, though you doubt that would’ve been enough to detract from the quality of the rolls.

“Oh, I—“ You pulled out your phone to check your messages again. Nothing. Swiped down to refresh your conversation with Peter. The loading icon felt like it took forever, you half-expected that your phone was updating the thread with Peter’s messages that somehow got lost in the void of the restaurant’s spotty signal.

And nothing.

“I—yeah… uh. I-I’ll head out.” It was embarrassing. Even if the waiter had given you a sympathetic smile, you hated knowing that you wasted his time. You hated that you selfishly occupied a seat when someone else would’ve been done with dinner by the time you exited.

“Thanks—”

You hated that you had your hopes up for things to be different.

Again.

The night was dreary. Not even the wind had greeted you like the others when you stepped out. Soft and fluttering against your skin, but scolding enough to make you put your coat back on. Luckily, your apartment wasn’t too far from the restaurant, a fifteen minute walk at most if you speed-walked. Shoving your hands in your coat pockets, you then ambled along the sidewalks, wallowing in your feelings with a playlist that belted in your ears once you plugged your earbuds in.

You didn’t have the energy left to hurry home.

Once you crossed the last intersection, you felt a little bit more at ease. Seeing the familiar apartment complex at the end of the block picked your pace up a step more. You paused your music once you neared the entrance, just a turn away before you could finally bury yourself in your bed.

You reached into your pocket to grab your wallet. The weight in your palms instantly reminding you to deposit the cash tips sometime soon before the stretch of the leather had become unbearable to fit in your pocket.

Your walk slowed as your attention was fixated on your wallet, fumbling it open clumsily to retrieve your keycard. In midst, you caught a glimpse of a photo print of you and Peter, standing shoulder to shoulder with the biggest grins as Peter had a peace sign above your head, doubling as bunny ears. Honeymoon phase, they’d call it. Where you were beginning to discover more about Peter, and Peter was beginning to discover more about you. Likes. Dislikes. Hobbies. Memories. It felt like yesterday when you two were spending every second of your day with each other.

Now, it would be a miracle if Peter returned a call.

With the keycard in your hand, you turned the corner, and towards the entrance, the smiles from the photo print reflecting onto yours as you could vividly hear Peter’s pleas to retake them again. The flash of the cameras always made him blink.

If only you had been focusing on where you were going instead of the still image of the first memory between you and Peter, maybe you could have avoided the collision altogether when you approached the door. You suddenly found yourself on your back, facing the night sky as clusters of stars twinkled in laughter. There was a slight throbbing to your forehead, a mark you’d reckon would appear as purple within the next 12 hours despite the painless… pain.

“Oh god— I’m so, so, so, sorry! Let me—“ If the beating your face took to the door hadn’t snapped you back to reality already, the familiar face before you certainly pulled you out of your thoughts like whiplash once he helped you back onto your feet. Your vision instantly cleared of haze, as if his simple presence was your remedy.

“(M/N)?” Peter interrupted himself, his eyes widening. You could see the wheels turning in his head when the dim light spotlighted your features: eyes, nose, lips; flesh and bone that he was well-acquainted with.

“Peter—“ You took a moment to scan him. It was like all the other times he had been late. His fringe; stuck to his forehead with a mixture of sweat and water, the latter being a last resort to clean himself up. His knuckles; bruised and torn with minuscule cuts barely able to conceal the truth behind his scars. His necktie; clumsily done with the knots coming loose. Though, whether the silk unfurled by Peter’s own sloppiness, or by the increasing frailty of his fingers that had become susceptible by even the most delicate material of neckties; it was futile to mention it to him. You knew he’d shut you down with another excuse.

“W-what are you doing here? Are you okay? I-I’m so sorry—I was on my way to you and—Oh god, you’re bleeding!“ Breathless, panting, not only because he was panicking from running late.

But because of adrenaline. You could see it in his eyes. The alertness. The high.

“What—“ You wiped your nose with the back of your hand, only to see a smear of blood blotted across your skin. “Shit.”

Another thick drop splattered in greeting.

“Peter, it’s a nosebleed. You’re acting like I had my arm chopped off or something.” You’ve been applying pressure to your nasal bridge, pinching it tightly to barricade the stream of blood. All while you had your head tilted over Peter’s sink, in case of the blood leaking past your hold. “And how long does it take to find a cotton ball?”

“I’m trying—“ His one-sided game of hide and seek with the bag of cotton balls was leaning in favor of the latter. Medicine cabinet: empty. Bedside drawer: foreign coins and bills. You were watching him from the corner of your eye, a small limp to his step when the lightbulb seemingly lit up overhead and had him dashing towards the kitchen.

“Found it!”

Peter’s touch was delicate. Tender, like the forming bruise on your forehead. He was adamant on taking care of you, even if frankly—you would’ve done it much faster had it been a solo endeavor. Cotton balls were plugged up into your nose, and a warm face towel was laid across your forehead. If an intruder had the audacity to rob Peter’s apartment, you’d imagine you would find yourself lucking out. Peter joked that you looked like patient zero.

“All done. See? Nothing to cry about.” He was joking again, the smug smile across his face a clear indication of it—and the laugh that he couldn’t help but contain.

“Ha. Ha. Thanks, Dr. Parker. Now, how much do I owe you? I’m paying outta pocket.” For a brief moment, you forgot that you were upset earlier. All because of how nice it was to actually see him again. He pressed a kiss to your lips, a comforting gesture if his constant apologies weren’t enough. Stay focus.

“So, about dinner…”

“Oh,” Disappointment softened Peter’s smile. You could see it tightening, even as he was organizing his room. Though, it was really a matter of tossing his clothes on the floor back into the laundry basket. “Listen, my… bike got stolen and—“

“Peter…” You sighed, pinching your nose bridge because you feared another avalanche of a nosebleed incoming. That, and because it helped you maintained your composure. “You said that the last time. Three times, actually.”

“Third time’s… the charm?” He was joking. Again. But even he wasn’t laughing at it because he’d been cornered. Called out. Embarrassed that he thought that would even work on you. Embarrassed that he thought he could get away with it.

Again.

“Peter.” You called out, straightening your posture against the headboard of the bed when he sat at the end of the mattress. Shit, it’s happening.

“I… I don’t know how to…” The veins in his hands, they lined perfectly to the cuts, scrapes, and bruises on his knuckles. Clear as day now that he wasn’t hidden under a dim light. “I just…”

He had his hands around his face, rubbing his temples, his cheeks, his nose, anything that could alleviate the accelerating drill of his heartbeat.

You were hopeful to get an answer out of him. A proper explanation. But it pained you, knowing that in a few seconds—what he would tell you would only confirm your yearning suspicions of his strange behavior.

He doesn’t love you anymore. He’s cheating. You’ve become a nuisance, an absolute bore in his life. Actually, you’re a bad influence on him. You’re holding him back. He needs to let go of you to accomplish better things. He never loved you.

It’s happening. It’s fucking happening. All he has to do is say those words. The dreaded five words you’ve heard once from him in a nightmare.

I want to break up.

“If you want to break up, just say it.”

It sounded softer in your head, but the tears that had welled in your eyes finally bursted into droplets. They ran down your cheeks, and your voice broke during its pursuit.

Something commanded you to let those words slip out.

Maybe it was the ghost that you and him had been theorizing about since the night you’ve helped him move into the apartment floor above you. Carrie; you nicknamed her, and Peter would scold you for doing so because he had the suspicions that giving her a backstory would ultimately reassess his home as a possessing ground. To this day, he swore he saw a shadow looming in the corner of his room on a perfectly stormy night.

Or maybe it was the months of frustration that you had accumulated, snowballed because of your own selfish reasons to continue being with Peter for as long as you could, even if you saw the signs, because you couldn’t bear to see yourself without him. Live, when you two had promised so many futures together.

“What? No, (M/N), that’s not—“ He jolted up at the mere mention of separating from you. There was a chill. The room suddenly felt colder, and then warmer—scorching hot, when the glossiness of your gaze reflected into his. He began joining you by your side. “Hey, hey, I would never—“

He broke into a cold sweat. He’d never seen you like this. And to think that he was the root of this—of your pain—it was all overwhelming.

“Peter, there’s always something going on with you. Y-you don’t text me for days. You ignore my calls. You disappear without telling me. You’re always late. And… you’re always hurt? And you think that I’m dumb enough to not notice that you aren’t? How you’re limping? How you’re always bruised and—For god’s sake, Peter, I’m just as smart as you, we have the same GPA and—“ You took a breather, a gulp because you were rambling now. Your cheeks felt hot, from your sudden outburst and from embarrassment, because the latter half of your rant immediately negated the idea of some kind of affair.

“Okay, maybe you aren’t cheating, but—“ You felt him tug you into his arms, but you wouldn’t budge. Instead, you pushed away, edging to the other side of the bed to face him.

“I would never.” He sighed, his arms dropping as soon as you removed yourself from his embrace.

“Then what is it? You’re leaving me in the dark here. I barely see you anymore, you know that?”

“I know.” He was biting his lips. Chewing, as if he was internally debating something. A decision that could either ruin you, ruin him, or both.

“Then?”

You waited. Watched his fingers fiddle with one another as he continued turning the screws in his head. Your heart would jump whenever he would open his mouth, anticipating whatever had caused so much turmoil in his life, but there was a last minute decision that kept him silent.

Crickets.

Nothing.

“I don’t… I don’t know what you’re doing. But you’re getting hurt and I’m just… worried.” Your gaze dropped to his hands again. Pale, veiny, and full of life yet they’ve looked like they’ve been worn out. Torn. “At least tell me it’s not gambling.”

“Well—in a way with my life, it kind of is like gambling—“ He thinly smiled, hoping it would at least make you crack a smile.

“Peter!” You scoffed, nudged his side with your elbow out of frustration, then surrendered when you brought your knees up to your chest, and buried your head in between your knees. “Not funny.”

“Okay, okay, just… you can’t tell anyone.” His voice softened.

“We all know that between you and I, you’re the one with the running mouth.” Your voice muffled in the space between your legs, hands tucked around your nape.

“I’m serious, (M/N)” Pleading now, he held your hand in hopes to get ahold of your attention again, squeezing so you’d look at him. You do.

“I won’t tell.” It was a promise. Peter didn’t need you to clarify because he could see it in your eyes, honest and sincere. Determined, as if you were willing to protect him.

“Okay… and also, don’t… freak out.” Peter was off the bed now, wandering in the middle of his room as he rolled his shoulders back, relaxing the muscles in his back like a wrestler preparing for his next fight. He gestured for you to follow him out to the stairway, out into the cold.

“Why would I freak—“ There was something around his wrist. No, wrists. You thought they were watches, but there were two devices around him. They were strapped with a similar black leather to your wallet, to Peter’s, and a red button protruded in the middle of it. “Peter, what are you—“

You stopped a few feet before Peter, watching him closely, yet afar. Afraid, yet intrigued. Concerned, because he was on the ledge of the staircase now, perched like an animal. Yet there was a grin on his face. Not crazed like a madman considering he was acting like one, but foolish. Goofy, giddy like the times he’d hide stuff from you, and wait until you’d notice it was gone.

“Like I said, don’t freak out.”

“Peter, what are you even—“

With that, he opened his arms like wings that spanned across his back and flipped into the air as if the wind would carry him across city to city. As if he was recruited as a sponsor to the heavenly gods with the incredible height he’d taken off in, pursuing the clouds, the wind, the stars, and the night simultaneously all in multiple slings.

Into. The. Air.

Into the fucking air.

You raced forward with a yelp, as if you would’ve made it in time to catch him. To catch his hand before he fell. To hold him one last time before he’d land on the ground and shatter every bone in his body.

If he had landed.

No, you blinked once—twice—no, at least in the double digits because this was all a dream. It was all a dream, right? That you caught a glimpse of Peter somehow slingshotting himself from window to window, from rooftop to satellite, like it was a mundane day job one had to endure to put food on the table, to pay the bills.

Right?

You paced around the stairs, raced towards one floor to another, bending over the railings because—Peter disappeared. He was gone. If he had smashed into something, you would’ve heard him. You would’ve heard him in yelp in pain. You would’ve heard the metal railings shake. You would’ve heard him cry for help.

Instead, you heard the sound of wind. Whistling as it sailed leaves to the west of you.

As if it carried a hint along the way.

“Peter?! Peter—Fuck, fuck!” You followed the sound of the whistle. The source of the pitchy sound. Fluttering when your head spun closer to the note, wavering when you were getting colder, then peaking when your gaze lifted, higher, and higher, until it landed on him.

Peter.

Peter, perched over the rooftop of the apartment complex like a bug. The moonlight framed his silhouette, emphasized the texture of his suit; protruding grids that encased him like a nest; and you’ve never been more intimidated.

Red and blue spandex tightly-fitted over the muscles and body of the man you have been more than well-acquainted with. You’ve seen it before. It was familiar. On the news, on the papers, on the internet.

“You’re freaking out!” He yelled out, clearly amused in your frozen state of shock.

He peered over at you with a smug grin, aimed directly at your bafflement before pulling a mask over his head. It was the icing on top in rendering you utterly incapable of stringing up any words. The lens of his mask reflected off of you, mirrored your astonishment in clear display, and you sensed that would be a memory Peter would be carrying to his death bed.

“What. The. Fuck.”

“Okay, so, just to clarify,” You were winded, still recovering from the heart attack Peter had nearly given you after he took you on for a stroll in the night. Into the sky.

Luckily his bed was right beside you. As soon as your legs gave out, you fell back into his mattress, and stared into the ceiling, speechless. Peter joined you after, bringing you into his arms. He’d always been aware that touching you in any way or form brought you back to reality. “You are… not a cosplayer?”

“Honestly? That would make me way more money than what I’m making right now.” You couldn’t keep your hands or eyes off of him. Peter was still in his suit, and that gave you the perfect opportunity to run your hands over the webbed texture of the spandex.

“Just a few more months until my lease is up. I can move in, and that’ll help with the rent. For both of us.” It felt like silicone, or rubber. Whatever it was, it was durable considering how thin it felt in your fingers when you rubbed it in between them.

“Just like that? You’re not mad?” Your hands came to a halt when Peter suddenly took them, and rested your palm on his cheek, coincidentally on the cut that you’ve never noticed.

“Why would I be mad?” Quieter. Your voice mellowed into a whisper as you catalogued the amount of beatings his skin had taken. Caressed the marks you were too selfish to notice. Exhaustion wore on his face, and yet he never looked so peaceful as he gazed into your eyes.

Pretty eyes, Peter thought. Ones that could motivate him to get back up after falling. That feels nice, when you pressed a kiss to his damaged skin. A touch that made him believe there was a reason to suffer, to be great, to be all of this.

“Well, for starters, it’s your birthday and… I completely blew it.” Peter closed his eyes when you began brushing his hair back, knotted in cold sweats, but you fanned your fingers out to undo them until they felt somewhat tidy in your strokes. Smooth and soft. He sighed, “Again.”

“Can’t entirely blame you. How would I look if I were to complain about missing you, when you’re out there risking your life for everyone?” It wasn’t a question, but you wanted him to look at you. To respond. And he does, when you pressed a gentle kiss to his lips, and he returned it with a silken one, a following grin. “All I wish for was that you told me sooner, I guess.”

“Yeah,” He figured he’d save the details of the ‘friends’ he had made along the way some other time. For now, it was all about you. “Wow, you’re not even going to wish for me to be safe?”

“Hey, you know what I mean! That’s a given.” You rubbed at his chest, finding yourself quickly accustomed to the scales of his costume. The red was striking against your palms, comforting almost.

“Still. I want to hear you say it.” Peter rolled onto his side and slipped an arm under your back, scooting closer to you. His signature goofy grin never failed to knock a similar one out of you. And unwillingly drawn out, when he began pinching at your sides in quick snips.

“Stop—“ You laughed, your hands occupying themselves to defend your body from his quick attacks. But Peter was fast, avoiding your arms and hands to find another opening that you’d abandon. “Stop, stop! Stay safe! Happy?!”

Closer and closer, you found yourself beneath him, framed by his body as he took your arms above your head and pinned them secured with his tight grasps.“Incredibly.”

Your legs spread open to make room for his body, only for Peter to wrap them around his waist, to press his body into you, kissing you like he was driven to steal your breath.

“This your way of making it up to me?” You broke apart from the kiss, only briefly, before the taste of Peter, the softness of his lips reeled you back in for another kiss. Languidly paced until one’s accelerating lust for one another had taken ahold of the wheel and shifted gears, into a weightiness that kept your mouth parted open while Peter’s impulse to explore you had become evidently clear.

“Problem with that?” He’d been driving his hips into you, grinding his front with your own. Both clothed, infuriatingly covered, but the pressure in between your bulge and Peter’s was too pleasing to ignore. Too satisfying to make him stop. “I should take this off—“

“No, wait—“ You grabbed his forearm when he reached back to unzip his suit. To be honest, you never thought about how he even got in or out of the suit in the first place, but that was beside the point. Something about this suit, this costume, whatever you wanted to call it; it was a turn-on.

The way it fit snug against Peter’s body; how every fiber of muscle was stretching the material to its limit. Maybe you were just turned on because you associated it with him being a hero. For god’s sake, that was as much of an aphrodisiac one could be if you happened to be saved from a falling tower.

Or maybe, it was simply how Peter looked in it. Unabashedly handsome, yet himself, seemingly courting you further into his webs, as if he hadn’t already from day one.

“Keep it on. I like it.” You muttered, fiddling with the collar of his suit. It was snapped on tight, but you managed to slip a finger or two past, to pull at it with a stretch.

“Then how are we going to…” He abandoned the few inches he had unzipped, providing a small relief to the squeeze around his body while his broad back was bare and tense towards the ceiling.

“Then, you’ll take it off. But for now, I just want to…” One hand was on his nape, pulling him down for another heated kiss, while the other traveled south between your body and his. Further, lower, until you cupped him at his crotch. Rubbing, squeezing, and palming at the thick, growing center. “Want to try something…”

You could feel him smiling, a crooked one flattened against your own grin when he whispered, “I should’ve told you sooner, shouldn’t I.”

“You think?”

You were getting harder, your pants beginning to tighten around the center as you palmed him. It was a heavy handful in the beginning, but Peter’s bulge began to unfurl. It didn’t take long, didn’t take much of a stroke for him to unravel from his tuck and thicken into a full-blown erection towards the left side of his thigh. It pointed downwards, the plump head evident through his suit, and you were beginning to drool in Peter’s mouth at the haziest image of it.

“Come on, I need to get out of this… It’s killing me.” It wasn’t like Peter to beg. It was charming, cute, sexy, all the synonyms that could describe how you felt all day and every day about him, and you squeezed, because he wasn’t being patient with you.

“Birthday boy gets what he wants, don’t you think?” He winched into your mouth, and you swallowed him. Swallowed every ounce of breath, and breathed it back out with a kiss. Sloppy, heavy, your tongue weighing on his because you wanted to keep his lips apart, mouth open to hear his moans.

Peter grunted again once you began stroking his cock, touching him like it was a delicate plate of chin. Fingertips only, dusting him off with little pressure so he wouldn’t shatter.

“What are you going to do about it, hm?” You continued your short, limp strokes. “Just going to take it? Hm?” Your wrist was weak, lazy as it became limp to tease him even more. Peter sucked in a breath, doing his best to maintain his composure, but it was all futile, all those attempts of sucking in his lip to chew, to hold back his moans, because you’d slap his clothed cock, grasp it tight in your hand, and massage as much as you could gather.

“Fuck, baby—“ You had him under your control. Even if his hands were free, you knew he wouldn’t lay a finger on you. He knew that if he did, you’d stop touching him, stop stimulating the blood running down every vein of his cock, fueling his erection. His desires.

He couldn’t let that happen. Not after the day, the week, the months that he’d been having.

You and Peter eventually switched places: Peter resting on his back while you sat in between his legs, marveling at the stretch of his suit. Somehow, his cock looked bigger than you’d remember. Squished and pressed flush against his thigh like this. The suit was like a magnet, inviting your hand back to his cock and refusing to let you go.

“Just relax.” You commanded him. He was watching you slouched up against the headboard, gravity weighing his eyelids lower. With his legs spread apart, he provided you excess space as you began massaging his right thigh with your free hand. “Is this okay?”

“Mm-hm...” He knew you were talking about the pressure on his thigh, but the strokes over his cock remained supreme in his mind. Championed through as you pressed harder into the shaft, massaging tenderly from vein to vein. The protruding webbed texture of his suit pressed into him, rolled against cock like the inside of a fleshlight, ultimately adding onto the already gratifying pleasure.

It was glorious.

“More…” Peter gritted through his teeth, a selfish need for more escaping from his lips in huffs. Grunts, when you’d fulfill his wish with two hands now, kneading his cock like dough.

Thick, stiff, throbbing dough.

Before the complaints could come pouring in, you shimmied your pants off in a hurry, tossing it in the corner before greedily climbing onto Peter’s lap. It was like he read your mind, perhaps another secret that he’d been hiding, because he immediately took you into his arms. An embrace, a tight one that grounded you against his bulge, pressing your body weight until it restricted the blood flowing into his erection, as well as preventing an escape.

“You’re so hard…” You marveled at how rigid he’d gotten under you, grinding your ass against the large mass, beating and throbbing with every rut.

“I’m so hard.” He confirmed, complained, and bragged all in one smile. He then took you by the nape to kiss you again. Hard on the mouth, slow with his tongue to taste you and your desires, his desires. His other hand rested on the small of your back, guiding your grinds at first before his fingers looped into your waistband, tugging once before stuffing the strap under your ass cheeks. Your hard-on was the only thing keeping the cotton material from slipping off while you continued grating your hips. “Just like that…”

To make it easier for you, Peter repositioned his erection so it was facing north, towards his navel, in its sublime mass. Your briefs had been tossed to the side now, completely bare bottomed against him while you mounted over him, and rode in needy strides. It was a sight to behold, something that Peter reckoned he should savor. He folded his arms behind his head, providing a self-made cushion for the weight of it, and watched you. It was entrancing, like a dance. You swiveled your hips to a ghosting rhythm, one that could only be heard between two hearts, two parties, between the two of you, man to man.

“Like this…?” Breathless, you unbuttoned your shirt open, but left it present on your body. Sweat formed over your neck, dribbled down to your bare and exposed chest; it was practically an open-invitation for Peter to ravish you. And so he did, with a haunting groan as he held you, contained you in the warmth of his arms as he simultaneously pulled you forward, and pushed himself off the headboard to meet you in the middle.

He kissed you on the neck, achingly hard when he sucked, and then enthralling, sweat-inducing when he bit into your skin. He couldn’t contain himself. You tasted too good, and it’d been too long since he had you just like this. “Just like that. Your cock against my cock, fuck. I love it so fucking much.” He muttered hot against your neck, panting because he was sweating too. The spandex felt tighter on his skin, constricting against him with every drop of sweat.

“Oh, fuck…” His lips had latched onto your nipples now. Peter’s tongue worked magic on your two nubs, flicking and swirling over their perkiness until you felt swollen. Raw, when he bit, pulled, bit, and bit again. You buried your face into his hair, rocking yourself back and forth with your arms holding him close to your chest, gliding your cock against his print as if a gun was pointed to your head, like your life depended on making Peter come.

You were delirious, humping Peter without a single thought other than to get him off, and you’d reckon that was the goal lingering in Peter’s head as he began rocking back into you. It took a while for him to find your rhythm, chasing after it in slower, sluggish beats, but eventually he caught up to you, snapping his hips against your own, grinding his cock against yours like two crescent moons caressing the other’s curvature.

“Close…” He muttered into your shoulder. Your shirt was hanging off, exposing more of your skin, but Peter made sure you didn’t feel a single chill with the marks he had followed up with soon after. It was like he had done it on purpose. Made you feel safe in his arms, comfortable in the warmth of his body, worshiped with the amount of care he had given your body. Frozen, when you felt something prod at your pucker. Then enraptured, when Peter pushed a wet finger inside of you.

Tremors, chilling tremors ran down your spine as you took the single digit Inside of you with one determined push. “Fuck—“ Your back arched, chest pushed forward towards him, and your hips jolted forward in one strong, and delicious swipe against Peter’s cock. “Peter…”

It was a mouthwatering display of food before him. The perky nubs on your chest, the veins in your neck, the mole on your body, the strain of your thighs on overdrive, the swollen head of your cock; Peter didn’t know what to lay his finger on first, what to mouth on, what to kiss, and suck, and latch onto until you’d scream. Whichever it was, he knew you were desperate for him. Begging, sweating, whimpering, for Peter to lay a finger on you. Another finger inside of you now, and you rolled your eyes at the stretch he was providing you with, a fulfilling wish that startled your hips once more.

“You’re so good, so good for me…” Peter was staring up at you, marveling at the layer of sweat on your body. It glistened with every movement, dripped heavily with every thrust of Peter’s fingers, and tasted just like how he remembered. Salty when he licked up your neck, up your chest, against your nipples, and repeated. Your body was his, and Peter was determined to let the world know. Determined to remind you in case that you’d forgotten.

Your hands were wandering. Grabbing and touching at anything and everything that could linger in between your fingers. Peter’s hair, his head, shoulders, chest, your cock and his, his back. Everything. You couldn’t keep your hands off of him. Even if he was covered from head to toe, you were touching him. Because he was yours.

“Gonna come—“ You cupped Peter’s jaw to straighten his posture, to kiss him sloppily on the mouth, and he pulled his fingers out of you, resting them on either side of your hips as he joined you once again in grinding hips. The pleasure was overbearing, drilling into each individual brain until the smallest movement would render you both speechless. Panting in slurred moans of each other’s names, of profanities that you two had rarely used in your lifetime on earth.

“Me too…” Peter pushed himself on top of you now. Your arms were tied around his neck, tighter than the necktie he had on prior, and your legs; they wrapped around his waist equally secured, if not even tighter, as he thrusted against you.

You were too distracted, unable to respond to Peter’s constant licks in your mouth. He was desperate for you, suckling on your tongue and chasing after it once it slipped out because of your moans. They were rattling, each breath immediately vaulted in the back of Peter’s throat because he couldn’t part from you. Couldn’t imagine a life where he would. And if he had to, at least he’d have a part of you inside of him. Even if it was a whisper.

He thrusted harder, panting into your mouth, his nose practically smushed flat against yours. He wondered if you could imagine that life, a life without him.

“P-Pete—Shit, I’m—“ Your fingers dug into his nape, grounding him impossibly closer to you when that feeling had suddenly come to stun you in place.

It simmered hard in your stomach, then to a rolling boil as it traveled lower to your pelvis. You squeezed your stomach, clenched your toes, and your eyes widened when Peter’s hips showed no signs of faltering. Your cock swelled and your balls jolted, tightened, until you finally saw stars bursting into flames and let gravity have it come crashing down on you. Shivers had you enclose your arms around Peter, holding onto him tight as you felt yourself crumble and spill all over your chest and his suit. You came with a gritted grunt of his name, sinking your nails into his nape because you had nowhere else to channel your spasms as Peter kept rocking against you, drunkenly astonished by how you came for him. By how much you needed him.

It didn’t take long before Peter came right after. He buried his head into your neck, stifling moans into the heat of your neck, clammy with sweat, yet comforting as he filled the inside of his suit with thick, large loads. You felt his cock throb against you when you reached down to help, to ride out his orgasm to the fullest. His cock pulsed as you’d imagine several thick pumps of his load would gush out and uncomfortably layer his navel. If only his suit hadn’t been waterproof, because there was no doubt that he would’ve been leaking out of it by now.

You’ve never been so jealous of spandex.

He was hot in your ear, panting, breathing you in, then breathing you out as you slowed the strokes on his softening cock. Then a sudden inhale, a jolt of his body, when you squeezed hard, to seal the deal in covering the entirety of his cock in his own cum. It was filthy. It was shameless. It was Peter.

“Driving me crazy here…” Peter sluggishly lifted himself off of you to face you, a sleepy smile plastered across his face as you kept kneading at his cock, increasingly sensitive with every second.

“Not enough to drive you away, right?” You smiled, drowsy yourself as you quickly found your high coming to a crash. Though, you mustered enough strength to hold Peter’s cheek in your palm, tenderly caressing, to which he immediately kissed as soon as it reintroduced itself.

Peter sighed, holding your gaze for what felt like minutes, and yet you wished it could be for longer.

It was different this time, the way he looked at you. The same amount of love and warmth, yes. But they no longer wavered, no longer tried to find something else to look at in case you were prying about.

“Never.”

Instead, they stilled, relaxed the longer you stared into him, into those brown eyes of his, because you were in now.

You were finally in his life.

How much you needed him? His question had been answered.

nouearth. please do not repost, plagiarize, or translate my works. andif you like this story, please reblog and leave a like!

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