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#I’m worked up about a cartoon being so horribly bad about characterization and the creators clearly wanting to have nothing to do with
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The Scooby gang are friends. The Scooby gang are BEST FRIENDS. THEY ARE BEST FRIENDS AND THEY LOVE EACH OTHER SO MUCH. THEY TRAVEL AROUND SOLVING MYSTERIES FOR AS LONG AS THEY CAN BECAUSE THEY HAVE A PASSION FOR IT AND BECAUSE IT MEANS THEY GET TO SPEND TIME TOGETHER WITH EACH OTHER. THEY ARE BEST FRIENDS.
They don’t hate each other. Maybe they get annoyed and cause they’re together all the time it might get a bit much sometimes but at the end of the day, they really deeply care about each other. They live out of a van most of the time and are on the road constantly out of CHOICE. TOGETHER. for crying out loud.
They are four teenagers and a Great Dane. They’re a family.
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afreakingdork · 5 years
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So this isn’t really a review as it is more a rant. I had a reaction last year that was very dangerous and it has taken me a long time to recover. When I am not feeling good I love turning to cartoons because they represent low stress and easy on the mind entertainment when everything else seems out of control. I cut the cord with cable years ago and I only have Hulu and Netflix to turn to for entertainment. I am a huge buff when it comes to cartoons in general and I even ran a club back in my college days dedicated to teaching others about the joy of cartoons, but recently I took on watching Twelve Forever on Netflix, a show that if you remember was posted as a short back in 2016 for Cartoon Network to pilot test new shows (a practice they have been doing for a hot minute now). Now I am going to put a majority of my rant under the cut just in case people don’t want to look at the text but I will simplify my point here (feel free to stop reading if you disagree). I don’t like the message that this show portrays about vices and growing up...
Now I have done the basic research and I understand the creator’s past issues with alcohol. Now because of that fact I would assume this was a direct correlation in a show about escaping the real world, but instead we are left with 25 episodes where Reggie doesn’t really learn anything. Reggie is a selfish character and an outcast. I totally get it, I was a wild child myself and I couldn’t care less if I had friends or didn’t. One time my mom tried to punish me by taking everything out of my room, but my imagination was so strong that I was having a blast playing with literally nothing. I see myself in Reggie in so many ways, but there are many ways I don’t. She is incredibly selfish as Todd kindly points out. She is so selfish that it manifests in the show via the fact that Ester is constantly trying to put some meaning into Endless. It takes all the way until the end of the series to even find out how Reggie made a way for herself to enter even though Ester has been asking those questions all along. Reggie constantly just brushes any comments about Endless away with an ‘I don’t care’ or ‘It’s more fun to accept Endless the way it is,’ which is awful considering how dangerous Endless actually is. 
A big departure from the short is the added gross-out humor that wasn’t necessarily as prevalent in those first 8 minutes. I was jarred in that first episode when they started to lean heavily on creepy or downright gross comedy as I wasn’t expecting anything like that from this supposed fun and magical world. Instead we have an entire episode where our trio plans to spend all of spring break on Endless only to have Reggie removed from the equation due to appendicitis. Ester and Todd LITERALLY lose their minds due to their prolonged stay on Endless and when Reggie can finally make her appearance to save them, she has to physically force them out. They regain their memories and are visibly scared by what has happened to them, while Reggie is just mad that they ‘ignored her’ when they were clearly under some sort of spell. She doesn’t care about their well-being and instead chooses to go back into Endless alone because she missed her time there and her friends are just disrespecting her. The episode ends with Reggie lamenting that her fictional friends are her real friends. This ominous ending is just that and this idea never really comes to fruition further. 
This idea is expanded on further when we meet Elmer who is a child that was orphaned and decided to move his life into Endless permanently. We are shown that he has not only lost his mind, but his humanity. While Todd and Ester are scared by this proposition, Reggie is instead spurned on. She still wants to live her life on Endless and believes she is stronger than Elmer in that she won’t succumb to the same fate. I see how this can be a definite parallel to addiction, but with 25 episodes the story that is told doesn’t even get close to showing how this mentality is a bad thing. Are the writers just assuming they are going to get another season? More story progress was had in the 10 episode arc that was Over the Garden Wall than this and I find that totally appalling. One of the main reasons I stopped watching Teen Titans Go! was because the episodes started to become moral-less.Let me clarify that I don’t expect kids cartoons to have morals! I mean I watched Adventure Time and I can totally get down on a whole episode that amounts to nothing but a fart joke. The issue i have is when you set yourself up for something real, something that can impact that life of a child, that you are doing a disservice to a very impressionable target demographic. I am worried about the kids that will watch Twelve Forever and think that this type of escapist attitude is alright in the world. This is why ensemble casts are so important in cartoons. It’s healthy to surround yourself with other people. Not caring about others isn’t cool just because you want to be weird and quirky. There are other weird and quirky people out there that will love and support you. You shouldn’t just be the way you are so boldly that it alienates you from everyone else. I’m not saying to not be yourself. You should always be yourself boldly, but human beings are inherently apart of society and it’s healthy for them to interact. 
Now this idea leads into a larger concept about the infantilization of millennials and I am a millennial that is well into their 20s who loves watching cartoons. I know that this idea of nostalgia is ruling media right now and I am happily apart of it.  To people who tell me I am too old to watch cartoons I of course say they are being ridiculous and cartoons have always been created for kids with the parents who have to ‘suffer’ through them in mind. Parents are always in the background of creators thoughts because they will always been inadvertently watching the cartoons also, but this message of  infantilization in Twelve Forever scares me. I am scared for Reggie that she will never grow up and will be lost to Endless forever because she was never encouraged to grow emotionally for the sake of her friends. The whole reason she made it into Endless was as an escape because she can’t deal with her emotions and no one is trying to help her. This brings me to the characterization of parents in Twelve Forever. I find the parents in the show to be downright horrifying. 
Reggie’s mom, Judy, genuinely thought it was a good idea to give her daughter a bra on her 12th birthday full well knowing that one of her party guests was going to be a boy. Just typing out that sentence I can feel the second hand embarrassment. Judy believes she is doing the right thing by shoving make-up at her daughter because that is what she liked at that age. It doesn’t matter to her that Reggie is an obvious ‘tomboy’ who even asked for a specific new action figure for her birthday. She can only see her daughter through her own eyes and does nothing to try to get closer or understand her on any emotional level. Now you can of course say that she is working as a nurse and those are undeniably grueling hours, but Reggie is straight up honest with her mom and her mom blatantly ignores this. Judy even has a friend, Kathy, in the show who is an archetype for a less than feminine woman. She takes no cues from Kathy when it comes to raising her own less than feminine daughter and instead just exasperatedly can’t understand why Reggie is the way she is. Now I was a ‘tomboy’ (it’s in quotes because I don’t care for the phrase, gender roles are bullshit) who grew up after my mother refused to even dress me in girls clothes. My mom was so frustrated with unhealthy depictions of women that I wasn’t allowed to have Barbies and I didn't mind this, I could crash my Hot Wheels all day and make a parade float out of Beanie Babies without a care, but when it later came to choosing my own clothes my mother never intercepted. It was always my choice, because expression is important, but Judy can barely meet Reggie halfway in the episode where they go to the mall to pick out an outfit for Reggie to wear to a wedding. She ends up forcing Reggie into an uncomfortable and ill-fitting purple dress and tries to make up for her actions by letting Reggie pick out equally ill-fitting big ole’ red boots. I don’t find this to be compromise, this is nothing but simple placation. Judy knows what she did was wrong, but she refuses to see any other way to move forward on the matter and the show thinks that this is a heartfelt way to wrap things up to which I wholeheartedly disagree.  
Another failed parental image that scares me is Todd’s dad. This is a man we see only once and can only imagine through Todd’s eyes. This is a man that is in the midst of some mid-life crisis and has somehow gotten custody of his kids in a divorce. He has a new wife(girlfriend?) who he pours so much money into making her happy by taking her out constantly and doing what she suggests (dying his hair) that he can barely pay his bills and is shown to be repeatedly selling off Todd’s objects to make ends meet. Todd even tried to hide a coin collection only to have it inadvertently found by his little sisters, who are wild due to lack of parenting, and then sold immediately by his dad for cash. This unhealthy situation is of course what leads Reggie to showing Todd Endless, but the show again puts no effort into illustrating that this is a horrible situation for Todd. Instead it is just his circumstance to give some semblance of meaning to the fact that he wants to escape reality. This paired with everything else is exactly the reason why Twelve Forever scares me so much. It depicts these incredibly unhealthy and downright dangerous situations as simply existences that people have to suffer through. If I were a kid that had watched that, I would just thought that was normal and not something that is inherently wrong with our society that should not be perpetuated or fixed! This is not representation, this is normalization. 
P.S. But hey, Reggie has a crush on a girl so we should support lgbtqia+ media? Well here’s my little piece of that. I love my little lesbeans. If you’ve read any of my reviews you know it’s something I crave, but Reggie is so misplaced in her emotional development that just coming to terms with the fact that she may have done something embarrassing in front of her crush is enough for her. She then shuns Conelly (and the options of gaining friends in the real world who like the same quirky stuff as she does), so that she can once again return to Endless. It’s less satisfying then yuri for the sake of perv pandering in my opinion. 
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sokumotanaka · 5 years
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Last train home: An ode to Rwby
It’s over...it’s finally over.
Prepare for a long and tired final post.
Look, let me say this;
RWBY volume 6 is a mess and I think that's the most charitable thing I can say after spending several years of being invested in it’s crumbling world.
Maybe it was laziness, rushed or sheer incompetence that made this season crumble, so in my final review on rwby as a whole I may have to do some guess work at points; and after several wasted years, I’m not in a position from this point on to be charitable.
I gotta tell you, volume 6 tricked me, hell from what I seen it tricked alot of us, it started off good, we learned thing we should of learned volumes ago. But then I soon realized that this volume was; damage control. We learn of ozpin origins with salem only to not get to absorb it cause we soon learn through obvious reasons that maria was a silver eyed warrior and when ruby finally starts training, we meet one of jaune’s sisters, also pyrrha’s statue is there, but also neo is back, but so is adam and cinder, also mercury has no semblance, tyrian has a new tail-
see what I mean? before you could absorb one thing, two more pop up in its place and there’s such a lack in structure in the world, characters, their growth, development and their dimensions. The magic and power system that rwby has is just a mess that gets increasingly worse as it progresses, they take one step forward only to stumble several feet back and fall on their ass. And maybe one of the problem is I listen to writers commentary; to someone who doesn’t they won’t see as many problems as I do with the series, but when you actually listen to it you see the many problems it has with how this series is handled.
A reboot is at this point completely necessary and needed for this series to make even a semblance of sense. Semblance, Aura and Dust are so poorly handled and explained that they changed at several points to the point of being contrived.
Semblance was originally something you could use when your aura was completely depleted before requiring aura to use.
Except when it’s not but also when it can be, it changes at the drop of a hat, we see yang use her semblance with no aura in her vol 5 trailer, then sun in vol 4 loses his semblance when his aura is depleted.
despite miles changing it almost instantly afterwards...
When I started rwby I was optimistic it could be a great show probably not spectacular or amazing but great, and while it had it’s flaws and potholes at the time they were relatively small at first, but they just kept growing and more issues popped up and...christ if you like rwby and notice it’s flaws that’s fine, but I can’t say the same for people who outright ignore the flaws people critiquing the series bring up to get mad and preach about how only positive criticism can save the show.
Look as a person who started off with positive criticism I’m not saying it has no place, but you also can’t say critics be it negative from your perspective, is objectively bad or unneeded. Sometimes a firm but fair hand is needed.
Ruby’s issues are like a small flame building up, you can close your eyes and ignore the problem but sooner or later if something’s not done your house is gonna be completely on fire, and you don’t know how that may affect your surroundings, for all you know ignoring the issue caused the trees behind your house to catch fire, maybe one toppled over and landed on a neighboring house and now it’s spreading. The bottom line is weather you can get past the issue to find the things you like isn’t the problem, it’s ignoring them in the first place, if you aren’t willing to help something growth and change for the better with non rose tinted criticism then you’re not offering any help at all, you’re hindering it because you yourself refuse to change and that can be just as harmful if not worse to coddle something.
Rwby increasingly became more unhinged as a series, the flaws turned into overlapping problems, this went from a world that felt had love and care crafted into it to a plot and world with more holes than swiss cheese, which is why so many people felt disappointed and rightfully annoyed, could you sit there and tell me if I made a series and told you one thing yet showed you another only to tell you “yeah that’s not what I meant.” in post that you wouldn’t feel even the slightest bit of cheated, lied to or had your time wasted? If not do I have a camel to sell you among other things!
As a person who sat through so many lovely crafted media; I sat through paper mario and it’s whimsical tale, I watched avatar and fell in love with it’s amazing characters, world building and music, same goes for things like steven universe, final fantasy 6 (a game ironically about togetherness) ff9, the persona series, hunter x hunter, soul eater, gravity falls, Disney flicks, the dragon age series every super giant game, all these and more were handled with so much love and care and hold their structure throughout.
I.  LOVE. MEDIA.
I spend most of my time absorbed in their stories worlds and characters, laughing and crying and growing with them to the point I studied it, twice to get two separate degrees in it because I wanted to write at a time. So when I critique rwby, call out it’s flaws and so on, it’s not a personal attack on you if you like it, but I also can’t be satisfied with where the series has gone, not because it’s not ‘my’ take but because I enjoy narrative flow, I find interest in the characters if the plot isn’t too good and vise versa, media can touch on so many amazing things and I felt at a time...that miles and kerry could do well if they tried, if they applied themselves, before becoming such mean spirited, greedy and unwilling people, and this was long before I came into the picture, long before rwde no matter how much you disagree or what to place blame.
Cause trust me I seen rwby stans (fans unwilling to hear criticism out and will display many hypocritical and messed up tendencies over a cartoon)  not only ignore issues, tell people to kill themselves over a typed critique of a series they like, be irrational, sexist, racist or just plain stupid at times, you realize soon that the rwby tag is a cesspool of horrible people mixed in with a minuscule amount of fans willing to discuss the issues offer fixes and healthy non annoying chats on what they like and dislike.
Which confuses me as an individual cause I feel personally you can and should review rwby without threat of an anonymous person telling you to die over your opinion or one of the writers telling people to...enact physical violence on fans who don’t watch the supplemental material they hide, don’t promote to a casual audience and contradict and retcon on a constant basis. And sometimes it’s through a panel or a tweet, a casual rwby fan wouldn’t even catch unless they constantly follow the writers around or have someone dedicated enough to do so.
And all the stuff I mention and want isn’t impossible or asking too much honestly, I’d like the writers to be honest and fair to their fanbase, like anyone would, I’d like them to listen to actual critique and hire someone who can guide them so it doesn’t turn into one big “damage control” arc, The characters need more substance and need more screen time to grow as characters and fighters, when your fans excuse character growth with “Well animation is hard, not everything could be onscreen it could happen offscreen.” you have a problem, can you imagine ed just showing up with alphonse and it never being explained and I go “well animation is hard.” yeah that goes without saying but at the same time there are writers, creators and so on who get paid less, have smaller teams and sometimes just teams of two people to work hard on their craft, amazing teams with money, production and care like supergiant games get overlooked, so never EVER excuse jump cuts and lack of characterization, structure and development when better writers are out there busting their asses.
Do not be that guy.
*sigh* I been sitting here thinking how how I could end this, how after several years of a fast decline in quality, what’s something I could possibly leave this on? What can I say past this point? I been actually sitting in stunned silence trying to mull it over. I guess all I can say is, if you like rwby fair, fine, despite the major holes I discuss fixes with the series, I draw characters, try fixing the crumbling road of rwby trying hard to understand it, make no mistakes that when I critique it it’s not coming from a place of contempt for the series, but of disappointment in how far it’s fallen and how it could have been good if miles and kerry took the hand offered, it wouldn’t lead them down the most comfortable road, but they’d gain experience from it and could fix the series possibly for the better, and if you again like rwby, do not allow rose tinted goggles to blind you from the issues of the series, the ever growing problems with the series and the unwillingness for the writers to change and grow, do not allow more writers to turn into david cage, M Night Shyamalan, or stephenie meyer.
If you want the best for the rwby series and the rwby brand then you cannot accept mediocrity, you need to be vocal otherwise the writers won’t be incentivized to do better. And it doesn’t have to be straight up criticism, you can word it your way as long as it helps the writing grow, but at the point we’re at and how nice or not miles and kerry take current criticism rwby will continue to plummet and honestly that’s a disappointment.
To all fellow rwde and non rwde who have supported me thus far? Thank you, this has been a wild ride and while we possibly haven’t seen eye to eye I enjoyed and learn alot from watching you over the years, and now I think it’s finally time for the vet to retire and give the reins to new people, I received alot of kind messages from this and they touched my heart, take care rwby critics, it’s been real.
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-A past fan of rwby
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sage-nebula · 5 years
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I caught up on Miraculous Ladybug a couple days ago, so I thought I’d jot some thoughts down now that I’ve seen every episode and have a clearer scope on the series and characters as a whole.
First and foremost, let me just say that I think people take this show way too seriously. As I mentioned before, all I saw before I actually sat down to watch the second season for myself was hate and negativity. People bashed the show, the creators, and so on and so forth left and right. The thing is, sure, there are concepts in this show that could be taken deeper if this was meant to be a serious, deep show. But it’s pretty clear that’s not the case. Miraculous Ladybug is a bit like a ‘90s action cartoon, albeit one with a shoujo flavoring. It’s meant to have about as much depth as, say, Jackie Chan Adventures. The characters do learn lessons and develop, sure, but the creators don’t hold true and fast to those lessons because their main objective is to entertain via monster of the week battles and the occasional plot movement here or there. That’s not to say that there aren’t areas where the show could be improved, but it is to say that this show isn’t meant to be a sprawling epic and is instead just a shallow, fun show to watch and unwind with. But regardless of what it’s meant to be, I think that people in the Miraculous Ladybug fandom should remember that no one is holding a gun to their head, forcing them to watch. If the show isn’t to their tastes, if they’re not having fun, if all it does is make them angry and miserable, they should stop watching. That’s what I did with Voltron: Legendary Defender. Of course I still hear things about it that make me mad, but I’m far less devastated than I would be if I had to watch the nonsense unfold in front of me (not to mention that I stopped feeling stress leading up to new season releases because I stopped watching the show). This is a cartoon about teenage superheroes. You’re not obligated to watch. If it’s not fun for you, go do something else. Find a new series to get into. I promise you, your life will only improve if you do.
That said:
Aside from the above, probably the most unpopular opinion I have about this show is that Gabriel Agreste is hands down the most interesting character. It might be because I’m an adult rather than a teenager myself, but I’m not that interested in the high school romances the show has to offer (and when I am, I prefer rarepairs that will never happen, lol), but I am interested in Gabriel’s history, what led to him becoming Hawk Moth, and how he continues to deal with that in the present day. Romance-wise, I think that Gabriel/Nathalie has the potential to be the most interesting ship on the show. I think that episodes that focus on the Agreste family and their history are the most interesting ones. And while Gabriel is clearly a villain and has done some awful things, I’m interested to see if they’ll successfully make him a tragic villain, because I feel the groundwork has already been laid out for that to be the case.
I’m crossing every finger I have that when Emilie Agreste is awoken from her coma, it’s revealed that she’s ten times the villain Gabriel ever was. Part of this is because I heard it said somewhere that Mayura was Hawk Moth’s boss, and yet we know that’s not the case with Gabriel and Nathalie; part of it is also because I’ve seen so many “OMG I WANT EMILIE TO GET FULL CUSTODY OF ADRIEN!!11!!” posts that give off the vibe of “mothers could never be abusive” and that rubs me the wrong way. (Same with “Nathalie needs to adopt Adrien” posts; she clearly doesn’t care about him half as much as she cares about Gabriel, stop acting like she’s a better parent than Gabriel just because she has a surplus of estrogen.) We know that Adrien has fond memories of Emilie and that she took sweet pictures of him, but: a.) If she was nice to Adrien, that doesn’t mean she wasn’t a villain to everyone else, and b.) She could have easily been the type of abuser to guilt trip and manipulate rather than neglect like Gabriel, meaning that Adrien might not have recognized her abuse for what it was and might have instead felt that any time she was upset, it was his fault, and c.) It’s entirely possible that Gabriel would have taken the brunt of whatever abuse was doled out in order to protect Adrien, with Adrien being none the wiser Any one of those possibilities could be true, but the fact that people don’t even want to acknowledge that Emilie could be terrible to reeks of “she’s his mother, of course she wouldn’t abuse him,” which I just don’t vibe with at all. Gabriel is an abusive parent as well (though we can see that he does care about Adrien, though not enough to stop what he’s doing), but that doesn’t mean that Emilie is great. The fact that Gabriel’s love toward Emilie is so unhealthy speaks to the fact that there was more to her (and their relationship) than meets the eye. (And yes, Gabriel’s love for her is unhealthy, and severely detrimental to his quality of life. Since losing Emilie, Gabriel has: - Not gone outside even for a moment, instead staying locked up in his manor all day. It’s noted several times in both “Style Queen” and “Queen Wasp” that his appearance in the latter episode was the first time he’s shown his face in public since Emilie disappeared. - Cut off practically every relationship he has and socially isolated himself from everyone else, including those who would show him any sort of love or affection, to the point where it catches him off-guard when someone---even his own son---does. - Neglects any other kind of needs in his life outside of those that are either necessary to support his family (his work) or bringing back Emilie. We never see him having fun, spending time with others, or even taking time to relax and recuperate. - Become extremely paranoid and mistrustful of others, keeping secrets from just about everyone and casting a suspicious eye on anyone he comes across. He’s also paranoid about the safety of his one remaining family member. Particularly with regards to how Gabriel has isolated himself from practically everyone save Emilie, I would argue that Gabriel’s abuse and neglect of Adrien is continuing a cycle from what Gabriel himself has experienced as a result of Emilie’s “disappearance,” and possibly even beforehand. Which of course DOES NOT excuse what he does to Adrien, but it might explain it. All in all, the relationship we see between Gabriel and Nathalie is far healthier than what we’ve been given of Gabriel and Emilie, and I’m curious to see if this continues in later episodes.)
I love Luka, and I really hope that we see more of him. Additional thoughts:
Upon watching “Captain Hardrock,” I got the vibe that Luka might be on the autism spectrum somewhere. I hesitate to say this because the last time I made an autistic headcanon I was screamed at for it and deemed a horrible person, but particularly with how Luka said that it’s easier for him to communicate through music rather through words, how he often looks down at his guitar instead of right at people (though he does make eye contact sometimes), how he tried to joke around with Marinette but ended up hurting her feelings and looked genuinely panicked / upset that he did so . . . I don’t know, I just kind of got that vibe from him. Like maybe he’s on the autism spectrum and music is his special interest, particularly because it’s a lot easier for him to convey what he’s feeling / thinking through music rather than through words, particularly without upsetting other people (because most people don’t get angry or upset when they hear music, whereas they might with his words). I think it’s be really neat to have the cool, suave character on the autism spectrum, anyway.
I don’t understand why people say Luka has no personality when he has about as much personality as any other character on the show, particularly the classmates. How does Luka have less personality than Nathaniel, or Rose, or Max? I think the real reason why people want to say Luka is “cardboard” and therefore a bad character is because he “threatens the love square,” which is nonsense. All Luka is doing is living his best life. (And the same goes for Kagami, tbh.) Let him live.
On that note, though, I prefer Luka/Marinette to Marinette/Adrien at this point. Marinette/Adrien has had some really sweet moments as well, and I still ship it (and know it’s endgame anyway), but at the moment the way Adrien behaves when he’s Chat makes him feel like he has a Nice Guy complex toward Ladybug, and I’m not here for that. “Glaciator” was one thing, but how he behaved in “Frozer” was unacceptable. I don’t hate the ship, but I much prefer Luka/Marinette, particularly since Luka has genuine interest from Marinette and has never been afraid to treat her like a princess, but at the same time will encourage her to go be happy when he realizes she has stronger feelings for someone else.
I wish that Luka would get the Dog Miraculous instead of the Snake Miraculous, but at least he’s getting one regardless, I guess.
I do think it’s an issue that all of Marinette’s love rivals are antagonistic in some way or another. Chloe is . . . Chloe, Lila is a compulsive liar who’s addicted to evil butterflies, and Kagami . . . honestly didn’t do a single thing wrong, but she was still characterized as being somewhat forward and antagonistic rather than sweet and perfectly nice like Adrien’s love rivals. I feel that this show has a bit of an issue with pitting girls against each other over a boy, and since Adrien’s not even that great of a boy (I like him fine, but he’s honestly not worth ladies fighting over), it rubs me the wrong way and I hope that, in season three, Marinette and Kagami can become friends.
Rose’s English voice (in season two, at least) is literally the worst thing I’ve ever had the misfortune of hearing. She sounds like a chipmunk that sucked helium. No teenage girl actually sounds like that, what in the honest hell.
For that matter, Juleka’s English VA had a real bad day in “Zombiezou.” I’ve never heard more emotionless voice acting in my entire life, and for a zombie apocalypse parody episode, that’s a real issue.
For the most part I think that most of the “omg why can’t they recognize each other!!1!!!!111″ nonsense that I’ve seen around the fandom is just that, nonsense, because being unable to see through a paper-thin disguise is a superhero staple, and this show has even gone the extra mile to explain it’s the magic of the suits protecting their identities. That said, there have been a couple instances where I felt like Adrien and Marinette should have gotten suspicious or had questions, and most notably in “Frightengale.” Both of them had great reasons for not wanting to put on the Chat Noir and Ladybug masks, but what they both failed to consider or question is why the other person had such an issue. Like, Adrien knows that he doesn’t want to put on the mask because he’s the real Chat Noir and people will recognize him. But didn’t it strike him as odd that Marinette had similar objections to putting on the Ladybug mask? And the same is true in reverse. Marinette knew why she didn’t want to dress up as Ladybug for the video, but didn’t she ever wonder why Adrien was reluctant? I guess they were both too wrapped up in their own drama to consider it, which makes sense if you consider they’re teenagers, but it’s still something you’d think they’d ponder over later.
On that note, Plagg and Tikki are the real heroes for having to put up with this love square nonsense in-universe. Pour one out for them.
Adrien being a Nice Guy while he’s Chat Noir is an issue, but I personally don’t think there’s anything wrong with what he said in “Malediktator” or “Chameleon”, and here’s why:
In “Malediktator”, Adrien was upset that the only person who provided him any company or friendship was leaving the country for an indefinite amount of time because she was upset, and he never even got to say goodbye to her. Note that (at least in the English version), Adrien never says that Marinette or the others can’t celebrate; he just says that he, personally, finds Chloe leaving to be awful, and objects to Marinette calling Chloe useless (which is a reasonable thing to object to, because in honesty saying someone is useless is pretty harsh and terrible). He then goes and sits quietly by himself, waiting for the party to be over. People have grown angry with him for this because Marinette was bullied by Chloe for years and they think that he should see her side of things, but the fact of the matter is that the people who make those claims aren’t seeing Adrien’s side of things, which Marinette herself realized when he left to go sit by himself. Here’s the thing: Neither Marinette nor Adrien were in the wrong. Marinette is perfectly entitled to be ecstatic that her bully is leaving forever, particularly since she’s Ladybug and said bully akumatizes people all the time and this will make less work for her. She wasn’t doing anything wrong by celebrating Chloe leaving, although again, saying that someone is useless is crossing a line (particularly since, as we find out later in the episode, Chloe already believes she’s useless because of her mother’s emotional abuse). Marinette didn’t do anything wrong. But Adrien is also perfectly entitled to be upset that his childhood friend---the only person who gave him companionship during his incarceration in his own home---is leaving on a bad note. If Chloe was leaving perfectly happily, I think he’d feel differently. He’d be happy for her. But he’s seen a side of Chloe that no one else has, and moreover, Adrien tends to be rather compassionate for other people’s struggles (something Kagami calls him out on). It’s perfectly understandable that he’s upset that his oldest friend is leaving on a bad note, and that he didn’t get to say goodbye to her besides. Moreover, since it was a shock to him, it’s natural that he didn’t realize how his words might have sounded to one of Chloe’s victims, especially since Marinette herself didn’t bring up the fact that Chloe had bullied her, but instead just said Chloe was awful and useless (which, as her friend, Adrien naturally rankled against).  This isn’t a situation of one being right and the other being wrong. This is a situation of two people coming at a situation from different perspectives, and feeling differently as a result.
As for “Chameleon,” as I believe I’ve explained elsewhere, Adrien was looking at the situation from the perspective of Chat Noir. If they upset Lila, she’s going to get akumatized again. This is something he knows for a fact, because it has happened multiple times now (at least twice that he knows of). Akumatizing Lila over and over again isn’t going to accomplish anything meaningful. All it’s going to do is create more work for Chat Noir and Ladybug, which Adrien wants to avoid. Adrien is looking at the bigger picture, which is hoping that perhaps Lila can become a better person, and if not, it’s better to pick your battles so that you can ultimately win the war rather than picking a fight every other day. He wasn’t wrong, and I strongly feel that people who insist he was are those that are projecting onto Marinette and just want to live through her as she stomps her bullies into the dirt.
Which, on that note, I find it really funny how people who claim to hate Chloe are the same people that like fan content where Marinette is being “petty” and “salty” and no better than Chloe herself. I agree that Marinette’s friends (sans Adrien) didn’t have her back in “Chameleon,” and that Alya’s behavior was especially out of character (and kind of funny at the end, because . . . yes, Alya, we do think you’d let your best friend sit alone, because you already did that, lol), but to imagine that Marinette Dupain-Cheng would suddenly take every single opportunity to insult and tear them down is completely missing the point of who Marinette is and why she’s a better person than people like Chloe (at present) and Lila. Again, I can only imagine this is self-projection of the “I wish I had been able to do this” variety, but I still find it really ironic that the people who hate Chloe and Lila make Marinette act almost exactly like them. (Also, it says something if you think Alya being a jerk once makes it all right for Marinette to treat her like dirt. For two seasons Alya was the best best friend someone could ask for. She made a mistake in one single episode, and you think Marinette should turn on her? Should say she’s no longer worthy of the Fox Miraculous? Please. That’s not how relationships work. Sometimes there are bumps and low points, but you communicate, work through, and apologize when you make mistakes. No one is perfect, Alya included.)
The first time Gabriel akumatized the baby it was funny because it was clearly an accident and he was just working with what he had (and it was a struggle). The second time I suppose it just happened because of all the akuma that were out at the time. But why was the baby akumatized again in “Weredad”? What purpose did that serve? What were you doing, Gabriel? Why this, again? Part of me feels like it was done because the writers needed a giant akuma, but like . . . there have been others . . . why the baby when he didn’t even want to akumatize the baby in the first place, I just . . . why.
Chloe’s transformation sequence has a similar grace to it that Adrien’s does (and tbh I like it a little more, especially with the toe tap and whatnot), and it makes me think that she’s secretly as much of a weeb as he is and they probably watched Sailor Moon together.
I like the unique transformation phrases in the English dub, but I wish that there was a bit more variety. Three out of five are “on/off” variants, and I like it when they’re a bit more creative like “claws in/out” or “let’s pounce.” Hopefully the transformations for future Miraculouses will be a bit more creative.
There are probably other thoughts but this is all I have for right now. Curious about the upcoming episodes and I’m surprised we got season three so soon, but also I imagine the release schedule might not be consistent, so there’s that, too. In any case, this is a cute and fun show so long as you don’t take it too seriously. I’m enjoying it, at least, and as far as I’m concerned that’s all that matters.  ¯\_(ツ)_/¯
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