#Klaus Pinter

[zegalba]

Klaus Pinter: 'Rebounds' Installations (2002) Inflatable sculpture that reflects the space of its surroundings.

[nfcwproject]

Exhibition: „Leise-Park” #nfcdab2024 6th Ed.

This is one you can't miss!!! We always prefer the low-cost guerrilla style. Near-Field Communication Digital Art Biennale aka #nfcdab presents the anniversary edition: #nfcdab2024 6th Ed. Berlin - "Leise-Park". We cordially invite you to the craziest and most legendary #nfcdab shows! We have finally arrived in Berlin! - In the frame of the Vorspiel / transmediale & CTM.

Important!!! All works will be presented via QR codes, you must have an active Internet and the ability to read QR codes to connect!

Vernissage and curatorial guided tour: 2 February 2024 2.00 – 3.00 PM

Open: 2 February 2024, 1.00 PM - 5 PM 3 – 4 February 2024, 8.00 AM - 5.00 PM

Leise-Park: Heinrich-Roller-Straße 24, 10405 Berlin (DE)

Artists and art projects: Adrian Pickett, Andrea Roccioletti, Andreas Maria Jacobs, Angy Vardalou, Anna Pinkas, Anna Utopia Giordano, AK Ocol, Ayshe Kizilçay - KiAy, Benna Gaean Maris, Bjørn Magnhildøen, Blazir, Bruce Barber, Bruno Melo, Bya de Paula, Dave Greber, Davey Whitcraft, Đurđija Vucinic, Elaine Crowe, James Hutchinson, Karl Heinz Jeron, Klaus Pinter, Marc Lee, Max Herman, Nico Vassilakis, Nicole Kouts, Oli Olinski, Osvaldo Cibils, Peter Kusek, Ricardo F. Bodini, Rudy Paganini - forevermidi_com, Shin Jungkyun, Stefanie Reling-Burns, Tiz Creel, Zsolt Mesterhazy, and #DUMPHAUS - Curated by Catalina Vallejos and Ronnie Karfiol - Artist: Featuring Deatxwish, Taiki Arita, Tiến Nguyễn, Trí Thiện, Lê Duy, Xuân Minh, Gia Huy, Flounder Lee, Martina Noskova, Idklang, Aaporia, Magdi Mostafa, Jialun Wang, Hiroshi Murakami, David Longshaw, Athina Kanellopoulous, Ioana & Pablo, The Mainstream Official, Oksana Rudko, Liu Chang, Chloe Cheuk, Kayoko Nakamura, Aleksei Martyniuk, Blanche The Vidiot, F.C. Zuke, Nina Sumarac, Giuseppe De Benedittis, Ania Urbanski, Contaminated Carcass, Jaimerative Art.

This year we are celebrating the 10th anniversary of the #nfcdab project, which could not exist without the trust of the artists. The idea was born at a time when not everyone was aware of the coming revolution in the reception of digital content caused by the advent of smartphones. In 2014, QR codes or NFC tags were a technology on the verge of becoming commonplace, and the same was true of wireless Internet and unfettered access to the Internet. 10 years later, we are in very different times. That's why we trusted the idea of DIWO, which is an important element of this - let's not be afraid to use the word: "research" project. The whole concept would not have been possible thanks to the help from browserbased.org and noemata.net in the persons of Zsolt Mesterhazy and Bjørn Magnhildøen, I must also mention Brian Khuu being our Australian liaison to the antipodes, and I want to thank the many people who have helped us over the years in organizing our shows: Konstantina Mavridou, Radovan Misovic aka Rad0, Tibor Horvath, Florian Kuhlmann.

More info: https://vorspiel.berlin/events/nfcdab2024-6th-ed-berlin-leise-park-ausstellung

Supervisor and concept of the exhibition: Dominik Podsiadly

Organizers: #nfcdab - Dominik Podsiadly, noemata - Bjørn Magnhildøen, BrowserBased - Zsolt Mesterhazy.

Hashtags: #nfcdab #nfcdab2024 #leisepark

[polychroniadis]

Haus-Rucker-Co, Günter Zamp Kelp, Laurids Ortner, Manfred Ortner, Klaus Pinter. Palmtree Island (Oasis) Project, New York, New York, Perspective, 1971.

[kauadalahhujan]

Ada banyak kenangan sama bapak, aku kangen pak.

Apalgi klau liat iklan2 jaman 90an, langsung flashback bapak. Kenpa bisa? Dlu aku diajak bapak beli TV baru sama bapak. Jaman itu yg pertama punya TV adalah keluarga ku apalgi TV berwarna. Saking sukanya TV nya ak tempelin stiker kupu2 di atas kanan kiri.

Entah langsung nangis inget ketika keluarga masih lengkap, masih inget suasana lebaran, ramadhan, sahur, buka puasa, semua jadi satu dalam memori.

Kakak ku pinter masak sedang kan aku egk. Bapak tau klau ak egk pintar masak, tiap masak bapak selalu ngasih tau macam2 tentang memasak. Pernah waktu itu ak masak sambel tempe dan itu asiiin puoool. Tau apa yg dilakukan bapak? Tetap dimakan sampai habis sambil bilang guyon "mau ki tekan Parangtritis po neng masak"

Ketika masih umur SD, bapak selalu membelikan oreo dan teh kotak. Itu yg selalu ak tunggu2 ketika bapak pulang dari pasar. Aku selalu menunggu di depan pintu nunggu bapak pulang. Kadang bapak minta maaf klau lupa beliin, kadang ya kecewa klau egk dibeliin, i know ak masih kecil jd ya belum paham cari uang, kenapa ak begitu polos.

Al Fatihah buat bapak ❤

Aku kangen pak....

Bantul, 25 Februari 2024

[contemporary-visual-art]

Klaus Pinter (Haus-Rucker-co), Rebonds, 2002

Installation Photographs by  Stéphane Ricout

[swordinthewall]

First: this is amazing.

Second: I need to find a way to evoke the feeling of warped reality all of Klaus Pinter’s work evokes in my DnD games, because that is for some reason my immediate reaction to cool art

Klaus Pinter, Rebounds, 2002. Image taken from hifructose.com

[redpagandeity]

Klaus Pinter

[sortasurreal]

Art installation by Klaus Pinter

[worldsandemanations]

Klaus Pinter

[germanpostwarmodern]

Together with his colleagues Laurids Ortner, Manfred Ortner and Klaus Pinter (Günter) Zamp Kelp in the late 1960s and 1970s caused quite a stir in the European architectural community: as Haus-Rucker-Co they proposed a radically different architecture, often ephemeral or temporal, that defied any monumentality and established a new sense of utopianism. More than fifty years after the group was founded Zamp Kelp in the present book takes a critical look back at their work: “Luftschlosser - Ein Blick auf Haus-Rucker-Co/Post-Haus-Rucker”, published last year by Spector Books, is both personal reflection and retrospective and reintroduces the groundbreaking projects and ideas of the group to a contemporary discourse. Among these projects are the plastic balloon “Oase Nr.7” installed at the Kassel Friedericianum during Documenta 5 in 1972 and “Cover - Überleben in verschmutzter Umwelt”, a translucent cover spanned across Mies’s Haus Lange in Krefeld in 1971. Both projects demonstrate the political dimension of Haus-Rucker-Co’s projects that almost always commented on and dealt with contemporary issues and problem perspectives. As the volume’s title indicates it also includes Zamp Kelp’s post-Haus-Rucker work, e.g. the wonderful Neanderthal Museum (1996) in Mettmann done in collaboration with Arno Brandlhuber and Julius Krauss, and with it the ideas Kelp introduced to contemporary architecture. These ideas, and the idea of ideas in architecture in general, form the very core of the book and once again show that well thought-out ideas incorporating contemporary discourse, techniques and a grain of utopia can still yield an architecture that is both relevant and thought-provoking. A great read!

[zegalba]

Klaus Pinter: Rebonds (2002) Location: Paris, France

[nfcwproject]

#nfcdab2024 Leise-Park 6th Ed. Berlin

Near-Field Communication Digital Art Biennale

#nfcdab is a DIY or DIWO(DO IT WITH OTHER)? digital art biennale that travels on wireless technologies, light waves and electromagnetic fields e.g.: Wi-Fi routers, QR codes or NFC tags to access content. the idea of the biennale is to take advantage of the potential of near-field (mis)communication and other sharing technologies for making web-based digital art accessible in outdoors settings. it slack-keeps presence next to the frameworks of galleries and institutions.

Vernissage and curatorial guided tour: 2 February 2024 2.00 – 3.00 PM

Open: 2 – 3 February 2024, 8.00 AM - 5.00 PM Leise-Park event abbreviated due to non-approval by the Berlin City Parks board!

Heinrich-Roller-Straße 24, 10405 Berlin (DE)

❗The list of presented art projects:

Adrian Pickett

Andrea Roccioletti

Andreas Maria Jacobs

Angy Vardalou.

Anna Pinkas

Benna Gaean Maris

Blazir

Bruce Barber

Bruno Melo

Dave Greber

Davey Whitcraft

Elaine Crowe

James Hutchinson

Karl Heinz Jeron

KiAy - Ayshe Kizilçay

Klaus Pinter

Marc Lee

Max Herman

Nicole Kouts

Osvaldo Cibils

Rudy Paganini - forevermidi_com

Tiz Creel

Zsolt Mesterhazy

Artist: Featuring Deatxwish, Taiki Arita, Tiến Nguyễn, Trí Thiện, Lê Duy, Xuân Minh, Gia Huy, Flounder Lee, Martina Noskova, Idklang, Aaporia, Magdi Mostafa, Jialun Wang, Hiroshi Murakami, David Longshaw, Athina Kanellopoulous, Ioana & Pablo, The Mainstream Official, Oksana Rudko, Liu Chang, Chloe Cheuk, Kayoko Nakamura, Aleksei Martyniuk, Blanche The Vidiot, F.C. Zuke, Nina Sumarac, Giuseppe De Benedittis, Ania Urbanski, Contaminated Carcass, Jaimerative Art.

❗list updated daily

[polychroniadis]

Klaus Pinter, The Cocoon, 1971.

[classybelletime]

"Rebond" : an Ephemeral Work by Austrian modern artist Klaus Pinter, creating a special Anamorphosis with Gigantic Spheres reflecting ceiling architecture Art. Exposed in Pantheon, Paris, 2002. Surrealistic&Another-World alike

[everythingstarstuff]

Enormous inflatable sculpture by Klaus Pinter that reflects its surroundings.

[the-vanderbilt-republic]

Circular City Week: “FLOW” ↬ 4-10 March 2019

In celebration of the landmark first staging of a vital economic forum, Circular City Week New York × The Vanderbilt Republic are pleased to unveil an immersive installation experience centered on the theme of FLOW. Circular economy is a global paradigm shift with the potential to transform industry and redesign urban living. The transformative potential of circularity is not specific to a single sector but can be linked to everything from digitization and the sharing economy, to the food industry and the built environment. Circular City Week (“CCW”) wants to give everyone a platform for knowledge and resource sharing, no matter whether you approach circularity from a design perspective, an environmental awareness standpoint, as a means to rethinking consumerism, or as an opportunity to generate new value and revenue. The aim of the week is to inspire industry professionals across sectors, showcase international pioneers and engage students to be the future of circularity. Different schools of thought arrive there by different means, but all agree with the core principle descibed by Janine Benyus’ Biomimicry philosophy — the idea is that a sustainable world already exists. If the end goal is a human society remade into a generative enterprise this requires, at minimum, a total transformation of our value structures. A truly creative mind can only recognize that right now is the most exhilarating time to be an innovator.

“FLOW”

AN INSTALLATION BY CYNTHIA ALBERTO, INKYOUNG BAE + CHANAN BEN SIMONE, PHILIPPE HALABURDA, IRENE MAMIYE, SANEM ODABAŞI, KLAUS PINTER, CLAUDIA SOHRENS, & UNIVERSE CITY FOOD HUB WITH CURATION × LIGHTING/PROJECTION/TECHNICAL DESIGN BY GEORGE DEL BARRIO PROJECT SPACE THE BELLEWETHER

[ Free public viewing hours daily 9a-6p 4-8 March 2019 and 11a-7p 9 & 10 March 2019. Cyclical performances by Cynthia Alberto & Inkyoung Bae/Chanan Ben Simone from 5-7p on the closing weekend at The Bellewether (222 E 46 10017 NYC) — full Circular City event listings here ]