#I really like rose btw her design is so fun to draw man

[noxchievous]

Watching the waves change

[mesillusionssousecstasy]

The Chiffon Trenches by André Leon Talley

This book was great, but it could have been excellent with more stories, history and pictures regarding the fashion world. Not to be rude, but sometimes André complained at bit much about being a black man in fashion (activism should have been another book subject). He had such an incredible life, he met such incredible and inspiring people and honestly, if he wasn't gay he wouldn't have been as successful as he was (even truer with this sentence, page 48, "All the principals were gay, something that was understood and never discussed. In this world, there were no victims, only highoctane egos.").

What a life. What an era. For example, page 34, 70, 77, 79, 89, 91, 92, 93, 94, 99, 113, 114, 127, 131, 132, 133, 134, 151, 152, 161, 162, 205, 207, 212, 228, 229, 249, 262,    

I wanted more history about fashion, more history about designer, why omitting so many important ones like McQueen (even being cruel about him at page 148, he was a genius (the most beautiful masterpiece come from darkness it is well known); page 123, John Galliano wasn't the unique visionary of this era), Pucci, Valentino, Thierry Mugler, Paco Rabanne, Lanvin, ...

Why hasn't he even written a bit in French? Strange after so many French studies and living in Paris... (example at page 268)

And he should have done a book with all his photo shooting publications. It would have been a must! Because honestly, too often does he mentioned outfits or interiors without any picture to show us (shame): page 58, 59, 126, 194, 195, 214, 236, 240, 241, 248, 254, 255,

Also, one question arises: To which point is it true? (Why lie about Karl and Baptiste at page 187)?

About Andy Warhol on page 21: "With Andy, anyone could be anyone and everyone was equal - a drag queen or an heiress. At the Factory, if you were interesting, you were "in". And while he could be seen out and about at night, Andy also went to church every morning to thank God for his life, his money, and his mother." & "When Andy was in a good mood, he created small, signed pieces of art for his staff. A silkscreen print from one of his series, or a small painting, like a candy heart in lace on Valentine's Day. It was a quite generous perk.

About Karl Lagerfeld : - Page 25: "Fashion's fun and you can't really take it too seriously. Frivolity must be an integral form." - Page 53: "When I was four, I asked my mother for a valet for my birthday. I wanted my clothes prepared so I could wear anything I wanted at any time of day. At ten, I was always in hats, high collars, and neckties. I never played with other children. I read books and did drawings night and day." - Page 77: "In 1982, Karl Lagerfeld announced he was taking over as creative director of CHANEL. Paris was abuzz with the news, a beehive of intrigue and envy. Vogue wrote at the time that it was the talk of Paris; Karl Lagerfeld who was not French, going to the top of the fashion hill at CHANEL was in fact momentous. Alicia Drake said in her book The Beautiful Fall that Karl's ascension "was a black day at the house of Saint Laurent, (I don't remember this sentence btw)." - Page 100: That's one way of the story. - Page 102: So surprising that everyone is criticizing Karl when he had enough of support them financially (he even gave a house to Princess Caroline de Monaco). - Page 108: Karl's relationship with death and mourning.   - Page 113: Who is Karl's dry-cleaning? The name. - Page 114: Karl's life. - Page 115: "And I suffered in exile for a season but learned a valuable lesson: Never trust anyone close to Kaiser Karl." - Page 153 & 156: Karl and his precious gifts. - Page 162: What a generous man. - Page 163: Incredible story with André, Anna et Karl. - Page 173: Karl's regime. - Page 178: "Karl Lagerfeld did not go to Yves Saint Laurent's funeral. He sent flowers to the church, a huge arrangement of white roses, with a handwritten note: "In memory of our better days, of our youth." - Page 187: lying about Karl and Baptiste. - Page 188: Karl being tired of people abusing him. - Page 191: The last interaction between Karl and André. - Page 234: About Karl's death, "Anna Wintour called me from London. "I thought he would live forever." (Me too). - Page 235: "In my Southern Baptist culture, people visit the graves of loved ones. One summer, I faxed Karl that I had been to the grave of my father, who is buried in Roxboro, North Carolina. Amanda Harlech told me later that Karl told her, "Apparently André's spending his time running around North Carolina, visiting graves of his relatives." (Hilarious). - Page 236: "Perhaps Karl thought contemplating death was a waste of time. Truly, there was no one with a more robust schedule in all of fashion than Karl Lagerfeld. He ran three of the biggest fashion brands in the world simultaneously for decades: CHANEL, Fendi and his eponymous Lagerfeld label. And still he took on various anonymous freelance work. While other designers were driven to drink and madness and sometimes suicide by the pressures of one fashion house, Karl made it all seem so easy." (How did he do it btw). --> The book has been published after Karl's death and no word about Virginie Viard (page 235).

About John Fairchild: - Page 31: "I am the boss, and don't you ever forget it." & "I don't give a damn about clothes, I care about the people who wear them." - Page 69: "Mr. Fairchild, this genius who could make or destroy a company or a person with his brilliant sense of wordsmithing."

About Paris on page 51: "Paris offered great characters and subtle intrigues, promiscuity, drugs, scandals - a whole different world from where I had grown up. In Paris, I was always seated on the front row at the couture and ready-to-wear catwalk shows."

About Anna Wintour: - Page 85: "Anna's position as creative director was vague enough to give her both total control of the magazine and zero control, depending on whom you asked." - Page 92: "Each of these women had a strong, independent personality. By naming all three fashion directors, Anna gave each equal billing on the masthead, and each could do her own thing. It was a brilliant move, politically. The equality of their roles also reflected the fact that at Anna Wintour's Vogue, there was no hierarchy. There was Anna Wintour, and there was everyone else." - Page 93-94: The Devil Wears Prada has been confirmed that it is untrue. - Page 95: Does Anna Wintour in a way got André to get closer to Karl at the beginning? - Page 98: She is amazing in the picture. - Page 145: Why he gave his story to W and not Anna, "I had to take it to Mr. Fairchild because I knew he would read it seriously and publish it respectfully." - Page 216: Her and André about the podcast for the Met. - Page 219: "I wonder, when she goes home alone at night, is she miserable? Does she feel alone? Perhaps she doesn't allow herself to feel these things, as she clearly is a person who does not dwell on the past." (Because she doesn't have time for it). - Page 222: "Like any ruthless individual, she maintains her sangfroid at all times. She is always dashing in and out, and I do believe she is immune to anyone other than the powerful and famous people who populate the pages of Vogue." (I don't think he must take it personally).

Incredible story about Gloria von Thurn und Taxis (page 89-90).

The true about Pierre Bergé is not even a surprise (page 97).

About John Galliano: - Page 123-124: His beginning. - Page 130: "Galliano understood me and I got him. I knew his wavelength, where his inspirations came about. I'd been accused of sleeping with all the designers, but the truth is that I embrace their dreams, step inside their dreams, and become part of their dreams. I bonded with Galliano on a human level. He is a genius, a visionary, a poet. A mad poet, like Rimbaud, or Verlaine, or Baudelaire."

About Diana Vreeland: - Second picture: "At a party, when you don't feel as if you have the room at your attention, just find a seat, or a corner. Sit quietly and calmly, occupy your personal space, and people will notice you. And if the world, or party, doesn't come to you, well then it's not meant to be." - Page 207: the mention of Madame Grès.

About Gabriel Chanel: - Page 158-159: "Simplicity is the keynote of all true elegance."

About Tom Ford: - Page 212: His entire black garden in London (love it).

About Lee Radziwill: - Page 230: "X-rays showed Lee had broken her hip. She was immediately operated on and had a hip replacement. When she saw the replacement X-rays, she said, "I have a beautiful Brancusi sculpture inside me."

About Naomi Campbell: - Page 240: She and her friends don't need vista - Page 243: "Being in her entourage is like being in a film; she's larger than life, like Elizabeth Taylor." - Page 245: "If Naomi were music, she would be Saint-Saën's "The Swan," from his suite The Carnival of the Animals, or she would be Scott Joplin's "Gladiolus Rag." She has majestic drama on a professional runway, and her personal life is itself reminiscent of "Triumphal March" from the second act of Verdi's Aida. If she were a poem, it would be "Correspondences" by Baudelaire." - Page 246: "Naomi threw me a look that, if it were a poison dart, would have been a fatal blow." (Le naturel revient au galop) - Page 247: Doesn't know what mean "Éclatante!", shameful.

About Carolina Herrera: - "I always selected the dress I knew no one else would think of buying."

I like his view on love at page 63, 109 ("Sex was not on my radar. Success was."), Incredible picture at page 76, 98, fifth picture, !

Now I understand why there is a Chuck Bass in Gossip Girl (is it related to the Bass family? Anne Bass, page 89

André didn't tell us how Jacques got Aids (page 106), his debauchery.

I don't agree with those sentences: - At page 129: "CHANEL was the great designer but Dior was the name people associated with Paris couture." - At page 225: "Jackie the celebrity had stolen Ari Onassis from Lee." (Not Lee, but from Maria Calas).

I have only heard about "Le Palace", not at all "Club 7".

What about his father, because André always talks about his mother, but almost never about his father (page 198).

I'm sad to discover that I have missed the Oscar de la Renta exhibition in Paris at the Mona Bismarck Center (page 202).

I don't understand why he cut the 2019 Met Gala with Marc Jacobs' wedding (page 240 & 255ss)?

The real moral of the story is at page 257, "The real elegance took a train out of town a long time ago" by Anne Bass. She is so right. And the end of the golden age at page 263, 264, 265 about Condé Nast.

The Epilogue wasn't necessary.

Be aware, the book is a slow read, and it's mostly focus about Karl and Anna (at least for him to criticize them)

Some good quotes: - p. 4: "When I would get upset, my uncle Lewis used to say to me, "Just keep on getting up. Get up every day and just keep going." - p. 5: "I dreamed of meeting Naomi Sims and Pat Cleveland, and living a life like the ones I saw in the pages of Vogue, where bad things never happened." (Story of my life) - p. 6: "While I knew she loved me, I don't think she liked me." - p. 19: "His manerisms, his dandyisms, his snobbism were toxic to my budget but auspicious for my aspirations." (Love it) - p. 52: "We all had a certain way of being and we came together as units, little cliques of ego, glamour, and power. I was fully a part of this machine." - p. 55: "Betty Catroux loved me and accepted me for who I was, not for what I did. That was rare in fashion circles." - p. 61: "We were all on top of the world at this wedding. We felt free and there weren't even any drugs - well, at least not with any of my close friends. Maybe there was too much fine champagne." (Nice one) - p. 67: "She had opened my eyes to a reality I so badly wanted to deny." - p. 92-93: "One was expected to behave a certain way when representing Vogue. I played it cool and I behaved in an aloof, distant, somewhat disdainful manner, the way people usually conduct themselves on the front row. It's rare that you see a major editor emote." - p. 105: "My mother loved clothes, though I am not sure that she ever fully loved me." (Terrible) - p. 144: "Fashion is not an industry that lives in the past, but rather carries its past along, like a shadow, wherever it goes." - p. 196: "She, like Mrs. Vreeland, just took to her bed and waited to leave the world, with her own sense of the world internalized." - p. 199: "I do not fear death, as it was always present in my Baptist upbringing: Prepare yourself for death. We all have to die one day." - p. 203: "A person's words and deeds can make an indelible impression upon the soul. You can make a person feel loved through the simplest things in life. It's not the extravagant gifts that count. It's the thought, the gesture behind it." - p. 218: "I understand; nothing lasts forever." - p. 227: "Whatever time each of us had with her should be remembered as nothing less than a privilege." - p. 268: "When I am overwhelmed with feelings of emptiness and deep sadness, when the day begins and ebbs into dark blues, I have life-enhancing stratagems to make the day a better one."

Bonsoir.

[superman86to99]

Adventures of Superman #505 (October 1993)

REIGN OF THE SUPERMAN! The Reign is over, and Superman does what we’d all do after being dead for several weeks and coming back to life: no, not visiting your parents, making out with Lois Lane.

Or more than making out, since the next page starts with a caption that says “Later...” and lets us know that they both had to take a shower. (NOTE: Check Don Sparrow’s section below for artist Tom Grummett’s definitive take on what happened in that scene.)

Their post-resurrection bliss comes to a stop when they remember a little detail: Clark Kent is still presumed dead. How are they gonna explain his return without making the extremely smart residents of Metropolis suspect that Superman and the guy who looks like Superman but with glasses are actually the same person? Superman’s mind immediately goes into “wacky bullshit excuse” mode and he starts spitballing ideas, like claiming Clark lost his memory, or was carried by underwater currents, or was abducted by aliens. Honestly, I’m pretty sure that last one would work, since there have been THREE major alien invasions in the past few years, but Lois thinks no one would be dumb enough to fall for that sort of thing. Really, Lois? No one?

At this point, Superman picks up some supervillain activity with his super hearing, so he gets dressed and goes there (though it would have been pretty intimidating for the criminals if she’d shown up in that shower rug). A bank uptown has been taken over by Loophole, a S.T.A.R. Labs accountant who stole a gizmo that allows him to phase through walls. When Superman shows up to arrest him and his henchmen (are they all villainous accountants?), Loophole literally puts his first through Superman’s chest, instantly killing him. RIP Superman, again.

Nah, Supes just swats Loophole away and breaks the gizmo, causing him to get his crotch area stuck inside a vault door. Now he has to change his supervillain name to “DickVault”.

(I freaking love Maggie Sawyer, btw.)

After that, Superman goes to one of the areas trashed by his fight with Doomsday and helps clean up the junk that’s still laying around there. It’s then that he finally reunites with his best friend and most valued ally: Bibbo Bibbowski. (Jimmy Olsen’s there, too, unfortunately.)

Bibbo also introduces Superman to the dog he named in honor of his home planet, Krypto -- and it’s Krypto who provides the most significant moment in this issue. The little mutt starts barking at some debris from a destroyed building, leading Superman to examine it with his X-Ray vision and find some kids underneath.

Turns out the kids had been trapped there since the Doomsday fight, leading some random passerby (fine, Jimmy) to wonder if Clark could be stuck in a similar situation. Superman and Lois look at each other... giving Superman an idea and providing the premise for next week’s issue.

Character-Watch:

First appearance of Loophole (real name Deke Dickinson, C.P.A.), who would become a running joke in Karl Kesel’s Superman and Superboy comics. While his phasing powers are tech based, he also has the metahuman ability to somehow convince attractive women to be his girlfriends/henchwomen despite being a balding little dweeb. In this issue he’s dating a blonde named Sheila (who wears a mask, so maybe she’s actually hideous), but I’m pretty sure he had other girlfriends in future issues.

Plotline-Watch:

As I said... holy shit, five years ago: no one draws Supes coming back to Lois after an extended absence like Tom Grummett. This scene is almost a remake of the one from that issue when Superman comes back from his time traveling jaunt. There’s also a callback to Man of Steel #25, when Lois hears a tap on her window and thinks it’s Superman, but it’s just some dumb bird. This time she gets it the other way around:

Don Sparrow says: “There’s a cute visual callback to the last time Superman returned after a long absence on page 18, when Superman is reunited with Jimmy. It’s a near identical pose to Action #643, where Superman returned from exile in space (and in that moment, infected Jimmy with Eradicator-based space sickness, womp womp).” I think he’s instinctively throwing Jimmy up in the air, hoping the cold of space will kill him. Unfortunately, both murder attempts were unsuccessful.

As seen above, Maggie Sawyer wasn’t too convinced that “Fabio” here was Superman at first. That changes when he calls her “Captain” even though she was recently promoted to Inspector, and she’s like “only a dead man wouldn’t know all the precise ranks for the local authorities!”

The surviving non-Supermen are seen arriving at S.T.A.R. Labs for medical care after the Engine City showdown. Don again: “There are some mild continuity issues stemming from Superman #82, which perhaps wasn’t completely finished being drawn while Tom Grummett worked on this one, as Steel’s costume is almost entirely intact, when we last saw it a week ago, it was in tatters. Ditto the Eradicator, who was a wizened husk, and now is apparently a scorched Ivan Drago.” Let’s assume Supergirl worked her clothes-shifting magic on Steel’s armor and the Eradicator’s, uh, hair.

There’s a short scene where Superboy is visited by his reporter pal Tana Moon, who tells him she quit WGBS and is leaving Metropolis. Awww. Goodbye, Tana. Or should I say... aloha?

Meanwhile, Lex Luthor Jr. has a scene with Dr. Happersen where he says he intends to control or destroy anyone who wears the “S” symbol. Basically, if he can’t date them, they should be dead. He also instructs Happersen to help Cadmus’ Director Westfield get in contact with disgraced genetician Dabney Donovan. Get ready for a whole lot of clone-related shenanigans in the near future.

And now, more Don Sparrow-related shenanigans after the jump!

Art-Watch (by @donsparrow​):

This issue is another favourite of mine, but I suppose all these issues around the Death and Return are faves when I really think about it.  My copy of this issue had the holographic fireworks cover, and it’s a good one.  I like that Superman and the Daily Planet are in natural colour, rather than holograms.  The cover credit goes Karl Kesel, Tom Grummett and Doug Hazlewood, so I’m not sure what the breakdown was (or if that’s just a handwritten cover credit, just in case?

The story opens with one of my favourite sequences ever, with Lois waking up on her couch, having fallen asleep following the events in Coast City.  I love the detail as she opens the curtain, we see her engagement ring, indicating she knows her real fiancée has returned.  This sequence is followed up by two pages of splashes of the passionate reunion of the best couple in comics.  All beautifully rendered as they float, locked in a passionate, sunrise kiss.  Just lovely (so lovely that I am willing to overlook a small colouring error, as Lois has black hair instead of reddish brown for one panel).  [Max: I can confirm that they fixed that in the collections.]

What follows is a very cute scene, and one of some debate among Superman fans.  There’s no overt evidence of what happened, all we get is a cryptic caption reading “later…”.   Again, I give credit for the subtlety of the writers, as they depict this scene in a way that can be read either way:  maybe Clark and Lois made love, and the “later” we are seeing is afterglow, or maybe Lois had a shower since she just woke up after sleeping in her clothes. Then, after calling his parents while Lois showered, Clark had a shower himself.  I feel like today’s writers wouldn’t feel the need to be so subtle, and might lose the sweetness of this scene.  

In previous posts, I’ve talked about my friendship with artist Tom Grummett, and how as a boy, I would wear him out with all my dumb fanboy questions.  Once I got older, and our relationship became a little more collegial (just a little closer to collegial, since I in no way consider myself anywhere near his level of skill or success) I would really try not to geek out too much when we would visit.  But the one question I had to ask was about this scene, and what their intention, or interpretation of it was, as I was always curious.  Once I had explained to him which issue it was (the guy has drawn hundreds, so they might not all spring to mind immediately!) he admitted that his assumption was indeed that they had sex.  So there you have it!  [Max: Hot damn! Another Superman ‘86 to ‘99 exclusive, folks!]

However you wish to read this scene, the choreography, and facial expressions as they horse around is really sweet and fun, and such a nice, light tone compared to the do-or-die pace the books had been for the last two years or so.   Their easy joking, and back and forth banter really do a great job of showing them as a real couple.

It’s a very nice pose on Supergirl as she lifts off, simultaneously spurning Superboy’s romantic complaints.

I quite like the design on Loophole, and his gang.  Loophole himself kinda harkens back to the silver age villains of the Flash as Loophole has a unique hairline, is an older man, with a pretty average build, which was rare for villains in the 90s. His gimmick is pretty cool, too, though we immediately see its vulnerability.

The tearful reunion of the now-sober Bibbo and Superman is also a great moment—if anyone rose to the challenge of living up to Superman’s example in his absence, it was Bibbo.  I discuss the scene in more detail in the observations later, but the image of Superman whipping away the debris on page 20 is a great visual, with the dust clouds creating great motion and urgency.

On the whole, a great first issue for the return to the never-ending battle, even if it brings us closer to Grummett’s last issue on this title (for a while).

STRAY OBSERVATIONS:

Could Superman referring to the Death and Return storyline as a dream, while stepping out of the shower be a reference to Dallas, and their famous about-face after an unpopular season, where Bobby Ewing emerged from the shower, alive and well, dismissing a yearlong storyline as a dream?

A coy semi-reference to perhaps my favourite line in the first Reeve Superman film on page 8, where Supergirl says “Easy steel, we’ve got you, then later adding, “ok, you got me”.  

A little more issue-to-issue dissonance with Superboy reversing himself from the end of Superman #82, where he said clearly that Kal-El was Superman, with Superboy pointing out that legally, he’s Superman and not Kal. [Max: I think he’s talking strictly in the legal sense, since he helps Superman deal with the legal problem on the next issue and all.]

For all the times that Superman has used his heat vision on guns (as he does on page 11), we’ve never seen rounds get burned off, firing on their own because of the heat.  There might be an idea there.    

An odd sorta-cameo by Erik Larsen’s Savage Dragon, who Superman apparently defeats in the waterfront district. An eagle-eyed reader asked Larsen about it in issue #6 of Dragon’s own book, and he nixed any proper crossover rumours, saying it was just a shout-out from Larsen’s buddy Karl Kesel.  Eventually they’d meet in Superman/Savage Dragon: Chicago, a so-so crossover in 2002.

A slightly bawdy joke from one of the Loophole gang, on page 14, as the moll of Deke Dickson calls Loophole a “weiner”.  

GODWATCH: A stirring moment when Superman detects the faintest of life-signs, thanks to would-be super-pup, Krypto, and responds “God willing” when someone asks if anyone is alive in that wreckage.  The love and concern in Superman’s eyes when he says he’d “rather die” himself than let little ones perish is a tear-jerker moment for sure.  Bonus points for the cuteness of Superman heaping praise on Krypto, with the line “if that dog could fly, I’d put a cape on him…”

Question:  Does Jimmy know? He comes up with the solution to the Clark problem very conveniently.  Maybe he’s smarter than we (and by we, I mean Max) give him credit for? [Max: It was all Krypto! Okay, I’ll concede that maybe Jimmy is as smart as a dog.]

[spacedimentio]

Live Impressions of “Change Your Mind”

Neat, a bit of the credits music on the title card is fun and totally not ominous

Oh, this a dream. I was legit worried about Connie for a second there

That thing looks like one of those rainbow caterpillars that really little kids have that you can pull behind you with a string

!!?! I- That’s not worrisome at all, nope, no identity crisis here, oooh boy

Does that mean that Rose knew what the corruption light was? Or just that it was an attack of some kind. Cause if she knew exactly what it was then she should have probably seen it coming.

Déjà Blue is right, they’re using the exact recording/drawing I think

“No.” Damn right you’re not sorry!

Oh Blue, you really did love her, didn’t you… She looks nice with messy hair, it reflects how she feels on the inside.

That easy huh? Haha, look at her face she doesn’t know what eating is and is totally mystified and disgusted xD

Yellow time. Oh, are those…those are fusion experiments. A nice reminder of an awful thing that Yellow is responsible for.

Oh, oh shit! Blue looks absolutely mortified holy fuck

Hey, there’s the scene from the promo. “You’d hurt your fellow diamond?” “Didn’t we hurt Pink? She was suffering in silence for ages, just like our gems, just like me!” Oh man, she does know that they’re responsible for a lot of bad shit, was their behavior all just…fear?

That face Yellow just made stabbed me in the heart jesus No don’t you dumb banana what are you doing holy shit! Oh my god no she’s gonna cry and then I’m gonna cry and she really just doesn’t wanna do this

Did he really just Did he really just hit her with “If every porkchop were perfect, we wouldn’t have hotdogs” I can’t

Haha fuck yes! Yellow crying was my one wish for this ep :’D Let it all out Yellow, I’m sure Steven will give you hugs at some point Also kudos to the person that made the comic where the dialogue was almost exactly like this in regards to Yellow telling Blue to stop using her powers when she wasn’t doing anything

Oh! They’re calling him Steven now! They probably don’t get what he is still but that’s a good step

I’ve heard “You’re not going anywhere” in the commercial like 5 million times but it’s still creepy af

Oh hell no the ship did not need eyes no thank you

Ok I just thought he was trying to pull a “hey, what’s that” and run away while White looked to see what he was pointing at, but no it’s actually the two arm ships how the fuck did Bismuth fix them so fast (how long were the kids in prison jeeeeez). I like how it looks like there’s bandaids and duct tape on them lol But this might actually be a bad thing because why did you bring the arms, you’re going to make the mech stronger!

Dream: achieved! Ayyy, new designs! Nice glasses Peri, but they too big, so I like Lapis’s outfit more. I do love how you just have the lid to a garbage can, you could have found cooler things to surf on, but nope. Garbage can lid.

No don’t attach the arms that’s going to come back to bite you I just know it!

Man, the diamonds hopped on Team Steven quick, but I can’t be too upset with that because it is also what I wanted XD I guess they’ve been suffering a lot more than I thought.

That’s a nice sentiment Connie, and I’m surprised that the diamonds actually listened to what you said and considered it. Doubt it’ll work though.

Oh, they’ve still got control of their ships. I wonder how that particular bit of bullshit space magic works.

You got this Yellow! Don’t hold it in anymore! Oof, they don’t like the pressure they’re under, and they’re under a lot. The diamonds are responsible for a lot of awful things, but that doesn’t mean that they aren’t conditioned and expected to fulfill their roles just as much as any other gem.

Aww, look at how Yellow is smiling, and I love how they’re holding hands! Bellow forever!

Oh that’s… Zero hesitation. Stone cold. I don’t like the way their heads flopped backwards, that’s really unsettling OK IT GOT WORSE STOP SMILING LIKE THAT D:

Steven I know you want them to reform but you should probably bubble them before…you…drop them, just like that.

I demand the BGM for this episode and will inevitably be sad when we don’t get it

Oh what, you can just do that? Fuse with a gem that’s not even formed?

o0o Rainbow 2.0! I had a guess that their weapon would be a parasol and it was even neater than I thought it would be Wow, they’re really, really British. That’s a British accent right, I’m not dumb? They’re just Mary Poppins, holy shit I love them! Jet umbrella leaves rainbow trail, ok yes thank you

Fire lady??? We fusing with everyone up in here today! Steven, in episode fucking 11: So, what’s today’s mission? I hope it’s fighting a giant foot! Today, in episode 157-160: a giant foot almost shatters everyone Well you sure got your wish buddy, are you happy?

Alright we got sunglasses mcgoo over here. Sunstone looks like a cereal box mascot I swear to god. So we’re going full “PSA mascot from the 90s”, are we. Man you are just…continually breaking the fourth wall aren’t you. Of course, Sardonyx also has the power to break the fourth wall so I guess it’s just a Future Vision+ thing. I like you Sunglasses McGoo, but I hope your weapon isn’t just suction cups or you’re never going to show up again in a fight xD

Fuckin rip Nice shades Garnet, I like what you did with your…idk what that piece of clothing is called but it’s the bit in the thin section of her body, I like the way the color goes onto her hips a little.

Oh OH SHIT IS IT REALLY TIME FOR THE LONG-THEORIZED TEMPLE FUSION That’s a lot of arms dude! Oh my god they are so cool I love them already!

Peri I love you, never don’t be ridiculous Oh geez I thought she wasn’t going to be able to catch her for a second because bismuth is a diamagnetic metal and *flashbacks of A Gem is Shattered being on the bingo card*

What’s this…staff thing? Ok that was extremely cool, your face is full of lava and you just made a sword from it. Goodbye hands I’m hearing Alexandrite’s percussion instrument in the music, that’s neat. Obsidian is also just roaring a lot, like Alexandrite.

Oh through the eyes, sure. Idk why she didn’t just close the eyelids to keep them out

With all the commotion and fusions, I totally forgot they got brainwashed, oof. It’s definitely not extremely unsettling to see them all talking at once with one voice, nope, not at all. Please stop talking, please stop talking, christ please stop talking

“But you’re a part of me” I-… Does that mean that the color theory where the other diamonds used to be part of White has more merit than I thought? Is that where they came from?

Nononono leave them alone! Oh god why

NONONONONONO STOP THAT DON’T DO THAT PLEASE DON’T DO THAT OH GOD I AM LEGIT CRYING RIGHT NOW THIS IS AWFUL

I don’t think that’s true, I’m pretty sure Pink was just a naturally social person who’s status forced her into loneliness. She just wanted some got dang friends

I DON’T THINK I’VE EVER BEEN SO CREEPED OUT IN MY LIFE. Why is this animation and these over-exaggerated faces reminding me of Cuphead. I’ve never played Cuphead but that’s what I’m thinking of.

DON’T YOU DARE GIVE THE CHILD AN EVEN WORSE IDENTITY CRISIS I AM VERY, VERY WORRIED SHE’S RIGHT

Wait, what are you doing WAIT A MINUTE NO DON’T YOU DARE DON’T YOU FUCKING DARE OH JESUS OH CHRIST THIS IS ACTUALLY HAPPENING NONONO STOP

THEY DID IT THEY ACTUALLY FUCKING DID IT Is…is she…

(Edit from the future: Probably most of you didn’t have a commercial break after this moment, but I sure did, and I spent the entirety of those minutes with my hand covering my mouth in pure shock, tears trickling down my face. I was left to wonder…is Rose coming back? Is Steven dead? I was left with this image:

I was so astounded that I had to pause for a moment and just breathe. And christ, having to wait just a few minutes in utter shock and terror was An Experience. I feel bad for those who didn’t have a break there.)

*quickly realizes that having half the screen still black means that we’re gonna have double perspective* Oh No Oh Shit Oh No is it really gonna be her?!

Oh thank goodness. Congratulations, you now have two Steves, whatever that means

Ok Steven’s still alive, but it looks like it’s excruciating to be without his gem. I’m glad he didn’t just fall apart without the light holding his cells together. How long can he last without his…soul?  Shit what do we call this, what even is this.

This is definitely not what she expected to happen. Oh jesus christ holy shit chill out dude, even White Diamond shook

It’s just…such a relief to finally know. I never believed that the show would abandon its themes of loss by having a miraculous return, but I still wanted to see her anyway. She’s gone.

So what is this guy, exactly? Does he have any conscious thought? Or is he just pure gem energy with the desire to return to his other half

“I only want you to be yourself!” Uh, White honey, you are literally doing the exact opposite thing. “I’ll do it for you!” That’s not how people work White, you are just not having a good time with this turn of events are you

That’s an…interesting shield. Who did Steven say that to, btw? Was he telling White to stop hurting them, or his other self to stop reflecting the attack? Cause White was also in the middle of being hurt, I think

Aww, they’re so happy! It’ll never not be creepy to see White’s voice coming out of Steven’s glass-eyed friends though.

Normally I don’t notice when something in a 2D cartoon is 3D animated, but that shot of White’s head was kind of jarring? I didn’t like it

Oh thank christ he’s alright! I wonder if the gemstone is gonna be turned the other way now? Wait no, it was still turned inside when we went through past reformations.

Oh wow, she’s actually just a 60 foot baby. Look at Steven and Connie laughing cause they’re getting bounced up into the air. Zing! Haha, she’s blushing so everyone’s blushing. …Ok did the ship really need to blush too, come on guys

Ok so whitewashing everyone is something you have to put some effort into controlling. She was literally putting parts of her mind into them.

Haha, good timing guys, you missed everything. Bismuth’s face tho, perfecto At least only Connie has to live with the trauma of seeing Steven get his gem ripped out.

Her face is still cracked? What…what are the cracks from if not from being mind-controlled mercilessly

Yes, congratulations, you are having an emotion. Oh, she’s actually a shade of pink now, what. There’s that color theory again. Guess whose turn it is to have an existential crisis? It’s you!

“I’m supposed to know better! I’m supposed to be better! I’m supposed to make everything better!” Wait, according to who? Theory that someone made her confirmed?

Oh hey, Beach City. It took me a good second to realize that Sadie was doing a remix of a Greg song. Cue a big-ass robot hitting the beach in three…two…one! BAM! A+ timing guys

Oh, White isn’t actually that much taller than the other two when they’re standing together like that. I could have sworn she was at least 100 feet tall, that’s a bit disappointing. Then again, it would be really hard to get her to fit in frame with everyone else. Does this mean that Pink actually might be undercooked after all? Cause when I thought White was 100 feet tall, Blue and Yellow were as proportionately small next to her as Pink was next to the two of them, but now I’m wondering again.

Me too, Ronaldo. Me too.

Uh, wow. Nice timing Lars. Those poor off-colors, it took them a million years to get to Earth and the first thing they see is all three diamonds staring at them. That sure is a mood, Rhodonite. Big mood.

Aww, Lion and Lars are gonna be bros. ‘You’re like me!’

Fucking hug each other you dumbs! God, you’re frustrating.

I demand to know how all three of them fit on the warp pad/inside Steven’s house! Tell me at once!

Oh, we’re doing this right now? I know there’s going to be a season 6, but what are we going to do in season 6? Sneeple? (Re)adjusting to earth shenanigans? Diamond family time?

Nephrites! Look at em all, I love ‘em! And Watermelon Tourmaline too! Ayy, it’s Biggs! I’ve always wondered what she looked like. Haha, if I wasn’t shipping Biggs/Bismuth before I sure am now.

Jasper! Wow that only took like two years for her to show up again. Also I just realized that everyone looks weird because they still have traces of corruption on them and not because they were Like That in the first place.

Oh boy Jasper, you’ve…you’ve missed a lot. I wanna know what Amethyst just told her that made her hide in the water in shame.

Boy that one in the middle with all the different colors is scaring me a little

It’s kind of funny how White Diamond went from Massively Threatening, Narcissistic Perfectionist to Completely Lost Almost Cute Child in a snap. I actually feel bad for killing her off in my fic now, whoops. Ah well, it’s an AU anyway so I’m not gonna retcon anything.

Alright who taught Yellow to make a peace sign

Alright who parked the legs on the cliff like that

All the songs in this arc have been named after the episode title they appear in, nice. I’m kind of disappointed that we didn’t get another diamond song but maybe that’s for later (a song about how everything is confusing now? or maybe about how they let Pink down and suffered themselves)

Welp, that’s a wrap. It is now once again time for hiatus. Yellow continues to be my favorite diamond after Pink; I really hope they all come visit Steven and learn stuff. I’m actually very surprised that they jumped ship so easily; it seems that they might understand that what they do is wrong but they do it anyway cause that’s what’s expected of them. Seems they were suffering a lot more than I thought, and I already thought they were hurting quite a bit.

And that brings me to the biggest question I have. Much like Blue and Yellow, White was acting as if someone told her to do this; it’s like she’s a rogue AI who’s original creators are long gone. I don’t know if I wanna see what White’s afraid of, cause up until the last 10 minutes or so of this ep she was the scariest thing I’d ever seen.

Who made White Diamond?

[fulcrum-agent]

⌘ : Where do you get some of your inspirations for plots/head canons? Offer an example, if possible.

There’s a couple of things that are my main go-to’s for character ideas/head canons:

Star Wars

@neil-gaiman

Doctor Who

The Neverending Story

The most recent one from Star Wars is Ashla. Fun fat a lot of people miss - her name actually isn’t a misspelling of Ashelia: Ashla actually is the name of the light side of the Force. It originated in Legends with some of the Old Republic/pre-Old Republic canon, and was brought back into canon with Ahsoka Tano and solidified with the Bendu arc (Bendu is the name for the Balanced Force, btw). Ahsoka uses the name of the sole Torgruta youngling who was slaughtered when she’s on the run from the Empire after Order 66. It’s fitting, due to what happened to Ahsoka during the Mortis arc.

While I started into Gaiman with the Endless, most of my references actually come from Good Omens (which, so delighted that’s being made into a mini series, and that David Tennant is Crowly). I have a young male character who ended up naming his pet canine Dog. The kid was also designed to have this massive magical potential he was largely unaware of, unless he got upset. I still absently make most of my characters with one of the Endless filtering into them, because the series was a huge part of growing up for me.

While I use a lot of Doctor Who references, I’m not going to mention the current one, because it’s a work in progress. The first one I used in XIV was the concept that my original main character had fled her homeland because she didn’t like the path that people were trying to set her on - which would lead to a leadership position within the nation. So she stole various things, and took off.

With The Neverending Story, I tend to take arcs from the book and use them as templates for storytelling. It’s a really good book, one of the first actual novels I read as a child. There were so many well thought out “side stories” and hints of side stories in it.

As far as full on plots go, a lot of what I run as an FC storyteller have some sort of root in either the main story of a game, or one of the major stories of a game. I’ll supplement that with information players give me (via a questionnaire I can reference) and lace it through the part I take from the game itself. That’s getting a touch harder as the MSQ becomes more and more “isolated”, as far as everything being super “only the Warrior of Light”-centric now. Initially, the concept worked pretty well. Now I’m drawing on side stories (like I used the Black Rose side quest to build a plotline...and man, was that a good guess) or things like the Chronicles of a New Era, or the 24 man raid series.

Thanks for the ask, @arcanakiller! And I hope the wall of text doesn’t crush you.