#I'm just defending because you can ship something without being totally biased

[mytastessuck]

Gorillaz: Plastic Beach

mAh, nostalgia. This album was my high school years. I got a digital copy for my birthday from my mom and became obsessed with this album well into college. The dominance of electronica, the use of people with great voices, the expansion of the lore, Lou Reed...this album was all of music when I got it. It's my favorite Gorillaz album and it looks like it's gonna stay that way for a while. But how is it on a not even approaching semi-objective level? Let's find out.

1. Orchestral Intro

You can probably guess it by my awful taste but I'm not really into orchestra. This opening though, with the sound of waves and the mourning instruments, really tipped me off that I was in for something different. This album wasn't going to start off with something chill or even a zombie movie clip. No, at this point, Gorillaz were officially done fucking around.

10/10

2. Welcome to the World of the Plastic Beach

Then we get the brass leading us into a good beat and then HOLY SHIT, SNOOP DOGG?! He leads us in like a bandleader while a chorus of women back him up Just Like That while he goes with his usual flow. He adds the needed touch of instant cool to an album that's practically frozen with the artists already on it and with this song, it feels like you're walking past the gate into Disneyland.

9/10

3. White Flag

Some nice Arabian sounding instruments on this one. Pretty cool for Gorillaz to keep engaging in world music. Anyway, this was a really cool instrumental but it's time to move on to the other son---

Huh?

Suddenly, we get beeps and mixes backing up Bashy and Kano as they kick so much ass talking about pacifism for the sake of survival. This song kicks an undisputed amount of ass and it barely even tries.

9/10

4. Rhinestone Eyes

What I like about this song is that I keep finding new things to like about it as the years go back. First, I liked the weirdly-threatening nature of the song along with the woman moaning in time with the verses. Then I liked the video (even though it was insanely shady of EMI to release that without Damon's and Jamie's permission and it ended up being the thing that led to Phase 3's premature ending and Gorillaz going on hiatus). Then I liked the continuation of the moaning that I first noticed in live performances then finally heard in the song itself. This song is like Rolexes falling from the sky.

10/10

5. Stylo

Ah, the first single from the album. I remember telling my dad about this when I first saw the video for it. I was about to write off Gorillaz as a relic of my past before I saw Murdoc and 2D get run off the road by Bruce Willis. This song has an awesome bridge by Yasiin Bey, nice crooning by Damon Albarn and incredible back-up by Bobby Womack, who manages to lift the entire song over his head using just his voice. Damn, wish he had another song that put his voice on full display. Maybe later in the album...

10/10

6. Superfast Jellyfish

Yeah, De La Soul is back! And they're singing about TV dinners! Seriously, these guys can make guessing crossword actually fun instead of a dredging experience and have Shiny Toy Guns frontman Chad Petree singing about radioactive seas brings the whole thing home. It makes you want to really go out and eat a random jellyfish but don't do that. It'll hurt.

11/10

7. Empire Ants

Okay, before I give this song its totally fair score, it should be noted this is my third favorite song of all time. I love Damon's reassuring lyrics in the beginning but the switch in the middle to a more upbeat electronic pop tune pushes this song past perfect.

Then there's Little Dragon...

This song introduced to me to Yukimi Nagano's voice and wow...I didn't think humans could sound like that, let alone an Asian woman singing soul. If you think the instruments are carrying her here, obviously there are clearly no other songs on the album that showcase her talents so I have to recommend After The Rain, Twice and Constant Surprises by Little Dragon. Seriously, this woman's voice will water your fucking crops.

500/10

8. Glitter Freeze

Where is north from here? Don't ask me, I'm not a compass. Anyway, this song has Mark E. Smith from The Fall and they use him to his fullest extent...by which I mean letting him make an absolutely evil fucking laugh somewhere near the end. The instrumentation makes it feel like you're in a storm on a shaky ship and you're definitely going to feel like you need some pills after you're finished. This stuff will put hair on your chest.

11/10

9. Some Kind of Nature

This song introduced me to Lou Reed and I'm grateful to it for that. Lou was a shitty dude but damn his voice really made things better than they should have been. Fuck, I was one of the eight defenders of Lulu for this reason. But Damon doesn't sit with his thumbs up his ass on this song. He holds his own and makes the chorus sound legitimately dreamlike. All we are is stars, indeed.

100/10

10. On Melancholy Hill

This song is awesome to chill to...unless you're escaping a cruise ship while being gunned down by fighter jets. But other than that particular example, I recommend this song for anyone trying to relax while thinking of someone special. But be careful with the last note of this song. That gong can be a real eye opener.

9/10

11. Broken

Bummer of a song but if there's one song you absolutely NEED to learn on melodica, it's this one. Aren't we all broken? Well I am. And this song speaks to me.

10/10

12. Sweepstakes

Yasiin's back and there's gonna be trouble. He plays a carny in this track and you know that no matter how many times you listen to this song, you'll always gonna fall for his schemes. He's gone on to say that this is one of his finest achievements as a MC and I can see why.

10/10

13. Plastic Beach

Holy shit, they got the 50 Ways To Leave Your Lover guy on this track. Makes since because this, outside of Empire Ants, is my favorite song on the album. The harmony, the little imp they got for the bridge, the triangle...everything makes this song better than it has any right to be on an already awesome album. Damn, plastico indeed.

200/10

14. To Binge

Shock of all shocks, Yukimi's back! And it's a duet with Damon! And it's a song about a relationship torn apart by addiction! It's not my birthday so it must be Christmas. These two manage to drown the listen in waves of audio goodness that leaves them feeling like they spent 3 minutes and 56 seconds standing under a waterfall.

20/10

15. Cloud of Unknowing

Okay, I cried to this song. And now, with Bobby Womack's passing, I cry even harder. This song should be an anime ending with how solemn it is but you need to listen to the end to hear, "It may bring sunshine on its wings." Also, Damon covered this song live after Womack's passing. I suggest you look it up because it is tear-ripping.

50/10

16. Pirate Jet

Eh. Pretty average song compared to the others on the album but I appreciate the message. Sweet Lord, people. Turn off your shit when you're not using it. We only got one planet and I don't trust Elon Musk.

8/10

Album Score: 60.1/10

Whoo! No biases! Anyway, next week is The Fall, otherwise known as the album Albarn did on his Ipad. Otherotherwise known as the album a significant portion of the fandom has a hate-on for. Does it deserve the hate? We'll find out!

[yinnezha]

Hi! I wanna start this by saying that I don't really have an opinion on the karedevil relationship, as in I'm fine with it going canon or not as long as it's well written. So this is a genuine question: where do you see the writing that hints towards them having an actual relationship? Because to me personally it always seems like Karen is super into Matt, while he comes across as not that interested. Especially in S2, it felt more like he thought 'okay whatever, I guess we can go out.'

I also kinda feel like Karen deserves better? I love Matt dearly, but I mean, he basically dropped Karen the instant Elektra was back and acted like a douche, then decided to die with Elektra in Defenders, and then in S3 he seemed totally bitter he had to save her instead of going after Fisk. Maybe I’m just not seeing the writing you’re seeing, but that could totally be me since I’m not invested in any ship on the show. (2)

hey, I wanna start by apologizing for how long this answer is. I will address the points you raised and keep it as objective as I can, talking about the writing of the show and my understanding of it. All bias towards or against particular ships will be kept to myself.

“where do you see the writing that hints towards them having an actual relationship?”

The writing of the first season is filled with hints and foreshadowings, and while Matt and Karen spend the first season without a romantic involvement, it is underlined that they will. But is under lines, it is subtle, less in your face than Matt’s involvement with Claire (and for a reason but I’ll get to that). It is lines like Karen explaining how she promised to her grandmother to only serve her recipe to her future husband and then proceeds to serve it to Matt first, then Foggy. It is lines like Matt telling Foggy back in college that he’s looking for someone that he really likes listening to and a couple of episodes before that, he mention to Karen very matter of factly that he likes listening to her voice. It is lines like Karen’s acceptance of and trust in the Devil of Hell’s Kitchen. If you rewatch the first season looking for signs like these, you’ll find them (there are more).

“to me personally it always seems like Karen is super into Matt, while he comes across as not that interested”

Of course Karen’s interest in Matt was obvious from the start; she admires his idealism, his will to fight for justice, how he’s a person who wants to do good. But to understand why Matt wasn’t immediately interested in Karen we have to see things from his perspective. She’s a stranger, involved in some messy things, who is good but lies to him (for whatever reason that she has) and we cannot forget this, that Matt knows Karen lies to him. So with Matt’s “understanding” of people we can assume he is wary of having a relationship. See, Matt’s relationship with Claire was surface and it was meant to be that way. It happened fast, it developed fast and it ended fast. Because Claire was not the one who would accept him and understand him. And so in parallel with that, because Claire cannot accept Matt’s fighting crime, we have Karen’s undying support for the Man in the mask. You see what I mean? But back to Matt’s “disinterest” in Karen… He knows she is a good person, but that’s as far as it goes. They needed time to adjust, to get to know each other beyond the circunstances of their meeting. They needed to build a foundation, and that was happening slowly throughout the first season. The strangers become friends. Enters the second season where some time has passed and they are more confortable with the idea of exploring their mutual interest. 

“it felt more like he thought ‘okay whatever, I guess we can go out’.”

Again, let’s take into consideration that they work together, they see each other all the time, they go out together. In the first episode we see a shift in Matt in which he is more playful with her, more lingering looks… Foggy says “I leave you two alone for one minute” which kind of implies that this is a common ocurrence now, that Matt and Karen are on the flirting banter for a while. And then later on the episode in which Matt kiss Karen for the first time, Foggy says “careful Matt keep going like this you might just end up happy and for a catholic boy that’s a pretty dangerous thing” interesting that he could’ve just teased Matt about being happy but he mentioned Matt’s religion as a subtle reminder to the audience of Matt’s inner struggles, how he beats himself up over what he deserves. You see when is something serious, meaningful is harder for him, his beliefs, his doubts gets on the way. Matt probably wanted to be with Karen for a while but didn’t know how, didn’t know if he deserves her (because of how he sees her, because in reality we the audience knows that she would understand and accept him). So you see, I disagree with your point on Matt “settling” for going out with Karen.

“I also kinda feel like Karen deserves better? I love Matt dearly, but I mean, he basically dropped Karen the instant Elektra was back and acted like a douche, then decided to die with Elektra in Defenders”

Remember my point on Claire not accepting Matt’s Daredevil identity? Well, Elektra is the opposite. She accepts Daredevil, but she does not accept Matt. See? This is good writing! We have different ends of the issue of Matt’s double life in both seasons. And both relationships were wrong for him because something was missing, and in both seasons we have Karen being underlined again as the one that would accept him as a whole. This is very important and it is in the storytelling. There is a reason why Elektra’s relationship with Matt was a parallel to Karen’s in episode 5, it was to show to the audience which relationship is the right one. A lot of people has issues with how Matt handled things but we’re here to talk about the writing and the second season was about Matt’s struggle with his double life and what he really wants. He spends the whole season losing control of his life, and it reflects on his choices.

Now on Karen deserving better, don’t you think Matt deserves better as well? Elektra was a toxic relationship that destroyed Matt’s life as he knew and drove away the two people that matters the most to him. And I’m not erasing Matt’s responsibility here, but no matter how we feel about his actions Matt is the hero of this story, it’s his show and so the writing is telling us to root for what is right for him and that is not Elektra. And he does deserve better. Matt is a complicated man, a tortured man (I mean he is a devoted catholic for crying out loud) he is messy so of course things won’t be easy for him. And that is what makes him interesting. And he did not just fucked up his relationship with Karen but with Foggy as well to whom he was also a bit of a douche. So it’s not about the romance here, but more about Matt’s choices and development and what he needs to fix it. And he does in the third season, he is heading in that direction.

In Defenders Matt was holding onto Matt Murdock and then in season 3 he was holding onto Daredevil. Matt never had a season in which he was not struggling with this. And part of the reason why his relationships don’t work is because of that. But now at the end of the third season we will finally see Matt being fully himself and the people that matter the most to him accepting and understanding because that’s the natural progression of the writing. We had to go through all of this, we needed him to reach this point. And not only Matt but Karen needed some development too. And the third season stripped them of their lies and made them face the truth and when that happened we had one of the best scenes of the season (a little biased sorry) and that is the start of a new chapter for them.

Both Karen and Matt deserve better and the better is themselves, a better version of themselves. Honesty and truth and trust. And that’s what we have been watching since the first season, that’s the story. That’s what the writers are telling us. They are the right, just not right now. They need to learn, they need to deserve, they need to reach that point where they’ll have the understanding and trust that we know they can have, and we know because it’s underlined, it’s being shown to us since the start. It’s a slow burn, beautiful and difficult and complicated and messy… just like Matt’s life. Just like Karen’s life. Just like all the good love stories are.

Many people has issues with Matt and Karen’s relationship, but from the writing and storytelling perspective is great. And is the direction the show will keep taking. They have been developing this romance since the very first episode of the show. Charlie Cox absolutely loves and understand the relationship because he knows Matt Murdock better than anyone, and he is right. Karen is Matt’s soulmate. It’s more deep and slow. And now to finish, something he said that sums up everything I said in a less annoying way:

What we never tried to do, and I think I’m speaking for the writers of the series as well, was to make the beautiful story with Karen – Deborah Ann Woll - look like a rebound relationship. Ultimately it’s a much deeper bond, which lasts fifty years and ironically is more important exactly because it doesn’t draw from roof-jumping, but from everyday life. I think if Karen and Matt could find a way to match their respective darknesses, they would find an excellent balance.

[sometimesrosy]

I wish i could give up on shipping in t100 fandom. It’s too painful to watch the t100 cast be so petrified about talking about Bellarke. I’m kind of fascinated how even the platoni relationship is something that has to tiptoed around. Watching Eliza and Bob look so nervous talking about it is so painful to watch, lol. I can’t even think about what will happen to the fandom when we see who Bellamy hooked up with in space. i don't know if fandom can survive another big ship war. I'm terrified tbh!

It’s pretty funny considering how very Bellarke centered that sizzle reel was, and the last scene in Praimfaya. The show is LITERALLY telling us that The 100 is about Clarke and Bellamy’s relationship and how much Clarke loves and is focused on him. And yet, did you notice, almost no one talked about them.

I do think some of that pressure is coming from JR. So the cast is stuck between a rock and a hard place between the fans and the producers. But it’s their job, and he’s their boss… so he wins. 

I’m sick of shipwars. I just don’t understand why people are so invested in their personal preferences that they don’t allow other people to have their separate preferences and interpretations. What we want to see has no outcome on the show being told. Except maybe to the extent that they have to erase 6 years to get rid of a toxic shipwar. Good job there kids. That worked out well for you didn’t it? Wanted your fave back and refused to let the story or fans continue on, and instead you got a 6 years later, we all moved on. Oops. :)

Eh. No one seems to have learned a thing from that shipping disaster. They’re continuing on with the biased bullying, trying to force other people to interpret the show their way. Ships. Antis. Stans. I think the sizzle reel reinforced what the show is about. Clarke. Bellamy. The Delinquents. Heroes. Monsters. Sometimes the monsters turn out not so bad. Sometimes Clarke destroys them totally because she’s the biggest monster/hero of them all. 

Oh, and Octavia is the hero that rises from the ashes. Interesting. That was the word she used. “Hero.” Turns out it’s not about defending anyone or being an abuse apologist or white feminist, just about paying attention to the story being told. 

Pay attention without all the personal biases, and it’s easier to enjoy and follow. And maybe don’t attack people for having a different interpretation than you. Just as a suggestion.