#Industrial

[restingcorpse]

[scavengedluxury]

[aleprouswitch]

My first show post-injuries was a fun alien-themed house party where I played with a bunch of dudes that I know really well and respect. I almost blew it when I forgot the 12V power cable for my WASP, but thankfully another performer had a 12V and the day was saved at the last minute. Many more pictures are coming later.

Photo by Jared.

[meriol-lehmann]

rue du lac-noir, black lake

[welufo]

golden hour

[boschintegral-photo]

A New Day

[dancingsunwheels]

Rose & Boyd | Spell ‘’93

[godflesh]

PIG is at the window PIG is at the door PIG will steal inside your head And you will sleep no more …

[Taken from Raymond's IG]

[i-did-it-all-for-the-nookie]

her: i’m coming over you better not be trent reznor spinning in the closer by nin mv when i get there

my dumbass:

[kowapowa]

[vintagehomecollection]

Beyond The Kitchen: A Dreamer’s Guide, 1985

[scavengedluxury]

Ganz-Danubius Francis turbine, 1916. From the Budapest Municipal Photography Company archive.

[womenofnoise]

WOMEN OF NOISE FOR PALESTINE

41 tracks from great experimental artists. All proceeds will be donated to the Palestinian Children's Relief Fund. Listen and purchase HERE:

As always, thank you for your support!

[aleprouswitch]

The good shots from last night's show - pure noise, pure rage, 100% Chattanoogan.

Leviathans of Black Hollering

Rurnt

Leperwitch

Cooperative Future

Disconcerting Signals

[meriol-lehmann]

mine johnson, thetford mines

[robsheridan]

Hard to believe Nine Inch Nails' classic The Downward Spiral is 30 years old today! Here is some detail photography I took of the original album cover painting by Russell Mills for the 10th anniversary deluxe edition release, which I had the unique honor of designing, and somehow that is now 20 year old.

Everyone has that one album that hit at just the right moment of adolescence to change their perspective on music and get them through their teenage angst. The Downward Spiral was that album for me, released as it was in 1994, when I was a freshman in high school (and an absolute banner year for music/films/games all around). I must have stared at the artwork for hours over those years, without even much detail to draw from on its tiny 5” CD slip case. So five years later, when I found myself inexplicably working for Nine Inch Nails, it was surreal to see the actual original painting in the flesh, hanging as it was at the time in Trent Reznor’s office at Nothing Studios, New Orleans.

I was struck by how much dimension and texture there was in the artwork that never translated on that tiny slipcase printing, how much detail was happening in the physical materials of the art: Flies, moths, wires, blood… I had been staring at this “painting” for so long, yet suddenly it was like I had never seen it before. I also noticed that it had aged - the wires had wilted over the years, drooping down from their original position as captured in the original album cover (interestingly, judging by the photo posted today by NIN, the piece has since been restored); a tooth was missing from the other main piece.

That experience stuck with me and it was the first thing I thought about when the task of re-imagining the album package fell upon me in 2004. I wanted to re-photograph the artwork, subtly updating the cover to show that ten years had changed it physically, much like our perceptions of art and music and memories change over time with perspective. I also wanted to dig into the previously unseen details of the work and explore it with my macro lens, so that fans like me, old and new, could have new layers of texture to pore over for hours while listening to a legendary album.

Happy birthday, old friend.