#I'm willing to bet I'm gonna read this back and either it's gonna scream what I was going for

[monty-glasses-roxy]

I’ve decided on a whim that the Jurassic Bark trio call each other husband and wives, with Roxy as the husband and Chica and Monty as the wives. This is just who they are now. They use ‘partners’ too, but when they’re being comedic or sweet and sappy, they bust out the husband/wife words for them. I wrote it without thinking and now I’m attached to the idea.

This is for them as animatronics but it’s just as fun in other contexts too.

[fantasy-dating-sim-trash]

Mammon had it coming! Place your bets now!!!

MC: "They better not touch my box of rocks outside or I swear to whatever beings do exist, murder will happen. Not even Dia nor Lucifer can stop me."

MC: *leaves box of crystals outside*

Mammon: *walks past the box and than takes a couple steps back to actually look at the box*

Mammon: I mean finders keepers, if they didn't want their stuff being taken, they shouldn't have left it out here on the open.

Mammon: *goes to grab the box*

Satan: *walking past, reading* I wouldn't do that if I were you. *looks at Mammon with an eyebrow raised*

Mammon: *puffs up* I WASN'T GONNA DO ANYTHING!!!

Satan: Sure you weren't. I totally believe you. *continues to walk away* Don't say I didn't warn you.

Mammon: *grumbling, looks around* Well now that nobody's here to stop me, the shiny rocks are now mine. *grabs the box & starts walking*

Mammon: *sees a shiny glint in the light* I must be imagining things. *keeps walking*

MC: MAMMMMMMMMOOOOOOOOOON SO HELP ME YOU PUT THAT BOX DOWN RIGHT NOW!! OR NOT EVEN DIA CAN HELP YOU!! *Comes around the bend with a knife, looking murderous*

Mammon: *drops the box in surprise* MC! I- its not what it looks like!

MC: just what were you doing with my box of Crystals?!? What YOU WERE GONNA SELL THEM FOR A QUICK BUCK?!?

Mammon: *it was at this moment he knew he fucked up* AIEEEEEEEEEEEEEEEE *starts running* IM SORRRY MC!!!!!

MC: GET BACK HERE YOU COWARD *Starts chasing him*

A little later

MC: *still chasing Mammon* YOU CANT OUTRUN ME FOREVER!!!

Mammon: *still running away screaming* AIEEEEEEEEE

Satan: *sighing, picking up all of the MC's crystals and putting them back in the box* I did warn him not to touch the box.

Belphie: Yeah you did, but since when does Mammon listen to an advice anyone gives? But you have to admit this is pretty entertaining to watch.

Lucifer: *sighs* I'm assuming Mammon did something to deserve this? Whatever it is I'm not putting a stop to it, it was bound to happen either way.

Beel: *nods* Want some popcorn?

Dia: *walking up* Hello everyone how's it go- *sees Mammon running away from the MC, and starts laughing* It's always something lively and entertaining happening over here! Should we stop them?

Everyone: *shakes their heads no*

Levi: This was just a long time coming. Mammon had this coming. He deserves this. Maybe be will learn his lesson this time.

Asmo: OMG DIA YOU'RE JUST IN TIME! We're all making bets on whats gonna happen!

Diavolo: Oh, what are we betting on?

Lucifer: Diavolo, please don't get caught up in my brothers shenanigans. *sighs*

Asmo: Don't be a party pooper Luci! *pouting* Anyways, we have a bet on if Mammon will tire out the MC, or if the MC is actually gonna catch Mammon!

Diavolo: *laughs* I'm willing to join in on this. My bet is on MC catching him. *Sits on the lawn with the others*

Satan: Glad to know a couple other's support me on my fair decision.

Beel: would you like some popcorn as we watch this all go down?

Diavolo: Don't mind if I do. *starts happily munching on popcorn*

Levi: *is live streaming the whole thing and seeing the comments on who's betting on who*

Lucifer: *pinches the bridge of his nose* I'm surrounded by a bunch of grown children! *walks back into H.O.L.*

[ordinaryschmuck]

What I Thought About "Eda's Requiem" from The Owl House

Salutations, random people on the internet who certainly won’t read this! I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons.

...

...

...HOW IS SEASON TWO SO GOOD?! WE'VE HAD SEVEN EPISODES SO FAR, AND EACH ONE OF THEM WAS A HIT!

Take "Eda's Requiem," for example. It's yet another episode where I have NOTHING bad to say about it! That's two weeks in a row where that happened! HOW DOES THIS HAPPEN?!

HOW!

HOW!

...But anyways, "Eda's Requiem." It's another fantastic episode, and I'm about to dive into explaining how and why. Just keep in mind, it's gonna require spoilers to do so, so be wary of that as you keep reading.

Now, let's review, shall we?

WHAT I LIKED

Eda’s Checklist and Grom Photo: Within the first second, "Eda's Requiem" perfectly sets up Eda's central conflict in the episode. Despite spending years being on her own and looking after herself, she now has two kids that she's constantly caring over. Eda can try all she wants to say that she doesn't care, and I bet she has in the past. But given the hard work she's putting into getting King and Luz what they need and having a grom photo of the three of them together pinned in her mirror, it's pretty clear that those two knuckleheads wormed their way into her heart and are never getting out.

Eda’s Worried About King and Luz Leaving: And thus, that's precisely why something like this bothers her so much. Eda inadvertently adopted two rambunctious rapscallions (Yeah, I know. I'll get to it), so the idea of them not being around her anymore is going to be terrifying. That is a situation most parents, especially mothers, can identify with. It’s called empty nest syndrome and it proves just how much Eda loves Luz and King that she can't stand the thought of her babies leaving the nest. It's yet another well-made, wholesome, found-family moment that this series continues to excel at each week, making me extra excited for more like it to come...while also readying myself for heartbreak when one of them eventually does leave Eda.

Eda and Raine’s Music: Ok, I don't know the exact instruments that were played during this episode, but I also don't care because it was all (for lack of a better term) music to my ears. Every time Eda and Raine played resulted in melodies that are so beautiful and filled with so much emotion and feeling that I'm honestly tempted to listen to them again, multiple times, on repeat. Shows rarely do that for me, as background music doesn't always draw me in as much as lyrical songs do. Usually, it takes something so extraordinarily composed to give me the desire to listen again, and that's the case here. So huge congrats to Brad Breek for doing so. Seriously, the man's been killing it this season.

Eda’s Bard Magic Causing Things to Turn to Ash: This was assuredly a surprise side-effect of the curse. The fact that Eda can sort of do magic at all was its own shock. To then reveal that a specific type can do dangerous things to people and environments is...Well, it definitely brings up its own fair share of questions. Like, how can she do this? Will she do it again, one day? And are there other types of spells that can be negatively affected by Eda's curse? We don't get answers for any of these questions, and odds are, we never will. But that's alright with me. Because if a show makes me consider these many possibilities after a brief amount of time, it is a show that has to be doing something right. Even if I don't get the answers I want, the fact that it caused such a reaction makes me less willing to care.

Raine Whispers: Hey, would you look at that. Another fun, interesting, and compelling character added to the list of this shows' other fun, interesting, and compelling characters...how is this series so good at this!?

Joking aside, Raine's pretty good. I like Raine. They could have been this super serious leader who lost all their fun after years apart from Eda, but I'm glad that they're not. There are moments when Raine takes their job as leader of the BATs seriously, as one would, but I still prefer the fact that they kept a jovial nature despite how grim their situation is. It's an admirable trait to have, and it avoids the trope of making leader characters boring just because they're the ones who have to take things seriously.

Oh, and also, Raine's Disney's first non-binary character who has a stake in the plot. This is a tremendous deal, as you don't usually see that many non-binary characters in children's animation, let alone ones that hold importance to the story. So it's pretty cool for the writers to feature Raine, as it helps several kids feel as though they're finally seen and respected. And the fact that Disney of all companies gave the thumbs up is even more impressive. I hear people say that Dana Terrace should have pitched The Owl House to more progressive networks to avoid pushback, and while I absolutely see your point, I'll have to respectfully disagree. Disney is the largest entertainment industry of all time, so if you want to make LGBTQA+ representation normalized, you gotta stop making splashes and start making waves. Because if the same company that made three racist cats in the span of a few years manages to say that being gay is a-ok, then you know there's something wrong with you. Yes, Disney ended up screwing over the show anyway. But for that one moment, when kids felt pride after seeing a character like Raine, then, in the end, it's kind of worth it.

Also, if you're still having issues with more representation like this popping up in kids' shows, then allow me to redirect you to the complaint department.

...I made that post earlier today for this bit. YOU HAVE BETTER APPRECIATED IT!

Day of Unity is meant to be a Secret: At least, that's what I got when Raine stumbled over their own words. So if it's true, then I wonder why? Why does Belos want to keep the most critical change in the Boiling Isles a secret? Does he want to make it a surprise for his grateful subjects, or does he not want to spread worry and fear amongst the wild witches? It has to be something big if he doesn't want his followers to even say the words "Day of Unity." Whatever reason he has, we most likely won't know until the future. A future that I grow more and more afraid of each week.

Hooty Eating Echo Mouse: My heart sank in that brief moment when I thought that Hooty intensely screwed Luz over in getting back home. But looking back...it is pretty funny.

Just the suddenness of Hooty eating the poor creature that Luz desperately tried to earn its trust is priceless in how shocking it was. And also, Luz's expression.

That was the look of a young girl who immediately shoved her hand down an owl demon's throat the second the scene cut away. The Owl House may not always be a hit in the comedy department, but scenes like this prove that when it's funny, it is hilarious.

Luz and King Entering the Grand Prix: Not much to discuss here. It's just a cute subplot that adds frivolity to the intensity of what's going on through Eda and Raine's story. But I will say that I love how both stories occasionally interconnect with each other through the many moments of Eda being worried about King wanting to leave to find his father and avoiding any conversation about it. It helps both plotlines feel like they belong together, without being something like "Through the Looking Glass Ruins," whereas both stories could have been in their own episode. Which is neat.

How Bard Magic Works: I really love how this season is diving into how the other magic types work. More specifically, the ones that seem a little vague. I mean, stuff like healing, potions, and plants are easy to figure out, but what does it mean when a witch's talents are construction, beast keeping, and bard magic? We've been getting a lot of clearing up lately, with bard magic looking like a witch can control their environments and enemies through the power of music. Which is fair. Music is pretty powerful in the metaphorical sense, and I actually love that it's powerful in the literal sense when in the Boiling Isles.

The BATs: Not much to comment on these three either. The BATs have the potential to have an entertaining dynamic, but they do very little in this episode that I can't say much other than I hope they make a return in the future. But I will make this claim: Amber is my favorite. I'm sorry, but her screaming "You're not our mom!" to then go, "Bye, mommy Eda" is just too precious for me not to love.

I'm a simple man who falls for cute s**t. Leave me alone.

Raeda (RainexEda): Well, EdaxCamila, you were a fun crack ship while it lasted, but I'm afraid that this is now goodbye. The current canon has provided an incredibly adorable and believable relationship that I would be a monster not to support with my whole bi-heart. It's been real.

Ok, back in serious mode: I love these two together. Eda and Raine are grown-ups, and they still act all flustered near each other as if they were still Luz and Amity's age. It's definitive proof that you're never too old to get flustered near a crush, and seeing them interact adds a sense of wholesomeness when seeing them together as well as heartbreak when they're forced apart. Plus, we get confirmation that Eda's LGBTQA+! Whether she's bi, pan, or whatever, now that we know Eda can catch feelings for someone like Raine, it's yet another case that The Owl House is the most important series to the community. Because having the main character be queer is fantastic in its own right. But having the same apply to the motherly mentor figure? That's is an extra bit of normalization that anybody would be willing to appreciate.

Unique Guard Designs: Not many fans are going to appreciate this, primarily compared to everything else this episode does perfectly. For me, I actually like that you see a few Coven Guards looking differently from the others, as it helps make them less like clones and makes it seem like anybody of any body type could be a part of the coven.

Gus Looking Uninterested when Presenting Grand Prix with his Dad: I am positive that you didn't notice this (I didn't even notice it until someone else pointed it out), but there's something to dissect here. It hints that perhaps Gus isn't as interested in his father's field of work as one might think. If he did, he would look a lot less bored and much more excited to be helping Perry Porter present the race. It could just be the race itself, but judging from Gus' expression, it really seems like the kid would prefer to be anywhere but there. And why would he have that reaction to a race that his best friend is competing in? To me, this seems like an inkling of what Gus' relationship with Perry could be, which may not actually get time to shine, what with how little wiggle room the series has now (Thanks Disney). Regardless, it is interesting to notice, and it will certainly have fans thinking for a while.

Bump Being Smug of Luz Being in the Lead: That's it. Principal Bump looking smug as his human student is beating the students of his rivals is yet another moment that proves why Bump is easily the best cartoon principal.

Darius: First of all, this guy is f**king fabulous, and I love him. *Snaps*

Second, he is definitive proof that you do NOT want to f**k around with Coven Leaders. Lilith may have had her intimidating moments, but none of them compare to the guy who can turn himself into an abomination monster where only magic that hasn't existed before can take him down. It's genuinely scary to see Darius lose control, and I fear for the day when Luz inevitably ends up in his crosshairs.

With that said, Darius' still a ton of fun! He may be threatening, but he's just a flamboyant guy that hates the idea of getting his outfit the tiniest bit dirty. And I love that. I love that these Coven Heads have actual personalities instead of being generically evil. I consider it preferable to make villains entertaining rather than blatantly scary as I'll remember the personalities first and the villainous acts last.

Eberwolf: But this one's my favorite. I told you: I'm a simple man who gets easily swayed by cute s**t. And Eber? I mean, just look at her:

She's just a cute widdle rascal! I just want to pinch her cheeks, give her a belly rub, and--

...Eberwolf is not a cute widdle rascal. She is a strong, independent woman, and I will respect her as such from this moment forward...lest I feel her wrath.

That is all. Let's move on.

Eda and Raine Attempting a Final Performance: This was the best scene of the episode. It looked gorgeous, it shows the dedication Eda and Raine have for stopping Belos, and it says so much through so little. Go back and look at how Eda and Raine regard one another when performing Eda's requiem. Through their expressions and a few short words, you know they understand that if they complete the song/spell, they probably won't make it in the end. And yet, they don't care. They both know bad stuff will happen if Belos wins, so Eda and Raine put everything to the side, both their feelings for one another and the people they leave behind if it means putting an end to a tyrant. That level of dedication...Words can't fully describe how powerful that is.

Raine Sacrificing Themselves Instead: But in the end, Raine can't do it. Not when they know the life that Eda has and the people she'll be leaving behind. It's an extra bit of nobleness to the character seeing that Raine refuses to take away a woman from two kids who need her the most. A tad bit selfish, sure, knowing what Belos has planned. But when it comes to love, the romantic, familial, or platonic, the best decisions aren't always the logical ones.

Eda Crying: Luz crying tears me up, but seeing Eda cry is a whole different level of heartbreak. Like Lilith, Eda has her emotions locked up tight, with the closest she came to weeping were those two tears in "Young Blood, Old Souls." In "Eda's Requiem," she cries but almost quickly stops herself. As if she knows that doing so isn't going to save Raine. That is...even worse than seeing Luz break down after losing Eda. The fact that Eda refuses to give herself time to mourn losing someone she loved is tragic because crying is the most natural way of showing grief. Turning that off isn't healthy, and seeing her do it with little resistance is sad to me. It's sad to see a character I love can easily shut off all emotions despite how badly she may want to embrace them. It's one of those moments that, again, by doing so little, it shows so much.

“No one watches Crystal Balls anymore. It’s all about streaming.”: Oof. Even I felt that burn towards cable.

King’s Message: King's message was the pick-me-up I needed after the heart-wrenching sadness this episode put me through a few minutes ago. Seeing King say who he is and listing all the things he loves is nothing short of adorable. On top of that, I adore that Eda willingly recorded the whole thing. She may not want King to leave, but that doesn't mean she'll sabotage the one thing he wants. Especially not after Raine gave up everything so Eda could be with her kids. The opening scene may prove how much Eda cares about a rascal like King, but this heartwarmingly sweet moment reveals just how far she'll go to make him happy.

King’s Dad Reveal: ...ok, I'll be honest, I did not think we'd get that reveal this soon. Dumb of me to say, considering the number of times I've said that these writers don't waste time getting to the s**t, I know. But still, it's pretty cool knowing that King's dad is alive and well, added with the fact that we've got a fair idea of what he looks like. At this point, it's only a matter of time before we see him figure out where the Clawthorne residence is and witness the tear-jerking moments that will follow.

King Changing his Name to King Clawthorne: Not the official adoption I was expecting Eda to make...but DANG IT, is it still diabetes-inducing levels of sweetness!

Personally, I feel like the main reason why Eda breaks down this time is not only because she shouldn't be worried about King leaving her life, but also because Raine's sacrifice wasn't in vain. Her kids really do need Eda because no matter how far apart they'll be, she will always be a part of their life...dang it, I'm going to cry too!

What those Coven patches really do: Well...that was horrifying to see.

...Writers, if you kill off the best non-binary character in animation (it's a short list, I know), we are going to have PROBLEMS!

IN CONCLUSION

"Eda's Requiem" is--surprise surprise--another A+. The emotions hit hard, the representation hits harder, Raine is a fantastic addition to the cast, and it was all surprisingly cute at times. Season Two is currently on a hot streak, constantly winning with every episode that's come out so far. When a bad episode does eventually show up (IT'S GONNA HAPPEN!), I'll be sure to sing my requiem then. For now, I'm just gonna enjoy the ride.

[curiousconch]

Exit

Chapter 6 of Ricochet (An Open Heart AU)

Catch up here: Series Masterlist

Chapter Synopsis: Heather is taken hostage, but by whom? And she isn't alone. Rafael and Bryce set tries to find the missing link.

Pairing: Rafael Aveiro x MC (Dr. Heather Song) | Bryce Lahela x MC (Dr. Heather Song)

Words: 1.4k+ | Genre: Crime, Suspense/Thriller, Romance

Rating/Warnings: Mature (16+) / violence, language

Author's Notes: Thank you so much for taking time to read this series. Please let me know if you want me to include/remove you in the tags list. Also, disclaimer: Majority of the characters are owned by Pixelberry, except the main character Heather Song and an OC Jordan Anderson.

Heather was due for another week in Johns Hopkins. So even though she didn't feel up to it after last night's fiasco, she forced herself to pack her clothes from the washer and clean out her temporary room.

She snuck glances to Bryce's bedroom door, trying to muster up the courage to face him and apologize. She was drunk last night. Drunk people make the lousiest mistakes, especially when that person is an emotional wreck. Long kept secrets of the heart creep up to the surface, often loaded with regrets like ticking time bombs inevitably blowing up the next morning.

In the end, she decided not to tell him her impassioned speech about nothing good ever happens after 2am, a reference from their shared favorite sitcom. Instead, she washed and cleaned and packed, and when the time came, left without a single word. She thought it was best to leave him be, giving them both space to process what they've just revealed. They'll just deal with it after she's done with her commitments in Maryland.

So she booked a car. And with one silent goodbye, she stepped out into the empty hallways. Her steps felt heavy against the carpeted floors, feeling more and more rueful with each. She was about to turn to the elevator bay when the fire exit flew open behind her.

Before she could turn around to see, an arm grabbed her by the waist while a piece of cloth covered her mouth and nose, muffling her shouts for help. Her head began spinning almost immediately. It wasn't long before she completely blacked out.

***

When Heather came to, she only saw darkness. Her immediate reaction was to scream, only to whimper after realizing she was gagged. Panic rose within her chest, as she struggled to think straight. She tried to blink to no avail. She was living in a nightmare, and she badly wanted to wake up. So she had two choices - either be a victim or be a survivor.

She chose the latter.

With that, she began to assess her surroundings, using her limited capabilities. She could tell that her eyes were covered, and by the tingling pain in her wrists behind her, she knew she was tied up. Strangely, her ankles were free. While most of her senses were restrained, those that weren't became magnified.

Her back felt the hard floor, she banged her head against it, confirming her theory.

Concrete? Uneven. Unfinished?

She tried to stand up, her legs felt weak, almost like jelly. She tried another time, and succeeded on kneeling. She balanced herself and used her legs to stand up, one after another.

She heard the sound of plastic rustling in the wind, and the cold night air brushing against her face.

Seems like I'm somewhere cold. Is that wind coming from large windows?

All of a sudden, she heard voices. The sounds were inaudible, but she observed intense shifts in the faint conversation.

Two voices, another room? Are they arguing?

She tried to direct herself towards the voices, taking caution not to make a noise. The volume gradually increased, aiding her to understand the conversation clearly enough.

"You're one hour late and you didn't bring enough."

"Such a whiney brat. Did you get that from juvy?"

"It's a mystery why someone haven't punched you and your perfect teeth."

"Some guy already did. But you? I bet ten grand you wouldn't. You're just a piece of shit without my funding."

"Right, without your pockets lined with cash, what are you?"

"Uh, free man with lots of connections?"

The words didn't make sense to her, but the voices that threw them around sounded familiar. She strained to get closer, trying to think who they could possibly be. Before she could hear more, she stumbled, her body making a noisy thud as it quickly planted on the ground. She felt something hard scrape against her cheek, a warm liquid trickled after, then pain.

Blood.

She shifted her head sideways, her legs dangling over something she couldn't quite figure out from the thick fabric of her jeans. Then it moved.

She gasped and retrieved her legs, her mind racing.

Who is it? Bryce? Rafael?

Her anxiety rose as she struggled with the mere possibility that she wasn't the only one kidnapped. The danger of the situation suddenly becoming more grave.

Then the body elicited a groan, a sound similar with her failed attempt to scream earlier. She heard it grumble once more, and then again. It was in the third time that Heather finally figured out who the voice might belong to.

Senator Ed Farrugia's.

Like a bucket of ice, a bone-chilling realization came to her. If they went all this way to hostage the senator, what's gonna stop them from killing her?

Her panicked thoughts were invaded by the sound of steps approaching. In an instant, she felt that she was shoved upright in a sitting position. The same person grabbed her by the collar and dragged her body back to where she came from, making her bare feet blister and bleed against the rough surface. Her face touched edges of plastic as her body followed the steps of her attacker. She tried to swallow her screams in an attempt to preserve energy, but the hairs at the back of her neck gave her fear away. She was then banged against a wall, followed by silence.

A set of steps receded, probably of the person who just dragged her back to her original place. This was quickly replaced by another set of steps, producing a distinct tapping. Different shoes, different person. First one seems like running shoes, this one sounds like leather.

Without warning, her hair was pulled backwards, making her wail beneath the cloth in her mouth. She smelled the scent of cigarettes.

"You just won't go down without a fight, eh? Well good for you, doctor. This will be all the more enjoyable."

Finally giving in on her fears, she shivered. She knew that voice anywhere. It was a sound so despicable that she hated it ever since the first time she heard it. The one man who mocked her, brought her down since her intern year. Arrogant, ambitious and immoral. All the curse words in the world couldn't describe this person. It belonged to a man she never wanted to see, hear, nor be in the presence of ever.

It was the greatest scumbag of all time.

Declan Nash.

***

Rafael was in full blown recon mode for Senator Farrugia's disappearance when he learned that Heather was also missing. Elijah called in to check if she has contacted him for the last 12 hours, he wished she did, but he told him no. When he got off the phone, the conference room he was in suddenly felt crowded.

"Dr. Song is apparently missing too," he reported to the rest of the team working on the Farrugia case. "Let's find where and when she was last seen, and start from there. I have a hunch she's going to lead us to the senator." He called IT to extract Heather's phone logs and location pings before he stepped out for a moment to process this new information. He found himself slumping in the fire exit stairwell, feeling an urge to punch the wall.

When he was about to act on it, his phone rang. It was ADA Lahela.

"Have you heard?"

"Yes, I just got off the phone with Elijah."

"And Senator Ed?"

"Yes, we're trying to find leads for the past 3 hours since we were notified."

"Okay, have you checked her phone records?"

"IT is working on it now."

"Okay. She supposedly left the condo around 4am this morning. I heard her leave. That might be a good starting point."

Rafael made a mental note.

"I'm going to meet Perry. He's in the front and center of this thing. I'll let you know as soon as I come up with anything." Raf heard Bryce say, after which the line ended.

He felt like an idiot, a sinking feeling of regret drawing him in. But he couldn't wallow in it now. Not until they find her.

There's time for that later. Right now, Heather needs me.

Fired up with resolve, he went out of the desolate stairwell and worked. He immediately followed up on Heather’s phone logs and available electronic records. He also called up field agents to go down at Bryce's complex for a copy of CCTV footage for the past 24 hours.

Once the instructions were handed over, he focused on Travis Perry. He helped himself to a cup of black coffee, willing his mind to stay sharp. He pored over Perry's file, searching for anything they may have missed.

He sighed, pushing back his emotions to the back of his mind. It's quickly becoming one of the longest nights of his life.

Author’s Notes 2: When I wrote this, I thought of merging this with the next. I just felt that they're best read together. So instead of combining the two, I've decided to publish both chapters simultaneously. Both is packed, I know, even I got dizzy writing it. But I hope you'll enjoy the roller coaster ride as much as I did. Appreciate it if you could share your thoughts!

Taglist: @ramsey-lahela @eleanorbloom @choicesficwriterscreations