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[tablejust]

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Well aware that many States and National Societies now using either the red cross or the red crescent are entirely satisfied with the present situation and see no reason to adopt a new emblem, the ICRC has recommended that renewed efforts be made to work out a comprehensive solution to this question. The ICRC is fully committed to finding a solution to this situation as a matter of the utmost urgency.

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The exclusion of three National Societies from full membership of our Movement is perceived as unfair and discriminatory. Whatever the historical reasons that led to the present state of affairs, the ICRC has no doubt that it is in contradiction to the Fundamental Red Cross and Red Crescent Principles, in particular the principle of universality. Once the unity of the emblem is breached, its protective value - and hence the safety of the wounded and medical personnel - is threatened. Instead of appearing as a symbol of neutrality, the distinctive sign may be identified with one or other of the parties to the conflict.įor, over and above the provisions of the Geneva Conventions, the protective value of the emblem derives from the fact that the same sign is used by friend and foe. (f) Finally and most seriously, the coexistence of two emblems - or even three, if the Israeli reservation is taken into account - weakens their protective force, in particular when two opposing parties use different emblems. In the event of civil war, there is the risk that the Society might split up and its relief work be paralysed. This will impede its ability to develop its operational capacity. However great the efforts made by the National Society to serve the whole population, it will be identified with the community suggested by its emblem. (e) The coexistence of two emblems at the international level causes many problems in countries where different religious communities live together. Over the years, the ICRC has received others, and the risk of proliferation cannot be ignored. (d) The coexistence of two emblems at the international level is an open invitation to further splits. This situation has lasted too long and must be remedied. Whatever the reasons, the National Societies of Israel, Kazakhstan and Eritrea have for many years been unable to join our Movement as full members. The same applies to Eritrea, although this country is not yet party to the Geneva Conventions. Since the population of Kazakhstan is almost equally divided between Christians and Muslims, the country's parliament decided to use the double emblem of the red cross and red crescent, whereas the Geneva Conventions and the Statutes of our Movement provide for use of either the red cross or the red crescent. The Kazakh Red Crescent and Red Cross Society was in the same position. Consequently the Magen David Adom in Israel, which has been in existence for 70 years and provides remarkable humanitarian services, could not become a full member of our Movement. (c) The present situation undermines the universality of the International Red Cross and Red Crescent Movement, since the majority of the Israeli population feels - for compelling reasons - that it cannot identify with either the red cross or the red crescent, whereas the Movement's Statutes require each and every National Society to use one or other of those emblems. (b) The coexistence of two emblems is at odds with the principle of unity of the International Red Cross and Red Crescent Movement, and bears within it the seeds of division. (a) It may legitimately be asked whether the current situation is truly consistent with the principle of equality which should govern international relations, since some States and National Societies can easily identify with either the red cross or the red crescent, while other States and National Societies cannot. The International Committee of the Red Cross (ICRC) has the highest respect for the protective value and symbolic significance of the emblems used by our Movement however, we also recognize that the present situation with regard to those emblems has serious drawbacks which we have to address. Madam President, distinguished delegates,įirst of all I would like to express my gratitude to you, Madam President, for having convened this very important meeting, and to the Government experts and National Society specialists who have agreed to join us in order to help solve a most sensitive issue which has been a source of major concern to our Movement for many years. Address by François Bugnion, Director of International Law and Communication, International Committee of the Red Cross

[cuppiner]

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The Search tab allows you to search through Spotify’s music catalogue.

Your top song here will be Up Next if you’re a DJ.

The Queue tab is the default view in JQBX.

Music Managment In the Music Management column, there are three tabs at the top and three buttons at the bottom for navigation. You might have noticed the Export icon beside the Room Title (If you created the Room, you can also click the Room Title to edit the Room’s preferences). Let's start at the top: The Top Bar The Top Bar contains the Back and Forward Arrows, Room Title, and a link to your Profile. Room Anatomy We've already covered a good majority of a Room's anatomy in the previous section, but there are a few more things that you might have noticed in a JQBX Room. On Mobile: a long hold will pop the song out of its place and allow you to drag it anywhere in your Queue. Make Note: You can also click and drag songs in your Queue to arrange them.

You’ll also find a Preview button in the bottom right of the songs’ regions, exactly as they appear when Searching.

And the ^ button moves that song to the top of your Queue.

The Star button moves that song to your Starred Tab.

The X button removes that song from your Queue.

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Or, if you are the only DJ, the next song in your Queue will play.Īrranging your Queue So now that you’re a DJ, it might be helpful to know how to move songs around in your Queue. Once this song is over, you will be moved to the back of the DJ Queue.The top song in your Queue will play when your DJ avatar reaches the far left of the DJ Queue.When you Become a DJ, you will be added to the end of the DJ Queue.To enter the DJ Queue, tap or click the Be a DJ button in the Currently Playing field.Don’t worry! Only you can hear this Preview. The currently playing song will pause, and the song you selected to Preview will begin to play. Clicking this will allow you to Preview that song. Previewing Songs You will also find a play button located in the bottom right of each song field beneath the + box. The + symbol will become a check mark when the song is successfully added to your Queue.Any song from the search results can be added to your Queue by clicking the + box in the song field’s upper right hand corner.On Mobile: Select Queue in the Music Management Bar and then tap + Add More Tracks This will allow you to search through Spotify’s music catalogue. Select the Search tab from the Music Management field in the left column JQBX.Starring Tracks If you really like a song, tap or click the Star icon in the Currently Playing field of JQBX, and the song will be added under to Starred tab in the Music Management field as well as the the JQBX Starred playlist that is automatically added in Spotify when you sign up for JQBX Being a DJ You may want to stay a while in the Room that you joined to share your own tastes, so let’s find some music for you to play for everyone. Make Note: Once you choose, you cannot change your vote. Conversely, click or tap the thumbs down button if you think the currently paying track is Lame.Click or tap the thumbs up icon if you think the currently playing track is Dope.Giving Feedback When you join the room, there’s a good chance you’ll feel some type of way about what’s playing. To join a Room, simply click or tap on its highlighted region. The first thing you’ll see once you log into JQBX is the Lobby. Joining a Room Just got here and aren’t sure what to do next? Go ahead and join a Room. We automatically remove listings that have expired invites.JQBX (JU

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Only server owners can update the invites on Discadia. Note: The invite for a server may be expired or invalid and we cannot provide new invites. Discadia provides “Join” buttons, click that button to join a server. How do I join a Discord server?ĭiscord Invite URLs are used to join Discord servers. A Discord Server List such as Discadia is a place where you can advertise your server and browse servers promoted by relevance, quality, member count, and more. What is a Discord Server List?Ī Discord Server List is a website that provides a way for you to find the Discord servers that you're looking for. Discadia uses a proprietary algorithm to deliver you the best Discord Servers that you're likely to be interested in. Using Discadia you can browse through thousands of servers, search, and filter by tags. While there's a huge range of Discord servers out there, not all of them may appeal to you. Discord is a website and mobile app that provides text, voice, and video communication through community created “chat groups” called 'servers'.

[jasminesgardens]

Preparation

Set Up

Musical Episode Mechanics

Conclusions and Links

Heavily inspired by the Buffy the Vampire Slayer Musical Episode: Once More, With Feeling, I put together a Musical Episode for my own players that went down beautifully and here’s how you can too!

Preparation: 

1. Have your players (whether subtly asked or not, up to you) send you a playlist of songs that relate to their character, their relationships and scenarios they’ve been through in the past. Sort through these songs into “Main Plot” and “Scenarios That Could Happen”. 

Prompt Examples from my Musical Episode:

Main Plot: Prologue/Opening Narration, First Song (Morning Sequence), The Whole City is Singing, Figuring Out What is Happening, NPC Karaoke Songs, Player Karaoke Songs, A Call to BBEG, Battle Songs, Reveal of BBEG, Revealing Deepest Darkest Secret, Aftermath, End Credits and After Credits.

Scenarios That Could Happen: Dream Sequences (What Ifs, Foreshadowing or Nightmares), Reflection on their Pasts/Families/Homes, Attraction/First Kiss/Getting Together/Examining the Relationship/WooHoo Moments, How the Party is Seen, Arguments/Make Ups, Praying to their Gods, Positivity/Negativity, Stress/Learning to Relax, Fight Training, Opening Up/Confessing Feelings (Romantic, Friendly, Truthful), Cheering Up, Anger/Protests, Celebration/Drunken Songs, Death Saving Throws and Continuing the Fight.

The playlist is public so just search up DND: The Musical Episode by Princess Jasmine Flies Away.

2. Ask your players, if you haven’t already, for their deepest, darkest secret. The secret they would take to their grave. A secret about their lives or a fear they have could be the prompt. (This is what will be revealed later to the whole Party!)

As I was heavily inspired by the Buffy the Vampire Slayer’s Musical Episode, I used the episode to dive board my idea of what my “Main Plot” would be and explore the themes of secrets, speaking your truth and aftermaths. So even after my Musical Episode, my players and their characters were still thinking of what was revealed and what to do going forward with their relationships and themselves. That’s what will make your Musical Episode fun but also thought-provoking and memorable.

Examples from my Musical Episode:

“I’m going to die in six months.”

“I fear I’m on the path to becoming my step-father.”

“I fear my mission from my Goddess is to simply be the sidekick.”

Set Up:

1. Curse your Party. 

Example (taken from DNDSpeak and tweaked, warning a little gruesome): I sent my party on a mission to rid the City’s Sewers of the Oozes and Slimes that lived down there as the previous adventurers sent had not returned. While giving hint, and a child NPC who asked them to look, that recently a lot of pets had gone missing in the area around the Sewers. 

With every Ooze and Slime encounter, a voice would call out asking the adventurers to leave, getting more and more angry, desperate and threatening as they approached their hiding place. 

In this evil Bard’s hidden lair, they discovered the Bard had been stealing pets and using them to make into instruments. Not allowing the Party to leave, they fought and the Bard lost but just before he did, the Bard cursed my party. 

The players killed the Bard with fire so all the set up and hints in his lair burnt with him but if they hadn’t, they would have gotten hints of his worship to a certain demon and how he was planning to give his instruments as a gift to them.

I let my party spend the rest of the day doing whatever they liked and waited until the next day for the curse to take affect (which I recommend).

2. Setting Up Music

As I DM on Skype, I used JQBX for everyone to be able to hear the songs at the same time live but you might find other platforms or just be able to bluetooth to the speakers and use Spotify as you play in person (lucky sod).

Then completely shock your friends by awakening them to a performance. Start with a dream sequence or a morning montage or a title sequence! Have fun!

Musical Episode Mechanics:

1. When to Sing:

After the initial shock of the Opening of the Musical Episode, the party will believe the Musical Episode is a curse inflicted on just them (If you’re like me, it isn’t. It’s the whole city because that’s hilarious.) but unaware of when they will start to sing again.

I recommend it every time a party member gets emotional, reaches a perfect opportunity for a scenario song or simply plot development. These songs hint towards characters’ feelings for themselves, other characters, certain scenarios and maybe even their deepest, darkest secret so every time it happens, play the song that incredibly reads them to filth and ask them to roll a constitution saving roll, needing to beat 13. If they fail, write a tally mark for which player and wait for your finale to reveal what for.

I rewarded my players with 10XP each song as it gave them confidence to perform, improv and just get silly!

2. BBEG:

Through researching into what this curse could possibly be, introduce the demon Kacophony the Musical. They’re dramatic, crave entertainment and force people to sing for them with fiery magic, which can lead some of their victims to become Uncle Owen and Aunt Beru in Star Wars: A New Hope. The party will know Kacophony is responsible as you’ll sprinkle in the hints of burnt victims after each Musical Number, the same amount of bodies as the tally marks you’ve been collecting.

Now in my Musical Episode, I put Kacophony the Musical in the place they were cursed. My players went earlier than I would have liked so don’t be afraid to say “not the right time” for Act 3 and help them circle back to there later, after a full day of singing and dancing.

Example: I had a singing woman lead the party back to the Sewers ominously after quite a hearty song.

When discovered, Kacophony is waiting there with their goons for the “cast of today’s musical”, revealing that the person who cursed them gave a huge sacrifice to troll the city with this ridiculous curse, give Kacophony a few souls and to embarrass the party.

Example: My Evil Bard offered all his gruesome instruments and his own life to Kacophony. 

Kacophony the Musical will reveal two things.

First, what all the constitution saving rolls have been for. Every failure (a roll under 13) has led to someone’s end aka the burnt victims they have seen throughout the day. Tell your players how many people they have each ended with their rolls and if your party is as morally good as mine, you will have people ready to fight. If not, embarrassing them through song is enough for one.

Which brings me to the second reveal, Kacophony the Musical is a Musical Demon (obviously). Musicals reveal what characters are really thinking to their audience; their hopes, their dreams, their deepest, darkest secret. 

Have your party fight this demon only to be unable to not say their deepest, darkest secret to one another (it’s up to you if its based on roll or unescapable), causing a ton of big reveals, suspense and tension, which Kacophony can use as a getaway. 

It’s up to you if you want the party to defeat Kacophony the Musical. I didn’t as I preferred the idea of Kacophony being a showman who hides behind their spells and goons, reads the party to filth and then just leaves when it gets boring, leaving them on the mind of the party long afterwards but if you do want your party to defeat them, then make it so. 

Kacophony the Musical’s Character Sheet: Inspiration from Rahadin from Curse of Strahd and Cantus by u/Jacknerik

3. The Curse and Aftermath:

Finally, the curse lasts for 24 hours, so when your players awaken the next morning, the curse will be gone but no one will forget how yesterday changed their lives and how flipping awesome your session was. 

In the aftermath, my players had a lot of role-play heavy conversations which led them to build up their relationships and their own storylines and a city of people who either were trying to remember the awesome lyrics they sang yesterday or are now afraid of music (possible Footloose inspired sequel adventure).

Conclusion:

Either way it was a lot of fun and certainly went down as one of my best sessions as a DM.

Thank you so much for reading, my name is PrincessJasmineFliesAway on everything else and my credentials in DMing can be described as Wizarding World 2.0, Shifting into the Star Wars Sequels and Barbie Mermaida the Campaign. Goodbye.