pardewale

[boxdstars]

Millie ⋆˙⟡♡

Art Trade with the lovely @the-ozzie of her darling slytherin mc, Millie Claire ✨

She is such a beautiful oc, this was so exciting and fun and once I started I just couldn’t stop 💕 (i blame your insanely fast pace rubbing off on me mwahaha)

[carnivalcarriondiscarded]

hm. im not very big on new years resolutions, they're too much pressure. but... perhaps i can handle new years Desires

this year i want to complete a lil comic, fan-based or otherwise. i'd like to also complete some sort of storyboard/animatic thing. i want to develop a coloring style that i can be proud of. i want to get to a point with my dragons where they can have a coherent story & world to live in. i want to think of so many fun, trivial facts about my characters. i want to post more about them. i want to write and post an original thing, be it 1k words or 10k. i want to finish the rough draft of a book i outlined. i want to be kinder to myself. i want to create more gift art for others. i want to put more effort & care & love into my art. i want to force myself into the world and figure out how to live. i want to make an irl friend. try a new craft - scrapbooking, maybe, or making an enamel pin. i want to finish that last commission and make a new sheet for more. i want to be freer with myself. i want to finish at least three fics. i want to go whale watching again. i want to improve my art, especially in the matter of drawing people. i want to bake something tasty and share it with the neighbors. i want to be content with existing. i want to have more good things in life to list on bad days. i want to build a birdhouse.

[skunkes]

abt to say smthng deranged

but ive reverted to accepting my fate here especially since im really really lazy and stupid and just want to draw but the only sharp thing still poking at my sides is wanting to transition and how I know as soon as my birthday rolls around I'll wish I had done anything to get out and start that, while sobbing hysterically over how the years just keep passing me by in that regard. 14 years. 15 years. And many many more.

But at the same time its like. I wouldnt want to claw my way out solely to transition (which at this point would be the sole positive thing about leaving). Because whats the point. I want to be transitioned before I really look for or accept love, yes, but moving out and doing so wouldn't lead to that I dont think. Id be living the same life im living here, but Worse and more exhausting. So i also dont see the worth in fighting to do it.

I feel those 2 views are at odds, but, like, its never enough to do things just for myself even if I really need it. It always has to be in relation to someone else. There would not be a someone else so why bother. Im not finding love while I live here so it doesn't Really matter if i cant do it, but this wouldnt change if i left so why would I fight for it. Why be the true version of me if I have nobody to share Me with (especially considering it will ostracize me from most everyone else I love.) I dont know

[butnotbubblegum]

using the tags to vent my current emotional state into the void bc ig story feels like a bad plan for this, read at your own risk.

[1roentgen]

.

[orcelito]

I do always love dropping that "not even to poison ivy" when I talk about not having allergies. Majority of people are allergic to poison ivy (that's why it's itchy), but I'm not ❤️ and I in fact tested this by purposefully rubbing poison ivy on myself last year. So I know for sure ❤️

[lovphobic]

popping every relative pill in existence to get my nose to stop running and help me stop sneezing

[nightowlfury]

complaining⬇️

i feel so fucking trapped and i dont know what to do i cant stand living here because my mom drives me nuts and i cant Function around her and i cant get a job because i dont have a car and i also cant get a job because i cant fucking stand the thought of engaging in capitalism in any way and i dont think im even CAPABLE of much and i cant figure out what i want to do nothing is interesting enough to me to make employment worth it. i cant stand being in this country either bc it feels like its trying to kill me and it literally feels like hell but i dont know what to do i want OUT but every time i think of something when i look into it practically its like i cant fucking do this what the fuck am i thinking and im fucking stuck like this!!!! and i hate it it feels like im not built to fucking exist in this world and i just want to be happy but everything is difficult and im too afraid of discomfort and misery to try anything new but i cant fucking stay here!!!! its gonna drive me insane but i dont know what to fucking do!!!!!!!!! and like the only option seems to be applying to masters programs but i still dont fucking know what i want to do because anything that im remotely interested in is basically just a pipeline into academia and i fucking HATE academia i cant fucking stand this world. literally anything that interests me has some huge caveat like oh i like animals but i cant do animalcare because cleaning up after them makes me want to vomit. i like filmmaking but the hours in that kind of job are atrocious and also most of that stuff is based in america nd i DONT want to stay here. plus i have 0 experience so that wouldnt happen anyway. i like ethnomusicology but pretty much the only thing you can do with that is be a professor and i dont want to do that shit!!!!!!!!!!!!! it feels like theres no fucking way forward and im fucking sick of it

[please-bequiet]

Me: I could just die about it

Also me: Ah that's gonna change what I circle on the scale for my group check in next week

[shot-messenger]

i have friends i definitely have friends

[hauntedtotem]

yall guess what I found at the con

[wasch-lappen]

They should invent a version of me that he loves

[infatuateddeath]

you're mine mine mine mine mine mine mine mine mine mine mine mine mine mine mine mine mine mine mine mine mine mine mine mine mine mine mine mine mine mine mine mine mine mine MINE!!!!!

[ifwebefriends]

My thoughts during “The Sign” [SPOILERS!!!!!]

ID in ALT

More thoughts under the cut

So I think most of us can agree that this is the best episode of Bluey so far. It was so emotional and satisfying in ways that are kinda new for Bluey. It answered so many questions while giving us a few new ones. I’ve been waiting for this episode for months and it did not disappoint in any way.

This is just a Chekov’s firing squad of an episode. As in a lot of stuff that was set up in earlier episodes all pay off in this episode. I kinda understand why people love soap operas now lol. I will say that this episode was a tad overwhelming for me in the best way possible. As in I had to pause and rewind every 30 seconds or so so I could emotionally process what was happening before moving forward (but that’s a me thing). There was just so much going on and I’m happy about that.

Now onto individual thoughts about specific things:

The callback to Baby Race (“you took your first steps in that house!”) really got to me because Baby Race was the first episode of Bluey that I watched and it immediately made me fall in love with it so it just got to me.

When Chilli said “Frisky and I came up here as teenagers to…um…think,” my mind started racing immediately with “what the FUCK happened at the Lookout?” “Who hurt Frisky and/or Chilli?” And I’m just so curious about what made Chilli say that line like that but we’ll probably never know what happened.

So yeah that scene at the end when the music was playing and Bandit ripped the sign out of the ground and Chilli tackled him to the ground ABSOLUTELY CHANGED my brain chemistry y’all. I can’t articulate my feelings any more than that.

I know some people were upset that Brandy ended up getting pregnant but I thought it was great for her! I’m happy for her! And I think that even though she got what she wanted in the end doesn’t negate the feelings she had about her infertility earlier. But I think we’re all wondering who the father is and I don’t know if the show really needs to answer that.

The whole message of “we’ll see” in terms of if something is good or bad is such a mature message that I never really thought of like that so I will be taking that philosophy forward in life. Congratulations Bluey, you managed to teach a 22-year-old childless person something new and insightful about life that I don’t think I’ve learned from another show.

I want to know more about what Bob was going through and feeling and why he went to India, but again, we’ll probably never know.

I just love how the wedding photos were beautiful but imperfect. Like of course we’re not perfect and nothing will ever be perfect but it’s beautiful and worth remembering anyway.

So many little jokes and moments were so funny in a mature way (I.e. “are we allowed to do that?” And Nana thinking there was about to be a baby announcement) were just so funny and memorable.

I think some people would say it’s a cop-out to end up not selling the house after building it up for 2 episodes but I don’t know, I think it works. I think Bluey and Bingo learned a valuable lesson and Bandit (and Chilli kinda) learned it’s not always about making their kids lives “perfect” in their eyes. Also I’m just personally glad they didn’t end up selling the house and I also kinda like that it wasn’t entirely their choice to keep it.

On a more serious note I think this episode has some interesting commentary on like gender roles and gender relations in straight relationships. In this episode Chilli and Frisky (both women) have to deal with their male significant others pressuring them to move with them far away from what they know and love. In the end they don’t end up moving and the men didn’t seem to have like malicious or selfish intent with it, they were just kinda basing their choices off their jobs instead of what’s best emotionally for their loved ones. But I think it’s interesting to have this conflict where gender is kinda brought up in a way (“because your husband is making you”). It kinda plays into the traditional idea of like men are the breadwinners and the family has to move with them regardless of what they actually want. And this episode kinda like deconstructs that and says “no, it’s not always about the job or money, it’s also sometimes about connections and emotional attachment.” And I’m not saying that you should never move or whatever, but really weigh your options. I just thought that it was interesting that this episode kinda touched on that.

So yeah that’s kinda the main thoughts I had on this episode if you made it this far thank you for reading my rambles and have a good one!

[bizarrelovesquare]

Dan posted this video that gave us a HUGE peek into Martin's notes about episodes they're working on...

Screenshots (with about 90% ID of what's visible, bless his handwriting) under the cut! Fair warning, it's long, but there's a lot going on here, and it's so much to think about!

picture 1: ????? chicken head funnier

picture 2: (first page) Reactionator

? Speakers all over town People's phones Therapist Doof & Candace

Therapist thinks she is crazy but is tactful

The shrink is delusional ? ? exercise that is the catalyst for Cand. being delusional

Candace "It's A Wonderful Life" -- After actual bust C sees everyone doing much worse she feels sad

Family - I think you discuss it Cruise Ship - P&F Van/Doof Last chance to Candace A / Perry back

(second page) Doof's DEI W/A C's Therapist

Doof same therapist

Ferb is next a speech therapist

Doof trauma-dumping on therapist

Therapist "The real self-destruct button is in your head"

Therapist does ex(?)nemesis - therapist

Therapist sees - "WAIT, I GET IT, what Candace is doing gets taken away by what HE'S DOING--"

(note going down side of page) GUEST ON DOOFENPUSS

Doof ? regular ? ? - but she can't ? this because of C ? Confidential ALL DANVILLE Doof and Vanessa on cruise ALL CHARACTERS ? Reactionator blackmail secret I ever tell you w/Lindana whose solved mysteries

picture 3: (script on the table) (our first potential season 6 title?) PHINEAS AND FERB

"VANESSAY"

Written by Martin Olson & Olivia Olson

picture 4: Vanessay

Change tennis to playground

Roger & slushy guy not zapped

Rog. - reflects ray w/ his teeth - set up teeth first Doof: strong jaw -

Agent T thumbnotes "Up the chimney is a weird visual pun" Stacy: "You know we have a front door."

C & Stacy w/ambient sounds joke sequence - cut down?

Mono - "Four seasons of this show" Why did I ? ? ?

To Liv for Vanessay Playground - see how ? ? trap sets scene - a handled window box

Stacy: "Hey ? I ? ANIMAL NOISES!" CUT TO BLACK

Stacy pushes ? out of doorway

Dimin: after "Shorty" - No prize is worth this!

picture 5: T For Teen For Liv - SC 916 Perry leaps into air & does triple flip & lands ready to fight

Pitch n buttons for each

Exec note - Thurs - T For Teens 1:48 end of C/Stacy annual ? sudden cut to end ? w "napkins"

MEAP - PT2 S&P CONCERNS

(I cannot make this bit out to save my life. Martin what in the world my dude)

picture 6: Meap pt 2 - thumbnotes

22 to Meap - "Uh-uh! An ship ? us away!" (clumsy)

Fix pronunciation "St. Lois" joke C is shushed by Meap

Tidy up - don't have everyone say "Don't forget to flush"

C pressing red button to explode ? ship sucks

Brenda joke sexist "No one tracks you through the universe more than your wife"

picture 7: 501 PT1 Exec notes - bigger intro of Doof instead of him on yearbook 10:27 Buf. throw away Constitution Irving beat #2 too quick to nerd

Deconstructing thumbatic

Instead of "psychosis" "phantasma"

607 - Isa hair - 704 OWCA shredding SC

C feels good - "? ? that every day"

12 min: Viewers see The Murder Board

Biblio Blast anim. notes Perry incompetent - smashes into Doof's roof Cut down - plants surrounding/attacking Cut down Doof/Per table start w/Doof "We have to HIT SELF DESTRUCT"

picture 8: (page 1) song by the paver the wind makes love w/each other again

around us - it all seems so real meaning confounds us - cuz nothing's revealed we're SW in love w/each other again

Middle 1: From nothing we hustle Towards each other again Our love seems to circle Without any end

V3: The cloud of unknowing has such beautiful colors But where is it all going ? towards one another? we're SW - in love w/each other again

Middle 2: We seek out each other Every time we appear Sometimes we find another Before we disappear

INSTRUMENTAL W/DANCING SKELETON

(page 2) Middle 3: The breeze says to hug her And show how we feel Slowly healing each other Every turn of the wheel

Repeat V1: So basically - We're SW Along by the river We sit on a porch and The wind makes us shiver We're SW in love w/ each other again We're SW in love w/ each other again

JOSH - The paver of

picture 9: While Dance

says to hug her how we feel healing each other turn of the wheel

Repeat V1: (So basically)

We're SW Alone by the river We sit on the ? and The wind makes us shiver We're SW In love w/each other again

picture 10: Swampy

is trapped

back build something

element

State Triangle

"It's like the Berm[uda Triangle] totally different

(Teen lounge) & P&F build

too much like

Dan wants PLANE to

Doof is the ship

Jon said we turn strong where Doof is in the clouds - there's

picture 11: It's a whole new summer Perry (reblog if u cried)

Earthquake

Mom is laughing so hard she can't look

Staring contest - Try not to laugh

Candace has to be ? at Jeremy's larping tournament but she laughs

picture 12: Perry sick, "Can you take

Candace P&F canoe race

Laughtrack-inator Start ? - reveal Doof hits them w/a Doof keeps cranking it up

Doof rises wall of ? behind at ?

Laugh-inator Cut to surgeon heart

Norm: Good mg. sir Doof: But I programmed you to

picture 13: (this is another view of the page in picture 2, but this one reveals slightly more at the bottom, nothing too noteworthy added except for this)

LINDANA 80'S COP MOVIE - GUEST ON DOOFENPUS

[earlycuntsets]

"DEATH COMES RIPPING" - SPOOKY ISSUE

'THE BLACK PARADE, THE TRIUMPHANT NEW ALBUM BY MY CHEMICAL ROMANCE MAY HAVE A TRAGIC STORYLINE, BUT IT'S NOTHING COMPARED WITH WHAT THE BANDMATES ENDURED TO BRING THE DISC TO LIGHT

PHOTOS BY JON WIEDERHORN PHOTOS BY JUSTIN BORUCKI

STANDING ON A BALCONY nine floors above the teeming streets of New York, Gerard Way overlooks the city in which My Chemical Romance began assembling their ambitious new album, The Black Parade. The newly peroxide- blond frontman takes a deep drag from a cigarette and exhales with a sigh. He knows he shouldn't smoke, but it's his only remaining vice.

"If I hadn't been sober, I think The Black Parade surely would have killed me," says Gerard, who climbed on the wagon in 2004. "We were going insane the whole time, and I had to cling to my sobriety to stay even a little lucid. The album became like this beast that was consuming us."

Following up a release as successful as 2004's Three Cheers for Sweet Revenge, which sold 1.4 million copies in the U.S. alone, is never an easy task. And the various scares the band experienced as they worked on the new record-drummer Bob Bryar had a near-fatal staph infection, Gerard seriously injured his foot, and some restless spirits at the studio where they recorded kept them all on edge-did not help matters. And neither

did MCR's decision to make The Black Parade (Reprise) a concept disc. Together, Gerard and his bandmates-Bryar, guitarists Frank lero and Ray Toro, and bassist Mikey Way (Gerard's younger brother)-decided to craft a record about a dying young man who is visited by a cast of strange characters that help him examine his short life.

But diving into the conceptual deep end proved well worth the hassle. The Black Parade is not only MCR's most realized offering; it's also one of the most eclectic, enjoyable rock records of the year. One listen to tracks

like "House of Wolves," "The Sharpest Lives," and "Dead!" makes it clear that My Chemical Romance can still rip a good metallic punk tune. But the bandmates are now equally influenced by epic albums like Pink Floyd's The Wall, David Bowie's The Rise & Fall of Ziggy Stardust and the Spiders From Mars, and Queen's A Night at the Opera.

"A lot of bands from the scene we came from try to strip down their music to 'keep it real," Gerard notes. "But the real you is what you've always had inside you and what you strive to be. So when we started compiling the material we had written, we were like, You know what? This has to be a huge, theatrical record."

MY CHEMICAL ROMANCE started working on ideas for The Black Parade in the back of the bus while on 2005's Warped Tour, after which they flew to New York and rented a rehearsal space for two months. And that's when things started to get weird.

"I was living in Queens, and I had to commute on the subway every day," Gerard says. "I was suddenly very scared and paranoid. I felt more like an outsider than I ever had, and I had no confidence, which is bad when you're trying to work on a record. And I had no anonymity because there were a lot of teenagers on the train." In reaction to the young fans he encountered on the underground,

Gerard wrote "Teenagers," a T. Rex-style romp with the chorus line, "Teenagers scare the living shit out of me." "The song came directly from commuting when school let out and being so terrified of them," the singer says. "I was like, Wait a minute. These are the same people that listen to our band. Why am I scared? And I realized it was because they're scared, too. Teenagers are made to feel like they can only solve their problems with violence. They lash out at each other in a really volatile way." After several months experiencing the joys of mass transit, MCR had completed only a handful of songs and felt like a change of scenery (and climate) might do them some good. "I couldn't keep working in New York," says Gerard. "We wanted isolation."

id: Gerard leads the way to what will likely be the band's second platinum record

So the group relocated to Paramour Mansion, outside of L.A. Nestled high in the hills, the deluxe estate overlooks the trendy Silver Lake area and boasts spacious rooms, a gorgeous pool, lush gardens, a state-of-the-art recording facility-and a few special guests.

"The place is definitely haunted," Gerard says. "Doors would slam, and the faucets would turn on. You'd get a bath drawn for you of freezing-cold water in your room, and you wouldn't know why." As unnerving as its mischievous spirits could be, the Paramour was also inspiring, and contributed to the haunting vibe of songs like "The End" and "This Is How I Disappear." More important, it led Gerard to come up with the bleak, surreal concept for the record. "I would have these night terrors, where it would feel like someone was choking me, and my heart would stop and I would stop breathing," he says. "I would wake up in the middle of the night and write these notes to myself, and one of them read, 'We are all just a black parade.' So I started thinking about how this band is kind of a black parade, like a funeral-procession rock thing. And I used that idea to piece together this story about the idea that when you die, death comes for you however you want." Gerard molded his concept into a narrative about a character he dubbed the Patient, whose strongest memory from childhood is of his father taking him to the city to see a parade. Two songs into the album, he dies, and the black parade comes for him.

"During the rest of the story, he meets this entity of death and all these characters, like Mama, who represents anyone who's ever lost their son in a war," Gerard explains. "It's almost like these Canterbury Tales, where he goes along on this journey, and at the end he decides whether he wants to live or die." With the concept in place, My Chem made the songs as sweeping and theatrical as Gerard's lyrics. They accomplished this, in part, by combing through their own eclectic record collections and pulling choice elements that would set them even further apart from other melodic punk bands.

The first two minutes of "Welcome to the Black Parade" stemmed from Gerard's love for Broadway musicals, the horns in "Dead!" came from Mikey's interest in Blur and Britpop, and the jaunty feel of "Mama" was informed by Tom Waits and Nick Cave. But the most poignant moment on the record, "Cancer," was (unlike its morbid moniker) something of a pleasant surprise. "I was very upset about something in my personal life, and that's when that song came out," Gerard says. "It was really spontaneous, and it was recorded pretty much live with Rob [Cavallo, the record's producer] on the piano and me in the vocal booth. Then we added layers of drums, which gave it a certain urgency. It's the song I'm most proud of because it was the most pure emotion we've ever captured, and it gets such an immediate response. You can't shake what the song is about."

As the CD approached completion, some members of the band began to show signs of nervous exhaustion. The group was scheduled to fly to England to play the Reading Festival, and as the date grew near, Toro, who has a fear of flying, got noticeably agitated. Then, after the band tracked "Welcome to the Black Parade," which was originally called "The Five of Us Are Dying," the guitarist lost it.

"I thought I had this premonition," Toro explains. "I was flipping through the TV channels, and on the news. there would be something about a plane crash, and every time I woke up in the morning, the clock would say 9:11. I was playing Tomb Raider the night before the flight, and on the level I ended up at, there was this whole flashback to a plane crash. So right before the flight I was like, 'That's it. I'm not flying."

Despite his misgivings, Toro boarded the plane, and when My Chemical Romance returned to L.A. (all of them still very much alive, thank you very much), The Black Parade was completed without further incident. Listening back to the record, the band members were in awe of what they had achieved and eager to share it with their fans. "There was a real confidence that came to us," Gerard explains. "Having survived it, we felt like we were changed forever. I feel different as a performer now, and I think we really finally discovered who we were as a band." But just because MCR were done with the record didn't mean that it was done with them. About a month later, the band was shooting a video for "Famous Last Words" with director Samuel Bayer (Garbage, Smashing Pumpkins) on a set featuring walls of flame, when-seized by the moment-lero grabbed Gerard's throat from behind and wrestled him to the ground. The singer rolled one way; his foot went the other. "It bent completely backwards, and I heard a crack and felt this agonizing pain," Gerard recalls. "I tore all the ligaments in my foot, but I got up and continued to perform." "I didn't know what I was doing," says lero, shaking his head. "I wasn't trying to hurt him. I felt awful. I still do." Gerard's injury was serious, and he still walks with a cane, but it paled in comparison to what happened to Bryar. At the end of the shoot, the pyro was so intense, the drummer could feel his leg burning, but he stuck it out for the rest of the song. By then, he had a nasty third-degree burn. And the misfortune didn't stop there. Bryar didn't take his antibiotics regularly, and he failed to keep the wound clean. By the time the band got back from a brief tour of Japan, the burn was severely infected. Then Bryar's face swelled up and, after doing the MTV Video Music Awards preshow telecast and a special club show, stumbled into a hospital emergency room in intense pain. "I thought I'd be there for 10 minutes, but as soon as they saw me, they got all serious and gave me an IV and said they had to do a CAT scan," recalls Bryar."They did all these blood tests and kept me there for 14 hours." Doctors discovered that Bryar's leg infection had spread to his blood and caused an abscess in his face that was creeping dangerously close to his brain. If it had been left untreated for another two days, he could have died. "The whole thing was such a nightmare," Bryar says. "This doctor stuck my cheek with a needle about six inches long and the width of an IV tube. Then he went in and out of the inside of my mouth with the needle about 10 times. Fortunately, the treatment worked, and Bryar left the hospital three days later. With tragedy averted, My Chem are now focusing on touring for The Black Parade. They'll be in Europe for most of November, and when they get back at the end of year, they'll start rehearsing for a U.S. arena tour that starts in February. "We want to put on a full show with props and staging like The Wall," Gerard says. And MCR plan to keep the Patient alive long after they're done touring for the CD. "I would love to see the story turned into a play or a musical, and it could easily be a movie," enthuses Gerard. "Making this record, we cut ourselves open every day, pulled out every organ, and lay them on a table so it would be something we're completely happy with. We want The Black Parade to exist for a long time." "The whole hole thing nightmare. This doctor stuck my cheek with a needle about six inches long and the width of an IV tube." -BOB BRYAR

"I felt more like an outsider than I ever had, and I had no confidence, which is bad when you're trying work on a record."

-GERARD WAY

12/2006 revolver - mcrhollywood on flickr