#Kitsing

[hallowpen]

It's selfish of me for Becky to tell her fans to stop sending hateful messages to Freen and the FreenBecky brand, just like she said leave my fans alone. All it did was make these toxic fans feel uplifted.

I going to give you the benefit of the doubt... because I might have misunderstood (and I apologize if I have)

but...

WOMEN ARE ALLOWED TO DEFEND THEMSELVES!!!

I was in the thick of it when Freen had to deal with toxic fandom and their "Protect Becky from Freen" agenda. Freen wasn't just receiving 'hateful' messages... she was receiving death threats. Becky and the majority of her fans rallied behind Freen because they refused to condone this type of behavior. Becky's fans who supported Freen were then, in turn, being sent similar messages.

I can't imagine any world where standing up to irrevocably harmful online harassment is seen as selfish. And if anti-fans felt some weird sort of satisfaction from rightfully being called out... that says more about them and absolutely nothing about Becky 🤷🏾‍♀️🤷🏾‍♀️🤷🏾‍♀️

Must really suck for them to see Freen and Becky continue to be so successful in an industry that has not been very kind to women.

Queens stay winning👑👑👑

[kristsingto]

I see a lot of people questioning if it's KristSingto or SingtoKrist, since they go by KristSingto officially, but if their shipname was like the usual order of top/bottom from their series, it would be SingtoKrist.

It gets more interesting to me when you think about how SOTUS credits Krist before Singto (I don't understand why they always insist on crediting the "top" first even if they aren't the main character in all these BLs but it is a thing) but SOTUS S did vice versa.

Switch couple.

And I find it funny what Krist has to say.

[kenpiercemedia]

Scenes From Brooklyn Independent Comics Showcase 2024 @ Industry City

[hallowpen]

I have taken on the great challenge of taking a shot for every kiss that PhiTawan share in the series.

One Half Shot for every cheek kiss and One Full Shot for every full on kiss.

So far my total is 4 shots... for just one episode 3 shots and 2 half shots. Will I survive until the end??? Or will I succumb to alcohol poisoning???

@thebroccolination is being forced to do this with me...

WE ARE CELEBRATING!!! ชน!!! 🥂

THE EX-MORNING KISS COUNTER - EPISODE 1

Yes, I'm a feral beast creature. Welcome. :)

Listen, Kit said four per episode, so I'm just verifying data. I'm just a li'l ole STEM beastie now. :}

[raivo-hunt]

Minu nimi on Raivo! Ma olen Eestist

Vanus ja sugu: 19 ♂️

Fav colours: oranž, roheline, must, pruun

Fav things: talv, muusika, loomad, tee, liha ja köögiviljad

I live on a small farm in the country but near the city, I have koerad, kassid, 2 kitse, kanad ja lammas

I'm neurodivergent

Sõber: @cyanide-sodapop

@koerad

[silverscreenrestored]

Stagecoach (1939) – Commentary by Jim Kitses Film: Stagecoach Directed by: John Ford Release Year: 1939 Commentary by: Jim Kitses, renowned film scholar and author of Horizons West, a foundational text in the study of the American Western. 🎧 Overview of Kitses’ Commentary: Jim Kitses brings a deep, nuanced understanding of the Western genre and American mythmaking to his analysis of Stagecoach. His commentary tracks focus on how director John Ford elevated the Western from B-movie territory into a vehicle for moral drama, national identity, and character complexity. Kitses sees Stagecoach not just as a thrilling adventure, but as a microcosm of American society, traveling across a volatile frontier. He dissects Ford’s visual storytelling, symbolic use of Monument Valley, and the moral dimensions of the characters—especially The Ringo Kid (John Wayne) and Dallas (Claire Trevor). 🔍 Key Insights from Kitses: 🏜️ The Frontier as Moral Landscape: Kitses emphasizes how Monument Valley isn’t just background scenery—it’s a symbolic space that represents both danger and renewal. The open landscape reflects the characters’ inner journeys, and Ford frames it to underscore transformation, struggle, and isolation. 🎭 Social Archetypes in Transit: Kitses discusses how the stagecoach serves as a moving cross-section of American society, carrying representatives of different classes, moral codes, and ideologies. Each passenger is forced to confront their biases, and Ford uses their interactions to explore ideas of community, redemption, and decency. 👥 Outcasts as Moral Centers: Both Ringo and Dallas are societal outcasts. Kitses notes that they embody moral clarity and emotional authenticity, in contrast to the supposedly “respectable” passengers. The commentary highlights how Ford inverts traditional values, showing that dignity often resides on the margins. 🎥 Ford’s Cinematic Language: Kitses praises Ford’s compositional mastery—his framing, editing rhythms, and deep focus cinematography. He breaks down key scenes (like the Apache attack or the stagecoach crossing the river) to show how Ford creates tension and emotional resonance through purely visual means. 🛡️ Violence and the Myth of the West: Kitses connects Stagecoach to the broader myth of the American West, discussing how the film both celebrates and questions the use of violence as a path to justice. He sees the Ringo Kid as a character caught between vengeance and renewal—a prototype for later Western anti-heroes. 🧠 Scholarly Themes Explored by Kitses: The Western as American epic Moral ambiguity in frontier justice Genre evolution from formulaic to poetic Identity, exile, and reintegration The myth vs. reality of the Old West 🎥 Why Kitses’ Commentary Matters: Kitses was one of the first scholars to treat the Western as serious cinema, not just entertainment. His commentary provides rich historical context and aesthetic analysis, bridging genre theory, politics, and art. He invites viewers to see Stagecoach as a foundational modern film—a lens through which the American character was (and is) imagined. 🏷️ Suggested Hashtags (Bonus 50) #JimKitses #Stagecoach1939 #WesternScholarship #FilmCommentary #FilmAnalysis #JohnFord #ClassicWestern #CinematicMyth #WesternGenre #FrontierFilm #RingoKid #ClaireTrevor #AmericanCinema #MonumentValley #VisualStorytelling #OutlawsAndHeroes #OldWestSymbolism #WesternCritique #RedemptionInFilm #AmericanIdentity #FilmStudies #StagecoachFilm #MovieMicrocosm #WesternPhilosophy #CowboysAndMorality #KitsesOnFord #ClassicFilmAnalysis #WesternIcons #HeroAndOutcast #ScholarlyCinema #FilmTheory #MovieCommentaryTrack #DeepFilmDive #GenreEvolution #MovieMeaning #SymbolicCinema #MoralityInTheWest #1930sClassic #GoldenAgeFilm #JohnWayneLegacy #FordianCinema #StagecoachDeepDive #WestAsMyth #SocietyInMotion #FilmAsMirror #FrontierArchetypes #AmericanMythsOnFilm #StagecoachLegacy #FordAndKitses #HeroInTransit source https://silv

[approxydoll]

i cant draw hair at all and so if unfortunately i dont become anime girllifel, my only options are catgirl (because kitty is a bird) foxgirl (cuz kitses is a bird) and bird (cuz she has a pretty unusual talking style antiki is a bird) (bird)

[meiesiinkaugemal2]

I nädal Ungaris

Pühapäev: Esimesed muljed Ungarist, olid mitmekülgsed. Kuna oleme kõik esimest korda siin. Nagu n��iteks olid hinnad madalamd, kui Eestis, mis oli loomulikult positiivne, kuid rongisõidul Becesabasse, kus me püsime, laks rong katki :( mis oli vägagi ootamatu ja hirmus. Lõpuks jõudsime enda suurte kohvritega kohale ja olime ülekeha vasinud.

Esmaspäev: Saime tuttavaks kohaga, kus püsime ja kooliga kus praktikal kaime. Meile näidati ringi linnapeal Martini poolt ja pärast uurisime linna juba omapäi. Kõik oli väga uus ja erinev kindlasti Eesti väikelinnadest.

Teisipäev: Läksime kella kaheksaks kooli ja saime teha juba oma esimese tõsise praktika päeva. Me vaatasime dokumentaali fotograafi Planton kohta ja pärast tegime tema stiilis pilte ise järgi. Koolis õpilased ja õptejad on kõik väga toredad ja toetavad, meie edukuses.

Kolmap: Läksime rongile ja sõitsime Budapesti, muuseumitese. Alguses uuesti rongile minek tundus natukene hirmus arvestades, meie eelmist kogemust, kuid õnneks läks sõit nagu plaanitud ja jõudsime 2,5h kohale. Seal käisime erinevatel fotonäitustel, mis olid meie kõigi jaoks väga huvitavad, nagu näiteks: pressifoto, auto fotograafia ja sõjaaegsed fotod. saime ka natukene vaba aega ja nautisime eksootilisi inimesi Budapestis

Neljapaev: Laksime algselt kooli ja tegime suurema töötluse eelnevalt tehtud pilditele. See kõik oli RASKEM kui kolas sest Ungari on vaga anti inglise keele suhtumisega, mis tõttu olid kõik programmid ja seadmed ungari keeles ja me saime arendada nii mõneski valdkonnas. Peale praktikat käisime lähedal olevast lossist, kuhu sõitsime koos inglise keele õpetajaga, kes on maailma nunnum inimene üldse. Lossi juures nägime nii ilusat arhitektuuri kui ka erinevaid loomi, kes lossi ümber elasid. Paabulinnud, kitsed ja palju ilusa lauluga linde tegid meeleolu just nagu printsessil.

Reede: Alkselt saime varasemalt mainitud inglise keele õpetaja klassiga kokku ja täitsime bekescsaba kohta töölehte, see oli üpriski suur väljakutse, kuna pidime kõik iseseisvalt inglise keeles suhtlema äpilastega. Kõigil olid enda grupiga nii positiivsed kui ka negatiivsed olud kuid saime üle ja ülesande lõpuks olime kõik väga rahul, sest saime teada nii linna kohta, kus elame ja rohkem Ungaris elavate enda vanustega. Õhtul käisime koos õpetjatega viimasel õhtusöögil, kus soovisime neile sujuvat reisi ja läksime sealt maalt oma teed.

Laupäev ja Pühapäev: Olime enamasti kodused, kaisime küll väljas kuid ainult selleks et elamispaika hubasemaks teha. Tegime natukene suurema koristuse. Ja hakkasime enda vanematelt interneti jaoks raha välja presiima. (me ei saanud raha, pidime esimest korda üksteisega ühikas suhtlema)

[slammpoetessmurca]

kauplen kõrgemate vägedega

annan midagi ära

ja loodan heldelt tasu saada

soosingus püsida

ohverdan

hõberaha allikale

kitse altarile

nooruse laste heaks

aja ja närvid karjäärile

tervise trendidele

ööune muretsemisele

terve mõistuse hulga lollide nimel

keegi mult ei palunud

aga võit on garanteeritud

kui veab, saangi soosingusse

kui ei vea, saan heita ette

vaadake mis ma kõik olen ohverdanud

teie heaks

ja see on siis tänu

einoh...

ja lõppudelõpuks

nii lausuda saada

kas see polegi suurim võit

[lyricsssdotin]

Kitse Lyrics

Singer:MohitoAlbum:Mohito Kaagaza te bhobha bharan laagareBalda kee suAdey maanas ki keemat koniKarna ta bohot kuch tha bhaiJeevan meinPar ibbey himmat koni Eeta te maanjha kaashan mainDaatan karta neem teDeh pe mere lattey koniKam na chhote bheem se Eeta te maanjha kaashan mainDaatan karta neem teDeh pe mere lattey koniKam na chhote bheem se Saare poochhe manneKitse kitse kitse kitse kitse…

[rubalcavah]

TOMMY CASH x bbno$ - TANGO from NAFTA on Vimeo.

Director Tommy Cash Creative Director Tommy Cash Creative consultant Mari-Ly Kapp 1AD Helen Lõhmus Management: Anton Glushnyov, Marili Jogi Song produced by Danny Zuckerman

PRODUCTION company Nafta Films Producer Ilya Medovy Line Producer Sissel-Maria Mägi Production Manager Sven Olters Production Coordinator Gynel Sihhalijeva Key PA Felikz Volož PA Kailiin Dubrov PA Milla Maria Kujala PA Robin Marten Leppik

Location Manager Eliise Saar Set Assistant Ralf Tõra Set Assistant Patrick Tammsaar Set Assistant Märten Kitsing DOP Heiko Sikka 1AC Frank Saunanen 2AC Ardi Ossaar BCam Aranya Sen

Deep Fake/Face replacement T-VFX VFX Denis Strahhov Colorist Evgeny Bystrov (jojo agency)

Gaffer Andrus Ilp Electrician Reimo Paevere Electrician Karl-Robert Vain GRIP TEAM Car rigging Bertil Tarbe Production Designer Anneli Arusaar Production design assistant Joonas Hirv Production design assistant Mark Nettan Custom props Juhan Malmstein Wardrobe stylist Mari-Ly Kapp

HMU assistant - hair Edvardscissorhand (Edvard Hiietam) Costume assistant Sille Randviir Costume assistant Kerttu Reinmaa Costume assistant Anna-Liina Haamer Tattoo artist M Lorah

Casting director Silvia Lorenzi Casting assistant Ingrid Liivaleht Casting Intern Karoliine Rämmi

Stunt coordinator Konstantin Aleksejev Stunt performer Rodion Sidorov Stunt performer Max Nikolajev Stunt performer Vanya Esepchyk Caterer Nautilus Restoran Traffic control Andri Tsupin Traffic control German Costume bus Reevo Kraam Additional Unit Studio Unit DOP Joosep Jürisson Studio Unit Gaffer Olaf Iowa Studio Unit 1AC/DIT Risto Niils Studio Unit Make-Up Artist Suzanna Eisel Studio Unit PA Sander Koit Big thanks to Racer Worldwide, Ron Verlin, Sveta Vintage, Siim Oja, Must Luik, Nafta Kostüümiladu, Rahvusooper Estonia Kostüümilaenutus, Vibram Fivefingers Eestonia, Ott Krüger, Jaanus Vahtra, Kristiina Tali, Eesti Lihaveisekasvajataje Ühistu ja Rando Treimuth, Angelika Koovit, Karl Kargets, Location Unit, High Voltage

[alummarhausa]

Amfanin Jar Kabewa Ga Lafiyar Jikin Dan Adam

Ka samo Kabewa nunanniya sai ka yanka ta a tsaye ka dauki kamar mai nauyin grm 100  sai ka bare bawon ka sanyata a cikin blender sai ka zuba ruwa dan kadan sai ka markadeta. Bayan ka markadeta sai ka tace ka rika sha da safe kafin kayi breakfast (bude baki) da mintuna 20, kayi haka har tsawon wata daya. Yin hakan yana magance: 1- Tunbi 2- Kitse 3- Yana rage Sinadarin Cholesterol a jikin…

[angelwithaslushiemaker]

So it's always been written as Krist first because Peraya never cared for it matching the position of their characters, all merch then and now labeled it that way.

Plus it's fun if you use the short version of their names, KitSing, it sounds like Kissing, which is why their named their first 3 photo books "Kissing"

Tech you can use either as far as tagging, but if you're looking interviews and events and merchandise it'll come up only if you search KristSingto.

Wondering if it’s Kristsingto or SingtoKrist?

Before Singto left I felt like his name was first but now I keep seeing his name second. I’m confused. Not that it matters but it just felt random

[susannasuomessa]

Kuna mul tehniliselt nüüd on toimiv mobiilne internett, laen pikka teksti kirjutamata paar piltigi üles. Need siin on Marvini külaskäigust 3.-9. veebruaril. Esimesed kolm pilti on Ruissalos-käigult, kuhu jõudsime kahjuks pool tundi enne Botaanikaaia sulgemist. Kuid siiski! Saareke oli väga kena ja näitas meile kolme kitse (esimesel pildil on neid kolm, ausõna), suusaradu ja muidu loojangut. Marvin oleks peaaegu vette ujuma läinud, aga talisupluskoht, kuhu välja jõudsime, oli nagu... tasuline. Ülejäänud fotod on meie suurest kõnnist Maununtyttärenpuistosse ja muidu Aura jõe Idaranna suudmeosa graniitsetel nukkidel. Ega meil selget plaani polnudki, katsusime leida pargisemaid kohti ja muidu püsti jääda.

Eelviimasel pildil on kuulus Bore Aura jõel ja Marvin vähemalt 36 meetri kõrgusel. Tuuline oli!

[lizacstuff]

Adam and Eddy’s last good written episode of once was the second part of the captain swan movie

In my eyes, you’d have a valid argument with that. However, to be fair, I do think the season premieres, 4x01 and 5x01 were decent, and 4x22 was alright, and 6x01 wasn’t terrible but pretty much everything else was the WORST.  Like embarrassingly bad.  

[strijdi]

4-27-23

Kay Kitsing - The Owl House Sona Pt. 2 (Pt. 1 here: x)

This is a companion piece to my original Owl House sona ref sheet! Now includes their Halloween costume (S3E1), their Collected/puppet form (S3E2-3), and their time-skip outfit (S3E3 end)! After the events of the story, they go on to be a singer in the Demon Realm, making their start to stardom (their hair in this design is similar to my hair now lol).