#Jeff Yagher

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[howardhawkshollywoodannex]

Jack Lemmon and James Garner hide out in the West Virginia Gay Men's Coalition parade with a marching band of Dorothys in My Fellow Americans (1996) including Jeff Yagher with a trumpet. Jeff was born in Lawrence, Kansas, and has 67 acting credits from 19 episodes of a 1984-85 series to 2014. Most of his credits are on tv, including six episodes of Six Feet Under.

[barkercast]

436 : Hellraiser Bloodline Workprint Commentary

Commentary / Discussion: Hellraiser Bloodline Workprint, Exclusive version to the Quartet of Torment

Show Notes

Arrow Video Hellraiser Tetralogy

JoBlo Review of the Hellraiser Bloodline Workprint

Anatomy of Horror by Jeff Yagher

Our Interview with Kevin Yagher

Episode 370: Commentary on the Theatrical Cut of Hellraiser Bloodline

The Bloodline Screenplay – Peter Atkins

Miramax’s Bloodline website

Rob Ridenour’s Retro review of the first uncovered workprint

Rob Ridenour’s Retro Review of the Theatrical Cut

LOCATION: The I Magnin building where a lot of the movie was shot

Coming Next ??? Season 13!  See You Next Year

And this podcast, having no beginning will have no end. 

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All Links and show notes in their Entirety can be found at http://www.clivebarkercast.com

New episode of the Clive Barker Podcast

[stellabystarlight12]

Jeff Yagher   Born January 18, 1961

[70s80sandbeyond]

June Chadwick, Jeff Yagher,Blair Tefkin, Jane Badler, Marc Singer and Faye Grant on "V"

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A NIGHTMARE ON ELM STREET 3: DREAM WARRIORS (1987) – Episode 224 – Decades Of Horror 1980s

“Welcome to prime time, bitch!” Not words I’d use in front of my mother, but they are iconic just the same. Join your faithful Grue-Crew – Chad Hunt, Bill Mulligan, Crystal Cleveland, and Jeff Mohr, along with guest host Ralph Miller  – as they enter another Wes Craven nightmare, A Nightmare on Elm Street 3: Dream Warriors (1987). Expect a lot of FX talk with Ralph in the house!

Decades of Horror 1980s Episode 224 – A Nightmare on Elm Street 3: Dream Warriors (1987)

Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! And click the alert to get notified of new content! https://youtube.com/gruesomemagazine

A psychiatrist familiar with knife-wielding dream demon Freddy Krueger helps teens at a mental hospital battle the killer who is invading their dreams.

  [NOTE: Effects crew credits are listed as they appear in the film credits.]

Director: Chuck Russell

Writers: Wes Craven (story) (screenplay) (characters); Bruce Wagner (story) (screenplay); Frank Darabont (screenplay); Chuck Russell (screenplay)

Music: Angelo Badalamenti

Storyboard Artist / Visual Consultant: Peter von Sholly

Stop-Motion Skeleton and Marionette Effects: Doug Beswick Productions, Inc.

Stop-Motion Animation: Doug Beswick

Effects Photography Supervisor: Jim Aupperle

Stop-Motion Puppet Construction: Yancy Calzada

Marionette Construction: Mark Bryan Wilson (as Mark Wilson)

Miniatures: James Belohovek

Illustrator: Larry Nikolai

Makeup effects Sequences: Greg Cannom

Assistants to Greg Cannom: Larry Odien, Earl Ellis, John Vulich, Keith Edmier, Brent Baker

Krueger Makeup effects: Kevin Yagher

Assistants to Kevin Yagher: Jim Kagel, Mitch DeVane, Gino Crognale, Brian Penikas, David Kindlon, Steve James, Everett Burrell

Makeup Effects Sequences: Mark Shostrom

Assistants to Mr. Shostrum: Robert Kurtzman, Bryant Tausek, John Blake Dutro, James McLoughlin (as Jim McLoughlin), Cathy Carpenter

Additional Makeup Effects: Matthew W. Mungle (as Mathew Mungel)

Assistant to Mathew Mungel: Russell Seifert

Mechanical Effects: Image Engineering

Special Effects Coordinator: Peter Chesney

Lead Technician: Lenny Dalrymple

Mechanical Designers: Bruce D. Hayes (as Bruce Hayes), Joe Starr, Anton Tremblay (as Tony Tremblay)

Effects Technicians: Bernardo F. Munoz (as Bernard Munoz), Rod Schumacher, Bob Ahmanson

Effects Crew: Scott Nesselrode, Tom Chesney, Kelly Mann, Phillip Hartmann (as Phillip Hartman), Ralph Miller III (as Ralph Miller), Joel Fletcher, Brian Mcfadden, Sandra Stewart (as Sandy Stewart), Terry Mack (as Troy Mack), Blaine Converse, Ron MacInnes, Brendan C. Quigley

Selected Cast:

Heather Langenkamp as Nancy Thompson

Craig Wasson as Dr. Neil Gordon

Patricia Arquette as Kristen Parker

Ken Sagoes as Roland Kincaid

Ira Heiden as Will Stanton

Rodney Eastman as Joey Crusel

Jennifer Rubin as Taryn White

Penelope Sudrow as Jennifer Caulfield

Bradley Gregg as Phillip Anderson

Laurence Fishburne as Max Daniels (credited as Larry Fishburne)

John Saxon as Donald Thompson

Priscilla Pointer as Dr. Elizabeth Simms

Clayton Landey as Lorenzo

Brooke Bundy as Elaine Parker

Nan Martin as Sister Mary Helena

Stacey Alden as Nurse Marcie

Dick Cavett as Himself

Zsa Zsa Gabor as Herself

Paul Kent as Dr. Carver

Guest host Ralph Miller III, who worked behind the scenes on Dream Warriors provides insights and many effects development photos that are shown in the YouTube version of the podcast. Post-recording, the crew wants to clarify that Kevin Yagher was responsible for the Freddy Snake, and Mark Shostrom was in charge of the Penelope Sudrow dummy that smashes into the Freddyvision TV.

With the success of A Nightmare on  Elm Street 3: Dream Warriors (1987), following the critical failure of A Nightmare on Elm Street 2: Freddy’s Revenge (1985), New line Cinema firmly cemented Freddy Krueger and A Nightmare on Elm Street as one of the most iconic horror franchises of its time. Not only does Dream Warriors feature Robert Englund continuing to breathe both humor and fear into Freddy Krueger but also the return of both Heather Langenkamp and John Saxon from the original. The film also features Craig Wasson (Ghost Story) as the male lead and early film roles for Patricia Arquette and Larry Fishburne. Frank Darabont (The Mist) and Bruce Wagner join Wes Craven on scripting chores and Chuck Russell (The Blob, The Mask) directs while Angelo Badalamenti (Twin Peaks, Blue Velvet) provides the score – a winning combination of talent. Surely a Grue-Crew highly recommended selection with special effects by Greg Cannom, Doug Beswick, Mark Shostrom, Kevin Yagher, and more!

Be sure to check out the first time the 80s Grue-Crew took a dive into this film in February 2017, featuring Doc Rotten, Christopher G. Moore, and Thomas Mariani as the Grue-Crew. You can find it here: A NIGHTMARE ON ELMS STREET 3: DREAM WARRIORS (1987) — Episode 102

Every two weeks, Gruesome Magazine’s Decades of Horror 1980s podcast will cover another horror film from the 1980s. The next episode’s film, chosen by Jeff, will be The Changeling (1980), starring George C. Scott, Trish Van Devere, Melvyn Douglas, . . . and a bouncing, red, rubber ball.

Please let them know how they’re doing! They want to hear from you – the coolest, grooviest fans – so leave them a message or comment on the gruesome Magazine Youtube channel, on the website, or email the Decades of Horror 1980s podcast hosts at feedback@gruesomemagazine.com.

Check out this episode!

[countesspetofi]

V: The Series, 1985-1985

Regular cast, episodes 1-13

[grandmastv]

V, Breakout (1985).

[clemsfilmdiary]

Shag (1989, Zelda Barron)

1/10/21

[retrorewind-kid]

THE BIONIC SHOWDOWN   (1989)   The Bionic Showdown.  This was the second of three reunion movies for these characters.  This episode introduced Sandra Bullock as Kate Mason, the new bionic girl.

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haven't we all

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Roxann Dawson  as  Lieutenant B'Elanna Torres   2000 in Star Trek Voyager "Flesh and Blood" (Part 2)

https://memory-alpha.fandom.com/wiki/Flesh_and_Blood_(episode)

[whileiamdying]

"Atlas Shrugged: Part II — The Strike"

is consistent with its predecessor as a somewhat awkward translation of Ayn Rand's 1957 novel to our current era, handled with bAtlas Shrugged: Part II — The Strike

By Dennis Harvey, Variety Oct 13, 2012 1:20am PT

Though it flopped in wide release following surprisingly strong limited play, last year’s “Atlas Shrugged: Part I” evidently did well enough — or its producers are simply committed enough — for this second of a projected trilogy to be made. “Atlas Shrugged: Part II — The Strike” has a whole new director, cast and crew, with slightly higher production polish and more familiar faces onscreen. Nonetheless, it’s consistent with its predecessor as a somewhat awkward translation of Ayn Rand’s 1957 novel to our current era, handled with bland telepic-style competency. Theatrical biz will be middling, ancillary better.

With the economy collapsing, the government shutting down private industry and the “best minds” all mysteriously disappearing, Taggart Transcontinental chief operating officer Dagny (Samantha Mathis) and self-made Rearden Steel magnate Henry (Jason Beghe) are the last bold individualists who give a damn about this once-glorious nation in a sea of lily-livered takers, including her weak brother (Patrick Fabian) and his bitchy wife (Kim Rhodes). Naturally this only makes our heroes hotter for one another, though it’s hard to find time for mashing lips when so many crises must be contended with from sea to shining sea.

As the dread too-big government increasingly legislates their own businesses out of their control, Dagny tries to unlock two secrets: how to work an electromagnetic motor she’s found laying about (with help from Diedrich Bader’s wacky rogue scientist), and figuring how who the hell that John Galt guy is anyway. In a plane-pursuit sequence that begins and ends the film, she finally gets her wish — though auds will have to wait until “Part III” to see Mr. G. (D.B. Sweeney) in more than just silhouette.

As before, Randheads will be divided between those who find the pic insufficiently grandiose enough to be the “Atlas” of their dreams, and those so in thrall to the author’s ideas that any reasonably professional product will suffice. Others, particularly those who haven’t read the book, will simply find it silly, talky and dull. That said, John Putch (a more experienced TV helmer replacing the first film’s Paul Johansson, another actor-turned-director) maintains a decent pace and a straight face. Still, the whole project remains hobbled by the initially budget-minded decision to set the story more or less in the present rather than the 1950s, when it already seemed somewhat improbable.

This renders the story’s railroad emphasis wildly anachronistic, despite some attempted explanation. It also requires the pic to pretend ours is still a primarily self-contained national economy, rather than bound to the modern global one. (The filmmakers themselves couldn’t quite pull that off, as the end credits reveal substantial post-production work was done in China.)

Thus, a time-warp air hangs over the whole affair, though the film’s three scenarists have dropped a few up-to-the-moment buzz phrases into the mix to seize their just-in-time-for-elections moment; Rand’s cartoonish conflict between industrious quality people and lazy, effete quasi-socialists is now “job creators” vs. “looters.” There are repeated glimpses of Occupy-like protestors, who eventually turn against their alleged government benefactors, although notably, none of them gets so much as a single line to speak.

Though the actors this time come with higher-profile track records, they’re surprisingly not much of an improvement, and in some cases (notably Esai Morales as decadent playboy-cum-secret-free-market superhero Francisco d’Anconia), quite the opposite. Of course, with dialogue this clunky and expository, one can hardly blame them; with no attempt at finding a stylistic equivalent to Rand’s heightened worldview (a la King Vidor’s 1949 film of “The Fountainhead”), they’re stuck playing real in a context that feels unaware of its unreality.

The mostly blah corporate and hotel settings are in a sense apt, but add no flavor. While “Part II’s” attempt to encompass Rand’s sweeping narrative on a far-below-major-studio budget is admirable, the underwhelming f/x dampen its few opportunities for action sequences.

[periodically80s]

[brokehorrorfan]

Sideshow Collectibles has revealed Count Dracula and Van Helsing premium format figures based on Hammer Film’s Horror of Dracula. They’re priced at $530 a piece.

Sculpted by Jeff Yagher, Dracula features the likeness of actor Christopher Lee. He stands 22.25" tall, 9.24" wide, and 7" deep. It’s expected to ship in April-June 2022.

Sculpted by Adam Beane, Van Helsing features the likeness of actor Peter Cushing. He stands 21.5" tall, 8" wide, and 7" deep. It’s expected to ship in May-July 2022.

The Dracula Premium Format Figure measures 22.25” tall on top of a stone-like base with Gothic gargoyles as the dark and brooding count reveals his horrific visage to the innocents trapped in his castle. Sculpted with an incredibly detailed likeness of actor Christopher Lee as the iconic monster, this statue features the bloodshot eyes and shining fangs that forever changed pop culture’s image of the vampire. A meticulous paint application around the mouth captures the look of freshly spilled blood, and his heavy brows and slicked back hair complete the haunting portrait fans instantly recognize as the feared Count Dracula.

The Dracula Premium Format Figure is a mixed media horror collectible with a fully tailored fabric costume recreating the count’s iconic appearance onscreen. He wears a detailed black suit jacket, pants, and a white collared dress shirt with a necktie. His suave ensemble is finished with a black cloak with a striking red inner lining. The vampire also has sculpted dress shoes and a signet ring on his left hand, which is outstretched to flourish his cape as he makes his bloodthirsty approach.

The Van Helsing Premium Format measures 21.5” tall on top of a stone-like base with Gothic gargoyles, creating an air of dread as the famed vampire hunter steadies himself to pursue the fiendish Count Dracula. Sculpted with an incredibly detailed likeness of actor Peter Cushing in the iconic role, this statue captures an expression of fearlessness and resolve, with Cushing’s wide blue eyes, furrowed brows, unmistakable cheekbones, and carefully styled hair.

The Van Helsing Premium Format Figure is a mixed media horror collectible with a fully tailored fabric costume recreating the character’s signature appearance onscreen. He wears a black suit jacket and suit pants along with a red vest, a white collared dress shirt, and a necktie. An elegant faux fur-trimmed coat completes the costume, while his leather-like gloves and black dress shoes are sculpted with realism to complement the fabric elements. Armed with a crucifix in one hand and a hammer and stake in the other, Van Helsing has all the tools of the trade with which to defeat the dreaded vampire.