#Ivekovic

[dijetemjeseca]

Oton Iveković, oslik kupole nad središnjom dvoranom, 1909., Etnografski muzej, Zagreb

Slikar Oton Iveković (Klanjec, 17. travnja 1869 — Klanjec, 4. srpnja 1939) izveo je u kupoli Trgovačko-obrtnoga doma (1909, danas Etnografski muzej) alegorijske prikaze pojedinih gospodarskih grana.

[11bidjan]

[sarahting1212]

A massive insecurity in not only myself, but many young ladies and even girls around the world who have this massive expectation to wear makeup. With editing being very present online, young girls are consuming the images causing insecurity in themselves to live up to that expectation. I find myself also relying on makeup to give myself a sense of worthiness and value before I step outside making it hard for me to ever leave the house. Therefore I call this artwork Makeup Identity due to me placing my good qualities onto this mask instead of myself.

https://www.tate.org.uk/art/artworks/ivekovic-make-up-make-down-t12852h

Furthermore, I found that this quote was quite accurate as there is a sense of relaxation and rituality when applying makeup to my face. I feel as though I am able to meet myself and reflect. My own time.

[creativejunkie1]

Works of the heart

Sanja Ivekovic

Violence against women.

Strewn across the floor throughout the exhibition space, these crumpled pieces of red paper are reminiscent of poppies or roses. Visitors can pick the report up, read it, kick it, stand on it, avoid it, play with it or take it home. This is a pointed marker of our choices in how to engage with the ethicopolitical questions raised by this historically urgent exhibition.

[zoranphoto]

Velika retrospektiva hrvatske umjetnice Sanje Iveković u bečkoj Kunsthalle

Jedna od najistaknutijih hrvatskih umjetnica Sanja Iveković još od sedamdesetih godina u svom umjetničkom djelovanju teži feminizmu i aktivizmu baveći se kontinuirano rodnim i političkim pitanjima. Na beskompromisan način spaja pitanja estetike i politike, čime je utjecala na brojne generacije umjetnika i kustosa. Njezini radovi često polaze od osobnih situacija i životnih okolnosti koje se suprotstavljaju prikazima u javnosti i medijima. Reprezentacija ženskog identiteta, ženska povijest, nasilje nad ženama, državna opresija i manifestacija različitih ideologija u masovnim medijima neke su od osnovnih okosnica njezina rada. Bečka kulturna ustanova Kunsthalle od 4. listopada do 12. ožujka 2023. posvećuje veliku retrospektivu ovoj istaknutoj umjetnici pod nazivom „Sanja Iveković. Works of Heart” koja objedinjuje radove iz svih faza njezina stvaralaštva. Izložba se, između ostaloga, bavi povijesti antifašizma i socijalizma kroz prizmu njezine biografije, a fokus je i na jednoj od središnjih tema njezina stvaralaštva – odnosu prošlosti i suvremenosti. Okuplja njezine ranije feminističke radove o odnosu masovnih medija i ideologije, nastale u sklopu pokreta Nova umjetnička praksa. Moći će se vidjeti i djela koja su nastala u kasnijim fazama, a tematiziraju transformaciju političkih sustava u balkanskim zemljama. Bit će predstavljen i aktualni projekt Ženska kuća koji se fokusira na širok spektar pitanja vezanih uz temu nasilja nad ženama u različitim dijelovima svijeta, od Bangkoka preko Turske do nekadašnje Jugoslavije.   Bečka Kunsthalle, koje je osnovana 1992. godine s namjerom da postane mjesto produkcije i izlaganja suvremene međunarodne umjetnosti, trenutačno djeluje na dvije lokacije u samom centru grada, u bečkom muzejskom kompleksu MuseumsQuartier i na trgu Karlsplatz. U lipnju 2019. vođenje ove kulturne ustanove preuzeo je kustoski kolektiv iz Zagreba, odnosno tri njegove članice Ivet Ćurlin, Nataša Ilić i Sabina Sabolović.   Više informacija o izložbi i fotografije: https://kunsthallewien.at/en/exhibition/sanja-ivekovic-works-of-heart/press. Eurocomm PR Read the full article

[2001hz]

'personal cuts' by sanja ivekovic (1982)

[aimeeshka]

Sanja Iveković, 1976

Diary (journal), Centre George Pompidou.

[belledame03]

Sanja Ivekovic, Croatian artist

[xyzehe]

`Nothing is free from ideology, and everything we do has a political charge. I asked myself how not to be a passive object of this ideological system, how to act and react. What is my relationship to power, domination and exploitation?`

Sanja Iveković

[rrrauschen]

Sanja Iveković, {1982} Osobni rezovi (Personal Cuts)

[kosmia]

Sanja Iveković, Rastavljena, 2007

[las-microfisuras]

Make up, Make down

Sanja Iveković, 1976

[effemmelle]

[marieantoinette0]

sanja ivekovic

[thinkingimages]

Taking the work of Sanja Iveković as a point of departure to discuss urgent matters in feminism today, Sanja Iveković: Unknown Heroine – A Reader gathers commissioned essays by key feminist voices who contributed to a conference titled ‘23%’*, which was held on the occasion of the exhibition Sanja Iveković: Unknown Heroine, curated by Lina Džuverović at Calvert 22 Gallery and the South London Gallery (December 2012 – February 2013). The conference took place at the Royal College of Art, London and was organised in collaboration with the Courtauld Institute of Art’s Research Forum.

Sanja Iveković: Unknown Heroine – A Reader is edited by Helena Reckitt, and includes essays by Ivana Bago, Katy Deepwell, Lina Džuverović, Silvia Eiblmayr, Elisabeth Lebovici, Suzana Milevska and Milica Tomić. Designed by Rafaela Dražić.

This is the first in a new series of publications published by Calvert 22 Foundation.

*The conference title, ‘23%’, was drawn from a research report compiled by the Fawcett Society, the UK’s leading campaign for women’s equality and rights. On average, women in the UK earn 15% less than men. In London, in January 2013, the pay gap stood at 23%.

http://www.mottodistribution.com/site/?tag=sanja-ivekovic