#I wish I could find love like this

[itsalrightmeow]

Haunted by the past...

[defectiveferalfreak]

i rediscovered @nicktoonsunite and @choraa ‘s art like wowie did they inspire me to dip my toes into NUverse??

also i cant believe Dib and Zim basically waltzed into NU:GoD, like WHATS UP B*TCHS WE  GONNA HELP WHETHER U WANT IT OR NOT like can u believe that lol

[juicysnoop]

watched like 7 seasons of buffy in half a month something is wrong with me anyway ... him

[flufflecat]

this is the most beautiful creature on earth and I will kill someone if it asks me to

[rythyme]

really not a fan of boston very explicitly saying "I want to be exclusive romantically but not sexually" only to be told "You're lying to yourself. I think you should be alone."

[einaudis]

ALL OF US STRANGERS (2023) dir. ANDREW HAIGH

[uncanny-tranny]

I love you smile lines and worry lines and grey and white hair and wrinkles and purple spiderweb veins and the process of aging and living in a body that is standing the test of times. I love you experiences that make you wiser and stories that make you laugh, and every little process that happens to get to the point where you have so many memories because you have the fortune to be here and be so radiant

[plan-3-tmars]

Is this what Happiness is?

- hey so I haven't seen an interpretation of the bar scenes in Half that I fully agree with, so I wanted to throw my own two cents out there into the void and pray that it makes sense !!!

so, in the bar scenes in Half we see what I interpret as a hangout with old friends (or, hangout with old friend + his wife.) These scenes used to be the biggest piece of evidence for the cheater theory, but now that that's been debunked by the man himself, I have a new way of looking at them

~ before I go any further, I just wanted to say that I'll be calling the brown-haired woman whiskey for simplicity's sake

In this scene, Kazui turns to look at Whiskey, saying the lyrics:

"laughing together, side by side, this distance in our relationship is misleading me, is this what happiness is?"

With my guess (cuz that's really what it is there's no evidence for it) that Whiskey is the Bartender's wife i think this scene is Kazui being conflicted with what he's been told is true, that marrying Hinako is "true love", versus what he feels is true, that marrying Hinako has brought distance into their relationship.

He looks at Whiskey, a woman happily married, and wonders why his relationship with Hinako isn't like that.

~ shout out to @prisoner-000 for the following screenshot

in this post he points out that Hinako and Kazui's rings are silver in Cat, not gold like they were in Half, yet Bartender's ring colour stays the same.

For the sake of this writing I'm going to go with the first meaning they put out, that Bartender's ring is gold because his marriage is genuine.

But wait!! I hear you ask. This is Half and Kazui's ring is still gold in Half!! EXACTLY MY FRIEND!!

Kazui's ring IS still gold in Half because at the time of these scenes he's still fooling himself that this relationship is good, that he will eventually garner real romantic feelings for Hianko.

"laughing together, side by side, this distance in our relationship is misleading me, is this what happiness is?"

Remember this lyric that plays during the Whiskey -> Hinako scene. You know what other scene in Half this lyric reminds me of?

laughing together, side by side,

this distance in our relationship is misleading me,

is this what happiness is?

He's beginning to doubt if what he believes is true, he's beginning to believe the feelings telling him something's wrong (and remember, the scene right after this one is when he confesses (?) his secret to Hinako) ARE infact true, and that maybe the logic he's been following for so long has a couple holes in it.

I think these scenes are meant to show Kazui gradually realising that his relationship with Hinako will not work out. It just won't, no matter how hard he tries.

He's able to laugh together and talk with Whiskey because she's his friend, yet he can't do the same with his own wife? Even though, according to his gold ring, their relationship is supposed to be real and true and genuine?

[canonfanon]

Rewatching Pacific Rim right now, and there's this tiny moment between Mako and Raleigh that I really love

Toward the beginning of the movie, before any of the main action, Mako is showing Raleigh around the shatterdome, introducing him to the newly-renovated Gipsy Danger

Directly after this, Mako shows Raleigh to his quarters and the two of them have this conversation:

They talk a little more, Mako reveals her amazing simulator score, but also confirms that she is not one of the pilot candidates. They then discuss Raleigh's abilities. He asks Mako for her opinion - she thinks he is skilled but too unpredictable and reckless. She ends with this:

Raleigh thanks Mako for her honestly and says she may be right. Then goes on to say this:

And the tiny detail in this scene that drives me crazy is right here

He says when. Not if, when. Mako has just explicitly confirmed that Marshal Pentecost is not considering her for Jaeger pilot. It has already been established at this point that there are only 4 Jaegers left anyway, and that the program is nearing its end, one way or another. In all likelihood, they have very little time left until the end of the whole damn world. Hell, Mako herself just criticized Raleigh, and he could very well wish to get back at her for that, were he a different person. AND YET, despite all of that, he says when. Raleigh has faith in Mako from the very, very beginning, before they even drift together, before he even sees her fight.

And that drives me crazy! I love their relationship so much

[alexturner]

DAISY JONES & THE SIX Track 8: Looks Like We Made It

[biigiiiii]

So this:

Leads to this:

Which leads to this:

Which allows vecna to do this:

Right? Right………. So then this:

Leads to this:

Which leads to:

???????????????? 👀👀👀👀👀

Will has had powers.

[bumblingbabooshka]

Polycule Moments Guess who got access to recording software

[queen0fm0nsterz]

thinking about the Lady again and she actually is the Character Ever.

Starting off with her design. How ridiculously simple it is, right? Her yukata is plain brown and has a single layer, her wig (and yes, I am positive what she wears is not her hair but a wig soley because of how easily it comes undone... that kind of hairstyle is meant to STICK when done with actual hair) has no decorations befitting a woman of her powerful status and her mask is nothing but... empty. You could mistake her for a mannequin and you wouldn't even be wrong. It's by design, after all: she is as insanely important, as a figure, as she is anonymous as a person.

But then, it's with amusement that you note that that boring, unexpressive mask is called the "Rascal's mask" when unlocked. It's such an oddly affectionate nickname stemming from a person so utterly despicable. And then you notice her hair. Her long, black hair that should be hidden under her wig, as the hairstyle goes, but are instead hanging out freely. Not very traditional at all, right? You could almost read it as a small act of defiance of... something. Now, what that thing is, I doubt even she knows. Maybe it's just her way to seek individuality without having to step into zones she does not want to touch.

And then, of course, the lack of shoes. It's not uncommon for people to wear slippers in the house - especially for the Japanese - but she just... doesn't. In that small, small way, she is similar to Six - and every other child in the Maw running around barefoot. Except she's above running, of course. She's got the privilege of floating like a ghost so that she may never touch the ground.

(The only time when this rule is broken is when she fights Six, poetically enough. You can see her visibly step back.)

These strange little things are the first things that push you to wonder about her as a person. Not the title, not the Lady of the Maw: the individual behind the mask. Who is that person? What is she like? Is there a way to answer these questions? I think yes, if you know where to look - but is it worth to ask these questions considering what she does?

That depends on you. Me personally, I think there is narrative worth to be found in what she has to hide. Her foil, Six, finds value in the aspects of herself she does not hide: she is very unapologetic in her selfhood. The Lady isn't, for the most part.

(I wonder if that would make her envious of her younger counterpart in a different context?)

Frankly, looking back on her choice of attire, the fact that her personal bedroom is barely decorated is not surprising. She only has the essentials: a bed, the vase with the key, a few pictures of importance (of people long forgotten, herself included no doubt) and... an ungodly amount of misplaced clothes all over her quarters. All the same yukata, repeated over and over, maniacally folded and arranged in towers, but never where they're supposed to be.

A bedroom is the reflection of yourself. Of your inner world. The fact hers looks so barebones is quite telling about who she is. Or isn't. She herself may have some trouble trying to figure that one out.

I think that, in a vacuum, it's easy to assume that the reason she's so displeased by her reflection is soley out of vanity. That is definitely part of it, but I don't think that's all there is. Because after seeing the mannequins that all look just like her, the four women in the picture who also wear her same exact clothes... and that hidden quote.

This quote, which is from Alice in Wonderland. Specifically from a conversation in which Alice expresses how she doesn't recognise herself anymore because of how many times she grew big and small during the course of the day. She is not the same person she was before entering Wonderland.

I find the way she clings to the dolls and the music box to be much more... sombre when keeping this in mind. In a way, that scene is reminiscent of Monster Six clinging to her music box in the chaos of the Tower; an attempt to attach to something safe. For the Lady, it's even more personal. Those are her toys. Her song. No one can take them from her and claim them as theirs. These materialistic tomes are physical proof of her identity. She likes dolls, and she likes to sing that song from her music box. Surely, that much is something.

But a ceramic toy and an old music box are not really enough to placate the inner turmoil. Hence the broken mirrors, the hidden statues... the hung down portraits with their eyes scratched out - from times of the past. There is a person looking back in the mirror which she does not recognise. That can't be her, right?

It isn't. The reflection is but a faux image of her outward appearence. The inside, however... much like this concept art shows, she is melting away. Rapidly decaying no matter how much she tries to stick to her youth.

Because at the end of the day, that's what she's doing, no? The toys, the music box, her appearence... all of it, just to cling a bit more to the person she used to be. Point being that I doubt even she remembers what she used to be.

You'd think a person like this would be inclined to feel at least some sympathy for all the lost children wandering the Nowhere. A sense of kinship, perhaps, or even just... basic human compassion. She has proved to have very human emotions, after all. This is where she proves you wrong. Whenever you think she's stepped the lowest, she always goes lower.

In her humanity, she is brutal. Relentless, ruthless. She offers no sympathy to anyone and has no empathy to spare either. She is very much aware of what's going on under her roof: she not only allows the Maw to continue being the way it is in spite of having the power to change things, but she actively engages in its despicable practices. She has petrified children in her quarters, as well as their ashes - of which the use is unclear - and then she is responsible for the Nome population and exploitation being so large and so eerily heavy. She's twisted necks, broken bones, murdered innocents.

The Shadow Children are, to me, one her greatest offenses. I don't think they serve any particular purpose other than... being there because she wanted to make them. Children ripped away from their life because of her whims. Not even in death can they rest because she can get her hands on their souls. They're nameless, forgotten shadows with blank masks: they're just like their creator, in that way. Ripped of all individuality and devoid of everything.

Everything she sees, the Lady devours. Not a creature is safe from her shadows and her wrath, especially if they come and actively intrude in her activities. She's twice as aggressive if the Maw is at stake.

The Lady's personal bedroom has another motif piece which I did not previously mention: the Maw wallpaper. While Roger and the Chefs have wallpapers that portray them with her, the Lady... does not. She only has the Maw. She's not part of that picture.

The Lady can't let the Maw change its ways. She is the Maw. The Maw must survive: so must she. To change the Maw would mean challenging herself enough to bring about a change; to her, who does nothing but lament what she lost, that would be too much effort. Too outside of the comfortable zone where she can survive in peace. Miserable, but unbothered.

... For the most part. Until Six comes around.

[late-night-vocaloid]

wait wait put your favorite vocal synth songs that you don't necessarily know if people would know in the tags (any level of popularity dw too much about it), the kind you can't stop replaying. what would you tell people to go listen to right now.

[scribefindegil]

the trials and tribulations of being an ekurei enjoyer who never wants to see that damn security guard again in my life :/

[sevensoulmates]

7x05 Eddie Spec (Claw arm call)

A lot of people have been talking about the promo and Buck's date (rightly, because !!!) but I haven't seen anyone talking about the rest of the promo with the dude with the claw hand being a speaker at a convention talking about "the secret to self-control" with the sign "I'm the boss of me" behind him, while his hand seemingly takes on a life on its own and tries to hurt him.

Given how we know this episode is gonna have a huge Eddie plot and will likely be Eddie-centric if not feature him heavily, and calls are usually supposed to reflect whatever is going on in the character's personal lives, I can't help but feel like this "self-control" convention is pretty interesting to see in relation to an episode where Eddie's going to be struggling with his relationship with Marisol (and maybe his sexuality subtextually).

Eddie and "self-control" have already had a tumultuous relationship over the course of the whole time he's been on the show. A lot of Eddie's personality is very restrictive, not allowing himself certain things either because he doesn't think he deserves it, or because he would rather sacrifice his own wants and needs in order to prioritize someone else's (usually Christopher's). Eddie's irrational need to always be in control of himself (hence why he was so in denial about his panic attacks) has caused him many many issues over the years, and while he's definitely started unpacking a lot of it, especially in regards to his military service and his relationship with his dad, he hasn't really done so in regards to his relationships, and I think that's on purpose.

"Self-control" is also "self-denial" which is also in the same vein as "repression" and I just can't help but feel like this call will likely mirror Eddie, in that the "hand that suddenly has a life of its own" and is now coming back to hurt the man, is a reflection of something within Eddie that he's tried desperately to control before, but will now take on a life of its own. When you deny yourself something, it's usually denying a desire of some kind. And I think that it's time that Eddie's desires that he's been so desperately trying to keep under lock and key for years will finally take on a life of their own, and the more Eddie desperately tries to wrangle it back inside, to shut it up, to stifle it, to deny it, the harder it will fight back and the worse it will hurt him in the process.

My prediction for that call is the second that man finally stops trying to control his arm will be the second he's free of whatever is "possessing" it. Because in actuality, the arm isn't being possessed, it doesn't have a life of its own (it may or may not be something medical idk but my guess is still that it's likely something psychological). The man's arm is a part of him. Just like Eddie's sexuality is a part of him. And Eddie can only find harmony in himself, and stop hurting himself by making choices he knows he doesn't actually want, when he stops trying to control the Unspoken thing inside him and lets himself be free.

I'm not saying Eddie's going to be having any big revelations in this episode, or that it's going to be resolved right away but this call will likely be a strong hint at where Eddie's story is going to go, and 7x05 will be just the start of it.