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bluemoonpunch · 23 hours ago

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🌟The Elemental Alignment of Park Jimin (Part 2) - Tarot & Oracle Reading

[Performed: May 22, 2025 / Posted: June 1, 2025]

NOTES

“Beautiful, so beautiful.”

As we can now expect, Jimin’s core energy, or the view of his inner world was a bit blocked off as he, along with the others, is experiencing a level of disconnect while the energy of the Soul Body starts to build up, but I was able to get some really interesting projections for him regarding his current state and his energy moving forward. One of the first things I saw for Jimin was the 10 of Pentacles. I kept seeing flashes of different versions of the 10 of Pentacles, and even some that were completely new to me, but all of them highlighted outer stability and the cultivation of a dream life or something that Jimin really wants to make a reality going forward. With these images, I kept hearing this little whisper, someone saying, “beautiful, so beautiful,” over and over again. It almost seemed like someone was praying or making a wish.

There was something very physical about all of this, as I was really feeling the softness of fabrics, the smoothness of surfaces, a cool breeze, the warm sun, and the scent of flowers and fresh-cut grass — it just went on and on. There’s a feeling of truly grounding oneself in a physical experience, appreciating everything around, while intentionally curating, highlighting, or moving toward the best of the best — the highest quality of every detail that could surround a person on a daily basis. With this, I heard, “step up and step out,” which felt like something physical, like literally stepping out into the world, out into nature, out into the home, and amplifying it or bringing more to it on some level. In another way, I was feeling this as a more personal affirmation, to be bolder, stronger, and move through the world like the 10 of Pentacles is secured, like no one can touch him or bring him down, because he has and will continue to have the best of the best, because he GIVES the best of the best. There’s a sense of really owning his own energy going forward and owning the life that he lives to the fullest.

It seems with this that there is a lot of rearrangements happening in the physical which, again, could be connected to the matter of curation, perhaps buying a new home or just loading the one he has with new furniture, maybe some renovations. I kept seeing someone packing up clothes in their closet, but it wasn’t clear if they were packing to move or if they were simply rearranging things in the home, as they seemed to be packing them in large plastic storage containers rather than suitcases or boxes.

NOTES ON SOUL BODY POSITION

When it comes to the Soul Body, what I see for Jimin is really exciting. First, I kept seeing the number 7 switch to the number 3, which made me think of Jimin’s original role as the Heart, as the center of the body holding everyone together, being switched to one that mirrors the Throat Chakra. As we saw in Hoseok’s Elemental Alignment Reading, he and Jimin appear to be switching roles of function while still maintaining their original signatures, with Jimin being the Heart and Hoseok being the Throat. Jimin’s new role in the Soul Body’s function is an open conduit, the doorway between the Soul Body and everything else outside of it. However, compared to Hoseok’s original position or way of managing, Jimin’s is much higher up, much more filtered, and much stricter about what can come in and go out. In general, there is a lot more care being applied inside and outside of the Soul Body, I assume to avoid another issue like the Soul Body manipulation that was occurring in 2018. A lot of protection and precautions are being applied overall.

Jimin feels to be standing as a figure similar to The High Priestess, a soul acting as the go-between of what is “in here” and what is “out there,” but again, there is a strictness to it, a very no-nonsense, no bullshit, no nothing sort of attitude to this new system.

I’m sure this will ruffle some feathers, but I’m kind of seeing this as a thing where one of the major indicators of whether or not you even have access to the soul group within ARMY is based on how you view and treat Jimin. He’s the marker, the judge, the meter, the high end security around both the Soul Body and the soul group — any detection of negativity, toxicity, or ill-will isn’t even going to be acknowledged, it will just be pushed out and blocked off, added to a list of permanent banishment. This may connect to the applied systems of the exodus period discussed in the ARMY Outlook Reading. There really is quite a feirceness to it that makes me think Jimin’s soul itself is quite over all the cruelty his conscious counterpart is at the receiving end of, and he’s spreading that out to everyone like,”yeah, NONE of us are dealing with this shit anymore. We’re not even going to see it, but by all means, feel free to drown yourself in your own sludge.”

I really can’t get over how strict the blueprints for filtration actually are. Compared to the original Soul Body, which was alarmingly open, there is a more screened window effect to it. I keep seeing a window with like ten screens over it, Jimin sitting on the other side of it, barely visible but so focused on whoever or whatever passes by or stops to ask for access or a handout. I keep seeing Jimin’s energy, or I suppose the outline of his future blueprints that will be initiated in the body, switching back and forth between The High Priestess, Justice, and Judgement:

The High Priestess is Jimin when he’s just at the window, or perhaps you can look at it as the new default system, where he's the portal or the filtered conduit that you would move through to access either the Soul Body or the soul group. In comparison, back in the day, although I don’t know for sure if this is exactly how it was supposed to be, Hoseok’s standing felt more like a wide open doorway that was able to be accessed, that allowed massive waves of energy to leave and come in directly to the Soul Body. It was like a doorway left open, one he wasn’t able to, or was eventually pushed away from being able to monitor. With The High Priestess, Jimin doesn’t take his eyes off that window, doesn’t let any of those ten screens fall or get rusty. I suppose I shouldn’t be surprised that the soul that was literally the HEART of the body, the soul that wants nothing more than to protect and sustain the whole body and all the souls in it, would take this job very seriously.

With Justice, this feels to be the mode he enters when someone approaches the window, again either for the Soul Body itself or the soul group, when he’s very clinically assessing what is about to come in or what is about to go out. Justice here almost feels like an office worker reading over submitted applications, reviewing proposals, and laying them down alongside a list of rules, set qualifications, and seeing how things line up. If they don’t match up to the standards, they are marked unacceptable or put on a temporary hold. Again, this is going both ways in terms of what can come in and what can go out. I can see this trickling down into the ARMY soul group, possibly starting with Jimin’s individual soul group specifically, as a wave of mindfulness put toward the kind of attitude, energy, and general social setting you create within the community as well as a stronger sense of filtration when it comes to blocking and not engaging with negativity within the community. Between the “beautiful, so beautiful” thing, and Jimin’s soul readying to run a tight ship, there is a big theme here of curating and protecting his peace and the peace of everyone around him, on all levels. Again, this will certainly trickle down into ARMY in some way.

I’m also seeing Justice, in relation to what comes out of the Soul Body, as Jimin, even on a conscious level, having more say or more influence in what the group puts out or how they go about delivering it. Again, this looks so clinical to me, like meetings about marketing and being quite influential when it comes to how things are expressed, how the group interacts with fans, what kind of connection they have with the world overall. I keep getting flashes going back and forth, suggesting his conscious level influence in marketing as well as a lot more influence, or a more prominent influence in writing for the group. This is where we’re getting more of that Throat Chakra energy from him in this new system. Again, he’s still registering as the Heart, that’s still his soul signature, but his base of operation is more connected to the Throat. It’s very interesting.

Now, with Judgement, this is where the hammer comes down. What Jimin says is final, and that seems to be hitting on multiple levels. He’s certainly no tyrant, there’s no major force here, but it is a very clean-cut kind of decision-making that gets locked in stone, no room for arguments. If his soul decides that something is not good for the Soul Body or the soul group, it is permanently banished, filed under “DO NOT INTERACT,” and essentially ceases to exist from the perspective of everyone on the inside. There is no second chance, no guidance on how to “do better” or “be better” the next time around, it is just cut off immediately.

Just the same, anything going out is subject to a pretty strict filter, applied to the energy, tone, and display of what comes out of the Soul Body or the group, on both conscious and physical levels. Again, I really think Jimin’s personal soul group within the ARMY soul group is going to be in positions of filtration for the whole fandom and will be some of the first to really ride that wave of filtering and aiming to curate overall better communities for everyone, especially online. I think that’s why there’s such an emphasis being put on the idea that how you treat Jimin will be an indicator of how you are viewed from inside the soul group, or whether or not you are part of the soul group. Something in that feels a bit karmic as well.

I was also brought to focus on the numbers on these cards, not in their inherent meanings, but in the visual of the Roman numerals. The High Priestess is number 2, represented as II, which resembles an open window, or a filtered window. Then Justice is number 11, shown as XI, which was like the half-opened, half-closed window, the time in which your “application has been accepted,” you’re still standing on the outside. And then, Judgment is number 20, XX, fully closed. Judgment only activates when something is being closed off, rejected, or pushed out. The hammer only comes down on things that are proven to be harmful to the inner systems of the Soul Body and the soul group, and by way of BTS and ARMY on a conscious and physical level. When things are accepted, the pathway inward and outward, through the filtered window of Justice, is allowed open and fiercely monitored by Jimin as The High Priestess.

NOTES ON JIMIN’S NEW BLUEPRINTS

In comparison to Yoongi and Hoseok, Jimin doesn’t seem to necessarily be receiving brand new codes or updates within his soul’s functioning, but instead it seems like he’s being primed to allow elements of his blueprints that already exist to start activating and working on higher levels. This connects back to his Life Path 11, which I’ve talked about a couple of times, maybe in readings or maybe just on Tumblr, I’m not sure. One of the biggest things that I’ve seen for Jimin with this is his effect on social culture, expression, and the validity of personal identity. It’s been a thing for years this “coming wave,” like a literal tsunami of energy stemming from Jimin that would “level the social and media space” and “spring new life.” As in, he’s going to do SOMETHING at SOME POINT that completely rewrites the framework of how people show up in their work, how people view others in these higher positions, how people view artists and celebrities. He’s set up to be quite a significant person, someone people look back on and point to as being the source of some kind of social evolution that took hold and never let go.

One of the things that I get for Jimin quite often is this idea that he is only “half way there,” or “half lit up.” Like, what we’ve seen of him so far is just barely 50% of all that he can be. I’ve seen this come through numerous times as the moon only being halfway through its phases, making the Full Moon Jimin’s peak state. What’s funny though is that, in this reading, I kept hearing “the Sun is just beginning to rise.” This brought to mind that cool little thing that used to come up for Jimin a lot back in the day, his “Light Sun/Dark Sun” modalities, which I talked about in his first Elemental Alignment in 2018 and expanded on in regard to an eclipse I was seeing in his inner world in his Core Energy Reading in 2022.

It actually kind of freaks me out how this always comes up like the Universe, his Guides, and Jimin’s soul just kind of side-eyes the situation like, “...it’s coming… we’re not gonna tell you what it is… but it’s coming… and the world will never be the same…” Like, OKAY?? But for sure, there is that same feeling as with the other guys so far of something building up, pressure building up in the energy centers, something big coming that will kind of pop the bubble, shed the skin, and birth a new form, something that for Jimin will be quite prominent on a soul level and on a conscious and physical level.

In regard to what I see for Jimin going forward in the public on a conscious and physical level, there is a new “coating” to him, like a new outline that he’ll have on, which could suggest an extra layer of protection, but it’s one that comes from within himself, suggesting a new level of confidence that is very difficult to break through or break down. I’m seeing him standing like royalty, perhaps going back to that 10 of Pentacles thing, really owning his status and holding himself as the best of the best, really moving well with his head high. There’s something about this that is “being displayed for the first time,” as I keep hearing it. It’s a level of confidence and self-display that hasn’t been seen from Jimin before. Again, there’s a whole other HALF of him that we haven’t really seen yet, and this seems to be suggesting that when that other half is displayed, it will have him standing like royalty.

GUIDELINE

There is a fascinating lineup here for his guideline, that seems to mostly be centering around his current projections, although most of these feel to be connected to higher levels of his awareness, such as the higher unconscious and the higher and lower subconscious mind. The only elements that seem to sit fully in the conscious mind are the 4 of Swords and the 9 of Swords at the very end, stemming off of Sleepy Eyes in reverse. What’s interesting about that is the 4 of Swords and the 9 of Swords seem to be a conscious level mirror to the higher unconscious state shown with The Siren and The Underworld.

This is somewhat complicated, the way I see it, but it’s also a simple thing that’s being displayed at the same time. A deliberate exploration and assessment of lower levels of the subconscious mind, encompassing spaces of fear, insecurity, self-hatred, and trauma, is being conducted by a higher aspect, perhaps the soul itself. Just the same, the 4 of Swords is showing a deliberate conscious level assessment, a slightly detached one for the sake of objectivity and clarity, of the 9 of Swords, a space of personal trauma, nightmares, hidden fears, and things that, in general, plague the mind in a negative way.

Where I see the most complexity is within The Siren, which represents Jimin’s higher unconscious, which technically would be the space right below his actual soul, where his soul plugs into the layers of consciousness. I’m seeing Jimin’s soul actually being “from” the red jewel at the top of the image, while Jimin’s soul, represented by the Siren, hopping downward, literally diving into The Underworld, the lower subconscious, the space of the 8th House or the personal underbelly.

This is quite a wild thing to see when we think back to earlier states for Jimin, where his higher unconscious, and even his soul, were quite… scared?? Scared of even acknowledging certain heavier aspects of the self, almost living in a state of denial all the way into the soul. There’s such a great sense of clarity and awareness here, like his soul knows what’s up, knows what’s on the line, and is really taking this quite seriously, this effort to clear things out. It’s reminding me a bit of Hoseok’s situation, where he is being prompted to clear things out within his connections and environments to ensure his soul function going forward post-reunion, but here for Jimin, it’s mostly about clearing out his connections and environments within himself.

It’s so hard to explain it, but it does feel like his own soul, and perhaps this is why it feels “detached” but not “sleeping” like the others, is on a deep-sea diving mission, suited up and moving through the depths of Jimin’s own subconscious. There’s a tandem system going on here with his soul processing deeper subconscious elements and his conscious mind assessing and perhaps dissecting heavier elements of the subconscious that have risen into the conscious mind, or that are coming in from the outside. The only difference between the two is that The Siren is literally diving into that underbelly where as the 4 of Swords, as we can see the silhouette of the person in meditation mirroring the person sitting up in bed in the 9 of Swords, is pulling back and observing the emotion, the thought, the memory, the trigger.

Even the way the images of the Swords seem to mirror each other, with a lesser number and even a lesser physical, more etheric-looking swords in the 4 of Swords compared to the harsh, heavy, sharp physical swords in the 9 of Swords, shows a level of detachment within this observation. This goes back to that element of him learning to really protect his peace without the need for isolation or “hiding himself.” He’s looking at himself, maybe looking back at himself in past states, and being like “mm, yeah, I don’t like that. I didn’t like that then, and I don’t like it now, let’s rip these things out of here and lighten this load.”

Even more interesting, looking at these cards laid out as I have them here in the image above, there seems to be a loop happening. We can see The Siren dive downward from the higher unconscious into the lower subconscious of The Underworld. Things are untangled and sorted through, causing them to loosen up and float to the surface, where they make themselves known in the conscious mind through the 9 of Swords. The 4 of Swords is Jimin, with intention and awareness, pulling back and reassessing things, filtering out his own inner waters, his mind, and perhaps doing the same on some level in his physical life, his home. This creates the lightness, a vibrancy, and a higher frequency where the mind and body feel lighter.

With the upward-facing triangle in the image of the 4 of Swords, it feels like the lightness causes him to float upward, reaching, on a conscious level, a higher state of mind which mirrors The Siren rising back to the surface and returning to the soul state of the red jewel. There’s a whole a process on display here, and the fact that these sets of cards sit at the beginning and end of the overall lay out could imply that the other cards hold elements of the process or perhaps pillars and foundations of the current process that Jimin is going through within this “incubation period” that the guys are in on a soul level.

Another big theme here that’s running through the whole guideline is the number 4. The Heart Chakra card (4), Soul Time (40 - 4), Blessed (22 - 4), Peace (31 - 4), Sleepy Eyes (4), and the 4 of Swords are all carrying this projected frequency.

Starting with the combination of Soul Time and the Heart Chakra cards following The Siren and The Underworld, there is a focus on the state of the soul within the Soul Body, ringing back to Jimin’s soul signature as the Heart Chakra. It’s hard to describe it, but I’m feeling Soul Time as a pot of thick stew being stirred up, something being mixed in or cooked up, but it’s unclear to me what it is or how it’s playing into everything else.

In general, the number 4 suggests foundations and structures, frameworks that offer stability and can often be looked at as seeds or the root systems of things to come. When I really focus on it, what I see being “cooked up” is something connected to the field of protection that will go around the Soul Body, something I’m sure Jimin is heavily involved in. I first saw that field in the ARMY Outlook Reading regarding The Star card and their Guides pointing out the potential for necessary protection and protection in general going forward on both a physical and soul level.

There’s something quite secretive about it, whatever is brewing in the pot, and when I look at it from a few different angles, it hits the spaces of the Soul Body on a collective level, that outer protection, and it hits in on a conscious level, something pertaining to Jimin himself. It may have something to do with that Full Moon/Rising Sun situation, but again, it’s unclear right now.

Following that, he has Unfinished Symphony, Imagine, and Blessed, and immediately I’m seeing the Unfinished Symphony stemming off of the pot of stew, something being cooked up, something in the making. It does make me think of new music and new projects in general, but it feels so much bigger than that, something that is full-bodied and, again, could connect to something that influences social culture or expression for a lot of people. Especially with Blessed being 22, that sense of reflection, there seems to be something that I can only describe as a cleansing of the lens through which you see yourself, or a cleansing of the mirror where you see yourself the most. Something that Jimin does to express himself or affirm himself within his work or just in life in general is going to inspire people, or help heal other people in terms of how they see themselves, how they express themselves, and how they show up in the world. I’m seeing Blessed as a shift in mindset where certain things that were once seen as curses, flaws, downsides in your appearance, personality, or way of being are suddenly able to be viewed as blessings, unique qualities that help you stand out, things that help you be identified as an individual.

Similar to what I’ve been seeing for the others, there’s a progression here where Jimin, in the Unfinished Symphony, is inside that egg cooking something up that’s about to hit big on a soul and conscious level for everyone involved. When that egg cracks, Imagine is what explodes out. It’s a flood, a tsunami of energy that feels like cool water running over inflamed or wounded egos, healing and guiding people toward a new sense of self. He’s leading by example with this in some way, so this may be quite a hill to climb for him on a conscious level, which may be why he’s already being prompted to do that personal clearing through the 4 and 9 of Swords.

What is left behind in the end is the figure in Blessed, which, if you squint, kind of looks like it could be a fairy mermaid type creature, which brings me back to The Siren. It’s his soul on display, in a new form, fully integrated. Major levels of soul integration have been on the agenda for all the guys so far as well. Blessed, again, puts him on display, fully, perhaps to a point in which we’ll be able to say that the Moon is full or that the Sun has risen to high noon, and this creates a mirror (very Libra) for others to see themselves in a new way. It goes beyond simple affirmations or encouragement. It’s something to follow, something that will lend to a permanent social change. It’s very interesting but still so unbelievably veiled, like I WANT TO KNOW WHAT IT IS, but Jimin’s tucked away in a little kitchen hiding his stew so we can all be surprised.

Following that, there is Peace, which feels again like a layered projection where it’s going to be something that is generated within himself, within the Soul Body, and the other guys, the soul group, and the general public. It’s so dramatic and cinematic the way I’m seeing it, where there’s that big bursting tsunami in Imagine, something loud and very hard to miss, followed by this angelic ascension of what comes out of the egg into the position of the creature in Blessed, and then, a silence follows. There’s a slightly creepy, but mostly heavenly, stillness that comes over everything as the clouds clear and the water recedes, leaving behind these flowers in everyone’s hearts and brains. This still silence continues as these flowers start to open up, like the image in Peace, and these particles of personal essence start to rain upward, illuminating everyone in their own light, everyone seeing everyone as they truly are without shame or an urge to hide or dim that light.

Something about it is kind of funny where we can see a little line of water spilling out from the figure’s hand in Blessed, but that little stream of water is what is now fueling this massive web, massive oceans’ worth of purified and amplified personal expression and self-realization. It’s like a major switch is flipped for millions of people as a result of whatever the heck Jimin is about to do.

The rushing water and bright lights all seem to flood over into the Egotism card, which is where I’m really catching that inflamed and wounded ego feeling, a space of odd self-perception brought on through that Mars in Leo energy, a flame brought into the space of performance, masking, and a warped identity. The number 5, correlating with the Leo 5th House, feels to be carrying the stuck energy of number 5, a space of stagnancy or what can feel like entrapment within an identity that is not your own.

This flowing into Gemini — I Think and Neptune — Sacrifice, which sit directly underneath The Underworld in the layout, feels very straightforward with the idea of someone having sacrificed their mind, their face-to-face communication, expression, or some level of awareness in order to accommodate or simply deal with outside criticism, mockery, harassment, or some other level of shaming that would lead to a person feeling very negatively about themselves both physically and in terms of their personality or way of thinking. Connecting back to the Air energy in the 4 and 9 of Swords, this may be reflecting a more detailed version of what was suggested in the 9 of Swords specifically, as well as details of what is in The Underworld, or what still lingers for Jimin as heavy insecurities, trauma, or fear connected to other people/fans/the public.

In a progression, it looks like The Siren and The Underworld are laid out as “this is what we’re doing right now,” followed by The Unfinsihed Symphony, Imagine, Blessed, and Peace as “this is what we’re preparing to do,” and then Egotism, Gemini, and Neptune being “this is WHY we’re doing it.” There is a generalization to this set as well where, yes, this pertains to Jimin on a personal, individual level, but it’s also laying out something for the collective as well, hitting hard with his personal soul group, then the overall soul group in ARMY, and then rippling out into the mass collective. There’s a big effort here to heal wounds of self-sacrifice.

Next, there is a muddled kind of energy around these cards as they feel to be kind of sunken in on themselves. Specifically, the energies of Falling, Inspiration, and Nutrients all seem to be hidden or tangled up in Screaming, Fear, and Politics.

Falling in particular feels to be distorted here where, alongside Inspiration, it is meant to or is wanting to express the idea of Inspiration falling down from the sky. Similar to what we see with Imagine or the stream of water pouring down in Blessed, but what I’m feeling here is something more like Inspiration being an opening in the ground, perhaps connecting to The Underworld, where water is attempting to bubble up, but before it can, or before it has a chance to be noticed, leaves fall over it and clog it up. This is lingering over into Nutrients where it feels like this water is not able to soak into the soil around the hole and is, or was, causing the soil to dry out, losing its nutrientes and fertile nature.

It’s an odd thing, but it has that same kind of “muddied distortion” as the Egotism card. I don’t think they’re necessarily directly connected in terms of this reflecting elements of identity, but I do think they’re connecting in a way where when your identity is limited or hindered, your ability to operate as you are meant to, you ability to serve your purpose or execute your calling is also limited or hindered.

Screaming, Fear, and Politics are very interesting here, especially Politics as the first thing that came to mind with this was something I’ve gotten for Jimin a few times before where he is quite mindful, perhaps overly mindful, and certainly more mindful than a lot of people realize, of what people say about him and how they are towards him. I’m thinking specifically of things that have come through for him and Jungkook where he would deliberately put up walls within himself, maybe on an emotional or mental level, limit certain things in order to protect Jungkook from potentially receiving the same kind of treatment he gets by association.

It’s very calculated as well. The walls aren’t there when there is no one watching, but there is a deeper subconscious wall that comes up when people are watching. It’s deeply internalized. It’s not something that can easily be seen on the surface, but the back-and-forth tugging of this inner system seems to be something that is mostly in the deeper subconscious, connecting to the fear and inner insecurities. It’s reminding me now of what I saw with Jimin’s first Elemental Alignment where, in his inner world, he didn’t even notice I had entered the space because he was so preoccupied with jumping around in order to hide different “videos” and “pictures” that were flashing all over this massive screen. He wasn’t just hiding them from other people, he was trying to hide them from himself as well. This seems to be one of the major sources of inner conflict — his effort to hide or deny things from himself so that they don’t show up at all to anyone else.

Politics is representing his awareness of the public, the words and actions of the people watching, and his strategies to limit or filter certain levels of expression or his own identity in order to perform a botched version of “protecting his peace,” which actually used to play out as him just deforming his own identity and playing a role, which then turned into him being more himself but as quietly as possible, as away from the public eye as possible. Now, there’s more awareness of this, and on multiple levels, there is now effort to clear these fears and assess these triggers, again going back to The Siren/The Underworld and the 4 of Swords/9 of Swords.

Lastly, Sleepy Eyes in reverse pulls us out of the previous set and throws us into the 4 of Swords and the 9 of Swords. In a way where Falling, Inspiration, and Nutrients are covered up or blurred, you can think of a person walking around after being woken up suddenly, sleepy eyes all blurry and unable to focus. With Sleepy Eyes in reverse, there’s a feeling of waking up, becoming more aware of this, refusing to mindlessly walk through life — “mindlessly” going back to Gemini and the sacrifice of the self. Eyes are open, the mind is clear, and through the 4 of Swords, there is an attempt to assess the triggers and heavy thoughts that exist within the 9 of Swords. Jimin is doing a lot of work on himself and is preparing to live more openly, more as himself, to shed any and all distortion that he has acquired from other people or that he himself has been putting out by either acting in a way that is not true to him or hiding himself in general.

At the very end, his keywords are Pisces, Evolve, Farmer, and Guide. Pisces connects back to The Siren, referring to a deeper aspect of healing and processing that occurs within the soul. There’s a really great callback as well to The High Priestess and the Imagine/Blessed/Peace energies. There’s a potency of Water energy, very bright, vibrant, clear Water that is aiming toward cleansing and healing. This blends into Evolve as this is initiating a new phase of development for Jimin, and a very high level of soul integration that may generate a sense of rebirth or reformation to his overall being. It’s good to note that Pisces rules Evolution as well, which gives me a great feeling about Jimin’s “new design” on both a soul level and a conscious/physical level being entirely of his own making.

Farmer and Guide are linked together in a very interesting way, which seems to connect to his soul group as well as the overall soul group of ARMY. As I’m seeing it, this is demonstrating the “lead by example” thing he’s got going on, where as he heals and displays himself, others will do the same. The seeds he plants as the farmer, what he grows, will inherently guide others, and others will follow. It’s lining up with that image of Jimin, as Blessed, fueling the water that blooms the flowers in Peace. He planted those seeds in himself and in the world as the farmer, but through his guidance, through his demonstration, everyone will bloom their flower on their own.

GUIDELINE WITH SPRINKLES!

As you may notice, all the Sprinkles here are black… why? Becasue my dumb ass didn’t save the origial file before I merged it with all the others and moved on with the other images for the reading. I was able to see SOME of the Sprinkles in the merged image, and some of them I was able to remember because I wrote notes on them, but there could possibly be one or two missing. So, we can’t follow the colors for this one, but everything still connects over pretty well.

First, there is “sickness” over The Underworld which connects downward toward Neptune and Gemini through “sadness so deep.” This seems to be referring to a sickness of the mind, or a pollution of the mind, identity, and expression that stems from a deeper sadness, grief, or pain that comes in from the outside. This furthers the idea of the soul diving quite deeply into the lower subconscious in order to start bringing things to the surface that Jimin is assessing or revisiting on a conscious level. This could be coming through for him consciously as direct triggers, literally reexperiencing things, literally being triggered, or these are things that are just coming up as he is planning to do bigger and better things, planning to show himself more, and because of that, part of his mind keeps popping in trying to remind him of why he filters and hides things. It’s reflecting off of Egotism a bit, the idea that the wounded ego, which resides in the subconscious space, is trying to protect him from that pain by reminding him of the worst case scenario.

Then, over the Heart Chakra and Soul Time he has “there is another…” and “moon,” which come together to simply say, “there is another moon.” This is so annoying, because do you see again how it seems like his Guides and his soul are side-eyeing the situation and being like “there’s more coming… there’s another moon… we’re not gonna tell you what that means… but we’re letting you know… there’s more there.” What am I supposed to do with that? There’s literally nothing else coming through for it, so I’m taking it very literally in terms of there’s literally a whole other moon. We have the half-moon now which is Jimin’s 50% max status, which will be Full when we get into Blessed, but then there’s A WHOLE OTHER MOON TO LOOK FOR?? What could that even begin to mean?? Not to mention, what about the Sun? I heard “the sun is just beginning to rise,” earlier, so is there going to be two Moons, two Suns, a Sun and a Moon, an eclipse?? What are we doing? What’s going on? I suppose we’ll have to wait and see…

Over Egotism there is “objects that can’t be named,” which carried quite a heavy feeling to it with the idea of a person so disconnected from their own identity that they think of themself as an object with no name, no title, barely an existence at all. There’s quite a sad feeling, again connected back to “sickness,” and “sadness so deep,” where it almost feels dehumanizing. There’s a kind of hidden awareness of other people having mutilated your sense of self through your willingness to allow their thoughts and feelings to have a place or say over who and what you are. In the image of Egotism, we see a chicken with the head of a man — this is giving me quite an uneasy feeling with the idea of a person being degraded into the position of an animal who then loses sight of their personhood so deeply that they don’t even think they’re alive, they don’t think they really exist. It’s giving major existential crisis vibes, something that could have taken the wounded ego into the state of an inflamed ego very quickly.

Luckily, rolling back over to Blessed, Imagine, and Unfinished Symphony, there is “ice cold water” that lies over the set, highlighting Blessed specifically. This was nice to see because it seemed to affirm what I was seeing and feeling with the idea of that tsunami hitting and cooling down and healing inflamed and wounded egos. As this energy is already inside Jimin, as in it is inside with him in that blue egg in Unfinished Symphony, it’s in that pot of stew he’s cooking up, it shows that while this major damage to the sense of identity could have happened, it was halted before it could go any further. Jimin does have a wounded ego as a result of “screaming politics” from the outside world, but it has not progressed to a point of being inflamed, burned, or permanently damaged. He has an inner resilience stemming from his soul where he pushes past those insecurities, self-doubts, and, seemingly purely out of spite, pushes his personhood, his humanity, his real self out into the world as often as he can.

Over Falling and Inspiration, connecting over to Nutrients, there is “got my hand…” “now you see me…” “focusing on that,” and “rain storm.” I was seeing this come together as “you got a hold of my hand, and now you see me focusing on that rain storm.” The reference to the rainstorm hit two different things — one was the Screaming card, suggesting a storm of people, a storm of judgment and hatred, and the other was the tsunami in Imagine, the one that floods out and brings him to Blessed and others to Peace.

I don’t know if this makes any sense, but this literally feels like Jimin’s soul, the part that’s tucked away in the kitchen stirring up that stew, hiding the contents of the pot, but letting someone hold onto his hand so that they can feel what’s in the pot, feel the weight of what is being stirred around. I was going to mention it earlier, but it just didn’t seem relevant, but I kept thinking the stew could double as a potion, like Jimin’s tucked away in a little witchy lair, conjuring something in a big cauldron. This lines up with that more, literally stirring up a storm, a whole hurricane that crashes down and destroys structures of the Screaming, Politics, and Fear, but also brings new life, cooling waters, Inspiration, and Nutrients to everything else. It’s very interesting.

Lastly, the craziest shit, is the set of Sprinkles that came out for the reversed Sleepy Eyes card. This actually blew my mind when I tossed the Sprinkles down because right away I noticed that the way those bottom three Sprinkles lay together mirrored the Algiz rune, the Sprinkle that was lying over the center of the card. For reference, this is the Algiz rune:

As mentioned before, the Sleep Eyes card being in reverse set up this more awake and clear state for Jimin to access that 4 of Swords state of personal analysis and assessment of the 9 of Swords. He’s clearing a path for himself to walk openly and freely in the world in a way that he hasn’t before.

The Algiz rune is associated with protection, guardianship, awakening, courage, defense, and primal instincts. It’s so hard to think of how to describe the way I’m seeing this, but it’s like a switch was literally flipped with Sleepy Eyes being in reverse, something in him just flipped one day and while that Gemini/Neptune mindset was still in him, he was suddenly more detached from it, more aware of it from an “outside” point of view, again giving way to the 4 of Swords and the 9 of Swords. There’s something here about “modeling” and I don’t know if I can explain it exactly, but I’m seeing layers of copying and pasting, the same way we have the Algiz rune displayed over the center of the Sleepy Eyes card, and then the Algiz rune formed by the three Sprinkles underneath.

It’s the same kind of “modeling” or “copying” that I see with The Siren/The Underworld and the 4 of Swords/9 of Swords. Within himself, he’s copying the process of his soul, but with the Algiz rune here, I’m seeing him copying something outside of himself. Someone or something outside of him flipped the conscious level switch, or affirmed it enough that he just said fuck it and started doing all this inner work to clear things out. Considering all these associations to guardianship, courage, defense, and instincts, I would say it’s possible that someone in the military or just being in the military in general led to this. It’s possible as well that, being there, the environment and the need to severely restrict himself, his identity, and his expression, also could have led to those triggers which were then open to being assessed again. It’s possible as well that Jungkook could be the one he is “copying” or modeling after here as it has been shown over and over again that they both have an incredibly strong influence on each other when it comes to their personal progressions, soul development, and the structures of their inner worlds, and since they’ve been together all this time, I don’t think it’s too far fetched.

What brought to mind this idea of modeling after something was the fact that while the Algiz rune formation under Sleepy Eyes does LOOK like the rune, the Sprinkles that make it up ever so slightly oppose the energy. Algiz is a more masculine energy, again connecting to primal instincts over intuition, protection and defense rather than nurturing and receptivity. The sprinkle in the center is “Grief + Motherhood” with “purity” splitting up toward the left, touching Politics, and “let’s cleanse that,” splitting upward toward the right, touching the 9 of Swords.

Now, I’m unfortunately very aware that there are still people in this world who have an issue with the fact that Jimin is a bit more in his feminine flow, embraces femininity, and quite enjoys sharing his softer side with the world. I am also unfortunately aware that there are people who take great offense to anyone acknowledging Jimin’s femininity, lashing out to “defend” Jimin where Jimin himself finds no offense, and thus they, in the name of “supporting Jimin” end up just projecting a huge amount of homophobia and misogyny all over the man’s image… but anyway…

“Grief + Motherhood” at the center is acknowledging a “death” or a “temporary sleep” put to Jimin’s femininity. Again, this could be due the environment he was in while in the military — not necessarily due to any major negativity put his way, but just the environment in general — as well as the overall stripping of his identity in the process. We all know how upset he was about having to cut his hair.

Between his prominent focus on his own physical appearance and his already slight difficulty with expressing himself fully, this was probably a lot heavier of an issue than he let on. Along with “motherhood” here, in a rather funny way, I’m hearing it like “ooh, that’s so MOTHER! He’s serving MOTHER!” and Jimin being like, “mother has died :/” when he shaved his head. Funny, but also sad because this seems to have really fucked with him a bit.

Now, just as we’ve seen with Hoseok, there are certain triggers or negative situations coming up for Jimin, or that have already come up for him, specifically so he can process them, deal with them, release them, and clear a path for an even stronger, clearer expression when he’s fully back out in the world and able to present himself the way he wants to — give him time to grow his hair out please!

Stemming off to the side, “purity,” and “let’s cleanse that” are basically the exact same energy, the energy we see in the 4 of Swords and The Siren, where there is an effort made to clear things out. One side focuses on Politics, which centers on the influence of others, especially fans and the public, while the 9 of Swords explores how, where, and why the input from Politics resides within oneself. I see this as purifying (flushing away with that hurricane-induced tsunami) Politics without any mercy, while a more careful hands-on cleansing is applied to the 9 of Swords, each sword, each trigger, each fear and insecurity being looked at carefully and healed up.

Underneath this whole set is one more Sprinkle which is a prompt to “consult the deck of words,” which is the deck I use to get the keywords for these readings. For this, he got Round 2, Soul Mate, and Lessons. I was hearing “round 2” coming through like an announcement in a video game, “level 2,” suggesting a leveling up that involves a significant soul mate and either new lessons being learned or lessons that were learned in “round 1” being applied now for a better way forward. I thought this was interesting because the reading that was voted for Jimin, by quite a large number, was the Soul Mate Reading, so I’m anticipating a callback to this within that reading.

This could also refer back to what I was saying about Jimin modeling the Algiz healing off of someone else, and as Jungkook does (like all the guys) stand as a significant soul mate in his life, it’s possible that this is referring to Jungkook’s assistance, advice, support, or even example as a more stubbornly open and honest type of person who doesn’t take shit from anyone being what is driving Jimin on a conscious level to shed these last elements of concern for what other people have to say about who and what he is as a person, performer, artist, and major influence in the industry and world all together.

MAIN READING

CORE STATE: OYSTER — WATER

Aligning with the Unfinished Symphony (the blue egg), and the general state of everyone being snuggled up in an incubator, receiving new blueprints or working on building new designs for their conscious level counterparts, Jimin’s core state, wrapped up in the Oyster, is very on point. Especially when we consider that inside the Oyster is the pearl, a rare, valuable, and precious gift of nature, something that comes from within.

This is standing out to me quite a bit with how Namjoon, Yoongi, and Hoseok have all showed these slightly more hidden or undefined qualities. Like, we know they’re in these eggs, we know what they’re supposed to be turning into on some level, at the very least, we know what they’re doing in the Soul Body, but the final forms are all hidden or left up in the air. Here, with Jimin, we know we’re getting a pearl, we know we’re getting a tsunami. We know he’s in the kitchen cooking up a stew that will poison one half of the population while it will cure, revive, and evolve the other. I’m assuming because everything really is being left up to his own design, even while he is trying to keep some things on the down low, everything is pretty clear, the paths forward are clear.

Something in this feels to be highlighting the idea of rarity, which goes back to that altered perception of Egotism, where what was once looked at as a flaw is now seen as a unique quality that allows you to stand out amongst a crowd, to be seen. In the same way, there is a recognition of its value, as that unique quality lends itself to a certain skill, talent, or essence that draws attention or is utilized in a very significant and foundational way. It’s like the truest form of self-love is bubbling inside the Oyster right now, brewing inside Jimin.

Even the description of this card feels so on point with what we saw in the guideline reading and the idea of Jimin preparing to share even more of himself with the world:

“Oyster — patient, secret keeper, hiding inner treasures — The focus and determination of the Oyster is unmatched. Anything an Oyster personality puts their mind to, they achieve with grace and charm. The only problem is, Oyster types often take their inner gifts for granted. They become shy or doubtful, and this can lead to withdrawal or the protection of their deepest desires and life’s work. When the Oyster card appears, it’s important to reveal your inner treasures. What is it you’ve been hesitant to share? The world is waiting to see.”

HIGHER SELF CORE ALIGNMENT: OWL — AIR

The state of the Higher Self in this feels connected to The Siren in terms of the Owl’s birds-eye-view and tendency to offer guidance through, or detours around, obstacles or situations in which you are feeling lost. In the same way we see the 4 of Swords mirroring The Siren, handling the same kind of processing but on different levels, with the soul breaking loose a bunch of the muck from the lower subconscious and Jimin, on a conscious level, processing it with more clarity and intention to purge what has been holding him back and holding him down, the Oyster is mirroring The Owl. They’re kind of already in alignment, they’re parallel to each other, but operating on different floors. Where the Oyster is implied to have a treasure hidden inside of it, the Owl is described as being on the lookout for treasure, seeking it, finding it, leading you to it.

The Owl’s connection to clairvoyance sets up a very broad lens here, where while Jimin is, and is meant to, be focusing more on himself and navigating his inner workings with this, his soul has an eye out for the external matters just as much as the internal. Very similar to what I was feeling with Jimin’s soul’s new position in the Soul Body, the fierceness, that professionalism being applied to things that once felt a bit more fluid… yeah, there’s just a very sharp eye being applied here on all levels from Jimin’s soul. He really ain’t interested in playing games anymore, and he’s going to make sure his conscious level self is on the same page no matter what. Even going back to the 10 of Pentacles and “beautiful, so beautiful,” Jimin’s soul, as shown through the Owl, has a desire to build up something beautiful from the inside out and intends that his conscious level experience is just that — beautiful, beautiful, BEAUTIFUL!

For reference, here’s the Owl’s description as well to lay in comparison to the Oyster’s:

“Owl — abundance, clairvoyant, treasures — The Owl is a mysterious and otherworldly creature found in folklore from East to West. The white Owl in this particular deck is the companion of the goddess Lakshmi and represents wealth, beauty, and good fortune. When the Owl card appears it’s an omen that a boon or treasure is on the way, either in spiritual or material form. With Owl wisdom on your side, you’ll “see” and “know” exactly what to do with this boon… how it can further serve your dharma and bring abundance to the world. Trust that the wellspring of treasures is infinite.”

WATER ALIGNMENT: PANTHER — FIRE

Here in Jimin’s Water Alignment, lining up with current and a future position, the Panther’s Fire energy is running through here like a force of aggressive cleansing. It’s kind of holding both ends of that Algiz rune, the masculine and feminine influences from that space. It’s like I’m seeing hardened instinct, very strict, clean-cut decision making, and judgment being applied to his emotional, creative, and intuitive space. It’s like what he will be doing in the Soul Body is what he’s doing right now, and will be doing going forward, for himself — fierce and unyielding protection and preservation.

It’s an odd thing to explain, but the Panther feels very separate from the energy of the Owl and Oyster, it’s heavier, deeper in the shadows, and something about it feels like the Ego itself has been employed to very instinctively, not emotionally, not based on triggers, identify and rip apart anything that causes pain or the urge to hide or deform the self.

The way I’m seeing it in my mind is like The Siren/The Owl diving down into The Underworld/Panther and, through some soul magic shenanigans, bringing that space to life and teaching it how to clean itself. The Underworld started pushing pollutants up and out of the soil, up into Jimin’s conscious mind, and just the same, the Panther, potentially connecting more to the Ego, started chasing down triggers rather than running from them. Unfortunately, while this is a good thing, the way this hits the conscious mind is still like constant triggers and battling with the lower subconscious. It would still hit Jimin quite heavily, but for the sake of him being able to identify, understand, heal, and clear things out so that he can move forward and evolve into his truest form without any concern for fear, insecurity, or past pains.

The duality of this energy is laid out well in the description of the card, so I’ll include this one as well:

“Panther — annihilation of the unnecessary, purging — The Panther won’t stand to see our growth or energy stagnate. Instead, it pounces into our lives and causes all kinds of havoc… with the ultimate intention of bringing us toward more fulfilling lives. It’s unexpected, uncomfortable, and sometimes feels devastating, but after all the dust clears, it’s easy to see the Panther’s wisdom at work. We’ve all been through these experiences, and they’ve made us better people. Trust that the Panther’s journey always leads to a brighter place.”

FIRE ALIGNMENT: CROW — AIR (REV.)

In Jimin’s Fire Alignment, which is the center of his active energy, the energy generated within fuels what comes out through action or expression, he has the reversed Crow, an Air energy. With this energy reversed here, the Air energy does not stimulate the Fire. It hits it more like a strong breeze through the window hits a candle. I’m not seeing it being blown out, but it’s flickering.

When reversed, the Crow is described as being hypersensitive and ungrounded, and that’s pretty much how I’m seeing this. Just as the wind causes a candle to flicker, I’m seeing the Crow attempting to land on a hot plate, its feet dancing on it before lifting itself back up into the air, over and over again. It’s giving the feeling that Jimin has a lot of energy, a lot of ideas right now, but they’re not lining up. This could be quite simply due to him not being fully out of military service yet and not being in a position to start fleshing out those ideas, or it could be a matter of time, having a lot of ideas and feeling like there’s no where to fit them all in, so everything stays up in the air.

On a more complicated level, this could be registering as inner conflict, especially as reversed Air energies can imply cut-offs of communication or inward focus. As the lower subconscious mind bubbles up to the surface, where Jimin’s conscious level mind is possibly buzzing with confidence, excitement, and inspiration, he may be caught in a kind of back-and-forth between visions of his future and visions of his past. It’s like the Fire energy of the Panther has heated everything up, as it’s supposed to, burning the bad and allowing some things to bubble up to the surface, but it’s causing a “distraction,” or it’s registering as an opposing idea.

No matter how you look at it, there is a flickering of ideas, inspiration, and an unstable sense of foundation for those ideas and inspiration to take root. I’m about 95% sure that will change as soon as the group is all back together and they have a better sense of how things are going to go moving forward. Having that element of stability or foundation can help to settle everything else, or at least get a good grip on it.

EARTH ALIGNMENT: HUMMINGBIRD — AIR

Moving over into the Hummingbird here in the Earth Alignment, which can show a person’s connection to physicality, their environment, their body, and their self-awareness or perception, there is an inversion of the Crow’s energy.

The Crow stands on a ball made up of many colors, its form making it appear to be shrouded in shadows, while the Hummingbird is flying, wings open, and the colors burst around it, seeming to generate a light from within itself. Just the same, however, there’s another interesting duality to these cards where, on the outer edges of the images, the Crow is surrounded by light while the Hummingbird has shadows around it. They’re basically the same energy, the same exact image, but they’re flickering back and forth — open and close, inside and outside, light and dark. They’re the same card, but what is different is how they are presented to the outside world, or more accurately, whether or not they are shown to the world.

The Hummingbird is here in the Earth Alignment because this is the part of Jimin that is meeting the world. This is the part that is in that “light sun” mode from his old-school Light Sun/Dark Sun thing. It’s the more positive side of himself that he projects out. I’ve seen this before, however, I’ve never seen the “dark sun” be so closely connected to, or even really all that visible next to, the “light sun.” I think this showcases how present he is with those lower subconscious elements of himself, how aware he is of them, and how close to the surface they are.

There is a feeling of necessity in the Hummingbird. He needs to have this energy, needs to display it because he (Mr. Libra Man) sort of self-affirms by seeing that part of himself reflected back to him. When he puts out the good part of himself to people he’s close to, he gets that good back, and it affirms the good overall, both inside and out. Just as he can mask his own darkness by radiating good, he can mask the darkness of the world by generating good in the people around him. On another level, there’s also just that feeling of not wanting to burden others with that pain or heavier emotions, and choosing to be the light of the group, the energizer in the social circle.

I really can’t get over how close the Crow and the Hummingbird feel to each other, like they’re looking at each other through a mirror. He’s so aware of them. I do wonder if there will be a point within his integration where the “dark sun” and “light sun” merge… OR IS THAT THE SECOND MOON? These are both reflecting internal aspects of his own emotional and energetic resources, maybe these are the two moons??? Hmmmm… I don’t think so, but MAYBE. WHO KNOWS.

AIR ALIGNMENT: HYENA — FIRE

Lastly, his Air Alignment, which connects to his conscious level thinking and manner of communication and observation, he has the Hyena with a nice half moon in the background, because of course he does. I’m lowkey so annoyed with this image because I feel like the Hyena is giving me that sly little side-eye that I keep getting from Jimin’s Guides and his soul over all this “it’s coming…” and “there’s more there…” malarky. Even worse, the card is literally about a person having hidden potential and desires that are just below the surface, waiting to spring out. The half moon in the image is an intended symbol of person half-illuminated, half-visible to the people around them.

Playing a bit off of the Hummingbird and Jimin’s choice to project the most positive aspects of himself, the Hyena is described as being quite humorous and a jokester, the type of person who wants to make people laugh and feel good, but it’s implied that this is a way to compensate for their own inner troubles. I mean, really, I’m better off just including the description for this card as well because it’s straight to the point with it:

“Hyena — humor, wit, sarcasm — The Hyena personality is a jokester and crowd pleaser, but below the surface, there are unfulfilled dreams to be realized. When the Hyena card appears, it’s time to reflect on your reliance on sarcasm and humor to express your truth. Are you using jokes to hide old resentments in relationships, or to mask things that you feel uncomfortable discussing? What would happen if you took your goals seriously?”

It feels like a bit of backchat toward the Hummingbird, the question of “are you using jokes to hide old resentments?” Are you beaming this bright just to hide that heavy shadow behind you? It’s interesting because, again, this is covering Jimin’s conscious level thought process, as if he’s asking himself these questions while actively projecting the Hummingbird. It’s just so prominent, the fact that these opposing elements of himself are like… standing nose to nose and he’s so consciously aware of it, working on it, figuring it out, and his soul is right there with him tossing things around and helping him see more and more. Again, I say this, on a conscious level, is not an easy thing to deal with, but he’s definitely DEALING with it, not hiding it, not running away from it, not letting it break him down. He’s just staring at himself in a mirror in a way he hasn’t been able to before.

With this, I feel he may even be doing a bit of what Hoseok is doing, where just as much as he’s observing himself, he’s observing other people in relation to himself. He’s maybe seeing who can clock when he’s “putting on a face,” or who responds positively to his “performer persona” and who responds negatively to his truer self. Maybe he’s, like the Hyena, looking over his shoulder, peaking around the corners of his connections and just being like, “do you see what I see right now? How long have you seen this? How long have you known about this part of me? Why do you like it? Why do you hate it? How has that affected our connection? How has that affected you? How has that affected me?”

MAIN READING WITH SPRINKLES!

Starting with the Pather, since it seems just to be sitting on its own over there while all the other cards are chit chatting it up with their Sprinkles, there is a red Sprinkle that says “intended hurt.” This was quite a heavy feeling to take in. It’s so simple, but it pinpoints the mission of the Panther/The Siren in terms of what exactly is being shaken loose from the Underworld or the lower subconscious and being brought up into Jimin’s conscious mind. The focus on “intended hurt” is a focus on the things people say and do to Jimin with the intention to severely harm him — direct harassment, death threats, distortion of his image, corruption of his personality, the attempts to harm or end his relationships, and the threats and harassment brought on his friends and family as a result of him… existing?

I don’t even really want to dwell on it much because there are a lot of visuals coming from this, and the way Jimin seems to have taken these things, what they’ve turned into within himself, is quite a difficult thing to process. I won’t even try to describe it, but there’s certainly a reason why there is so much emphasis on Fire being used to burn things out, while a hurricane and a tsunami are being used to flush out whatever is left — biblical-level punishment.

Speaking of biblical punishments, over the Owl at the top of the spread, there is “Hagalaz” which is a rune associated with natural disasters, uncontrollable forces, wrath, and general destruction. Directly underneath that is “black swan,” which was taking me back to the connection between the Crow and the Hummingbird, how they stand as inverted versions of each other. I had made a note of the fact that “Hagalaz” was right over the Owl’s eyes while “black swan” was in its mouth. There was intention in the eyes, action in the mouth — intention or focus on the necessary destruction, connecting to the Panther’s influence, with an aim at the “black swan” or the heavier shadows that weigh down the Crow and cause it to hide its light and colors.

I saw it a bit more graphically, with the Owl ripping the feathers and flesh off the Crow until it revealed another Hummingbird. Once it was free, it flew towards the other Hummingbird, merged with it, and then the half moon inside the image of the Hyena became full. This could also be the “two moons” thing, two halves of the moon.

Connecting downward from the Owl into the Oyster, there is “things didn’t go right,” and “free flowing.” I was seeing this coming together as “things weren’t flowing right,” referring to the Water and Fire alignments, the inner energies connected to emotional and creative expression and action. This brought to mind the “black pond” or the visual I have for the 8th House or lower subconscious spaces, which appear to me as ponds of black tar. The clear, cool water that is supposed to be there is replaced by thick, heavy black tar that’s easy to get stuck in and very hard to swim through. It’s like the light and colors in the Crow would flow out, but they’re stuck in the shadows.

Just the same, with this connection to the Oyster, I was seeing the Oyster itself, representing Jimin, as being a bit lost within the tar, within the shadows. Part of him, the “light sun,” is outside, visible, as the Hummingbird, but the Crow, or more specifically, the ball of colors it stands on, is the pearl inside the Oyster. As I’m seeing it now, the Panther’s Fire energy is burning through a lot of the tar, or a lot of the sources of the tar, and this is, first and foremost, clearing out the tar that was once inside the Oyster, allowing the pearl to glow from within. The outside, Jimin physically, probably because he’s still technically in the military and still technically not fully back in his groove yet, is still in the shadows, but there is something very visibly glowing from within.

Connecting over to the Crow from the Oyster, there is “layered clothing” and “jigsaw puzzle.” This affirmed for me that the ball we see in the Crow is the pearl that is inside the Oyster, and the Panther’s mission is to break that ball of colors free. The merging of the “light sun” and the “dark sun,” or what has been shown here as the Crow merging with the Hummingbird after it’s been stripped clean of all the tar or shadows is the jigsaw puzzle, the pieces coming together, while the “layered clothing” is the stripping of these shadows, as well as the eventual “stripping” of the oyster to reveal the pearl.

To the right side of the Crow, there is “strike a chord,” which is meant to refer to something that either triggers strong emotions or causes some kind of ripple of memories to come up. I was seeing this, in relation to the Crow, as a moment in which, perhaps even by accident, the Panther, or Jimin, or maybe even the audience since this is literally standing “outside” the reading, stumble across the pearl, or seem to catch a glimps of what has been hidden. I was really confused by the significance of this, but the color of this Sprinkle bounced off the other dark blues — “it’s a simulation,” and “please don’t go,” which didn't make much sense with the other Sprinkles around them.

As I see it, “it’s a simulation” in the Air Alignment and “please don’t go,” in the Earth Alignment are a “trigger response” to someone, or anyone, seeing the pearl before Jimin himself is ready to actually share it. On one level, he’d basically say, “you’re just imagining things,” or “you’re seeing it wrong, haha,” make a joke about it in some way, while within himself he’d have a fear that whatever this ball of colors is would cause people to want to leave him. There’s an inherent insecurity and defensiveness around this, which is why the Panther is in there trying to break it free so that Jimin can let it out as cleanly as possible without any feelings or concerns about what other people will say or do about it. Very interesting.

Over the Hyena, there is “escaping time” toward the top, and “resist” down toward the bottom. “Escaping time,” seems to connect more to the half moon while “resist” is connected to the Hyena itself. There’s this interesting marker here about the idea of Jimin’s moon having been frozen in time, frozen in the half-full phase, time not passing, development not occurring. It’s suggesting this idea that by continuing to limit his own progression and expression, he is sort of throwing away his own time, wasting his own time. I want to say, on some level, he’s killing himself if he allows “time” to freeze like this any longer. I’m seeing it in my head as the Oyster dying with the pearl inside of it, the Crow drowning in the tar with the ball of colors still in its grasp. Kind of heavy.

The note to “resist” feels like a more conscious level effort to resist his own inner shadows telling him to hide, lay low, don’t speak, and so on, and connecting a bit into the Panther’s Fire energy, and pushing forward with things anyway. It feels like he’s in a two-way challenge — on one level, he’s challenging himself and his own insecurities and fears, and on another level, he’s challenging the world and all the people who gave him, and continue to give him those fears and insecurities.

Connecting downward to the Hummingbird, there is “raise the price,” which feels like a note connected to “resist” where he’s basically being prompted, from some level of his awareness, to literally raise the price, or recognize his value and rarity as the pearl or as Blessed. There’s an interesting balance being created between the Hyena and the Hummingbird through this, where, on its own, the Hummingbird feels “cheap” in the sense that it performs for everyone without being asked, lighting up the room for everyone without expecting anything in return. The Hyena is — and this could connect to Jimin’s assessment of other people and how they interact with him in different states — looking over his shoulder like, “this crowd aint worth the free labor, pack it up or mark it up. This place is too dark to appreciate all that light you’re throwing out everywhere.” The Hyena is way more aware of the dark and light in the world and in the people around him, whereas the Hummingbird is only focusing on the light that is reflected back, not realizing how much of its own energy is actually being wasted on people who are basically black holes.

Over the Hummingbird on its own, but sliding a bit outside of the spread, there is a back and forth conversation that contains, “do you still like to…” “it’s not the same thing,” and “left behind.” I was seeing this come together as:

“Do you still like to perform like this?”

“It’s not the same as it used to be.”

“Then leave it behind.”

The “please don’t go” follows this, and it does still ring true here as this underlying fear that if he switches things up or expresses himself more honestly, reveals a whole other half of himself, that people will leave him. There’s a kind of “butting heads” feeling here where he feels stuck between wanting to leave behind a certain persona or veil over his identity, and potentially being left behind by others as a result.

The number “10” is the last Sprinkle in this set, and I felt it connected to the 10th House, which matters to higher career, fame, and public engagement, as well as the influence of 10 in numerology. As numerology technically only moves through 1 to 9, the number 10 is just another 1 with the infinite potential of the number 0, connecting to The Fool card, attached to it. I always see the number 10 as signifying a portal where 1, the individual, is moving through 0, infinite potential, to initiate a new state of being or phase of progression. For Jimin, as this lingers on the outside of this reading, right alongside his Earth Alignment, there is this feeling of this back-and-forth conversation and the Hummingbirds connection to the Hyena leaving him somewhat teetering on the edge of either snuffing himself out into a New Moon or allowing himself to be entirely illuminated as a Full Moon.

That’s all I have for this one, thanks for reading! :)

XXXX

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