Jan Zrzavý (Czech, 1890-1977)
Horses under the moon, 1919
Mixed media
5K notes
·
View notes
Jan Zrzavý (Czech, 1890 – 1977)
MARIA , 1948
charcoal on Ingres paper, 35 x 26 cm
© MutualArt
9 notes
·
View notes
Czech painter and book illustrator Jan Zrzavý (1890-1977) as photographed in 1961 by Zdenko Feyfar from here. Like many painters across Europe Jan Zrzavy was enchanted by the idea of Paris as the capital of the painting world. He ran away to Paris as a young man and went home when he found nobody who spoke Czech in Paris. But even that limited exposure left its mark on him. He became a success in his native Czechoslovakia in spite of the authorities as much as because of them. Book illustration became a very good way of making a secondary living when his first vocation seemed to made unviable by the state.
10 notes
·
View notes
Girlfriends
Jan Zrzavy (1890-1977)
Oil on Canvas, 1923
13 notes
·
View notes
Jan Zrzavy - The Suffering (1916)
9 notes
·
View notes
Jan Zrzavy with ‘Kleopatra,1955. Vaclav Chochola. Gelatin silver print
black and white artists studio photography photographie
86 notes
·
View notes
Jan Zrzavy, Seated Girl (at Moravská galerie v Brně) https://www.instagram.com/p/BsailiVHELn/?utm_source=ig_tumblr_share&igshid=uv86k6l9vjpx
0 notes
Jan Zrzavý (Czech, 1890-1977)
Illustration for Clara d’Ellébuse (L’Histoire d’une ancienne jeune fille) by Francis Jammes, 1920
Lithograph
208 notes
·
View notes
Jan Zrzavý (Czech, 1890 – 1977)
Fantastic landscape, 1913 -14
oil on canvas
The most famous of Zrzavý´s pictures are not spontaneous, quite the other way around – their composition was prepared very thoroughly. He painted especially during the night. He did not need the light of day and his motif in front of him, he was not a realist painter but worked by heart and based on his sketches.
He drew on the symbolism of the beginning of the 20th century. He was always himself, totally different. After his avantgarde beginnings, he could be mostly ranked among the artists preferring neoclassicism, New Objectivity, magic realism, we could also talk about metaphysical painting.
The poetic quality of Zrzavý’s work, his illustrations for Erben’s Bouquet and Mácha’s May, his melancholy and minor sadness affected the sensitive souls of the Czech men and women for decades. He was a living legend when he was walking with his cane and beret on the castle staircase to his atelier in the house of the sculptor Hana Wichterlová. People would recognize him in the street and address him. During the last period of his life, he was considered a truly national artist.
https://www.museumkampa.cz/vystava/jan-zrzavy-en/
4 notes
·
View notes
Jan Zrzavy - Odliv v Le Fret
2 notes
·
View notes