#I think there was no attempt to toss auroras stuff at any point i think the guilt would actually kill him

[plposting]

After Azran Legacy Descole was left with a lot of clothes, personal items, and various souvenir trinkets left behind by the other former passengers of the Bostonious none of which was ever properly retrieved due to the groups sudden parting.

Rather than throwing it all out Descole has been trying to covertly return all items back to their original owners and because it’s Descole he’s probably returning the objects and whatnot in the most complicated way possible over a period of time.

Auroras stuff in particular remains safely stored in a box on the Bostonious.

[zodiyack]

Under Stars

Requested by anon: Hi, my love! I have a request where Y/N take the bullets instead of John. Like, she put herself in front of him allowing him to kill those men. She sees herself alone, since Thomas is married, Arthur has Linda and everyone is kinda moving on with their lives. After discussions (which makes her fell alone and useless) , Y/N sacrifices herself for John and his happinness, saying before she dies something like "I want you all to be happy". Sorry if u already made something like that + (Addition to their request)

Pairing: Shelby Family & Gray Family + Shelby!reader (no romance)

Warnings: Death, angst, murder, mention of depression, sad soft stuffs

Note: TITLE IS INSPIRED BY AURORA’S “UNDER STARS” FOR THE MEANING OF THE SONG WHICH CAN BE FOUND HERE  K BYE I’M SORRY! Also; extra bit at the end, I added it cause the title, I hope it’s okie! I cried while writing this oml

Taglist: @matth1w​ @redspaceace​

masterlist | Peaky Blinders Masterlist

“Got nothin’ better to do on Christmas morning?” John put down his gun when he realized it was only Michael.

“Tommy wants everybody at Charlie’s yard now, come on.” Michael gave a slight tilt of his head. Y/n creeped out next to John, hair messed up from her nieces’ and nephews’ game of climbing on their aunt human-sized-jungle gym the previous night. They sure were excited hear that their aunt would be staying for Christmas.

He turned, pushing his dog into the house and trying to close the door so they could get going. “Get in. Get in!” They walked around, “What’s going to happen? It’s fucking Christmas.”

“Look John, we don’t have time for this.”

“Alright, just come into the house.” Michael interrupted him, “Just come to the meeting-” but he continued like Michael never even spoke. “Have some food”

Esme rushed to the door, pushing John aside when he opened it, despite his “ey”s, and stomped over to Michael. She got extremely close to his face and angerly spat out her take on the situation, “Tell Tommy Shelby we can look after ourselves!”

However, Michael remained calm. “Tommy says they could come for us today, Esme-”

“’Tommy says’,” she turned to John and Y/n, repeating her mimic, “‘Tommy says’,” turning back to Michael, she released the same anger, “Are you his fucking parrot?!”

“Look, it’s the mafia! Alright? This is the New York mafia we’re talking about!”

“And we’re the Peaky fucking Blinders.” John stated, gun slung over his shoulder.

“No, we’re not, John! We’re not the Peaky fucking Blinders unless we’re together!”

Esme stepped closer to Michael, “You were together in the gallows, with one man missing.”

Michael took a second, then ignored Esme and returned to his calmed state. “John. John, come to the meeting. All right? Think about the kids.” John’s gaze began to move, as did his body when Esme turned to see his reaction, “Come to the meeting, and if you want to leave, then fine.”

“No. It’s Christmas day. We have a family now, we’re staying at home!” Esme shouted. Michael looked to Y/n with a pleading raise of his eyebrows. She closed her eyes and shook her head with shrug, there wasn’t much she could do to change Esme’s mind.

A man pushed over a hay bale, vaulting over it and readying his gun.

John, already facing the direction of the cart, did the same, cocking his gun and yelling to Esme and his sister. “In the fucking house!”

Michael lifted his head, noticing the man and cart. “Esme-” More men jumped out. Michael recognized the cart, which he had passed on the way here. The honking of his car’s horn as he rushed, a form of pleading for it to move out of his way.

John fired at them, hitting a hay bale but missing the men. “John!” Michael pushed Esme inside and tossed a gun to his cousin, who ran beside her brother in an attempt to help. She quickly realized her brother’s mistake in the choice of his gun. He was quick to shoot again, but the men were quick to shoot back, weapons faster than his shot gun.

Esme halted behind the door, glancing to the siblings with fear. No. It couldn’t be. It pained her just much as it would had it been the other Shelby. It wasn’t John, though he had been in the front, it was his sister. She pushed herself in front of her brother. Unknown to anyone but her, her mind flashed with thoughts of her family, of John’s family. Of Charlie and her other nieces and nephews. Of her mother.

The bullets hit her in repetition, over and over and over again. The bullets from the mafia continued hitting her stomach and chest leaving bloodied holes in her clothing and body. Time felt like it was moving in slow motion.

Y/n felt nothing but content. Peaceful. Free.

The violent scene resumed around her soon-to-be-lifeless body as she dropped to the ground. Michael was hit with a bullet, not enough to kill him, but grazing him just right, just enough, to make him drop to the ground as well, dragging John down with him.

A peaceful moment. Though she now lie hanging onto life as tight as she could, maybe just to say goodbye, she felt peaceful. A smile found it’s way onto her face, the shock and pain got to her, a dreamy look filled her eyes.

She could hear Esme’s painful screams, the agony and sorrow dripping from her throat. She felt John lift her head onto his lap and his tears drip onto her face. His face was red, nose snotty and eyes puffy as he cried for her to hold on. As he cried and told her that they’d find someone who could help. As he told her that they would kill the mafia for what they did to his sister.

“J-John.” She coughed up blood. Her head twitched slightly as John’s hand caressed her cheek, Esme and Michael now kneeling over her body as well. Y/n’s eyes scanned Michael’s wounds, to which he gave her a look. A look that read regret and possibly a message of “now’s not the time”.

“Take c-care of Esme and y-your kids. Tell them I-I love them. Tell all of our fam-family I l-love them.” She smiled up at his teary face, blood coating her teeth and spilling out of her mouth a bit. “I want you all to be happy.” 

With that last sentence, her eyes stopped acknowledging their presences and flicked up to the sky. A final breath left her mouth and her head lolled limp on his lap. His thumb, still stroking her cheek, felt the warmth leave her body, slowly being replaced with a dreadfully-familiar cold. The cold of the dead. 

His sister now lied dead in his lap, a smile still upon her face, no hint of regret anywhere. Esme clung to him once she processed Y/n’s passing. The way she shoved herself in front of her brother so carelessly, like she wanted it to happen. She thought of the way Y/n had been hesitant to join them or Tommy and Grace, or really any of the couples of the family, when they went places.

Before Y/n passed, when she was looking to the heavens, her mind showed her a sight. She stood before her mother, who was smiling and well in the afterlife. Y/n couldn’t think of anything else, but joining her. Her mother moved to the side, showing her more of what she could join in on. 

She knew all three of the women in front of her. Grace talked with John’s dead wife, both of them smiling at Y/n and eagerly beckoning her over to them. Her mum slowly moved her hand, welcoming Y/n to the paradise. 

So, she grabbed onto her mother’s extended hand and greeted her new company.

. . .

“Go fuck those bastards responsible!” Polly sobbed a yell at Tommy, returning to her place over Y/n’s body, brushing her hair from her face. Her lifeless body was brought to the family and chaos ensued.

Tommy grabbed handfuls of his hair and tugged while yelling until his face turned red upon the discovery of his dead sibling. Arthur threw items, flipped tables, and let the cries of agony escape him just as Tommy had. The rest of the family had pretty similar reactions, aside from Ada.

Her eyes were greeted with the sight of her sister, bloodied up and dead. Her hand darted to her mouth, tears spilled from her eyes, her legs moved to Y/n’s side before she could think of the action. Whimpers and small croaks of screams left her mouth muffled.

They knew one of them were likely to die at some point. They wouldn’t have handled that well either. But. Their sister? The kind and cheery one of the bunch. The one who hid her tough shield behind her forgiving smile? No one thought she’d be the first to leave the living.

Her depression was known, and her family helped her care for it, helped make her happy and let her know how much they loved her. They tried their hardest, and her thoughts of suicide were gifted to her in a disguise of murder. But why?

Why her?

“It should’ve been me...”

“Don’t say that John...she wanted you alive...”

“It should’ve though...” Pangs of guilt were sent straight to not just his heart, but his brothers’. His sister’s. His aunt’s. His wife’s. His cousin’s. They felt guilty for what had been done, the murder of Y/n was no one of the Peaky Blinder’s fault, but everyone still blamed themselves.

. . .

John and Esme cuddled into each other by the fire, no words being spoken, their hearts heavy and eyes watery. One of John’s children walked up to them, rubbing their puffy red eyes that matched their parents’ and tilting their head at their father.

“Are you crying cause you miss Auntie? Don’t worry, she’s just sleeping. Under those stars outside my window. She’s.. she has only fallen asleep.”

“What?”

“Auntie. She’s only fallen asleep. And when God says it’s time, he’ll wake her up.” The little boy climbed onto the sofa. “I hope she’s dreaming of me. What about you, mummy?”

Esme’s mouth had dropped in shock from the sentence. “I-I- uh yeah... I do too, my love. I think she’s dreaming of you, for sure. I- I think she’s dreaming of you, me, daddy, all of us.”

“I hope she has a good sleep. Speaking of sleep, can you tuck me in? Aunt Y/n did it a special way...I miss it when she tucked me in.” John and Esme’s hearts ached at the sight of their child, eyebrows scrunched in thought before he jumped up and his face filled with joy. “Maybe when she wakes up she can tuck me in again!”

“Of course sweetie...” Esme’s voice cracked with sadness laced through her words and smile. “Time for bed, dearest... Wanna show mummy and daddy how Auntie used to tuck you in?”

The boy beamed with happiness, nodding eagerly at the idea. “Mhm!” He grabbed his parent’s arms and pulled them into his room, telling them instructions. After he finished, they sat on his bed with him, their tears breaking free at his final sentences before he kissed them goodnight;

“Goodnight Y/n! I hope you wake up soon, we miss you! Sleep well and dream good dreams of me under those stars of yours!”

[all-hail-the-witcher]

jaskier’s breakup album

alright full disclosure i probably went into way more detail than i needed to. but jaskiers a dramatic little shit and therefore so am i. but this album slowly became my baby and I've been listening to it for the last 2 weeks while I've been doing homework and its a good sad bop. these are just my opinions, but i think it would be cool to see what other people think (esp because im fairly new to this fandom). also this post is really long. sorry about that. 

so. we all know jaskier is a bard. he traipses around writing songs about whatever fling he's having or about his witcher. netflix canon makes it pretty clear that geralt is one of jaskiers muses (and probably one of his more reliable ones given what we know about jaskiers dating history). jaskier is also very, very dramatic (as I'm sure everyone knows cause he's the damn comic relief that show desperately needs). in particular though the scene at the beginning of 1x05 where geralt is djinn hunting and jaskier stumbles upon him, drunk, singing off key, and rambles about how "the countess de stael, my muse and beauty of this world, has left me. again. rather coldly and unexpectedly, i might add. i fear i shall die a broken hearted man” and jaskier is clearly half muttering some sad attempt at a breakup song he's trying to write at the beginning of the episode so the question is, wouldn't he do the same thing post mountain scream down with geralt?

the answer is of course, yes he would because jaskier is nothing if not a dramatic little shit. and i am proposing that he writes not only one but an entire album (or set if this is canon era, but if this is canon i think he would keep a great many of these songs to himself, only playing a few select ones with the hopes that someday geralt will hear one and realize how badly he fucked up) of break songs and lamentations about geralt, because say all you want about what their relationship is, but one does not simply go traipsing around the entire continent with someone for 20 years and not grow close to them in some way shape or form (and the show makes it clear that geralt is at least one of jaskiers close friends so). now what is on this breakup album? well I'm glad you asked.

i peg jaskiers music (modern or canon honestly) for this album as being a combination of taylor swift’s folklore/evermore albums and james arthur and ill explain why. 

taylor swifts folklore/evermore albums have this almost ethereal, floaty, reminiscent, indie vibes. there are many metaphors, recurring themes and its overall kinda dramatic at points which i feel is exactly what jaskier would be doing right now (it also just kinda gives me canon era vibes, idk). but james arthurs music is much more emotionally intense which i think is definitely in character for jaskier at this point because he strikes me as someone who copes with things through his music. both artists do the sings through story telling in an almost monologue manner which goes along with that kinda bardic music and all that. i also think that jaskier would want geralt to know that these songs are about him because hes dramatic like that (kinda like how taylor swift writes her stuff). anyway here's what i think would be on his breakup album: 

heres a link to the playlist

1. the lakes - taylor swift 2. from me to you i hate everybody - james arthur 3. maybe - james arthur 4. sad eyes - james arthur 5. hoax - taylor swift 6. naked - james arthur 7. right where you left me - taylor swift 8. all too well - taylor swift 9. impossible - james arthur 10. exile - taylor swift 11. illicit affairs -taylor swift 12. safe inside - james arthur 13. quite miss home -james arthur 14. my tears ricochet  -taylor swift 15. phoenix - james arthur 16. this is me trying - taylor swift  17. happiness - taylor swift 18. death by a thousand cuts - taylor swift 19. empty space - james arthur 20. coney island - taylor swift 21. new years day - taylor swift 22. the 1 -taylow swift

so theres 22 songs which im sure jaskier would do on purpose cause hes a dramatic little shit ( “one song for every year i wasted on you” or something of that sort). jaskier being a dramatic little shit is going to be a recurring theme. some of them work better for modern era than canon era but as a whole this can be interpreted as either romantic or platonic. anyway lets unpack. 

1. the lakes by taylor swift (more canon era interpretation)

this song is the bonus and final track off of folklore. the song is actually about how she wants to go live in seclusion with her boyfriend out of the public eye but that is not what it means in this interpretation. i think that this song is about how jaskier feels as though his career as a bard is tainted now because he spent so many years singing geralts praises and there is no way he will be able to escape that part of his life because undoubtedly hes going to get requests for toss a coin and others he wrote about geralt and people will probably know him as “the witchers bard”. so this song is him talking about how he wants to run away and live out his life in seclusion because geralt took from him one of the only happinesses in his life. 

Take me to the lakes, where all the poets went to die I don't belong, and my beloved, neither do you Those Windermere peaks look like a perfect place to cry I'm settin' off, but not without my muse 

the line “i dont belong and my beloved neither do you” references the fact that jaskier feels like an outcast now that he’s spent years traveling around with a witcher, notoriously outcasts from society, so he feels that he doesnt belong anymore either.

I want auroras and sad prose I want to watch wisteria grow Right over my bare feet 'Cause I haven't moved in years And I want you right here

the second stanza references his idealization of living out his life in solitude, with nature, where no one can judge him (and geralt cant yell at him). 

jasper would have started this album with that song because it states his intentions: he feels as though he’s done with singing. it could also refer to him leaving the public eye (in modern era) to write this album.

2. from me to you i hate everybody by james arthur (more canon era interpretation) 

songs 2-4 on jaskiers album are ones that he wrote at various points while he and geralt were still together/best friends/etc. these three songs establish what the relationship was like before everything went downhill, but they are kind of melancholy, like looking back on a past love (which is what jaskier is doing). this one jaskier wrote about when they met. geralt would have heard him play it before and he would have known that this song was about him (he probably also secretly liked it and jaskier putting it on his album would have been like a slap in the face because it wasn't one that he had shared with other people, thinking it to be too personal). if this album had been released in modern era, jaskier would have released this song as a single to get geralts attention. he would have definitely wanted geralt to know that this album was about him. 

I used to come here on my own and drink So I didn't have to think or hear the whispering I stand with people telling lies again In suits and ties again and I just need a friend

they meet in the tavern and its clear that jaskier is Not having a good time and really just needs a friend, hence why he decides to go talk to geralt.

You walked into the room and cut the atmosphere like a knife, alright Sobering mind 'cause up to now, I've just been wasting my time, ooh yeah

the “wasting my time” part is of particular interest because it clearly articulates that jaskier feels as though adventuring around with geralt was the best part of his life and before that he'd just been a bard with debatable songs. the song as a whole makes it sound like geralt was jaskiers lifeline.

3. maybe by james arthur (modern or canon era works)

this song, while geralt would know immediately it was about him, was not one jaskier ever shared with geralt. it would have been written a few years after he and geralt had met initially. the reason that jaskier never shared it was because it talks about destiny and geralt made it Very Clear that he does not want to fuck with destiny.

I don't know what's going on Where you came from and why you took so long All I know is that I feel it Like it's the realest thing, I mean it Something changed when I saw you Oh, my eyes can't lie You said, "They're so damn blue And I love how you're so forward Is it too soon to say I'm falling?"

this would have been what young jaskier felt over the course of a few years after traveling around (or befriending if this is modern). There was probably a slip up somewhere, or jaskier just thought that he got really good at interpreting geralts grunts and the line about the eyes is what he hoped/imagined/thought geralt was saying to him in return. 

So maybe Maybe we were always meant to meet Like this was somehow destiny Like you already know Your heart will never be broken by me So is it crazy For you to tell your friends to go on home? So we can be here all alone Fall in love tonight And spend the rest of our lives as one

jaskier probably thinks that destiny is some wildly romantic thing hence why he compares them meeting to destiny. the line about heart break would have also hit especially hard after the mountain scene. also i think its pretty clear that jaskier wants to spend as much of his life traipsing around with geralt in the show (modern era wouldn't have been any different), hence wanting to spend the rest of his life with geralt. 

Oh, is it too crazy For you to tell your brothers about me? They told me they'll protect you But I'll look them in the eye Tell them you and I will be as one

this is the part that sells it for me. i think that geralt lambert and eskel would all be very close (admittedly i havent read the books but i kinda get that vibe from the fandom so). this part about geralt telling his bothers about jaskier and then jaskier probably meeting them would have been an Important Moment. 

4. sad eyes by james arthur (modern or canon works) 

aright so im not sure if geralt has heard this one before. i can see it going both ways. its a possibility that jaskier wrote it at some point and then would kinda sing it softly when hes patching geralt up after a particularly rough hunt so its one of those where like geralts not quite sure what the song is but then he hears it on this album (cause say this was modern era and jaskier actually did release this album geralt would totally buy it after a few weeks and then realize how badly he'd actually fucked up) and is like shit thats what he was singing all along?? but anyway this one is essentially about how jaskier thinks geralt puts too much pressure on himself and all that stuff

You wear the burden World on your shoulders, babe So let me hold the weight I know you're hurting Deep as the coldest pain But this is the order sayin'

essentially jaskier can see through geralts bs and hes calling him out on it and wants him to just take care of himself for once (see: the scene in 1x05 when geralt says he cant sleep) 

5. hoax by taylor swift (canon or modern works)

so this song begins the plethora of break up songs that jaskier wrote about geralt. this one would have been written some time after the incident, after jaskier has some time to reflect on the whole thing. i know that taylor wrote this  song about enduring a toxic relationship, which kind of works if you think about the way that geralts treated jaskier and how jaskier interpreted it (but im not implying that their relationship was toxic or abusive or anything) 

My best laid plan Your sleight of hand My barren land I am ash from your fire

jaskiers plan was to reinvent geralts image and geralt did not think that it was worth it. jaskier is just sorta his side kick (who gets him into trouble, as geralt points out) and geralt kicks him aside like he doesnt mean anything to him (like ash from a fire

Stood on the cliffside Screaming "Give me a reason" Your faithless love's the only hoax I believe in Don't want no other shade of blue But you No other sadness in the world would do

this is a little more literal with the screaming on the cliffside. jaskier wanted a reason to stay and geralt didnt want him to. jaskier knows that witchers dont feel emotions (or at least not like humans do) so hes been tricking himself into believing that geralt actually liked having him around, knowing that it was probably going to blow up in his face at some point. but he doesnt quite regret it, and doesnt want to be sad over anyone else.

6. naked by james arthur (modern or canon works)

this kind of goes along with hoax, jaskier probably wrote them around the same time. he’s admitting in this song that he would be willing to try to work it out with geralt, but geralt needs to change first (needs to actually communicate and let him in and all that stuff). 

'Cause here I am, I'm givin' all I can But all you ever do is mess it up Yeah, I'm right here, I'm tryin' to make it clear That getting half of you just ain't enough

hes quoting geralts words back at him here ( “all you ever do is mess it up” is pretty similar to the line about shoveling shit), saying that all hes ever tried to do is be good and kind to geralt, but geralt hasn't really done the same in return and while jaskier may have dragged him into some things, geralt also needs to take responsibility for what hes done as well. 

7. right where you left me (modern or canon works)

this starts the Real Sad Boy Hours songs. this would refer to how he felt pretty much right after, not knowing what to do because geralt had been so much a part of his life for so long: 

Help, I'm still at the restaurant Still sitting in a corner I haunt Cross-legged in the dim light They say, "What a sad sight" I, I swear you could hear a hair pin drop Right when I felt the moment stop Glass shattered on the white cloth Everybody moved on, I, I stayed there Dust collected on my pinned-up hair They expected me to find somewhere Some perspective, but I sat and stared

this is kind of the processing of the event. and also the moment on the album where the audience would realize that this relationship that he's been telling about until now definitely ended. this song isn't super super emotional, its more a jumble of thoughts cause he didnt know what to feel after the breakup happened. although he didnt write it right after the break up, it was written much after as a looking back.

8. all too well by taylor swift (modern or canon era works)

(the link to this one is from a live performance because i like the emotion in this one better) so this song is not off of folklore (its off of red) but its such a powerful, painful breakup song that i had to include it in the lineup because it seems like something that jaskier would have written very very soon after the incident. the memories especially that she touches on in the song (driving upstate, dancing in the fridge light, looking at the photo album, etc) are all very powerful and real and i can see jaskier doing the same thing. again, if this were modern era i think that he might release this one as a single. theres so much to unpack in this song, this ones gonna be a little longer oops.

Maybe we got lost in translation, maybe I asked for too much But maybe this thing was a masterpiece 'til you tore it all up Running scared, I was there, I remember it all too well

this clearly references the mountain scene. they were a pretty good duo until geralt blamed him for all his problems. and jaskier was effectively stuck on the top of a very dangerous mountain that he would have had to navigate down by himself. 

Time won't fly, it's like I'm paralyzed by it I'd like to be my old self again, but I'm still trying to find it After plaid shirt days and nights when you made me your own Now you mail back my things and I walk home alone

jaskier spent half of his life following geralt around, its likely that he doesnt know what to do with himself or his life now that he doesnt have geralt to follow around on adventures. he doesnt know what to do anymore (see the first song).

But you keep my old scarf from that very first week 'Cause it reminds you of innocence and it smells like me You can't get rid of it, 'cause you remember it all too well, yeah

this is more of a hope that jaskier has. he hopes that geralts held onto something of his that he left behind. maybe he left a shirt in one of roaches saddle bags (canon) or a notebook in their apartment (modern) that geralt just cant seem to get rid of. he would like to think that he had an impact on geralts life and that it wasn't just all for nothing. in the beginning, he wants geralt to be just as hurt as he is.

'Cause there we are again, when I loved you so Back before you lost the one real thing you've ever known It was rare, I was there, I remember it all too well

this is a dig at geralt. he'd never had someone to follow him around on adventures before, much less a human. as far as we know it seems like jaskiers the first human that has even given him the time of day. this is jaskiers way of throwing it back in geralts face

9. impossible by james arthur (canon or modern works) 

this would have also been written very soon after the incident. it is more jaskier being mad at himself for not seeing the signs than him being mad at geralt. it is almost like his admittance of the event and like hes finally accepting what happened.

I remember years ago Someone told me I should take Caution when it comes to love, I did And you were strong and I was not My illusion, my mistake I was careless, I forgot, I did

jaskier is someone who clearly falls in love (or at least screws around with people) easily so its likely that someone would have given him some advice along these lines once. but when he met geralt its likely that this caution went to the wind. 

When all is done, there is nothing to say And if you're done with embarrassing me On your own you can go ahead, tell them

Tell them all I know now Shout it from the rooftops Write it on the skyline All we had is gone now Tell them I was happy And my heart is broken All my scars are open Tell them what I hoped would be impossible

this hints at the first song on the album. jaskier has no stomach for singing for audiences asking to hear about the adventures of geralt of rivia. this is his way of telling geralt that, almost as his punishment, he should have to deal with the people who ask why hes not traveling with his bard anymore, because jaskier has no intention of doing so. this is pretty brutal because (as we know) geralt doesnt really enjoy talking about feelings, or talking at all in general.

10. exile by taylor swift (modern or canon era works)

this is a fictitious conversation that jaskier wrote as occurring between him and geralt. it can be looked at either way but i think it makes more sense if bon iver is jaskier and taylor is geralt. 

I think I've seen this film before And I didn't like the ending You're not my homeland anymore So what am I defendin' now? You were my town Now I'm in exile seein' you out I think I've seen this film before

this first chorus is from jaskiers perspective. note the use of “homeland,” as home becomes a theme on jaskiers album. in geralts version of the chorus the line instead is “youre not my problem anymore” which is probably what jaskier took the whole mountain thing to mean. 

All this time We always walked a very thin line You didn't even hear me out (you didn't even hear me out) You never gave a warning sign (I gave so many signs) All this time I never learned to read your mind (never learned to read my mind) I couldn't turn things around (you never turned things around) 'Cause you never gave a warning sign (I gave so many signs)

(the () in this are geralt) this is jaskiers lamentations about how he didnt notice geralts abject discomfort in their relationship and also his regrets in not being able to remedy the situation. 

11. illicit affairs by taylor swift (modern or canon works) 

so this song is clearly and obviously about an affair. however, i have seen interpretations of the song where people view it as being in a relationship that is  so intense and well hidden that in a sense it is almost like an affair, like in the aftermath you’re not even sure if it was real or you deemed it because there isnt really a trace of this other person anymore, and that is the way i think jaskier would have written this song. 

And you wanna scream Don't call me kid Don't call me baby Look at this godforsaken mess that you made me You showed me colors you know I can't see with anyone else

the dont call me kid, dont call me baby part would reference jaskiers humanity, he has a normal human lifespan at least in canon (very much unlike geralt) so geralt might brush him off as being young and stupid. jaskier would have made this album to show geralt that hes not being young and stupid, that this did screw him up, and hes suffering cause of it. kind of like a reality check or a slap in the face.

Don't call me kid Don't call me baby Look at this idiotic fool that you made me You taught me a secret language I can't speak with anyone else And you know damn well For you I would ruin myself A million little times

the secret language would of course refer to geralt himself. hes a hard man to understand (especially cause half his vocabulary is grunts) and hes also a witcher. so jasper had to learn to understand him and now he has no use for that anymore. and the ending line about ruining myself. that would be jaskiers admittance that he would do it again, he'd do it all again, which comes back up in later songs.

12. safe inside by james arthur (canon era interpretation)

this is one that jaskier would have written maybe a week or so after the incident. the song itself deals with distance and coping with not being in someones life anymore, and i think that that is something that jaskier would struggle to cope with because hes not sure he wants geralt to be alone. this song is more for jaskier than for geralt. 

Everyone has to find their own way And I'm sure things will work out okay I wish that was the truth All we know is the sun will rise Thank your lucky stars that you're alive It's a beautiful life

obviously geralt can take care of himself, but its kinda clear that he doesnt much like his life as a witcher (the part where he talks about them getting slow and killed). so this is kind of jaskiers way of almost reminding geralt that his life on the path is still beautiful and important now that he back by himself. 

Oh, will you call me to tell me you're alright? 'Cause I worry about you the whole night Don't repeat my mistakes, I won't sleep 'til you're safe inside If you're home I just hope that you're sober Is it time to let go now you're older? Don't leave me this way, I won't sleep 'til you're safe inside

this is more jaskier worrying about geralt being by himself. he hopes that hes okay in the aftermath of this this and that hes taking care of himself still. because of course jaskier would write a whole breakup album but still write one song about how he hopes the person is doing well.

13. quite miss home by james arthur (modern era interpretation)

this song. oh my god. its so amazing. if you dont listen to any of these, at least listen to this one (actually im pretty sure no ones read to this point so if you have thanks). this song is kind of more along the same vein as the previous one, how jaskier misses geralt but its more for him than geralt. he would have probably written it at like 3am in a fit of tears and weakness, and debated long and hard about whether or not to put it on the album, but done it anyway because what does he have to lose? theres a lot to unpack here tho so this is going to be a longer one. (sorry)

I'm in the kitchen while you smoke outside You're careful not to let the smoke inside I always tell you it's poison But I know it helps you take the edge off the day We get a drink before it's closing time The one on high street with the blinking sign All these memories feel poignant I won't be there to see the snow melt away

this is a very very clear picture of an event that seems to have happened a great many times, so much so that it seems like second nature. its like a little glimpse into what their life was before this incident. its intimate, but it still is melancholy.

Whoa I'm in another city I got nobody with me And it just really hit me

this is where jaskier is now, it provides some opposition. its like a culture shock almost, like hes so used to this intimate lifestyle with another person that its jarring to be by himself.

That I quite miss home And I miss you telling me To leave my shoes at the door 'Cause you just swept the floor And the dirt drives you crazy Yeah, I quite miss home 'Cause it feels like poetry When the rain falls down on the window While you're in my arms And we're watching the TV Yeah, I quite miss home

the key here is what jaskier is referring to as “home.” it's not the place, its geralt himself. all these memories center around him, not an establishment. (calling geralt “home” comes back in later songs.) again, this mosh of memories is like theres so many of them that its almost overwhelming but its stemming from jaskiers need to feel something other than lonely and hes craving this reality that hes lost.

14. my tears ricochet by taylor swift (modern or canon era works)

this is a song that really emphasizes jaskiers dramatic little shit tendencies. this is something that he wrote, trying to predict what geralts reaction would be if he found out that jaskier died. this is really just jaskier fantasizing that geralt didnt actually mean any of what he said and does still care about him. theres many lines in here that are jabs at geralt (if I'm dead to you why are you at the wake? and Even on my worst day Did I deserve, babe All the hell you gave me?), but i think this is the most important one:

And I can go anywhere I want Anywhere I want Just not home And you can aim for my heart, go for blood But you would still miss me in your bones And I still talk to you When I'm screaming at the sky And when you can't sleep at night You hear my stolen lullabies

this is again, jaskier referring to geralt as home. as seen in the last song, he clearly wants to go there, but he cant. this could also refer to where he grew up, which he cant go to either because his parents still view him as a disappointment (as seen in finally). jaskier saying he still talks to geralt is completely in character, he probably still curses him and the whole thing. but the part about geralt not being able to sleep at night and hearing his stolen lullabies is really hard hitting. jaskier likes to think that geralt wouldn't be able to sleep without his banter or his lute playing or something of that nature. over all its a very powerful song.

15. phoenix by james arthur (modern or canon works) 

this is a fictitious apology that jaskier wrote from geralts pov, kind of what he wished that geralt would say, but knows that he won't. 

Let me, let me begin Let me begin, with an I.O.U Who I owe everything to Lately, lately my friend Lately, you think I'm ignoring you But I've been trying to pull through All of the pain, I know you're looking down, down on me I could have been someone I hurt everyone Pushed away everyone who got near

in this “geralt” outlines what he did wrong, and that he didnt mea what he said at all. again, this is more for jaskiers benefit because he knows that even if geralt were to apologize to him, it wouldn't be to this extent.

16. this is me trying by taylor swift (modern or canon works)

this is jaskier trying to articulate the fact that hes trying to pick himself back up after everything, his way of showing his “healing process” and that he can do it, he doesnt need geralt (as the song shows, its not going very well)

And it's hard to be at a party When I feel like an open wound It's hard to be anywhere these days When all I want is you You're a flashback in a film reel On the one screen in my town And I just wanted you to know That this is me trying (maybe I don't quite know what to say) I just wanted you to know That this is me trying

its showing that jaskier is having trouble enjoying things that he once did (like parties) because hes still so distraught over what happened with geralt, but at the same time he also wants to show geralt that he doesnt need him. it has a very i dont care kind of attitude, but jaskier at the same time is having a hard time showing geralt that hes doing okay, hence the “maybe i dont quite know what to say” which is out of character for the very talkative bard

17. happiness by taylor swift (modern or canon works)

this is more him convincing himself that things will be okay. he's clearly trying at this point to move on, but its proving difficult because geralt was his happiness for so long:

There'll be happiness after you But there was happiness because of you Both of these things can be true There is happiness

he also repeats the line “havent me the new me yet” a few times, which i think is again him trying to convince himself that its going to get better and he will move on from it. but this line is the one that i think hurts the most:

No one teaches you what to do When a good man hurts you And you know you hurt him too

this implies that 1. he still thinks geralts a good man (not a monster) and 2. that he knows he hurt him to and doesn't know how to fix either of them. this is also kind of him giving up on how to fix it, but him recognizing they were both at fault is important for the arc of the story.

18. death by a thousand cuts by taylor swift (modern or canon works)

this is another song that is not off of folklore (its from lover), but i wanted to include it because it think it has a little bit of anger to it (especially in this live acoustic version that i linked) which i think that jaskier would feel a few weeks post incident in a fit of rage, like why am i still feeling this way? why did you think that this was okay?? and its right after happiness, which shows that his healing really isn't linear. there's many lines in this song that pertain to geralt and jaskier and i could talk about the whole thing but im not going to

But if the story's over, why am I still writing pages?

this i think is very jaskier. its so raw and like, i know this is over, why am i still writing about it? why am i making an album about this? why should this still matter to me? its very angry and again, like many of the songs, like a slap.

My heart, my hips, my body, my love Tryna find a part of me that you didn't touch Gave up on me like I was a bad drug Now I'm searching for signs in a haunted club Our songs, our films, united, we stand Our country, guess it was a lawless land Quiet my fears with the touch of your hand Paper cut stings from our paper-thin plans My time, my wine, my spirit, my trust Tryna find a part of me you didn't take up Gave you so much, but it wasn't enough But I'll be alright, it's just a thousand cuts

this part, especially if you listen to her sing it, (which i would HIGHLY RECOMMEND BTW) is very passive aggressive and the the last line is like quite sarcastic and downplays it, like, yes you put me through all of this, but i guess its *just* a thousand cuts. this really shows that in many ways geralt was a part of jaskiers life, and his sudden removal from it would have stung in many ways, and thats not something that you can get over quickly. 

19. empty space by james arthur (modern or canon era works)

this song starts the beginning of jaskier getting over geralt. these last 4 songs would have been written much after the incident, after hes had time to think, but there's still this nagging in the back of his head thats like, well what if im being stupid and he is the one and im supposed to go back?

I don't see you You're not in every window I look through And I don't miss you You're not in every single thing I do I don't think we're meant to be And you are not the missing piece I won't hear it Whenever anybody says your name And I won't feel it Even when I'm burstin' into flames I don't regret the day I left I don't believe that I was blessed I'm probably lyin' to myself again

this is more what jaskier wants to be, not what he actually is. he thinks that hes over geralt, but hes not (the chorus gets into it more but im not going to talk about it here, but it essentially says “only you can fill this empty space”) clearly jaskier is further along in his healing process, but hes still having second thoughts. he wants to be over him, but he knows hes lying to himself, very deep down. 

20. coney island by taylor swift (more modern era interpretation)

this is the true moving on song. it’s still laced with memories and speculation, but it puts clear distance between the two of them, much more so than empty space does because it lacks the longing. it just shows things for what they are. 

And I'm sitting on a bench in Coney Island Wondering where did my baby go? The fast times, the bright lights, the merry go Sorry for not making you my centerfold

its apologetic, but nothing more than that. it dwells more on what could have been rather than what he wants it to still be. 

The question pounds my head What's a lifetime of achievement If I pushed you to the edge? But you were too polite to leave me And do you miss the rogue Who coaxed you into paradise and left you there? Will you forgive my soul When you're too wise to trust me and too old to care?

this is interesting because it addresses their immortality and how they've been together for years and also the way in which they left things (paradise). but it also implies that things were on the downfall. and the last two lines about forgiveness is interesting because it then calls geralt “too wise to trust me and too old to care” meaning its more a wish of jaskiers rather than something he knows geralt will do.

Were you waiting at our old spot In the tree line By the gold clock Did I leave you hanging every single day? Were you standing in the hallway With a big cake, happy birthday Did I paint your bluest skies the darkest grey? A universe away And when I got into the accident The sight that flashed before me was your face But when I walked up to the podium, I think that I forgot to say your name

these are all very specific, very intimate moments that would clearly mean something to geralt. and it further implies that jaskier is uncertain if he actually made geralt feel appreciated when they were together. but again, its more what could have been rather than what jaskier wanted it to be, which is a nice segway into the last two songs. 

21. new years day by taylor swift (modern era interpretation)

this is another one not from folklore, this song is the closing track on reputation, but i like the nostalgia of it so i decided to include it (and it also has good parallels to the last song). initially jaskier intended for this to be the last song on the album, but decided to add another one last minute (and we will get into why). this song is more jaskiers muted longing to still be with geralt, albeit in the far future. 

There's glitter on the floor after the party Girls carrying their shoes down in the lobby Candle wax and Polaroids on the hardwood floor You and me from the night before but Don't read the last page But I stay when you're lost and I'm scared and you're turning away I want your midnights But I'll be cleaning up bottles with you on New Year's Day

this interpretation is very much like the actual songs interpretation: the desire to stay with someone through the unexciting parts of life, like cleaning up after a party on new years day. additionally, wanting to start something new with someone (being there with them past the midnight kiss and actually starting the first day of the year with them). additionally though, there is the line of “dont read the last page” which refers to the last song on the album, which we will get to. 

Hold on to the memories, they will hold on to you And I will hold on to you Please don't ever become a stranger whose laugh I could recognize anywhere

this is more jaskiers reality. hes torn between holding onto these memories and hopes and actually facing reality. he wants to hold on to geralt, but he also kinda wants to move on. and the last line about the laugh, thats more jaskiers own hope, he hopes that he will come across geralt again and things will work themselves out.

22. the 1 by taylor swift (modern era interpretation)

the decision to make this song the last one on the album was a very last minute decision, and it was written significantly after the rest of the songs. the reason for this was without this last song, the album ends on a note of hope “Please don't ever become a stranger whose laugh I could recognize anywhere” but this last song is more of a reality check and acknowledgment that what's done is done and that it will never be again. 

I'm doing good, I'm on some new shit Been saying "Yes" instead of "No" I thought I saw you at the bus stop, I didn't though

this refers to the fact that its been some time since the whole thing and jaskiers kind of changed a little bit. he claims hes doing good, and maybe is going to try out a new career (since the first song references wanting to put music down for awhile). seeing geralt at the bus stop is a reference to cardigan where he says “chasing shadows in the grocery line” where hes not actively looking for geralt anymore and it doesnt upset him that he didnt see him.

I guess you never know, never know And if you wanted me, you really should've showed And if you never bleed, you're never gonna grow And it's alright now

this is jaskier saying that hes almost glad that it happened because it gave him a new perspective and it was a learning experience. he also says that its alright, which is the second time that hes said hes okay, which probably means he isnt completely, but hes much closer than he was on the rest of the album because hes not still looking for geralt at every turn

I have this dream you're doing cool shit Having adventures on your own You meet some woman on the Internet and take her home We never painted by the numbers, baby But we were making it count You know the greatest loves of all time are over now I guess you never know, never know And it's another day, waking up alone

this is jaskier acknowledging the fact that geralt has probably long since moved on with his life, either with other romantic people or with his life entirely (the first time he does this on the album). he says that while their love or friendship was unconventional it still was definitely something (implying that it may have been one of the greatest loves of his life). and the waking up alone part references quite miss home and being by himself, but it isnt sad, its just a fact at this point.

But we were something, don't you think so? Roaring twenties, tossing pennies in the pool And if my wishes came true It would've been you In my defense, I have none For never leaving well enough alone But it would've been fun If you would've been the one

this is the part where we see that jaskier has grown. hes recognized that his wanting to be with geralt was never anything more than a fleeting wish or a moment that couldn't last. but he knows that it had potential and it could have worked but it didnt and thats okay. in the last chorus the pennies line is “rosé flowing with your chosen family” which implies that he and geralt were close enough to know each others family (chosen or real), meaning that it meant something. and he wouldn't have minded a long term relationship with geralt, but its not what happened.

in new years day jaskier says “dont read the last page” this song is that last page. part of him still doesnt want geralt to know that hes put aside the hope of it working because he wants to still keep himself open for geralt, but knows that  its not healthy and ultimately he needs to move on. hes essentially giving geralt the choice: remember jaskier as wanting to get back with him (since the last line of the album would have been “please dont ever become a stranger who's laugh i could recognize anywhere” or let him have the knowledge that jaskier is done with him (since the official last line of the album is “but it would have been fun if you would've been the one”)

anyway thats jaskiers breakup album. i put way too much effort into this. and if you actually read through the whole thing, thank you and please let me know what you think!! if you use this for fics or have your own interpretations please please tag me, id love to see!!

[spiltscribbles]

combo of 7 & 8 for pynch hehe :)

Notes: Thank you so much love!!!  |   Send Me A Prompt 

.-

“It’s the last straw! I’m done! I’m over it!” Blue stabs the spoon into her yogurt, teeth clenched, and knuckles white. Adam, like the good friend he is, just calmly slides it out of her hand and gives her a banana instead.

“She’s not that bad of a roommate,” he tells her with a one armed shrug. The look she shoots him can only be described as the personification of betrayal. Adam can’t believe it’s the third time he’s rolled his eyes at her and it hasn’t hit nine in the morning yet.

“They were naked Adam! Nude! Birthday suits!”

“The biblical state,” Henry tacks on and Blue nods along graciously.

Make it four times before nine in the morning.

“It’s Orla…. She’s eccentric

“It was on the couch! I sit on that couch Adam!” blue hits her hand against the table, fully indignant now.

“I really would recommend having it at the very least steam cleaned before partaking in that activity  again,” Henry advises sagely as he takes a sip of his coffee.

“Oh no! No way! I will never sit on that couch another day of my life!”

“Glad to see you’re taking this reasonably,” Adam says, voice blithe, as he brings their cereal bowls to the sink.

“Don’t start with me Adam! You haven’t seen the things I have! The freckles and birthmarks— The hair.” Blue shutters and henry slings an arm around her slim shoulders in comfort, clucking his tongue all the while.

Fifth…. It’s been the fifth time now.

“So how do you reckon you’ll live in there without sitting on the couch ever again?” He needles with a quirked brow, fully having decided to just fall into the dramatics. It’s always easier for him at the end of the day  when just excepting it.

“I’m moving out! Duh.”

“Oo, My Blueberry is becoming her very own American woman!” Henry preens. “Let me get you a chic new outfit Sabrina style!”

“That movie is sexist and culturally appropriates middle eastern garb.” Blue sniffs.

“Good to know that the new Blue has still got all her old spunk.”

“You’re both ridiculous,” Adam tells them, lips pinched.

“We bring bursts of color into your otherwise stale existence,” Blue argues loftily.

“Ridiculous,” Adam repeats with feeling.

“Lying doesn’t become you my dear Henrietta Prince,” Henry tells him far too frankly before turning his attention back to Blue. “You know you’ve got a place here if you want it.”

“Where?” Blue snorts. “In your living room?”

“Our couch doesn’t have naked Orla germs,” Adam offers halfheartedly. 

Blue just levels him with a unimpressed look, and Adam’s got flashbacks to junior year when Maura caught the pair of them getting drunk off Persephone’s peach wine coolers.

It’s terrifying.

“Charming. But no need, I’ve already begun sifting around for places nearby that are looking for a new roommate.”

Adam takes the papers she’s already printed off and begins shuffling through them.

“This one has like five cats,” he tells her with a curled lip.

“It sounds homey.”

“You’re allergic,” Adam rebukes. 

“I’m desperate Adam!” Blue reminds him.

“This one has a picture of him wearing a MAGA hat on his facebook profile pic,” Henry informs her, holding a second listing.

“Okay not that desperate,” Blue crumples it up and tosses it to the side. Adam would tell her to throw it in the trash like an adult but reasons she’s having a moment. 

“Mmm, what about this one,” she waves around the paper and Henry takes it to look over himself.

“It’s with three random dudes.”

“Three normal looking dudes,” Blue presses. “And so to reiterate, I’m desperate.”

“Ted Bundy was a normal looking dude,” Adam charges, making Blue glare at him menacingly.

“Adam I can still see flesh in my nightmares!”

Sixth, sixth time he’s rolled his eyes. Jesus fucking Christ Adam is gonna be sent to an early grave because of  an aneurism from them.

.-

The problem is that when Blue sets her mind on something, not even the angels above can dissuade  her from it, so that’s why Adam spends his Saturday afternoon— the only one he’s had off from a shoot in literally three months— driving to some sketch apartment with her and Henry, in the latter’s abrasively flashy sports car. 

He feels like a fraud.

“Blueberry are you sure you put in the right address?” Henry asks, face scrunched in confusion once they cruise into the open parking spot in front of a dilapidated looking  manufacturing building.

Blue flickers her eyes back down towards her phone before glancing up with a sure nod. 

“Look it says Monmouth right over there on the sign near the front door. This’s the right place.” 

“Right place to get murdered,” Adam intones darkly. 

Blue only tosses him a glare before slipping out.

“Are we bad people for going along with this?” Henry asks Adam, his mouth downturned in concern.

“Nah, we were bad people long before this.” Adam assures him wryly  before following suit.

.-

“I don’t want a new roommate,” Ronan tells Gansey for the third time in the past hour. In turn, Gansey only rolls his eyes before trying to stuff the old pizza boxes into the trash can. God fucking damn it, Helen’s right, they do live like pigs.

“I think it’s a good idea,” Noah contends. “It’ll bring some new energy in this place.”

“Oy, what did I tell you about saying shit like energy and chakras.”

“That’s it’s something a douche hipster would say and you’d throw me out a window if you heard it again.”

“And yet.”

“All I can say to that is dude you need to clear your chakras.” Noah says, fully goading, and making it so an unexpected laugh tears out of Ronan, the total prick.

“For the love that is all holy and right, will you two please just attempt to act normal when she gets here.”

“It’s a girl?”

“A girl with models as friends,” Noah perks, completely beaming. “And you know what that means,” Noah winks and Ronan, for the good of the public, cuffs him on the back of the head. Hard.

“You fucking sly dog, how do you even know that?”

“Preliminary interview through the phone,” Noah shrugs. “She sounds nice, better than living with that guy with a pet snake.”

“That snake was fucking cool.” Ronan argues.

“There’s a one pet limit here, and your raven has taken the slot.” Gansey huffs, hand on his hip like Aurora would do if Ronan and Declan were being especially rowdy. “And Noah don’t ask about her model friends, that’s creepy.”

“That’s kind of my shtick man.” Noah points out, wide eyed.

“Less horror film creepy and more loser from Revenge of the Nerds creepy,” Gansey clarifies scoldingly.

Noah swallows down a lump, properly cowed.

It’s right then when the doorbell rings and Gansey frantically puts in the last of the empty cups into the dishwasher from the sink before scurrying to the doorway, Noah and Ronan on his heals.

Ronan knows he lost the battle and the war the moment the door swings open and the first thing the pixie sized, colorfully dressed girl says is a glowing “Blank 182?” While gesturing towards Noah’s… Well Noah’s everything.

Noah looks like the cat who’s gotten into the cream, Gansey looks more glowing than usual, and Ronan can’t take his eyes off the sandy haired boy she’s brought along with her.

.-

Living with Blue is a beast that Ronan can’t quite figure out how to defeat.

She, probably like any sane person, expects the house to be in some sort of semblance— aka no more jackets and other innocuous articles of clothing thrown about the shared living space, and for dishes to be rinsed after use and put into the dishwasher accordingly. 

“Your rooms can be as trashy as you want, but can we please not make the whole place a pigsty,” she had sniffed with a cocked head and jut out hip. Gansey of course nodded giddily— on account to his staring at her all moony ever since meeting her— Noah had shrugged, indifferent. But Ronan held out as long as possible, sneer on his lips. But alas, she met his every zig with a zag and he found himself in a stalemate.

But Ronan could deal with the tidiness and even the impromptu yoga sessions she holds with randoms from her classes at university. Hell he could deal with her weird obsession with Yogurt too, and can actually listen to her rants about the patriarchy and institutional blocks that keeps the impoverished and people of color and women down from being able to achieve feats once only meant for wealthy white men. Fuck, Ronan’s come to think her particular brand of spitfire humor is actually hilarious.

So yes all of this is fine. But with Blue comes them. Henry Cheng, best friend she met at some art class her freshman year. And fucking Adam Parrish, apparently someone she’s known for so long and so intimately that she refers to him as family more often than not.

And yeah. Ronan is not jealous and Noah needs to take that fucking sneer off his face.

“You’re jealous!”

“I am not jealous!” Ronan yells emphatically for the fifth time.

“Ronan has a crush!”

“Noah God so help me!” He threatens, totally venomous.

“You’re in loveee!” 

“Noah I will destroy you!”

.-

Okay so Ronan might be sorta, kinda, not jealous…. But bothered. Yes Bothered. He’s bothered because he can’t fucking figure out Blue and Adam’s deal. One second they’re sniping at one another about the economy and the next she’s lying her head in his lap while he’s carding a hand through her hair.

Fucking salacious shit.

But occasionally, on especially good days, Blue falls asleep early and instead of going back home right away, Adam stays. He stays and he shares a drink with Ronan on the porch and they talk about nothing really, but also a lot of things. Ronan find’s out he basically grew up with Blue, that she was his first everything. He’s deaf in his left ear and he didn’t mean to fall into modeling but he didn’t have enough money to finish the semester at MIT and instead of giving up he took up some side gigs which eventually culminated into a career of his own. 

Ronan finds out that Adam’s favorite flavor of ice cream is cow tracks and his front tooth is chipped from behind.  Adam has a small, crooked smile and when he laughs its more breath than sound and its absolutely lovely.

Ronan finds this all out but still has no idea whether he has a shot.

And again, he’s bothered.

.-

“I vote on something classic,” Blue tells them with a sip of her shake. (Read the shake Adam bought but Blue somehow still always drinks half of even while she complains about being on a diet, which then leads her to grouse about how Adam stays narrow and lithe even if he eats four quarter pounders back to back).

Sadly, this happened once and only once when Adam was especially stressed over a finals week and hadn’t eaten for literally three straight days. 

She really has seen him at his worst.

“Ooo, let’s watch some singing in the rain! I’m ready to belt out some toons.” Henry crows.

“Oh well if it includes your perfectly pitched singing,” Adam says flatly. Blue promptly elbow checks him and Henry waggles his tongue out.

“Sounds good to me Henry, so where?”

“Your place?” Adam says, brow kinked and trying to smother down the hopefulness in his voice. Of course, it doesn’t work. They know him better than anyone else, and they immediately stick him with matching smirks.

“Pray tell Parrish, me and you have the better entertainment system by far, and yet you’ve been insistent on heading to Blueberry’s place for our weekly movie nights for the past two months…. Hah, I wonder what two months signify?”

“Ooo ooo! I know Henry, I know!” Blue teases swinging her arm up high like an excited school girl. “I just moved into Monmouth and Then Adam over here got all slack jawed and goofily eyed over my scary roommate!”

“Blueberry gets the point!” Henry squawks, giving her a makeshift bracelet out of the straw wrapper.

Adam looks at them both with as much fury as he could muster, cheeks infused red, and jaw locked.

In retort, they only laugh ebulliently.

Adam is so tempted to make new friends.

.-

Ronan opens the door on a random Thursday afternoon a week later and Adam steels his nerves, not about to back down.

“Oh, ah Parrish.” His prominent brows furrow together, suspicious. “Maggot isn’t here yet.”

“I know,” Adam says, head tipped high. “Can I come in?”

Ronan only shrugs as he moves aside to give him the room to enter.

“You look like you have something squirming up your ass,” Ronan tells him, as blunt and as crass as ever.

Adam silently questions to the universe why is it that he’s so resoundingly attracted to him for that.

“You’re so eloquent with your words Lynch, you know that?” Adam tells him, completely flat, and making it so Ronan’s answering grin is something feral and amused.

“So you gonna just stand there looking pretty or actually get it out?”

“Jesus Christ, do you have an ounce of patience in your entire body?”

“I sweat it out at the gym, you wouldn’t know that skinny.” Ronan barbs, hip checking him while he struts to the kitchen.

Adam just glares after his form… His well built and deliciously broad shoulders.

“Still got enough muscle to beat your ass,” Adam teases and Ronan leers, impressed. Adam walks closer, magnetized. 

“So Blue’s enlightened me about something.”

Ronan hikes up a brow, betraying his mask of indifference.

“Is that right. What? Did Maggot make you understand that the hand holding and lovey-dovey looks are getting abrasive?”

Adam is utterly confused to what he’s talking about— Did he find out about the crush, and if so does that mean he’s already, wordlessly rejected Adam. Is Ronan completely uncomfortable right now.

Adam shakes off the questions, is determined to just plunge in for once in his life without beating a situation to death with analysis.

“She’s enlightened me that my crush on you is getting to ridiculous levels of yearning and i should just ask you out like an adult.”

A thousand different expressions pull at Ronan’s face until finding landing at something Adam can only call aw.

“Oh— Ah, wait. Wait do you like me?”

Adam rolls his eyes heavenwards. God he really is going to get an aneurysm.

“You are such a doofus,” Adam sighs before inkling his head forwards and kissing Ronan senseless.

Ronan grabs his head and presses impossibly closer.

.-

Later that night, when Henry and Blue march in with the decided upon movie they both begin to preen at the sight of them, exchange bills with Noah and Gansey too.

Again, Adam is going to be sent to an early grave. But hey, if in the meanwhile Ronan does that thing with his tongue, Adam will at least enjoy his final earthly days.