Thinking again about how the gender essentialism in WoT is aggravating not because there is gender essentialism in magic because that's the entire premise of the books but because RJ set to explore that particular premise without fully understanding how gender essentialism and patriarchy affects women differently that it does men. That's how you get Berelain's writing, the internal monologues of Nynaeve in tel'aran'rhiod, groups of women in power often written as petty squabbling fools, practically all the powerful female leaders at the start of the series will be depowered and humiliated by the end, the Aiel warriors being women presented as something foreign...
In RJ world, men are naturally stronger than women in the OP: this rule isn't subverted and permeates every aspect of his worldbuilding. There's a reason only the boys are ta'veren, that Mat ends up taking control of the armies over Elayne, that Perrin is naturally better at tel'aran'rhiod than Egwene, that Nynaeve the strongest channeler we've seen in a thousand years becomes a glorified battery for Rand in the end.
In a way, it's a fascinating psychological phenomenon that the entire premise of his fictional world is based on gender essentialism yet he doubled down on several core elements of gender essentialism instead of subverting them.
When I discuss gender essentialism in his work I do it so because he made it "gender essentialism: the fantasy edition", so while his women challenge gender essentialism in some ways, it's entirely legitimate to question why he didn't expand the subversion in other aspects of his world.
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Thoughts on The Eye of the World to keep track:
- The Manetheren speech and how much of a nerd Moiraine is;
- Egwene just inviting herself on the quest;
- Moiraine's Sturm and Drang at Baerlon and her weather antics during the chase. It left me wide-eyed and had I been a teenager, I would have followed Moiraine to the end of the world for that only;
- Nynaeve tracking and sneaking behind Lan & Moiraine. I love what the show gave her and us the greatest cold open ever, but I had a blast getting to see Nynaeve on a journey, filled with guilt and concern for her friends;
- Moiraine and Nynaeve's face to face after the separation. I wish we got that scene in the show because it added much needed nuance to the overall depiction of Aes Sedai;
- needless to say, all of Moiraine and Nynaeve's conversations were fantastic, in no small part because it's obvious that early on Moiraine tries to position herself as a mentor for Nynaeve, as she did with Egwene, and it fails miserably. Nynaeve has nothing to learn from Moiraine (or so she believes) and now sees her own mentor role challenged, which makes for a fascinating dynamic between them.
- the ruins from the age of legends and how striking they look, especially with the knowledge they are supposed to be technologically advanced architecture;
- the relentless pursuit of Mat and Rand by Darkfriends (although I could really have done without the endless going from point a to b), but I enjoyed the tension and exhaustion building;
- Rand's little side-adventure meeting the royal family in Caemlyn was a delight;
- Loial, everything about him, his story and infodumping, his arc that's actually the most streamlined and satisfying of the first book to me. He embodies the wide-eyed hero who left his home to see the world, got swept away by a mysterious figure and overcame his fears through bullying encouragement by said figure;
- actually, I do enjoy the way that book! Moiraine's uncompromising and threatening side comes out way sooner than in the show. She tells the kids very early on to their face that she will kill them before she lets the Dark One have them. For all their talks about Moiraine being untrustworthy, they witness her being incredibly candid in her intentions.
- Moiraine and the cat - this was such a sweet moment;
- Perrin's arc was actually quite engaging too, even if I have reservations about the pacing of it and how the Elyas encounter fits into the overall flow of the story. I do hope it only got shifted to season 2;
- the Ways... Gorgeous description but I can absolutely see why the show depicted them the way it did. It just would not have looked anything but confusing on screen. Same observation with the Blight: stunning descriptions, but difficult to render visually;
- Nynaeve launching herself at the forsaken with a knife. Truly amazing peak dumbass overprotective behavior;
- the Eye of World was not nearly as confusing as fans led me to believe and I am disappointed. I was expecting Boris Vian;
- the Green Man is Treebeard;
- I am having feelings about just how much of a trouper Moiraine is and how much she is willing to use her body as a shield to help these kids.
- I also am a tiny bit confused by Lan during the EotW because from the way it was described it reads like he stood there doing nothing while Moiraine was getting obliterated by Aginor. I am aware he was doing everything he could protecting everyone from an overpowered channeler after getting knocked down, but the framing made him look like an NPC waiting for his turn to matter to the plot;
- best character growth of the book is by far Loial, first presenting himself as a rebel, then recoiling in fear when crossing the Ways and finally his delight at Fal Dara and the blight;
- the book can be divided into three parts : "it's like The Fellowship of the ring's first chapter but make it Zola", "if I hear once more about juggling and innkeeping I am throwing that book through the window", "Moiraine is a fucking trouper;"
Overall, I am ambivalent about this one.
On one hand, the parts I enjoyed were really engaging and fun, and I appreciated the slower pacing when it came to describing high fantasy concepts (Age of legends sites, the Ways, the Blight, the Ogier). Jordan has a quasi photographic approach to description which turns fantasy landscapes into hyperrealistic paintings. I loved getting to see more of certain relationships (the Nynaeve and Moiraine content almost made up for how little Moiraine and Lan content there was) and the characters inner life were often rich and complicated. The last part of the story after the group's reunion was phenomenal, with the quicker pacing truly enhancing the sense of urgency and despair.
On the other hand, there are writing quirks that made this book frankly difficult to get through: the pacing can be excruciatingly slow for scenes that should be blood-pumping and fast (everything in the Two Rivers, Rand going down the mountain with Tam, the dreams), the prose itself is at times confusing (dear light, Rand stop "fingering" the hem of your coat that's not how that works, the dreams), the dreams. Yes, I really did not enjoy the way the dreams were written.
Most of all, I have gripes with the way this work is supposed to subvert gender dynamics while a) still depicting casual in-world sexism without characters challenging them, b) coating every female character, their perception by other characters and their internal pov, in a thin layer of ironic distanciation bordering on préciosité, as if women were inherently pettier and more foolish. I don't know how to describe it else beside the usual "men from Mars, women from Venus" approach to gender, except in a high fantasy setting. It pulled me out of the story quite a few times, enough for me to seriously question whether I should carry on.
I don't think I will read the rest ahead of the show, although primarily because I do not want to spoil the story too much. I did enjoy this one quite a lot and it definitely left me wanting to know read more, even with the show.
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