#Kobun Shizuno

[2ndaryprotocol]

The supersized sci-fi spectacular ‘Godzilla: Planet Of The Monsters’ stomped onto Netflix this week 5 years ago. 🌎🚀🔥

“𝙽𝚘 𝚘𝚗𝚎 𝚠𝚘𝚞𝚕𝚍 𝚎𝚟𝚎𝚛 𝚏𝚘𝚛𝚐𝚎𝚝 𝚝𝚑𝚊𝚝 𝚛𝚘𝚊𝚛! 𝙳𝚊𝚖𝚗 𝚒𝚝. 𝙸𝚝'𝚜 𝚜𝚝𝚒𝚕𝚕 𝚘𝚗 𝚝𝚑𝚒𝚜 𝚙𝚕𝚊𝚗𝚎𝚝!”

[bens-things]

Detective Conan: Quarter of Silence (2011) dir. Yasuichiro Yamamoto, Kobun Shizuno

[animenostalgia]

News - TMS has announced a new Lupin III special: Lupin III Vs Cat’s Eye! Featuring Lupin III’s 50th anniversary logo from 2021 and Cat’s Eye’s 40th anniversary logo, it was announced as an “Amazon original” that will be getting “world-wide distribution” via Amazon Prime in 2023. Staff listing includes directors Kobun Shizuno & Hiroyuki Seshita. You can check out more on the special’s official website (in Japanese). More info on this as it’s made available!

[demifiendrsa]

Lupin III vs. Cat's Eye PV1

The CG crossover anime, Lupin III vs. Cat's Eye, will stream worldwide on Prime Video in 2023. The announcement did not specify the length of the CG crossover anime.

The new project celebrates both the 50th anniversary of the Lupin III anime, and the 40th anniversary of Tsukasa Hojo's Cat's Eye manga. The anime will be set in Cat's Eye's original 1980s time period. The Cat's Eye sisters are again aiming to steal three paintings that once belonged to their father, but this time, Lupin is after the same catch. But the paintings will also reveal a long-buried mystery.

Key visual

Cast

Kanichi Kurita as Lupin III

Keiko Toda as Hitomi Kisugi

Staff

Director: Hiroyuki Seshita, Kobun Shizuno

Screenplay: Shūji Kuzuhara

Music: Kazuo Otani, Yuji Ohno

Character Design: Haruhisa Nakata, Junko Yamanaka

Art Director: Mitsunori Kataama

Sound Director: Youji Shimizu

Assistant Director: Keisuke Ide

Editing: Aya Hida

Production Design: Ferdinando Patulli, Naoya Tanaka

[dangerously-happy-world]

NEW CROSSOVER ?!?!!

Lupin The Third will duke it out with one of japans most notorious gang of art thieves, The Kisugi Sisters, A.K.A Cat's Eye.

Amazon Video recently announced a new CG animated project for both the 40th anniversary of the 80s manga cat's eye and lupin the thirds 50th anniversary. VA Keiko Toda returns to voice Hitomi Kisugi as well as the return of the lupin crew to voice their respective rolls.

Yuji ohno and returning to cats eye as well, its orginal composer, Kazuo Otani will be working together for the projects soundtrack. Directored by Hiroyuki Seshita and Kobun Shizuno.

Not alot of details about this new animated project is available at the moment, only that it will be avaliable next year globally so chances are that it might get an English dub but we'll just wait and see.

[graphickilop]

Godzilla city on the edge of battle miana

Godzilla city on the edge of battle miana series#

XAI will also return to perform the film’s theme song The Sky Falls.Ĭity on the Edge of Battle was given a theatrical release in Japan on May 18 and will be premier worldwide on Netflix. Returning to compose the soundtrack, it marks Takayuki Hattori’s fourth Godzilla film score. Tham gia Discord ti ây hoc Telegram ti ây nhn thông báo anime mi nhanh nht. This revealed the sequel’s Japanese title, Gojira: Kessen Kido Zoshoku Toshi, which featured a poster of Mechagodzilla and the follow up’s 2018 release date. Godzilla: City on the Edge of Battle (ánh giá 10/10 t 1 thành viên) ang ti. Meanwhile Galu Gu, the leader of the Bilusaludo, discovers that the Houtua’s spears are sourced from the “nanometal” used to build Mechagodzilla, long thought to have been destroyed at the foot of Mount Fuji in the 21st Century.Ĭo-directed by Kobun Shizuno and Hiroyuki Seshita, City on the Edge of Battle was announced in a second post-credit scene in the theatrical release of the original film. The Houtua tell Haruo that their god was destroyed by Godzilla and left behind eggs.

Godzilla city on the edge of battle miana series#

Produced by Toho Animation and animated by Polygon Pictures, it is the 33rd film in the Godzilla franchise, the 31st Toho-produced film in the series and the second entry in the anime trilogy after Godzilla: Planet of the Monsters.įollowing the events of Planet of the Monsters, Haruo Sakaki is rescued by Miana, a girl belonging to an indigenous tribe called the “Houtua,” descendants of the humans left behind. Similar to other films in the Kaiju (Japanese for “strange beast”) genre, the film features humans and robots against the biggest Godzilla to ever be seen in an interplanetary struggle for survival. Amidst a summer of live-action comic book adaptations, Netflix is expanding its library of animated features with Godzilla: City on the Edge of Battle set to premier on July 18.

[gavewor]

Video detektif conan episode terakhir

Video detektif conan episode terakhir series#

Cara streaming/download Anime Detective Conan LENGKAP dari Episode 1-900. Pengiriman Eksklusif 'Love You as the World Ends' Musim 1-3Klik di sini untuk menonton - Karakter utama, Hibiki (Takeuchi), diatur di dunia akhir di mana zombie yang disebut golem penuh. Tempat baca online komik Detektif Conan 00:17 VIDEO REVIEW APLIKASI MANGA PLUS: youtu.be/8ClZRW3XovQ. Could Ishak be next on the list, or is he the man responsible? Tracking down his more ‘unsavoury’ allies, Serena is shocked to encounter a familiar face: that of her grieving ex-partner, former Malaysian ICD officer Megat Jamil (Bront Palarae). 22/4/17 (Minggu) Kami akan menginformasikan video terbaru 'drama, film, animasi populer Hulu / Hulu, dll yang dapat Anda tonton'. Seperti yang kita ketahui Gosho Aoyama menghabiskan waktu 25 tahun untuk.

Video detektif conan episode terakhir series#

Detective Conan Anime Epde Terakhir Series For North Funimation licensed the anime series for North American broadcast in 2003 under the name Case Closed with the characters given Americanized names. Kobun Shizuno mulai menyutradarai film anime Detektif Conan sejak dua tahun lalu. The anime resulted in animated feature films, original video animations, video games, audio disc releases and live action episodes. As Serena and Heri work together to catch the killer, their inquiries lead them to industrialist/kingpin Datuk Ishak Hassan (Wan Hanafi Su), whose prominent family and known associates all have some connection to the victims. Detective Conan Photo I Will Always Be Your Savior Detective Conan Wallpapers Detective Conan Quotes Detective Conan. Seeking answers, Heri finds a way to insert himself into the Malaysian investigation. Meanwhile, in Jakarta, for ICD Lieutenant Heriyanto Salim (Ario Bayu), the case turns personal when his brother is found murdered in similar circumstances. Called in to investigate, Singaporean International Crimes Division (ICD) officer Serena Teo (Rebecca Lim) takes charge of a case across the border where a family has been slaughtered aboard a luxury yacht in Johor. A series of brutal murders, each sharing a signature MO, takes place across Malaysia and Indonesia.

[adamwatchesmovies]

Godzilla 3: The Planet Eater (2018)

The animated Godzilla trilogy has been an interesting experiment. After the post-credit sequence in Godzilla 2: City on the Edge of Battle, we heard a familiar name whispered: Ghidorah. We've seen King Ghidorah how many times now?! Are these filmmakers afraid of taking chances? Well, the three-headed monster does come to fight the King of the Monsters once again but this is an entirely different take on the character. It’s so different I think many who come in simply craving wanton kaiju-sized destruction may leave disappointed but there’s a lot to like in the story’s exploration of theological themes and sci-fi ideas. It's the best of the three films.

Mechagodzilla City has been destroyed, causing the alien Bilusaludo to turn against their fellow survivors. In this time of weakened defenses, the humans' other allies, the Exifs, begin indoctrinating those around them in their death-cult religion, hoping to summon the "golden death", Ghidorah, to our world. To convince mankind that their god is worthy of worship, Methphies (voiced by Takahiro Sakurai) needs the help of now emotionally devastated Haruo (Mamoru Miyano).

This story put the “God” in “Godzilla”, a novel idea I’m surprised hasn’t been explored previously. We’ve had magical creatures in the long-running series and some of the monsters have been worshipped as deities (Mothra, for example) but never like this. This film directs its energies almost exclusively on inner struggles rather than monster action. The Exifs prey on the humans who, after facing yet another defeat, are looking for any way to fight back against Godzilla. Methphies goes in-depth into the logic of his race’s religion and it’s fascinating stuff. Blending alien concepts with the supernatural like this is something we don’t often see. We kinda knew they were twisted and evil early on but finally getting all of the details reveals them to be even more unsettling.

It builds to a climax that incorporates all sorts of wild concepts. It's a unique plot - not just within the Godzilla canon. In many ways, it reminds you of Evangelion; the later chapters of the series which focussed on the characters uncovering deep personal secrets and blending science and religion together to uncover a storyline which put not just the world, but all of reality in peril. It's also the only Godzilla movie I can think of which has sex in it. Who'dve thunk?

While some issues from the first two films return - the just-average animation and sometimes clunky dub, too-similar character designs - and a couple of developments are a bit unclear (perhaps due to the dub), this conclusion to the story makes it all worthwhile. Sometimes, giving the first pieces in a bigger story the benefit of the doubt pays off and Godzilla 3: The Planet Eater is one of those examples. (Original Japanese version with subtitles, June 7, 2019) 

[davidwatchedthat]

4/2/19

GODZILLA: PLANET OF THE MONSTERS, directed by Hiroyuki Seshita and Kobun Shizuno, 2017.

[astoundingbeyondbelief]

I wasn't very familiar with Godzilla itself, but I felt that making an anime featuring Godzilla or a beautiful girl were fundamentally not that different, so it didn't matter much to me.

Godzilla: Planet of the Monsters co-director Kobun Shizuno

[bens-things]

Detective Conan: Private Eye in the Distant Sea (2013) dir. Kobun Shizuno

[justfilms]

Godzilla: Monster Planet - Hiroyuki Seshita & Kobun Shizuno 2017

[twilightronin]

Godzilla: Monster Planet - Hiroyuki Seshita & Kobun Shizuno 2017

[damoviemaestro]

The Movie Maestro's Reviews: Godzilla: Planet of the Monsters (2017) dir. Hiroyuki Seshita & Kobun Shizuno A futuristic Godzilla story is one that I have been wanting to see for awhile (no, I'm not making that up--it really is a concept I looked forward to seeing for years), and Toho finally delivered with this first installment in a planned trilogy of animated films, checking off another great idea long awaited: a kaiju anime. Planet of the Monsters is not without its faults, but should please most kaiju fanatics who are eager to see what new filmmakers will do with the Big G. This film takes place in an indeterminate future, after the survivors of humanity leave the planet in a generational starship to escape the ravages of kaiju and, not one, but two alien arrivals. After 11 years of fruitless searching for a new home, the crew returns the ship to Earth with the help of an alien warp engine, to find that the planet has evolved 20,000 years in their absence, home now to radioactive plant life, monstrous animals, and of course, the still-living Godzilla. The plot then takes a turn for the simplistic, focused on the hellbent efforts of main character Haruo, a first-hand survivor of Godzilla, to kill the monster and returning the human race to its home planet. It's your basic revenge story, nothing special, but it does the job to provide the action goods. While I'm not too big of a fan of the CG-smooth character animation, the action pieces are quite thrilling, depicting Godzilla doing battle with all sorts of futuristic weaponry. There are numerous easter eggs to other Toho productions, and the ease with which they are woven into the early prologue signals to me that those nods will not be contained to the first film. All in all, while I do believe Shin Godzilla and the 2014 Monsterverse film better exemplify what can be done with the concept of the Big G, POTM is wicked good fun, sure to please any fan of the King.

[groovydaikaiju]

Watched in 2018 [21/?]: Godzilla: Planet of the Monsters (2017), dir. Hiroyuki Seshita & Kobun Shizuno

I thought it was... okay! Honestly, I think a second viewing is in order for me to be able to take it all in; could win me over. Godzilla really does feel like a product of the earth, and I think the concept of him becoming the dominant organism on Earth is really interesting. Very glad to have another Godzilla film, though!

[churchofsatannews]

THE DEVILS REIGN: DAIKAIJU

The submission deadline has passed, but uploads are still being taken this week if you are running behind. The submission form is still active. We are very pleased with the hundreds of pieces submitted for the book and exhibition coming from HOWL towards the end of this year. We’ll be making selections over the the coming weeks. Daikaiju fans are in for a real treat!

Here’s to celebrating our new golden age of giant monsters! We salute Gareth Edwards’ evocative GODZILLA, and Jordan Vogt-Roberts triumphant KONG: SKULL ISLAND, as well as upcoming Legendary MONSTERVERSE productions GODZILLA: KING OF THE MONSTERS by Michael Dougherty and Adam Wingard’s GODZILLA VS. KONG. And of course Toho’s victorious SHIN GODZILLA by Hideaki Anno will soon be available on home video, as well as the beginning of Kobun Shizuno’s futuristic anime trilogy, GODZILLA: MONSTER PLANET.

I look forward to what will surely be vital additions to the giant monster genre.

And here you’ll find my thoughts on why Godzilla remains a powerful symbol and my detailed, two part examination of Edwards’ 2014 film, GODZILLA RENEWED.

—Magus Peter H. Gilmore