#Jane Dickson

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Jane Dickson, Out of Here North 3, 2013.

Oil on astroturf, 185 x 290 cm.

[thunderstruck9]

Jane Dickson (American, 1952), Lyric Terror, 2019. Acrylic on canvas, 92 x 122 cm.

[killyridols]

the usual suspects (unique one-off collaboration; hand signed by all eight artists) by martin wong, john "crash" matos, john ahearn, jane dickson, jenny holzer, gary simmons, chris "daze" ellis, & andrew castrucci, 1996, silkscreen on coventry rag paper, 40 × 26.5 inches

[lemuseum]

[psikonauti]

Jane Dickson (American, b. 1952)

Pink Poker Palace, 2011

Oil on canvas

[blackramhall]

Jane Dickson - Witness CF

Blackram Hall: whodunit, murder mystery, hardboiled, pulp, crime, thriller, italian giallo, noir and neo-noir, detectives and serial killers, spy stories, vintage, manor houses, art, life and death. Avatar pic by Mitchell Turek

[mt-nynj-queer]

[introspect-la]

LV42 (BINIONS) FROM VEGAS SERIES BY JANE DICKSON (2012)

[wildcmbcrsupdates]

jasminsavoy: YellowJackets pilot. Dec 15, 2019. They were annoyed on the day but I bet they appreciate it now ;) bitchezzzz

Courtney Eaton and Yellowjackets castmates via jasminsavoy on Instagram, 03/19/2022.

[nevver]

Peepland, Jane Dickson

[1five1two]

'Woman on the Stairs II'. Jane Dickson. 1984.

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Jane Dickson, Kung Fu Hits 2, 2022.

Oil stick on linen, 165.1 × 195.6 cm.

[renthony]

Anyway here's my reading list for my big film censorship project in case anyone's been wondering what I've been up to when I'm not being a stupid idiot cringey fandom blogger or whatever the jackasses think I am:

Vaudeville, Old and New: An Encyclopedia of Variety Performers in America, by Frank Cullen

Vaudeville and the Making of Modern Entertainment, 1890-1925, by David Monod

From Traveling Show to Vaudeville: Theatrical Spectacle in America, 1830-1910, edited by Robert M. Lewis

American Vaudeville as Ritual, by Albert F. McLean Jr.

American Vaudeville As Seen by its Contemporaries, edited by Charles W. Stein

Rank Ladies: Gender and Cultural Hierarchy in American Vaudeville, by M. Alison Kibler

The New Humor in the Progressive Era: Americanization and the Vaudeville Comedian, by Rick DesRochers

Humor and Ethnic Stereotypes in Vaudeville and Burlesque, by Lawrence E. Mintz

"Vaudeville Indians" on Global Circuits, 1880s-1930s, by Christine Bold

The Original Blues: The Emergence of the blues in African American Vaudeville, by Lynn Abbott and Doug Seroff

Waltzing in the Dark: African American Vaudeville and Race Politics in the Swing Era, by Brenda Dixon Gottschild

The Wizard of Menlo Park: How Thomas Alva Edison Invented the Modern World, by Randall Stross

Edison, by Edmund Morris

The Rise and Place of the Motion Picture, by Terry Ramsaye

The Romantic History of the Motion Picture: A Story of Facts More Fascinating than Fiction, by Terry Ramsaye (Photoplay Magazine)

Before the Nickelodeon: Edwin S. Porter and the Edison Manufacturing Company, by Charles Musser

The Kinetoscope: A British History, by Richard Brown, Barry Anthony, and Michael Harvey

The Man Who Made Movies: W.K.L. Dickson, by Paul Spehr

A Million and One Nights: A History of the Motion Picture, by Terry Ramsaye

Emergence of Cinema: The American Screen to 1907, by Charles Musser

Dancing for the Kinetograph: The Lakota Ghost Dance and the Silence of Early Cinema, by Michael Gaudio

The First Screen Kiss and "The Cry of Censorship," by Ralph S.J. Dengler

Archival Rediscovery and the Production of History: Solving the Mystery of Something Good - Negro Kiss (1898), by Allyson Nadia Field

Prizefighting and the Birth of Movie Censorship, by Barak Y. Orbach

A History of Sports Highlights: Replayed Plays from Edison to ESPN, by Raymond Gamache

A History of the Boxing Film, 1894-1915: Social Control and Social Reform in the Progressive Era, by Dan Streible

Fight Pictures: A History of Boxing and Early Cinema, by Dan Streible

The Boxing Film: A Cultural and Transmedia History, by Travis Vogan

Policing Sexuality: the Mann Act and the Making of the FBI, by Jessica R. Pliley

Screened Out: Playing Gay in Hollywood, from Edison to Stonewall, by Richard Barrios

The Ashgate Research Companion to Moral Panics, edited by Charles Krinsky

A Companion to Early Cinema, edited by Andre Gaudreault, Nicolas Dulac, and Santiago Hidalgo

The Silent Cinema Reader, edited by Lee Grieveson and Peter Kramer

The Harlot's Progress: Myth and Reality in European and American Film, 1900-1934, by Leslie Fishbein

Oscar Micheaux and His Circle: African-American Filmmaking and Race Cinema of the Silent Era, by Pearl Bowser, Jane Gaines, and Charles Musser

Banned in Kansas: Motion Picture Censorship, 1915-1966, by Gerald R. Butters, Jr.

Black and White and Blue: Adult Cinema From the Victorian Age to the VCR

Complicated Women: Sex and Power in Pre-Code Hollywood, by Mick Lasalle

Dangerous Men: Pre-Code Hollywood and the Birth of the Modern Man, by Mick Lasalle

Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, 1930-1934, by Thomas Doherty

Forbidden Hollywood: The Pre-Code Era (1930-1934), When Sin Ruled the Movies, by Mark A. Vieira

Sin in Soft Focus: Pre-Code Hollywood, by Mark A. Vieira

Hollywood's Censor: Joseph I. Breen & the Production Code Administration, by Thomas Doherty

The Dame in the Kimono: Hollywood, Censorship, and the Production Code, by Leonard J. Leff and Jerold L. Simmons

Moral House-Cleaning in Hollywood: What's it All About? An Open Letter to Mr. Will Hays, by James R. Quirk (Photoplay Magazine)

Will H. Hays - A Real Leader: A Word Portrait of the Man Selected to Head the Motion Picture Industry, by Meredith Nicholson (Photoplay Magazine)

Ignorance: An Obnoxiously Moral morality Play, Suggested by "Experience," by Agnes Smith (Photoplay Magazine)

Close-Ups: Editorial Expression and Timely Comment (Photoplay Magazine)

Children, Cinema & Censorship: From Dracula to the Dead End Kids, by Sarah J. Smith

Freedom of the Screen: Legal Challenges to State Film Censorship, 1915-1981, by Laura Wittern-Keller

Picturing Indians: Native Americans in Film, 1941-1960, by Liza Black

America on Film: Representing Race, Class, Gender and Sexuality at the Movies, by Harry M. Benshoff and Sean Griffin

White: Essays on Race and culture, by Richard Dyer

Black American Cinema, edited by Manthia Diawara

Colorization: One Hundred Years of Black Films in a White World, by Wil Haygood

Hollywood's Indian: the Portrayal of the Native American in Film, edited by Peter C. Rollins and John E. O'Connor

Wiping the War Paint Off the Lens: Native American Film and Video, by Beverly R. Singer

Celluloid Indians: Native Americans and Film, by Jacquelyn Kilpatrick

Native Americans on Film: Conversations, Teaching, and Theory, edited by M. Elise Marubbio and Eric L. Buffalohead

Framing Blackness: The African American Image in Film, by Ed Guerrero

Toms, Coons, Mulattoes, Mammies, & Bucks: An Interpretive History of Blacks in American Films, by Donald Bogle

Hollywood Black: the Stars, the Films, the Filmmakers, by Donald Bogle

White Screens, Black Images: Hollywood From the Dark Side, by James Snead

Latino Images in Film: Stereotypes, Subversion, and Resistance, by Charles Ramirez Berg

Reel Inequality: Hollywood Actors and Racism, by Nancy Wang Yuen

Visions of the East: Orientalism in Film, edited by Matthew Bernstein and Gaylyn Studlar

The Hollywood Jim Crow: the Racial Politics of the Movie Industry, by Maryann Erigha

America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry, by Daniel Eagan

Movie-Made America: A Cultural History of American Movies, by Robert Sklar

Of Kisses and Ellipses: The Long Adolescence of American Movies, by Linda Williams

Banned in the Media: A Reference Guide to Censorship in the Press, Motion Pictures, Broadcasting, and the Internet, by Herbert N. Foerstel

Censoring Hollywood: Sex and Violence in Film and on the Cutting Room Floor, by Aubrey Malone

Hollywood v. Hard Core: How the Struggle Over Censorship Saved the Modern Film Industry, by Jon Lewis

Not in Front of the Children: "Indecency," Censorship, and the Innocence of Youth, by Marjorie Heins

Degradation: What the History of Obscenity Tells Us About Hate Speech, by Kevin W. Saunders

Censoring Sex: A Historical Journey Through American Media, by John E. Semonche

Dirty Words & Filthy Pictures: Film and the First Amendment, by Jeremy Geltzer

Flaming Classics: Queering the Film Canon, by Alexander Doty

Masculine Interests: Homoerotics in Hollywood Film, by Robert Lang

Monsters in the Closet: Homosexuality and the Horror Film, by Harry M. Benshoff

New Queer Cinema: A Critical Reader, edited by Michele Aaron

New Queer Cinema: The Director's Cut, by B. Ruby Rich

Now You See It: Studies on Lesbian and Gay Film, by Richard Dyer

Gays & Film, edited by Richard Dyer

Screening the Sexes: Homosexuality in the Movies, by Parker Tyler

Out in Culture: Gay, Lesbian, and Queer Essays on Popular Culture, edited by Corey K. Creekmur and Alexander Doty

Out Takes: Essays on Queer Theory and Film, edited by Ellis Hanson

Queer Images: a History of Gay and Lesbian Film in America, by Harry M. Benshoff and Sean Griffin

The Lavender Screen: the Gay and Lesbian Films, Their Stars, Makers, Characters, & Critics, by Boze Hadleigh

The Celluloid Closet: Homosexuality in the Movies, by Vito Russo

Tinker Belles and Evil Queens: the Walt Disney Company From the Inside Out, by Sean Griffin

The Encyclopedia of Censorship, by Jonathon Green

[mtaartsdesign]

While you may have seen Jane Dickson’s “Revelers” (2008) at Times Square-42 St station, (1,2,3,7,N,Q,R,W,S), the playful, life-size mosaic figures aren’t her only #MTAarts work celebrating this iconic New York City destination. Dickson’s 1991 poster commission highlights the color and mood of Times Square at night in her signature high-contrast, glowing style. Times Square, where the artist lived for nearly thirty years, has served as a major inspiration for Dickson, who regularly uses signage as subject matter to explore themes relating to the American urban landscape and psyche. Her recent works in this ongoing dialogue are on view in her solo exhibition “Promised Land” at Karma through October 28.

Discover more artworks at Times Sq-42 St station with our guide on Bloomberg Connects. Our self-guided tour “Explore Times Square” features Dickson’s “Revelers” and much more!

📸3: Karma

[cosmonautroger]

Jane Dickson

[scotianostra]

On November 1st 1889 a wall collapsed at Templetons Greenhead Factory Calton, tragically taking the lives of 29 woman.

At about 5.15pm that evening, unusually high winds caused a large section of the new western extension to collapse into the adjoining weaving shed. The workforce was composed almost entirely of East End women and many were buried in the ruins.

The Eastern and Central Fire Brigades attended the scene under Superintendent William Paterson and they were assisted by the Glasgow Salvage Corps and policemen in their search for survivors. The firemen and Salvage Corps were replaced at 7pm by organized search parties consisting of workers from the factory. Although many women were rescued, twenty-nine died women and girls in the rubble.

Maggie Shields was a power loom weaver at Templetons Greenhead Factory Calton , who went to her work on the 1st November 1889 and became one of the 29 young girls to loose there lives when the ornate wall that was being built collapsed during a storm and demolished the weaving shed where Maggie and her co workers were working. Maggie was 22 years old and lived at 10 Gibson Street Calton The Glasgow Herald on the 2nd November reported that Maggie was missing at that time.

Their names were, according to the Evening Times:

Sisters Elizabeth, 17, and Agnes Broadfoot, 21

Margaret Arthur, 20

Margaret Blair, 16

Helen Bradley, 21

Margaret Cassidy, 18

Lilias Davitt, 19

Agnes Dickson, 16

Jane Duffie, 20

Janet Gibson, 16

Dinah Gillies, 19

Jean Glass, 20

Sarah Groves, 22

Ellen Wallace, 23

Margaret McCartney, 17

Minnie McGarrigle, 24

Agnes McGregor, 17

Martha Mackie, 20

Elizabeth McMillan, 15

Rose Ann McMillan, 21

Jeannie Marshall, 22

Jemima Morris, 23

Grace McQuillan, 19

Margaret Shields, 22

Elizabeth Sinclair, 25

Mary Ann Stewart, 16

Annie Strathearn, 19

Mary Turnbull, 15

Annie Wilson, 14.....

A memorial garden at the corner of London road and Tobago street is believed to have been built to commemorate the death of these 29 girls and on the wall was a plaque with the poem.

‘Green buds for the hopes of tomorrow Fair flowers, for the joy of today Sweet memory, the fragrance they leave us As time gently flows on its way’

The reason I say believed is that the garden seems to have come into existence many years later in 1954, and no records exist to it coming about.

There's a wee bit about the memorial garden here https://www.glasgowtimes.co.uk/.../13259515.makeover-for.../