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#LiB 151
hoerbahnblog · 1 year
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LiB Jg. 38 Heft 151: "Ein Nerd?" – über "Gedanken vom See" von Georg Wick - eine Rezension von Gernot Eschrich
LiB Jg. 38, Heft 151 LiB Jg. 38 Heft 151: “Ein Nerd?” – über “Gedanken vom See” von Georg Wick – eine Rezension von Gernot Eschrich (Hördauer ca. 08 Minuten) https://literaturradiohoerbahn.com/wp-content/uploads/2023/05/LIB-Rezension-Ein-Nerd-G.-Eschrich-upload-.mp3 Das deutsche Wort »Seele« – und damit auch das englische »soul« – stammt vom urgermanischen »saiwalō«, das sich wieder vom Begriff…
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thesunsethour · 5 months
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welcome back to part 3 of eve procrastinating her final exams by ranking her favourite songs by her favourite artists. today it is The Beatles' turn
(as always i must stress this is my opinion only. but i am also very nosey, so please tell me *your* opinions too)
(i'm ignoring songs in different languages, naked versions, and also any cover songs, so focusing exclusively on anything penned by lennon-mccartney or harrison or starr)
(this took me a week and a half. for context my killers' list took two days and hozier took four hours)
without further ado:
189. Wild Honey Pie (spoiler alert: i'm not a white album fanatic)
188.       Dig It (vibey but odd little song)
187.       Maggie Mae (didn't know for years this was a liverpool folk song)
186.       Only A Northern Song (not weird enough to justify itself)
185.       Revolution 9 (it achieves john's goal. still hate it though)
184.       All Together Now (worse precursor to the frog chorus)
183.       It’s All Too Much (i would like to apologise to yellow submarine)
182.       Flying (criminal that this is so far down actually. i only have myself to blame)
181.       I’ll Get You (bit samey)
180.       Savoy Truffle (i wrote down 'harrison's own muzak')
179.       Everybody’s Got Something to Hide Except for Me and My Monkey (wtf john)
178.       Thank You Girl  (harmonica has been utilised better)
177.       Every Little Thing (pretty okay)
176.       You Like Me Too Much (george still in songwriting training)
175.       I Want To Tell You (the beginning of george's 'i don't know' refrain in his songs. keep an ear out)
174.       The Inner Light (SO very george)
173.       Her Majesty (i'm irish so this had to be this low)
172.       You Can’t Do That (great john vocals here tbh)
171.       Honey Pie (you can so clearly hear the music hall inspiration. very paul)
170.       When I Get Home (bit samey but catchy enough)
169.       There’s a Place (better harmonica)
168.       I Need You (lovely harmonies)
167.       Not a Second Time (i always forget this song exists sorry to john lennon)
166.       It’s Only Love (i always think this ones on rubber soul)
165.       I’ll Cry Instead (conversely this is very beatles for sale coded i think!)
164.       Little Child (i am a sucker for the harmonica it has to be said)
163.       You Know My Name (Look Up The Number) (really campy ad-libs. a fan)
162.       I’m a Loser (john's voice is so deep in this one??)
161.       I Don’t Want to Spoil the Party (little foot tapper of a song)
160.       Piggies (george had been reading orwell! good for him)
159.       Don’t Pass Me By (ringo! hello!)
158.       I’ll Be Back (solid enough)
157.       Doctor Robert (one of the earliest examples of 'we will sing a song about a little random man')
156.       If I Needed Someone (solid george effort)
155.       Why Don’t We Do It In The Road (apparently about two monkeys fucking. okay paul)
154.       Baby’s in Black  (clever little lyrics)
153.       It Won’t Be Long (adore the coming home line)
152.       All I’ve Got to Do (sweet enough little thing)
151.       Hold Me Tight (classic paul asking for love. a staple of the genre)
150.       What Goes On (hiiiii Ringo!)
149.       Yer Blues (my notes say 'proto-morrissey-esque, but worse)
148.       Good Night (reminds me of a musical song. also originally thought this was a paul song)
147.       She’s a Woman (really dynamic paul vocals)
146.       What You’re Doing (solid paul job)
145.       No Reply (i cannot think of this song without hearing the bloopers of YOUR FACE)
144.       Happiness Is A Warm Gun (i may get killed for having this so low. reminder that this is only my opinion)
143.       Don’t Bother Me (i *think* this is the first album song that george ever wrote!)
142.       P.S. I Love You (he loves his epistolary songs does Paul)
141.       I’m Just Happy to Dance With You (another solid foot tapper)
140.       Any Time At All (love the piano in this)
139.       I’m So Tired (same)
138.       Birthday (i hate the beginning of this song with a visceral passion. rest is grand)
137.       The Night Before (very '50s)
136.       Sgt Pepper’s Lonely Hearts Club Band (Reprise) (the only bad thing about this song is that it means the album is over)
135.       Another Girl (bitchy little paul song)
134.       Tell Me What You See (song gets better as it goes on i think)
133.       The Continuing Story of Bungalow Bill (hello yoko)
132.       Long, Long, Long (reminds me of my sweet lord)
131.       Ask Me Why (real jazzy like)
130.       Rocky Raccoon (i'm not mad on this song but the middle is so catchy it reels me in)
129.       Old Brown Shoe (ringo reference check!)
128.       Revolution 1 (not as good as revolution the single)
127.       Cry Baby Cry (love paul's little jaunty section)
126.       Yes It Is (sexy)
125.       Dig A Pony ("everything has got to be just like you want it toohoohoohoohoohooo"
124.       The Word (reminds me of grease)
123.       Hey Bulldog (some bits of music here remind me of 'Across the Universe')
122.       I’m Looking Through You (GREAT guitar)
121.       Sexy Sadie (can't remember which journalist said that AM's 4 out of 5 has this vibe and YEAH)
120.       I Me Mine (i will always adore the "flowing more freely than wine" lyric. thank you george"
119.       Things We Said Today (paul's so good in this one)
118.       Tell Me Why (catchy bop)
117.       Run For Your Life ("that's the end" SO good)
116.       Good Day Sunshine (nicely jaunty)
115.       Rain (love the instrumentation in this one)
114.       I Will (quintessential mccartney this)
113.       Love You To (making this list and hearing george's improvement as a songwriter was amazing actually)
112.       Octopus’s Garden (bless ringo)
111.       I Feel Fine (SO catchy)
110.       With A Little Help From My Friends (ringo's very best)
109.       Martha My Dear (i'm scared of dogs but i'll let this one go)
108.       Drive My Car (the beeps beeps always annoyed me as a kid)
107.       For You Blue (it is what it says - sweet and lovely)
106.       Sgt Pepper’s Lonely Hearts Club Band (love the laughter in it)
105.       Good Morning Good Morning (the guitar here is simply too cool for this song. elevates it greatly)
104.       You’re Going To Lose That Girl (beach boys vibes?)
103.       She Said She Said (john and george buddies and pals)
102.       Wait (john and paul's voices go SO well together do you ever get emotional)
101.       Think For Yourself (ANOTHER great foot tapper)
100.       I’m Down (well *somebody* thinks they're elvis)
99.         Misery (just. great structurally)
98.         I Should Have Known Better ("this could only happen to me" oh, john)
97.         Can’t Buy Me Love (one of the more Lennonesque mccartney songs)
96.         One After 909 (how did paul not know what this was about for over a decade)
95.         I’ve Just Seen a Face (absolutely gorgeous guitar)
94.         This Boy (thaaaasss boyyyy)
93.         You Won’t See Me (fab little chorus)
92.         Maxwell’s Silver Hammer (BANG BANG MAXWELL'S SILVER HAMMER CAME DOWN UPON HER HEAD 🔨 🔨🔨)
91.         Dear Prudence ("the clouds will be a daisy chain" is a line i've always adored)
90.         Yellow Submarine (i remember being 6 and our teacher playing this for us on her guitar)
89.         Mean Mr Mustard (love when john does a bit of narrative songwriting)
88.         Revolution (superior revolution version)
87.         Now and Then (cried on the tram on the way to college listening to this when it came out. as you were)
86.         Polythene Pam (love when their accent peaks through)
85.         Baby, You’re A Rich Man (a true lennon-mccartney collab with john not finishing something and paul adding his two cents, or rather, ten or twenty cents)
84.         Hello, Goodbye (i love the end of this song so so much)
83.         Mother Nature’s Son (soft and sweet, poignant but not sappy, one of the most underrated beatles songs of all time)
82.         Free As A Bird (cried listening to this too)
81.         Glass Onion (intertextual metanarrative: the song)
80.         Taxman (baby's first political song <3)
79.         I Wanna Be Your Man (hiiiiii again ringo)
78.         From Me To You (harmonica time again baby!)
77.         Being For The Benefit of Mr Kite! (i think of this as a spooky halloween waltz)
76.         Within You Without You (quintessential george)
75.         I’m Only Sleeping (underrated on revolver methinks)
74.         Your Mother Should Know (these songs WERE a hit before my mother was born)
73.         All My Loving (pure vintage mccartney)
72.         Do You want to Know a Secret (baby george and his fab vocals)
71.         Here Comes The Sun (okay nobody kill me. stop looking at me like that. its been winter for seventeen months george i can't fucking see the sun)
70.         Julia (so beautiful)
69.         Love Me Do (how were they pop song professionals already?)
68.         I Saw Her Standing There (paul loves a good scream in the middle of a song)
67.         A Hard Day’s Night (most iconic beginning of any song ever)
66.         Magical Mystery Tour (he loves a bus does paul)
65.         And Your Bird Can Sing (john's vocals are GREAT here)
64.         Sun King (the superior sun song on abbey road)
63.         Please Please Me (just. iconic)
62.         Eight Days a Week (for how good it is i can't believe paul didn't play it live till like 2013 or smth)
61.         Real Love (i never knew this was a beatles song when i was a kid!)
60.         The End ("the love you take is equal to the love you make"... yeah...)
59.         Back in the USSR ("my-my-my-my-" very billy joel actually)
58.         Ticket to Ride (mouth-watering guitar)
57.         For No One (the wario of 'And Your Bird Can Sing' no i won't explain further)
56.         All You Need Is Love (the she loves you yeah yeah yeahs at the end...)
55.         Blue Jay Way (so wonderfully eerie to me)
54.         She Loves You (love the long and powerful held note on the last "glad")
53.         I Want To Hold Your Hand (they were children my god)
52.         Across the Universe (some of my favourite vocals)
51.         Carry That Weight (paul going through it, writing bangers)
50.         Ob-La-Di, Ob-La-Da (desmond and molly jones are close friends of mine at this stage)
49.         Lucy In The Sky With Diamonds (overrated a bit imo but still simply iconic)
48.         Penny Lane (sorry paul, john won the MMT round w strawberry fields but its okay this song still is a bop)
47.         Tomorrow Never Knows (fucking well done on this one lads. love it)
46.         Getting Better ("a little better all the time" v "it can't get no worse" is just. peak lennon mccartney)
45.         Got To Get You Into My Life (INSTANT banger)
44.         Michelle (i am a sucker for french as long as its not spoken by french people <3)
43.         Lovely Rita (i always loved this one because paul says "book" like how my nanny says it)
42.         Helter Skelter (loud, fast, and brilliant)
41.         Get Back (billy preston the man that you were)
40.         She Came In Through The Bathroom Window (best of the abbey road medley)
39.         I’ve Got a Feeling (i LOVE paul's deep voice)
38.         When I’m Sixty Four (i love paul's granny music. sue me)
37.         Come Together (john was so good at writing these nonsense songs)
36.         The Fool on The Hill (adore the "ohHhHhHhHhHhh")
35.         Fixing a Hole ("when i'm wrong, i'm right" is so very paul)
34.         Girl (BRILLIANT middle)
33.         Help! (vulnerable without overdoing it. just fantastic)
32.         Day Tripper (unashamedly sexy)
31.         And I Love Her (i love basically everything about this song. ranking got so hard from here)
30.         You’ve Got to Hide Your Love Away (john was ON IT for Help!)
29.         Nowhere Man (my brother thinks this will be the name of john's biopic)
28.         Lady Madonna (my favourite genre of paul songs are songs where he voyeuristically imagines someone's life. they always slap)
27.         Paperback Writer (i also write at shitty newspapers and want to be a paperback writer. this song feels too targeted)
26.         In My Life (so pretty. SO pretty)
25.         The Ballad of John and Yoko (imagine the vibes in the recording studio. john. yoko. paul. and yet they made this banger)
24.         Norwegian Wood (This Bird Has Flown) (my first ever favourite beatles song. has since been demoted but i still adore it)
23.         I am the Walrus (john at his weirdest best)
22.         She’s Leaving Home (i love when they write narratively)
21.         If I Fell (angelic harmonies)
20.         Don’t Let Me Down (fifth beatle billy preston supremacy)
19.         Because ("love is all, love is you"
18.         I Want You (She’s So Heavy) (vocals, instruments, lyrics, vibes, all incredible)
17.         Two Of Us (and if i said this was the best album opener?)
16.         Here, There, and Everywhere (paul says this is his favourite beatles song and you know what? he's so right for that)
15.         Oh! Darling (wario of the long and winding road. no i will not elaborate either)
14.         You Never Give Me Your Money ("OUT OF COLLEGE MONEY SPENT SEE NO FUTURE PAY NOT RENT" that is... me right this actual moment)
13.         Something (george said is anyone else gonna write one of the best love songs of all time? no okay i guess i will. and he did.)
12.         Golden Slumbers (cried to this as well. must stress i am not one to cry)
11.         Eleanor Rigby (the pinnacle of the MVS - McCartney Voyeuristic Storytelling)
10.         A Day in The Life (orchestra used to scare me when i was younger)
9.           While My Guitar Gently Weeps (george's best beatles song hands down)
8.           I’ll Follow the Sun (THE MOST UNDERRATED BEATLES SONG and i will die on this hill
7.           Yesterday (my father's favourite beatles song)
6.           The Long and Winding Road (my go to song to sing in the shower for some reason?)
5.           We Can Work It Out (pure lennon-mccartney baby!)
4.           Let It Be (the first and only song i ever learnt on ukulele and i was so proud of it)
3.           Strawberry Fields Forever (do i even have to say anything?)
2.           Blackbird (everything about this song is so beautifully perfect. paul mccartney is the best songwriter of all time okay. i've spent days upon days at this list and it's now making me emotional)
1.           Hey Jude (there's a reason it tops so many best songs of all time lists. a perfect 10. no notes. iconic. the first beatles song i played on repeat. would die slash kill to experience this live)
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jezmmart · 10 months
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Chamomile Comic Trivia #29
#151 - Awful
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I remember this one came to me when good art friend Louistrations was chatting about a leaky ceiling or something similar he was suffering from. I hope it's long no longer an issue or you have a bucket to sleep with if not Louis!
I forget if this is the first time I've done it, but for a condense gag comic like Cammie, having little "The Next Day..." type captions just feels a bit off and breaks up the rhythm of the joke for me, which is why I instead went for a panel showing night and sunrise and outfit changes instead to imply the passing of a day.
#152 - Breakfast
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Basically Cammie repeating an exact experience I had on the way to work once in full. Looking up photo reference for shop exteriors and such in the UK is always interesting, I never really notice how often the buildings of businesses have elaborate stuff like window boxes and such because they pretty much always have flats above or the building was never built with the modern business below in mind at all!
Oh yeah... and also this one published in March 2020. I think at this point I was two weeks ahead on producing the comic, and in that two weeks this comic aged terribly, coming out right at the point where panic buying began and the supermarkets became stupidly empty. The panic buying had already started when I drew it, so I felt the need to make sure I drew a fully stocked establishing shot of the supermarket to make it clear that panic buying wasn't the cause of the empty shelves Cammie observed, the pastries in the little supermarket bakery section just weren't out yet! But what took me by surprise is that two weeks later, when the comic published, that phenomena was still VERY much ongoing.
Here's the uncovered panel since I spent a good little while on it despite mostly being covered by speech bubbles! Still very basic once you really look at it, but a definite improvement on visual fidelity since #39!
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And... who was that hiding behind a speech bubble this whole time!?
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My old character Frogy, after some marmite as usual! It's hard to tell at this level of detail if it's really him... I wonder if Frogy is a franchise within the fiction of Chamomile (baby Cammie was wearing a t-shirt with him on in... hey, #39, the one I linked just above again!) and someone left their toy on the shelf here, or whether this is truly the first case of including an actual character cameo from another work of mine in Chamomile, confirming that it and Frogy take place in the same universe, with dire, dire lore implications! (I mean for a start he's a celebrity if Cammie had a t-shirt of him).
#153 - Office
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A little follow-up to Layla's storyline since I was done with it but it never really got a conclusion to return to the status quo. I recall the joke was more or less a straight adaptation of a real life conversation, perhaps between Molly and I, though I forget the specifics at this point, 3 years later. It was also a fun opportunity to explore some in-universe humour, sometimes it's nice to just hang out with the characters making jokes among themselves rather than have them act erratically or larger-than-life in some way for the sake of humour.
#154 - Bush
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I remember at this point - or at least two weeks prior when I began work on this comic, I made the firm decision I WASN'T going to have the pandemic happen in the comic. This was the point where it was all anyone could think about, and I would rather the comic remain a thing people could enjoy a laugh from every week detached from the real world. I also didn't want the safety conditions of the pandemic holding back the scenes or character interactions I could make.
In fact, at the same time I made this decision, I specifically started this comic with the idea of making a little oasis of tranquility from the rising stress of the situation, going with cloudgazing and drawing that first panel and trying to come up with a joke from there - this is one I literally just ad-libbed at the time instead of opening my notepad of ideas. It remains a little favourite of mine!
My only regret is that I wanted the space to have that fairly nice big panel at the top but needed somewhere for the first line of dialogue to go. I kept it floating just OUT of the panel to hopefully keep that first panel timeless and encourage readers to linger on it for a moment and percieve the atmosphere, but there's... something I'm not happy with it, I dunno, it doesn't quite work for my eyes, but might be entirely in my head!
[Trivia Archive | Browse from most recent]
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codehunter · 1 year
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OrderingFilter has no attribute 'filter_queryset'
I have been trying to get OrderingFilter to work. From the example in django-rest-framework's page, it seems it should be fairly straightforward:
class UserListView(generics.ListAPIView): queryset = User.objects.all() serializer_class = UserSerializer filter_backends = (filters.OrderingFilter,) ordering_fields = ('username', 'email')
However, when I try to do that:
from django_filters.rest_framework import DjangoFilterBackend, FilterSet, OrderingFilter...class ListingViewSet(viewsets.ModelViewSet): queryset = Listing.objects.all() serializer_class = ListingSerializer filter_backends = (DjangoFilterBackend, OrderingFilter,) filter_class = ListFilter ordering_fields = ('price', 'views') ordering = ('price',)
I get an error about OrderingFilter not having a filter_queryset attribute:
ERROR 2016-11-13 03:14:57,304 log 25913 123145338523648 (<class 'AttributeError'>, AttributeError("'OrderingFilter' object has no attribute 'filter_queryset'",), <traceback object at 0x106ef48c8>)Traceback (most recent call last): File "/.../lib/python3.5/site-packages/rest_framework/views.py", line 474, in dispatch response = handler(request, *args, **kwargs) File "/.../lib/python3.5/site-packages/rest_framework/mixins.py", line 40, in list queryset = self.filter_queryset(self.get_queryset()) File "/.../lib/python3.5/site-packages/rest_framework/generics.py", line 151, in filter_queryset queryset = backend().filter_queryset(self.request, queryset, self)AttributeError: 'OrderingFilter' object has no attribute 'filter_queryset'
Going into OrderingFilter, it indeed does not have a filter_queryset method, but the view expects it:
# in GenericAPIView(views.APIView)def filter_queryset(self, queryset): """ Given a queryset, filter it with whichever filter backend is in use. You are unlikely to want to override this method, although you may need to call it either from a list view, or from a custom `get_object` method if you want to apply the configured filtering backend to the default queryset. """ for backend in list(self.filter_backends): queryset = backend().filter_queryset(self.request, queryset, self) return queryset
I have tried the various solutions in django rest framework queryset doesn't order, but it seems they do not work, either. I tried updating the most promising answer:
class YOUR_VIEW_SET(viewsets.ModelViewSet): #your code here ordering_filter = OrderingFilter() def filter_queryset(self, queryset): queryset = super(YOUR_VIEW_SET, self).filter_queryset(queryset) return self.ordering_filter.filter_queryset(self.request, queryset, self)
Since OrderingFilter does not have a filter_queryset method, I changed filter_queryset to filter (which it does have), but this call seems to clash with the signature of filter in OrderingFilter:
# In OrderingFilter(BaseCSVFilter, ChoiceFilter)def filter(self, qs, value): if value in EMPTY_VALUES: return qs ordering = [self.get_ordering_value(param) for param in value] return qs.order_by(*ordering)
I have no idea what value in the function declaration is supposed to be so I could try to pass it to the function, but it seems qs refers to the queryset, so I assume that should be the first argument instead of the second, but again, I am not entirely sure what value would be; it doesn't seem to be request because it is not iterable.
I would appreciate any pointers or ideas, or workarounds, and I apologize if I missed something obvious; I am not terribly familiar with Django.
https://codehunter.cc/a/django/orderingfilter-has-no-attribute-filter-queryset
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digitalspaceinvader · 2 years
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Works Cited
“Age of Sexual Orientation Outness and Suicide Risk.” The Trevor Project. 10th Oct. 2022. www.thetrevorproject.org/research-briefs/age-of-sexual-orientation-outness-and-suicide-risk-oct-2022/. Accessed 17 Dec. 2022.
Ahmed, Sara. Queer Phenomenology: Orientations, Objects, Others. Durham, Duke University Press, 2006, pp. 1-24.
Alexander, Jonathan, and Elizabeth Losh. “’A YouTube of One’s Own?’:’Coming Out’ Videos as Rhetorical Action” LGBT Identity and Online New Media, edited by Christopher Pullen, and Margaret Cooper, Taylor & Francis Group, 2010, pp. 37-50. ProQuest Ebook Central, www.ebookcentral.proquest.com/lib/uwm/detail.action?docID=515336.
Cooper, Margaret, and Kristina Dzara. “The Facebook Revolution: LGBT Identity and Activism.” LGBT Identity and Online New Media, edited by Christopher Pullen, and Margaret Cooper, Taylor & Francis Group, 2010, pp. 100-12. ProQuest Ebook Central, www.ebookcentral.proquest.com/lib/uwm/detail.action?docID=515336.
Dacumos, Nico. “All Mixed Up With No Place To Go: Inhabiting Mixed Consciousness on the Margins.” Nobody Passes, edited by Mattilda, A.K.A. Matt Bernstein Sycamore, Seal Press, 2006, pp. 20-37.
Hanmer, Rosalind. “Internet Fandom, Queer Discourse and Identities” LGBT Identity and Online New Media, edited by Christopher Pullen, and Margaret Cooper, Taylor & Francis Group, 2010, pp. 147-58. ProQuest Ebook Central, www.ebookcentral.proquest.com/lib/uwm/detail.action?docID=515336.
“Key Internet Statistics to Know in 2022.” Broadband Search. www.broadbandsearch.net/blog/internet-statistics#:~:text=internet%20in%202022.-,2022%20General%20Internet%20Usage%20Statistics,the%20internet%20increased%20by%201%2C355%25. Accessed 17 Dec. 2022.
McCracken, Allison. “Tumblr Youth Subcultures and Media Engagement.” Cinema Journal, vol. 57, no. 1, 2017, pp. 151–61. JSTOR, http://www.jstor.org/stable/44867867. Accessed 17 Dec. 2022.
Merriam-Webster. https://www.merriam-webster.com/dictionary/space. Accessed 17 Dec. 2022
Rust, Paula C. “‘Coming out’ in the Age of Social Constructionism: Sexual Identity Formation among Lesbian and Bisexual Women.” Gender and Society, vol. 7, no. 1, 1993, pp. 50–77. JSTOR, www.jstor.org/stable/190024. Accessed 17 Dec. 2022.
Serano, Julia. Whipping Girl: a transsexual woman on sexism and the scapegoating of femininity. 2nd ed., Seal Press, 2016, pp. 162-164.
Usher, Nikki, and Eleanor Morrison. “The Demise of the Gay Enclave, Communication Infrastructure Theory, and the Transformation of Gay Public Space” LGBT Identity and Online New Media, edited by Christopher Pullen, and Margaret Cooper, Taylor & Francis Group, 2010, pp. 271-87. ProQuest Ebook Central, www.ebookcentral.proquest.com/lib/uwm/detail.action?docID=515336.
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ryttu3k · 2 years
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Australian federal election 2022 - a primer
The basic info
Australia is going to the polls on Saturday the 21st of May. In a federal election, you vote for two houses - the lower house, or House of Representatives, and the upper house, or Senate. If you’re not enrolled yet, you have until April 18th. Do so here! Please note that in Australia, unlike in the States, you don’t declare a party.
The House of Reps vote determines your local member. The amount of electorates won by a party determines who the Prime Minister is. There are 151 electorates in Australia; if the Coalition has a majority of 76 or higher, then they’ve won the election and the leader of the Coalition (currently Scott Morrison) becomes Prime Minister.
The Senate vote is set by state - all states get twelve senators, and territories (the ACT and NT) get two. There are a few ways to vote for the senate, outlined below.
In Australia, it is compulsory to enroll, and compulsory to show up and get your name marked off on election day. It’s not actually compulsory to vote once you get your name marked off - you could vote informally by doing basically anything against the rules - but please note that there’s no real benefit in doing so.
What are Australia’s political parties?
Australia’s current government is run by the Coalition. This is made up of the Liberal Party and the Nationals, which are both conservative (despite the name!) - the Liberal Party is generally for urban areas, the Nationals are rural. They range from centre-right to far-right. The current leader of the Liberal Party, and current Prime Minister, is Scott Morrison.
The federal opposition is the Australian Labor Party. They range from left to centre-left. The current leader of the ALP is Anthony Albanese.
Australia’s largest minor party is the Greens. They are currently led by Adam Bandt, and are left to far-left. They currently have nine seats in the senate and one in the house of reps.
Other minor parties with current representation in the House of Reps include one member each for United Australia Party, Katter's Australian Party, and the Centre Alliance, plus four independents. The Senate has two members of One Nation, and one member each from the Centre Alliance, Jaquie Lambie Network, the Patrick Team, and the Liberal Democrats.
What is preferential voting?
Australia uses a preferential voting system. This means that on your ballot sheets, for both houses, you can list candidates in order of preference. If a candidate gets an absolute majority (50% + 1) for the house of reps, or reaches the quota (7.69%) for the senate, then they get voted in. If they don’t, then it goes down to preferences.
Preferential voting is really cool, because it means you can vote for exactly who you want to vote for without wasting your vote. Once all the ballots are in, all of the 1 votes are counted. If there’s an absolute majority/quota, then that’s pretty straightforward. If not, then the candidate with the lowest amount of primary votes gets their votes dissolved, and distributed to whoever the voter marked as their second choice. Is there a majority/quota? No? The process repeats.
Let’s say an electorate has four candidates - we’ll go with ALP, Liberal, Greens, and an independent - and 50 voters. A candidate would need 26 votes to get an absolute majority, but the primary votes are distributed like so:
Liberals: 19
ALP: 18
Greens: 7
Ind: 6
The Liberals have more votes than the ALP, but still not enough for an absolute majority. Our independent has the lowest amount of votes, so the six papers that mark them as their primary candidate now go to whoever was marked as 2nd on the paper. After their six votes are distributed, the results now look like this:
ALP: 21
Liberals: 21
Greens: 8
Still no absolute majority, so now the Greens candidate has their votes dissolved. Most Greens voters tend to put the ALP as their major party, but we can say that there’s one outlier who went with the Libs second. Their eight votes are distributed:
ALP: 28
Liberals: 22
The ALP now has a majority of 26 votes or more, and are voted in for that electorate! This was largely due to Greens preferences, as the Liberals had a higher primary vote.
How do I vote in the House of Representatives?
The House of Reps is pretty simple. Each of the 151 electorates have their own list of candidates - this could be as short as one ALP, one Liberal, and one Green, or it could include a melange of minor parties and independents. To vote in the House of Reps, you simply number each candidate by order of preference.
I’m a Greens voter, so if there were only those three main parties, I would put the Greens first, then the ALP, then the Liberal Party. Other minor parties and independents get slotted in according to their views. A really really good independent with amazing policies would get listed above the ALP and below the Greens, most minor parties would go between the ALP and the Libs, and really repugnant parties (like United Australia and One Nation) I put below the Libs.
(This is just how I, personally, would vote, by the way!)
So, why list a minor party above the ALP, when the ALP would end up with my vote anyway?
Because putting the Greens as my primary vote would indicate to the major parties that my values and policies most closely align with them. Let’s say I list the Greens first, and the ALP wins my electorate with the help of Greens preferences. The ALP candidate would then go, “Oh hey, you know what, it looks like the Greens voters were pretty instrumental in getting me elected. I should be supporting Greens policies as well to best serve my electorate.”
(In theory, anyway…)
How do I vote in the Senate?
Senate papers are enormous - states like NSW have routinely had over a hundred candidates. Candidates are listed horizontally - each party/group has a column, and then candidates are listed down the column.
Previously, your option has been to vote above the line by simply marking a 1 for your party or group of choice, which means that their internally-selected preferences will determine where your vote goes to someone who doesn’t get a quota, which can mean that like… 0.1% of the state can vote for the Australian Motorists Enthusiasts Party and they still get in because of weird preference flows. Or, if you want to ensure your vote goes exactly where you want it to go, you can number every single candidate.
Thankfully, there are now easier options. You can now number at least six boxes above the line, or at least twelve boxes below the line. You can vote for more, but not less (you can’t just number three above the line). This still ensures that your vote goes to who you want, but doesn’t mean you have to number over a hundred boxes individually.
I did that once. It was an Experience.
Where can I get election information?
Want official rules and lists of information? Try the AEC (Australian Electoral Commission).
Want mostly-unbiased news, analysis and coverage? Try the ABC. The ABC also has the Vote Compass, which tells you how closely your views align with the parties.
Daily newspapers are dicey. The Sydney Morning Herald and The Age are the better options, both owned by Nine. Slight left-wing slant. The Australian, Courier Mail, Adelaide Advertiser, et cetera, are all owned by Murdoch and have a massive right-wing slant.
What happens next?
We get a little over a month of election campaigning. If you haven’t given up and moved to New Zealand by May 18th, then we go to the polls. If you’re enrolled (and if you’re over 18, you should be!), show up at your local polling place (the AEC will have a list), have your name marked off, and receive your two papers. Make your vote and put them in the indicated boxes. Go get yourself a cupcake from the inevitable cake stall or a sausage from the sausage sizzle as a reward.
Can’t get to a polling place in your electorate? Here are some other options! Telephone voting has been introduced for this year for voters currently isolating due to COVID.
Good luck, everyone!
(Originally posted here for 2016.)
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jackiekashian · 4 years
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Dork Forest 2011-2020 Cheat Sheet
The votes are in for 2020! 
This is a list of Episode Numbers - Guest Name - Dorkdom.  I take votes for faves of the year and then add a couple for variety of topics that I really thought were fun. ALL THE EPS have something for someone and are great but here is a starter list if you’re thinking to start listening to TDF and are not a numerologist completest.
Note: show’s been going since 2006 but I’ve only been surveying since 2011.  The show is on all the platforms. Pandora, Spotify, YouTube. Start here if you like: www.dorkforest.com . Standup info and other podcast is at www.jackiekashian.com
2020 TDF EP 562 - Guy Branum - Mitford Sisters TDF EP 568 - Maria Bamford - Canadian Reality Shows TDF EP 599 - Jen Kirkman - Hallmark Christmas Movies TDF EP 565 - Darla Kashian – COOKING TDF EP 598 - Russ Kashian - Hallmark Christmas Movies TDF EP 549 - Tig Notaro – Veganism TDF EP 581 - Jenny Yang - Comfort Food TDF EP 591 - Amber Preston - Church Cookbooks TDF EP 574 - Ron Funches - Call of Duty and Animal Crossing TDF EP 577 - Barbara Holiday - Escape Rooms TDF EP 558 - Sarah Mowrey - Fleetwood Mac TDF EP566 - Matt Kirshen/Myq Kaplan - Advice Columns  TDF EP 595 - Kristin Key - Mad Libs TDF EP 576 - Robert Jenkins - Guns and Safety TDF EP 588 - Sofiya Alexandra - Wheel of Time books TDF EP 570- Jim Woster – Columbo TDF EP 573 - Robert Hurt - Babylon 5  TDF EP 550 - Danielle Perez - Mariah Carey TDF EP 583 - Dar Vendegna  - PIckleball  TDF SPOILER 3 - Andy & Jackie - Rise of Skywalker 
 2019 TDF EP 523 Lydia Popovich Dolly Parton TDF EP 511 Auggie Smith Dead Comedians TDF EP 535 Christopher Titus Prince TDF EP 530 Phil Kashian Hitchhiking TDF EP 532 Brian Posehn Heavy Metal TDF EP 549 Tig Notaro Veganism SP1 Endgame Spoiler Dork Out TDF EP 503 Wynter Spears Public Restrooms TDF EP 524 Sara Benincasa Frederick Law Olmstead TDF EP 529 Caitlin Gill Murder She Wrote TDF EP 545 Mary Becquet Chinese Ghosts Vampires TDF EP 525 Matt Oswalt Taking Pictures TDF EP 510 Gary Anthony Williams Birds TDF EP 531 Robert Hurt DS9 TDF EP 547 Thom Tran The Flash TDF EP 540 Brian Jacobovitz Cthulu RPGs TDF EP 515 Judith Stephen CosPlay TDF EP 528 Justin Hermann Heroscape TDF EP 538 Dave Ross Zelda and LINK TDF EP 544 Sharon Houston Netflix British Reality Shows TDF EP 505 Kat Burdick Next Generation TDF EP 509 Michelle Biloon NYT Crossowords
2018  TDF EP 487 Amy Miller - Dolly Parton TDF EP 471 Emma Arnold - BEES TDF EP 499 - Erin Foley - Hallmark Christmas Movies TDF EP 481 - Cheryl Jones - Maritime History TDF EP 471 - Andy Ashcraft - GenCon TDF EP 482 - Nato Green - Union Organizing TDF EP 473 - Tamra Brown - Tiki Bars TDF EP 493 - Nina Manni - Air and Hotel Points TDF EP 446 - Carlos Delgado - Great British Bakeoff TDF EP 495 - Alice Wetterlund - Sharks TDF EP 487 - Mark Waid - Superman TDF EP 454 - Open Mike Eagle - Wrestling  TDF EP 457 - Jean Grea - Ikea  TDF EP 447 - Gariana Abeyta - All Genres have Great Movies
2017 TDF EP 390 - Phil Kashian - LOTR and MY BROTHER TDF EP 422 - Steve Agee  - John Hughes Movies. Weird Science TDF EP 426 - Sara Schaefer - Cross Stitch  TDF EP 431 - Jenny Jaffe - Planners. Calendars. Stickers. All the things. TDF EP 405 - Rebecca Sugar - Musicals  TDF EP 438 - Jen Briney - freaking CONGRESS TDF EP 423 - Karen Rontowski - Moth Man TDF EP 401 - Jason Hatrick - Scuba diving  TDF EP 429 - Kyle Clark - Halloween Theme Parks TDF EP 417 - Nat Towsen - Speed Racer TDF EP 402 - Tyler Hinman - Escape Rooms TDF EP 428 - Solomon Georgio - Black Sitcoms TDF EP 403 - Hal Lublin - Saturday Night Live TDF EP 408 - Al Madrigal - Jack Reacher NOVELS TDF EP 435 - Wyatt Gray - HP Lovecraft TDF EP 442 - Doug Stanhope - getting naked and Leisure Suits TDF EP 404 - Julie Dixson Jackson - Geneology  TDF EP 427 - Lisa Allard – Quilting
2016 TDF EP 336 Jim Stewart Allen - Oregon Trail  TDF EP 383 Jenny Chalikian – Xena TDF EP 387 Caitlin Gill - Roald Dahl  TDF EP 358 Wil Anderson - Cricket TDF EP 359 Heather Simmons - Alice in Wonderland. TDF EP 340 Barbara Holm - Buffy the Vampire Slayer TDF EP 380 Beverly D’Angelo - things that Change your Life - Music, Places TDF EP 366 Karen Rontowski - Tarot Cards TDF EP 373 Stu Goldsmith - Boardgames with a STORY  TDF EP 364 Maria Bamford LIVE at JFL Montreal (Bandcamp)  2016 I really liked: TDF EP 385 Jenny Zigrino - Authentic Historical Costuming  TDF EP 347 Riley Silverman - The Potato. Mostly Frozen.  TDF EP 355 Ivan Van Norman/Andy Ashcraft - Zombies & pen/paper games TDF EP 341 Cathy Ladman - Knitting  TDF EP 349 Moon Zappa - The BIG questions TDF EP 368 Martha Kelly - Law and Order SVU TDF EP 367 Phil Johnson - Pirates TDF EP 362 Rory Scovel - Golf (quietly clap) TDF EP 339 Sovereign Syre - Spanish Invasion of Florida.  TDF EP 348 Dash Kwiatkowski - Superman TDF EP 338 TJ Chambers - Chess TDF EP 379 Michelle Thaller – SPACE! LIVE DC Drafthouse (Bandcamp)
2015 TDF EP 303 Matt Saxe – all Vice Presidents. TDF EP 298 Jason Klamm – Vice Presidents and Lego! TDF EP 312 Greg Proops at LA Podfest – 70s Movies TDF EP 320 Wil Wheaton – BEER and Boardgames TDF EP 287 Michelle McNamara – Robert Durst and more True Crime TDF EP 294 Retta – Purses. Handbags TDF EP 323 Chez Amanda – Xfiles. Finally. TDF EP 310 David Koechner – History dork! TDF EP 268 Tammy Pescatelli – Thrift stores and Vampires TDF EP 279 Brian Kiley – Presidential Biographic Minutia TDF EP 285 Ian Abramson – McDonald’s Land TDF EP 316 Breanna Conley – Old time Photo Booth collecting 2015 another 12 that I picked: TDF EP 329 Robert Hurt – Space Ships TDF EP 321 Ryan Stout – Injustice. AS USUAL. TDF EP 324 Suzy Soro – Ghosts. TDF EP 313 Danielle Radford – great “bad” movies TDF EP 305 Murray Valeriano & Monty Franklin – Surfin. TDF EP 269 Christian Brown, Roselle Hurley and Andy Ashcraft - LARPing TDF EP 271 Bridget Everett - Barry Manilow, Richard Simmons & Rudy TDF EP 273 Sean Crespo – DUNE TDF EP 284 Brian Upton - history and aesthetics of gaming TDF EP 293 Live at Bridgetown Branum, Kilgariff and Preston (Bandcamp) TDF EP 300 Amy Shira Teitel – SPACE TDF EP 325 Gail Carriger Live in SF – Anglophile. (Bandcamp)
2014 TDF EP 259 – Laraine Newman - Dubstep TDF EP 245 – Brittnee Braun - Cosplay TDF EP 249 – Brian Regan – Line Mentality TDF EP 215 – Robert Hack – Doctor Who TDF EP 264 – Joseph Scrimshaw – Star War Prequels TDF EP 227 – Emily Gordon – Breakfast around the world TDF EP 239 – Rhea Butcher – Back to the Future Movies TDF EP 260 – Jimmy Pardo – Chicago (the band) TDF EP210 – Corey Olsen – Tolkien TDF EP 258 – Emily Heller – ESM & HS Debate
2013 TDF EP 177 - Greg Proops - Ancient History TDF EP 172 – Janeane/Bamford - Beading/SuzeOrman TDF EP198 – Live Podfest w Kilgariff/Bamford/Anthony/Valeriano - Salad TDF EP 189 – Moshe Kasher - Religion TDF EP 199 – Michelle McNamara - True Crime TDF EP 203 – Ryan Stout - Traffic Court
TDF EP 150 – Gina Yashere - Ghosts/Elevators TDF EP 151 – Craig Shoemaker - Wizard of Oz TDF EP 207 –  Matt Mira - James Bond TDF EP 167 – David Huntsberger - Horses TDF EP 200 –  Andy Peters/Mike Schmidt - Wrestling TDF EP 190 –  Cameron Esposito - Lesbians TDF EP 202 –  Matt Weinhold/Dana Gould/ Shawn Sheridan - Halloween
2012 TDF EP 129 – Live with Michelle McNamara (True Crime) TDF EP 111 – Jim Gaffigan (obscure news personality) TDF EP 117 – Corey Olsen (TolkienProf) TDF EP 142 – Live with Retta, Rajskub, Kilmartin and Scovel TDF EP 94 – Mary Jo Pehl (reading and writing and more reading) TDF EP 133 – Kira Soltonovich (Korean Spas) TDF EP 113 – Jesse Schell and Andy Ashcraft (oh. Video Games) TDF EP 98 – Henry Phillips and Mike Phirman (Guitar Comedy and Music) TDF EP 139 – Joel Hodgson (ventriloquism) TDF EP 93 – Live with Ernie Cline (the 80s and Ready Player One) TDF EP 102 – Dan Telfer (Dinosaurs and science in general) TDF EP 108 – Al Madrigal (Sales and Cartoons) TDF EP 148 – Guy Branum - Canada TDF EP 95 – Live with Kevin Eastman (ninja turtles) TDF EP 97 – Rose Abdoo and John Matta (tiny tiny ART! And The Thing) TDF EP 99 – Asterios Kokkinos (Pokemon) TDF EP 100 – PF Wilson – (history of the various football leagues)  TDF EP 103 – Live with Andy Kindler (“indie” comic books) TDF EP 104 – Merrill Markoe (I feel like we talked dogs mostly)  TDF EP 110 – Patrick Brady (animation)   TDF EP 120 – Erin Foley (NY Giants) TDF EP 121 – Tom Franck (Art) TDF EP 130 – Lois McMaster Bujold (I dork out AT her. She talks writing) TDF EP 138 – Michael Everson (coding fonts for obscure languages)
2011 # 55 Greg Proops – Making Baseball interesting            # 67 Hardwick/Palascak – Harry Potter                       # 37 Karen Kilgariff  - Sandra Bullock                          # 16 Dana Gould – Planet of the Apes                         # 48 Aisha Tyler – girl on girl fandom                          # 24 Jen Kirkman/ Karen Rontowksi – ghosts/UFO                 # 49 Dana/James - HOLLYWOOD                                # 40 April/Vargus – TRIP TO MIDDLE EAST                                                   # 3 Madigan/Kilmartin – the KENNEDY’S  #42 Maile Flanagan/Yuri Lowenthal - Animation #50 Michelle McNamara – True Crime #30 Ed Brubaker / Kermet Apio – Comics #14 Thrilling Adventure Hour – so many things Origin Story – #69 Andy Origin Story - #71 Maria #73 Rich Sommer – Mad Men and Boardgames #77 Matt Weinhold/Ken Daly – Horror Movies #82 Chad Daniels/David Huntsberger – just hilarious #80 Bengt Washburn – Fine art #51 Andrew Solmssen - IT #28 Eric Drysdale - VIEWMASTER #58 Bees – uh, BEES #63 Perfume – and, PERFUME #44 Jim Coughlin – A4 Paper #91 Trains!    
NOTE Premium eps w/o iTunes:  Here’s how to download albums from Bandcamp:
1.    Download the .zip file from Bandcamp. 2.    Unzip the file to your Music folder. 3.    Rescan your Music folder. 4.    Open the music app and listen to your tunes.
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Harvard Referencing
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Chesney-Lind, M. and Eliason, M. (2006). From invisible to incorrigible: The demonization of marginalized women and girls. Crime, Media, Culture: An International Journal, [online] 2(1), p.43. Available at: https://journals.sagepub.com/doi/pdf/10.1177/1741659006061709 [Accessed 23 Oct. 2019].
Crime + Investigation. (2019). Rosemary West. [online] Available at: https://www.crimeandinvestigation.co.uk/crime-files/rosemary-west [Accessed 21 Oct. 2019].
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Gibbs, G. (1988). Learning by Doing: A Guide to Teaching and Learning Methods. Oxford: Oxford Further Education Unit
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Lost Children, the Moors & Evil Monsters. (2011). [PDF] York, p.28. Available at: https://ray.yorksj.ac.uk/id/eprint/2005/1/182-647-1-PB.pdf [Accessed 25 Oct. 2019].
McCartney, J. (2004). Myra Hindley is dearly missed by Carr's persecutors. [online] Telegraph.co.uk. Available at: https://www.telegraph.co.uk/comment/columnists/jennymccartney/3606043/Myra-Hindley-is-dearly-missed-by-Carrs-persecutors.html [Accessed 24 Oct. 2019].
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firebirdsdaughter · 5 years
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On a random limb…
… Some random rambling about Detective Pikachu from someone who never played the Detective Pikachu game, and who has been what might be called more of a ‘casual’ fan. On the ‘not so casual’ end of the spectrum, though.
SPOILERS
First off, I loved it. I don’t care if the plot was predictable or anything (besides, I did kind of minorly spoil it for myself, anyway—though I did not know that Ditto was masquerading as Roger!), it was cute, I personally think the acting was great, I had fun, that’s what I care about. I couldn’t stop smiling both during the movie and after.
Now, since I don’t know the game, I don’t know how much the plot was changed or anything, but from what I’ve seen second hand, it seems like it was largely the same basic premise, w/ some alterations. Like Psyduck.
Praised be whoever decided to include Psyduck. TT^TT MY BABY. (Don’t get me wrong, Pikachu was ADORABLE, I’m just a die-hard Psyduck fan. I have a Psyduck jam jar.)
Loved Justice Smith. I wanted to give him a hug myself during the ‘should have gotten on the train’ scene. DX
I am curious if Ryan Reynolds was ad libbing or had a script. There’s no way to know, but his voice acting was great regardless.
Mewtwo looked a little weird, sure, but I expected that—and you know what, I actually LOVED them. I think having it be the same Mewtwo and having them already ‘chilled out’ (for lack of a better word) to some degree was a good choice. I loved them as the aloof, but still ultimately benevolent type. I was literally no pissed of at Howard (and his Ditto) for putting them through that. Literally, when the Ditto¡Roger appeared w/ electrical traps, and Metwo was clearly in pain, I was almost shrieking at the screen for them to leave Mewtwo alone and stop hurting them. DX
Speaking of benevolent/decent w/out exactly being nice… I liked that the son was, honestly, still rather a jerk, but turned out to be morally upstanding. Like, he had the decency to recognise Lucy and give credit where credit was due, but he was kinda… I dunno, ‘cashing in on it’ a little, w/ the ‘his son promises to undo all the harm he’s done.’ Though that could honestly be seen as him accepting responsibility as a family member, but I felt like it made him a more interesting character, and kind of contrast to Tim, in that he’s still kinda not the nicest fellow, even if he is honest.
Ditto was genuinely frightening, honestly. DX It’s a mysterious Pokémon to begin w/, but after being experimented on… The snap changes, the texting… Cool, but also freaky.
Makes me wonder about how exactly Pokémon minds are supposed to work. I usually think of them as hyper intelligent animals to begin w/. Like, they actually have sort of similar intellectual levels, but the way their brains work and their instincts are different. If that makes sense.
I loved all the Pokémon cameos. They did go for the ‘staples’ a lot, but I think that may have been an attempt to ‘keep it simple’ and stick w/ some of the more recognisable ones for people who might not be long time fans etc. which is fine by me. They did take moments to include some of the more unique Pokémon, too. I don’t have complete knowledge of all Pokémon generations or anything, but it occurred to me, maybe they were also mostly going w/ Pokémon that were out at the time the game came out? On top of that, several of the more recent games are treated as being set in kind of distant locations—even giving localisation, an easy handwave is that those regional Pokémon/specific evolutions just haven’t yet made it to where Ryme City is. Plus… God, how many Pokémon are there now? Even just the first generation was 151, right? No way in heck were they gonna fit every single one into the movie. They probably went through and looked at ones that they felt the could ‘transfer’ to ‘realistic looks’ easiest, or that would be most recognisable, or they felt would work best.
So yes, all in all, I loved it. I do have a decent knowledge of the franchise, but not knowing every tiny nook and cranny and past story didn’t effect my enjoyment. Also, I’m pretty sure this is one of the first official ‘Pokémon’ things that wasn’t localised/dubbed into the west, but was mostly originally created (I think it’s officially an adaption?). So while it’s drawing of the franchise, it’s sort of in it’s own little bubble? I think?
If they make a sequel, I will totally go see it.
ESPECIALLY if Psyduck is in it.
Bonus: 
Tumblr media Tumblr media
My Psyduck jam jar. I wasn’t kidding.
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tanusplash13-blog · 5 years
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Creative Influence can be seen as ‘Poetic Influence when it involves two, strong authentic poets, always proceeds by a misreading of the prior poet, an act of creative correction that is actually and necessarily a misinterpretation’ (Bloom 1997, p. 30.) Aerosmith’s “Dream On” and Eminem’s “Sing for the Moment” shows the creative influence. The influence from Aerosmith’s “Dream On” is evident as the guitar is used in the same way in the song. An the act of creative correction is seen, as Eminem understands that “Dream On” defines how following one’s dream is important (https://genius.com/Aerosmith-dream-on-lyrics), and uses this to empower his song, as listening to his favourite artists made him dream hopes he can do the same for this generation of music.(https://genius.com/31631)
youtube
youtube
Reference List
Bloom 1997, p. 30.
Aerosmith, 1973, Dream On - https://youtu.be/sZfZ8uWaOFI
Barbara Dautrich, 2018, What is sensory knowledge? -https://www.quora.com/What-is-sensory-knowledge
Barker, C 2012, Cultural studies: theory and practice, 4th edn, Sage, London, pp. 218-224.
Bennett, A & Royle, N 2016, ‘Me’, in An introduction to literature, criticism and theory, 5th edn, p. 151, 157.
Diane Mottl, MSW 2018 - https://psychcentral.com/lib/ways-of-living-an-authentic-life/
Eminem, 1999, My Name Is - https://www.youtube.com/watch?v=sNPnbI1arSE
Eminem, 1999, Rock Bottom - https://youtu.be/lcmDvh-bt2c
Eminem in 1999, Video uploaded 2010, Who is Slim Shady? - https://www.youtube.com/watch?v=jxL3vjMYzNw
Eminem, 2002, Cleanin’ Out My Closet - https://www.youtube.com/watch?v=RQ9_TKayu9s
Eminem, 2002, Say Goodbye Hollywood - https://www.youtube.com/watch?v=Hev2cSzWyQ8
Eminem, 2002, Say What You Say - https://www.youtube.com/watch?v=3TSVZVYhjRk
Eminem, 2002, Sing for the Moment - https://www.youtube.com/watch?v=D4hAVemuQXY
Eminem, 2002, Sing for the Moment - https://youtu.be/D4hAVemuQXY
Eminem, 2002, Soldier - https://youtu.be/tZCQKVRxezI
Eminem Album Cover, 2002 https://www.google.com/search?q=eminem+show+album+cover&rlz=1C1CHBF_en-GBAU808AU808&source=lnms&tbm=isch&sa=X&ved=0ahUKEwiaueP1laLhAhUF8HMBHZIlDQMQ_AUIDigB&cshid=1553684650130170&biw=1066&bih=588
Eminem in 1999, Video uploaded 2010, Who is Slim Shady? - https://www.youtube.com/watch?v=jxL3vjMYzNw
Eminem, 2014, Shady CXVPHER- Eminem Freestyle - https://youtu.be/OD9CtIiBb6s
Hall et al. 1996, p. 598
https://genius.com/31631
https://genius.com/33429
https://genius.com/Aerosmith-dream-on-lyrics
https://genius.com/J-cole-once-an-addict-interlude-lyrics
J.Cole, 2013, Crooked Smile - https://www.youtube.com/watch?v=fzzMOMkjm8A
J.Cole, 2018, Once an addict - https://youtu.be/uirzHXHpgqM
J.Cole, released 2014, video 2016, Love Yourz - https://www.youtube.com/watch?v=Ka4BxFizU7I
Mansfield, N 2000, Subjectivity: theories of the self from Freud to Haraway, Allen & Unwin, St Leonards, N.S.W., pp. 3-35.
Tagg & Seargeant 2016, p. 343
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hoerbahnblog · 1 year
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LiB Jg. 38 Heft 151: "Herkunft – Halt und Trauma" – über "Der Weg zur Grenze" von Grete Weil - eine Rezension von Gernot Eschrich
LiB Jg. 38, Heft 151 LiB Jg. 38 Heft 151: “Herkunft – Halt und Trauma” – über “Der Weg zur Grenze” von Grete Weil – eine Rezension von Gernot Eschrich (Hördauer ca. 17 Minuten) https://literaturradiohoerbahn.com/wp-content/uploads/2023/05/LIB-Rezension-Grete-Weil-Herkunft-Eschrich-upload.mp3 «Der Weg zur Grenze», 1944/45 im Amsterdamer Versteck der verfolgten deutschen Schriftstellerin Grete…
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hulk23jtb · 2 years
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💛151 - liberosis /lib-or-oh-sis/ 😊💛🤟 (at Louisville, Kentucky) https://www.instagram.com/p/CePgxnytzvC/?igshid=NGJjMDIxMWI=
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apod · 7 years
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2018 January 18
Blue Comet in the Hyades Image Credit & Copyright: Rogelio Bernal Andreo (Deep Sky Colors)
Explanation: Stars of the Hyades cluster are scattered through this mosaic spanning over 5 degrees on the sky toward the constellation Taurus. Presently cruising through the Solar System, the remarkably blue comet C/2016 R2 PanSTARRS is placed in the wide field of view using image data from January 12. With the apex of the V-shape in the Hyades cluster positioned near the top center, bright Aldebaran, alpha star of Taurus, anchors the frame at the lower right. A cool red giant, Aldebaran is seen in orange hues in the colorful starfield. While the stars of the Hyades are gathered 151 light-years away, Aldebaran lies only 65 light-years distant and so is separate from the cluster stars. On January 12, C/2016 R2 was over 17 light-minutes from planet Earth and nearly 24 light-minutes from the Sun. Its blue tinted tail largely due to CO+ gas fluorescing in sunlight, the head or coma of the comet appears with a slightly greenish hue, likely emission from diatomic carbon.
∞ Source: apod.nasa.gov/apod/ap180118.html
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codehunter · 1 year
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Create react app Error: Cannot find module './locale'
I bootstrapped my application with create-react-app and when I run my app it compiles with warnings and it throws errors on the browser.
Error while compiling
./node_modules/rc-picker/node_modules/moment/src/lib/locale/locales.jsModule not found: Can't resolve './locale' in '/Users/macbook/Desktop/projects/pizza/Yummi-fend/node_modules/rc-picker/node_modules/moment/src/lib/locale'
Error on browser
Error: Cannot find module './locale'▶ 2 stack frames were collapsed.__webpack_require__/Users/macbook/Desktop/projects/pizza/Yummi-fend/webpack/bootstrap:784 781 | }; 782 | 783 | // Execute the module function> 784 | modules[moduleId].call(module.exports, module, module.exports, hotCreateRequire(moduleId)); | ^ 785 | 786 | // Flag the module as loaded 787 | module.l = true;View compiledfn/Users/macbook/Desktop/projects/pizza/Yummi-fend/webpack/bootstrap:150 147 | ); 148 | hotCurrentParents = []; 149 | }> 150 | return __webpack_require__(request); | ^ 151 | }; 152 | var ObjectFactory = function ObjectFactory(name) { 153 | return {View compiledModule../node_modules/moment/src/lib/moment/moment.jsnode_modules/moment/src/lib/moment/moment.js:1__webpack_require__/Users/macbook/Desktop/projects/pizza/Yummi-fend/webpack/bootstrap:784 781 | }; 782 | 783 | // Execute the module function> 784 | modules[moduleId].call(module.exports, module, module.exports, hotCreateRequire(moduleId)); | ^ 785 | 786 | // Flag the module as loaded 787 | module.l = true;View compiledfn/Users/macbook/Desktop/projects/pizza/Yummi-fend/webpack/bootstrap:150 147 | ); 148 | hotCurrentParents = []; 149 | }> 150 | return __webpack_require__(request); | ^ 151 | }; 152 | var ObjectFactory = function ObjectFactory(name) { 153 | return {View compiledModule../node_modules/moment/src/moment.jsnode_modules/moment/src/moment.js:1__webpack_require__/Users/macbook/Desktop/projects/pizza/Yummi-fend/webpack/bootstrap:784 781 | }; 782 | 783 | // Execute the module function> 784 | modules[moduleId].call(module.exports, module, module.exports, hotCreateRequire(moduleId)); | ^ 785 | 786 | // Flag the module as loaded 787 | module.l = true;View compiledfn/Users/macbook/Desktop/projects/pizza/Yummi-fend/webpack/bootstrap:150 147 | ); 148 | hotCurrentParents = []; 149 | }> 150 | return __webpack_require__(request); | ^ 151 | }; 152 | var ObjectFactory = function ObjectFactory(name) { 153 | return {View compiledModule../node_modules/rc-picker/es/generate/moment.jsnode_modules/rc-picker/es/generate/moment.js:1__webpack_require__/Users/macbook/Desktop/projects/pizza/Yummi-fend/webpack/bootstrap:784 781 | }; 782 | 783 | // Execute the module function> 784 | modules[moduleId].call(module.exports, module, module.exports, hotCreateRequire(moduleId)); | ^ 785 | 786 | // Flag the module as loaded 787 | module.l = true;View compiledfn/Users/macbook/Desktop/projects/pizza/Yummi-fend/webpack/bootstrap:150 147 | ); 148 | hotCurrentParents = []; 149 | }> 150 | return __webpack_require__(request); | ^ 151 | }; 152 | var ObjectFactory = function ObjectFactory(name) { 153 | return {View compiledModule../node_modules/antd/es/calendar/index.jsnode_modules/antd/es/calendar/index.js:1__webpack_require__/Users/macbook/Desktop/projects/pizza/Yummi-fend/webpack/bootstrap:784 781 | }; 782 | 783 | // Execute the module function> 784 | modules[moduleId].call(module.exports, module, module.exports, hotCreateRequire(moduleId)); | ^ 785 | 786 | // Flag the module as loaded 787 | module.l = true;View compiledfn/Users/macbook/Desktop/projects/pizza/Yummi-fend/webpack/bootstrap:150 147 | ); 148 | hotCurrentParents = []; 149 | }> 150 | return __webpack_require__(request); | ^ 151 | }; 152 | var ObjectFactory = function ObjectFactory(name) { 153 | return {View compiledModule../node_modules/antd/es/index.jsnode_modules/antd/es/index.js:3__webpack_require__/Users/macbook/Desktop/projects/pizza/Yummi-fend/webpack/bootstrap:784 781 | }; 782 | 783 | // Execute the module function> 784 | modules[moduleId].call(module.exports, module, module.exports, hotCreateRequire(moduleId)); | ^ 785 | 786 | // Flag the module as loaded 787 | module.l = true;View compiledfn/Users/macbook/Desktop/projects/pizza/Yummi-fend/webpack/bootstrap:150 147 | ); 148 | hotCurrentParents = []; 149 | }> 150 | return __webpack_require__(request); | ^ 151 | }; 152 | var ObjectFactory = function ObjectFactory(name) { 153 | return {View compiledModule../src/components/AuthPage/loginPage.jshttp://localhost:3000/static/js/main.chunk.js:313:62__webpack_require__/Users/macbook/Desktop/projects/pizza/Yummi-fend/webpack/bootstrap:784 781 | }; 782 | 783 | // Execute the module function> 784 | modules[moduleId].call(module.exports, module, module.exports, hotCreateRequire(moduleId)); | ^ 785 | 786 | // Flag the module as loaded 787 | module.l = true;View compiledfn/Users/macbook/Desktop/projects/pizza/Yummi-fend/webpack/bootstrap:150 147 | ); 148 | hotCurrentParents = []; 149 | }> 150 | return __webpack_require__(request); | ^ 151 | }; 152 | var ObjectFactory = function ObjectFactory(name) { 153 | return {View compiledModule../src/App.jshttp://localhost:3000/static/js/main.chunk.js:127:88__webpack_require__/Users/macbook/Desktop/projects/pizza/Yummi-fend/webpack/bootstrap:784 781 | }; 782 | 783 | // Execute the module function> 784 | modules[moduleId].call(module.exports, module, module.exports, hotCreateRequire(moduleId)); | ^ 785 | 786 | // Flag the module as loaded 787 | module.l = true;View compiledfn/Users/macbook/Desktop/projects/pizza/Yummi-fend/webpack/bootstrap:150 147 | ); 148 | hotCurrentParents = []; 149 | }> 150 | return __webpack_require__(request); | ^ 151 | }; 152 | var ObjectFactory = function ObjectFactory(name) { 153 | return {View compiledModule../src/index.jshttp://localhost:3000/static/js/main.chunk.js:1595:62__webpack_require__/Users/macbook/Desktop/projects/pizza/Yummi-fend/webpack/bootstrap:784 781 | }; 782 | 783 | // Execute the module function> 784 | modules[moduleId].call(module.exports, module, module.exports, hotCreateRequire(moduleId)); | ^ 785 | 786 | // Flag the module as loaded 787 | module.l = true;View compiledfn/Users/macbook/Desktop/projects/pizza/Yummi-fend/webpack/bootstrap:150 147 | ); 148 | hotCurrentParents = []; 149 | }> 150 | return __webpack_require__(request); | ^ 151 | }; 152 | var ObjectFactory = function ObjectFactory(name) { 153 | return {View compiled1http://localhost:3000/static/js/main.chunk.js:1737:18__webpack_require__/Users/macbook/Desktop/projects/pizza/Yummi-fend/webpack/bootstrap:784 781 | }; 782 | 783 | // Execute the module function> 784 | modules[moduleId].call(module.exports, module, module.exports, hotCreateRequire(moduleId)); | ^ 785 | 786 | // Flag the module as loaded 787 | module.l = true;View compiledcheckDeferredModules/Users/macbook/Desktop/projects/pizza/Yummi-fend/webpack/bootstrap:45 42 | } 43 | if(fulfilled) { 44 | deferredModules.splice(i--, 1);> 45 | result = __webpack_require__(__webpack_require__.s = deferredModule[0]); | ^ 46 | } 47 | } 48 | View compiledArray.webpackJsonpCallback [as push]/Users/macbook/Desktop/projects/pizza/Yummi-fend/webpack/bootstrap:32 29 | deferredModules.push.apply(deferredModules, executeModules || []); 30 | 31 | // run deferred modules when all chunks ready> 32 | return checkDeferredModules(); | ^ 33 | }; 34 | function checkDeferredModules() { 35 | var result;View compiled(anonymous function)http://localhost:3000/static/js/main.chunk.js:1:65
Package.json
{ "name": "client", "version": "0.1.0", "private": true, "dependencies": { "@testing-library/jest-dom": "^4.2.4", "@testing-library/react": "^9.3.2", "@testing-library/user-event": "^7.1.2", "antd": "^4.2.0", "axios": "^0.19.2", "formik": "^2.1.4", "react": "^16.13.1", "react-dom": "^16.13.1", "react-icons": "^3.10.0", "react-redux": "^7.2.0", "react-router-dom": "^5.1.2", "react-scripts": "3.4.1", "redux": "^4.0.5", "yup": "^0.28.5" }, "scripts": { "start": "react-scripts start", "build": "react-scripts build", "test": "react-scripts test", "eject": "react-scripts eject" }, "eslintConfig": { "extends": "react-app" }, "browserslist": { "production": [ ">0.2%", "not dead", "not op_mini all" ], "development": [ "last 1 chrome version", "last 1 firefox version", "last 1 safari version" ] }}
I have tried researching and its an error originating from moment-js yet I'm not using that module and it is also not installed.
What could be the problem?
https://codehunter.cc/a/reactjs/create-react-app-error-cannot-find-module-locale
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technooccult · 7 years
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Omg this class!!
And also the whole syllabus just in case:
Description According to anthropologists Filip de Boeck and René Devisch, divination “constitutes a space in which cognitive structures are transformed and new relations are generated in and between the human body, the social body and the cosmos.” In this class, students will learn the history of divination, engage in the practice of divination, and speculate on what forms divination might take in a world where the human body, the social body, and even the cosmos(!) are digitally mediated. Starting with an understanding of ritual and folk culture, we will track the history of fortune-telling from the casting of lots to computer-generated randomness to the contemporary revival of Tarot; from reading entrails to astrology to data science; from glossolalia to surrealist writing practices to the “ghost in the machine” of artificial intelligence. Weekly readings and assignments culminate in a final project.
Schedule Class schedule with readings, assignments and due dates.
Ethos, methodology, structure, outcomes This is a critical making/speculative design class focused on the practice of divination. We’ll discuss and elaborate on topics related to this topic every week through assigned readings and in-class lectures and technical tutorials. You’ll be assigned a series of “meditations” on these topics, which encourage you to make something (an object, an intervention, a computer program) that engages with, expands upon and/or challenges the content of our discussions. We’ll spend a good deal of time in class “workshopping” the results of these meditations.
By the last class session, students will be literate in practical and academic approaches to ritual and divination, especially as they apply to digital art and design. Students will have made several prototype projects that exercise this literacy and a final project that shows their mastery of the material presented in class.
For the most part, the content of this class will be non-technical (i.e., this is not a programming class). Students are expected to bring their own technical know-how to their projects. The goal of the class is for students to be able to incorporate elements of academic and practical research in divination into their own practices as makers, designers and artists.
Epoché In this class, we engage in a radical epoché (or bracketing): we set aside questions of objectivity and natural science in order to more clearly pay attention to internal and collective experiences (phenomenology). This focus requires an applied approach to divination, meaning that we will actually enact and engage in the practices under discussion. I believe this is the best way to understand how divination works and (just as importantly) feels. Keeping this in mind, students are invited to recuse themselves from any activities that make them feel uncomfortable. (We’ll further discuss the dimensions of this in class.)
Traditionally, Western academics have frowned on divination as a practice, considering it little more than unscientific superstition. Nevertheless, many of the readings we’ll be discussing in this class point to empirical explanations (whether cognitive, social, or biological) for the phenomenology of divination. These readings should not be understood as an attempt at “debunking,” but simply as a means to help us better contextualize and understand our experiences.
Materials For the fourth session, students will need to obtain a Tarot deck. A traditional, Rider-Waite-style 78-card deck is preferred. Here’s a helpful but not exhaustive list; you probably can’t go wrong with any of these decks. Nothing wrong at all with going for the classic.
There are no required textbooks, but for students particularly interested in Tarot interpretations, I highly recommend The Little Monsters Tarot Guidebook (also available as an instant digital download).
Electronic Rituals, Oracles and Fortune Telling / Spring 2018 Schedule Syllabus here.
With a few exceptions, all readings should be accessible via the hyperlinks provided, as long as you are using a computer connected to the NYU network. Alternate methods of obtaining the readings will be discussed in class.
Students will be assigned to topical connection presentation slots separately. I’ll provide this schedule by e-mail.
Session 01: Introduction Date: 2018-01-25.
Introduction and syllabus Divination: Concepts and directions Reading assigned To be discussed in session 02.
Burroughs, Benjamin. “Facebook and FarmVille: A Digital Ritual Analysis of Social Gaming.” Games and Culture, vol. 9, no. 3, May 2014, pp. 151–66. SAGE Journals, doi:10.1177/1555412014535663. Altglas, Véronique. “Introduction.” From Yoga to Kabbalah: Religious Exoticism and the Logics of Bricolage. : Oxford University Press, 2014-06-02. Oxford Scholarship Online. 2014-06-19. Date Accessed 8 Mar. 2017 http://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780199997626.001.0001/acprof-9780199997626-chapter-1. Alexander, Leigh. “Why We Still Practice Superstitious Rituals With Our Technology.” Motherboard, https://motherboard.vice.com/en_us/article/why-we-still-practice-superstitious-rituals-with-our-technology. Accessed 5 May 2017. Optional:
Wallendorf, Melanie, and Eric J. Arnould. “‘We Gather Together’: Consumption Rituals of Thanksgiving Day.” Journal of Consumer Research, vol. 18, no. 1, 1991, pp. 13–31. JSTOR, http://www.jstor.org/stable/2489481. Session 02: Ritual and society Date: 2018-02-01.
Reading discussion Ritual and spirituality Meditation #1 assigned Due at the beginning of session 03.
Imagine an “electronic” ritual and prototype the necessary systems to perform the ritual. Then perform the ritual and document the process. (This can be a ritual that you perform on your own, or you can involve other people.) Your imagined scenario can be speculative (e.g., a science fiction), critical, mystical, oriented toward self-care, etc. What effect does your ritual have in the world? On its participants?
Session 03: Cleromancy Date: 2018-02-08.
Meditation workshop Topical connections presentations Introduction to cleromancy Reading assigned To be discussed in session 04.
Tedlock, Barbara. “Divination as a Way of Knowing: Embodiment, Visualisation, Narrative, and Interpretation.” Folklore, vol. 112, no. 2, 2001, pp. 189–97. JSTOR, http://www.jstor.org/stable/1260832. Semetsky, Inna. “Tarot and Projective Hypothesis.” Re-Symbolization of the Self: Human Development and Tarot Hermeneutic, SensePublishers, 2011, pp. 73–83, doi:10.1007/978-94-6091-421-8_7. Semetsky, Inna. “Stories Lives Tell.” Re-Symbolization of the Self: Human Development and Tarot Hermeneutic, SensePublishers, 2011, pp. 85–144, doi:10.1007/978-94-6091-421-8_8. (NOTE: You only need to read the first two or three case studies in this chapter.) Greer, Mary. “Origins of Cartomancy (Playing Card Divination).” Mary K. Greer’s Tarot Blog, 1 Apr. 2008, https://marykgreer.com/2008/04/01/origins-of-divination-with-playing-cards/. Session 04: Fortune telling as collaborative storytelling Date: 2018-02-15.
Meditation workshop Topical connections presentations Tarot as storytelling In-class exercise: Tarot reading. Notes: Tarot as collaborative storytelling. Meditation #2 assigned Due at the beginning of session 05.
Invent your own “oracle deck.” Your deck doesn’t have to be a physical object (though it can be). Keeping in mind the formal characteristics of cleromancy discussed in class, consider how digital media can complicate/diminish/augment the parts and processes of a reading. (Some questions to get you started: Who gets to participate? Can a computer program be a “reader”? A “querent”? What can a “card” be? What can a “deck” be?)
A few examples:
Net Tarot @thelastdeck @phantomfunhouse Morgan’s Tarot Resources:
A.E. Waite’s The Pictorial Key to the Tarot (includes links to high-quality scans, though note potential copyright issues) Tarot interpretations in JSON format Session 05: Prophecy and prediction Date: 2018-02-22.
Meditation workshop Topical connections presentations Omens, augury, phrenology, predictions, interpretations Reading assigned To be discussed in session 06.
A contrastive analysis of astrology and horoscopes (ch. 4, pp.97-124) from Aphek, Edna, and Yishai Tobin. Semiotics of Fortune-Telling. John Benjamins Publishing Company, 1990. ProQuest Ebook Central, http://ebookcentral.proquest.com/lib/nyulibrary-ebooks/detail.action?docID=802012. Agüera y Arcas, Blaise, et al. “Physiognomy’s New Clothes.” Blaise Aguera y Arcas, 7 May 2017, https://medium.com/@blaisea/physiognomys-new-clothes-f2d4b59fdd6a. Optional:
Carlson, Shawn. “A Double-Blind Test of Astrology.” Nature, vol. 318, no. 6045, Dec. 1985, pp. 419–25. CrossRef, doi:10.1038/318419a0. O’Neil, Cathy. “How Algorithms Rule Our Working Lives.” The Guardian, 1 Sept. 2016. The Guardian, https://www.theguardian.com/science/2016/sep/01/how-algorithms-rule-our-working-lives. Session 06: Astrology and dream interpretation Date: 2018-03-01.
Reading discussion Topical connections presentations Astrology and dream interpretation Meditation #3 assigned Due at the beginning of session 07.
Invent an “-omancy,” or a form of divination/prophecy based on observing and interpreting natural events. Your reading of “natural” should make some reference to digital/electronic/computational media. (What counts as a “natural event” on the Internet? What’s the electronic equivalent of phrenology, from both a physical computing perspective and a data analysis perspective? Does it count as “interpretation” if it’s being performed by a computer program?) I’m especially interested in responses that take the form of purposefully inaccurate data analysis.
A few examples:
A rough “personality test” for you to riff off of Darius Kazemi on @SortingBot David Bowen’s Cloud Tweets Nina Katchadourian’s Talking Popcorn Resources:
Tea-cup reading, and the Art of Fortune-Telling by Tea Leaves (includes helpful lists of tasseography interpretations) Gustav Hindman Miller’s Ten Thousand Dreams Interpreted in handy HTML format (perfect for scraping) A list of personality traits from Corpora Project For inspiration: Wikipedia’s list of divination techniques Session 07: Mediums and messages Date: 2018-03-08.
Meditation workshop Topical connections presentations Telesthesia (clairvoyance, spirit boards, automatic writing) Reading assigned Chapters 2 and 3 from Wooffitt, Robin. The Language of Mediums and Psychics: The Social Organization of Everyday Miracles. Ashgate Publishing, Ltd., 2006. Romano, Aja. “How Ouija Boards Work. (Hint: It’s Not Ghosts.).” Vox, 29 Oct. 2016, https://www.vox.com/2016/10/29/13301590/how-ouija-boards-work-debunked-ideomotor-effect Newton, Casey. “When Her Best Friend Died, She Used Artificial Intelligence to Keep Talking to Him.” TheVerge.Com, 6 Oct. 2016, http://www.theverge.com/a/luka-artificial-intelligence-memorial-roman-mazurenko-bot. Optional:
Hartman, Charles O. “The Sinclair ZX-81.” Virtual Muse: Experiments in Computer Poetry, Wesleyan University Press, 1996, pp. 28–37. Session 08: Automatic writing Date: 2018-03-22.
Reading discussion Topical connections presentations In-class exercise and code examples Meditation #4 assigned Choose one of the following options:
Make a prototype of an electronic spirit board or other method for producing language or communication from unconscious/subconscious/collective gesture. (You can use procedural methods like those discussed in class, or invent your own method.) Questions to consider: How does your spirit board produce “coherence” (if, in fact, it does produce coherence)? Who is participating? Create a psychic “experiment” with your interpretation of an electronic equivalent of Zener Cards. Document your methodology and your results. (What is it possible to be “psychic” about in a digital context?) Resources:
A simple Markov chain “chat” bot in p5.js (More on Markov chain text generation, more on RiTa.js) Example: Using Tracery in p5.js (my Tracery tutorial) Conducting an experiment Session 09: The hermeneutics of randomness Date: 2018-03-29.
Meditation workshop Topical connections presentations Randomness Readings assigned TK
Session 10: Soooo random Date: 2018-04-05.
Reading discussion Topical connections presentations Final project proposals In-class exercise Optional readings TK
Meditation #5 assigned Due at the beginning of session 11.
Produce your own implementation of digital randomness, without using any pre-existing implementation (e.g., you can’t use the random() or noise() functions in p5.js). More details TK.
Resources:
Duplicate this sketch and implement your own random number generator, then Add the “Full Screen” link of your sketch to this spreadsheet Allison’s examples (don’t peek at these until you’ve tried your own): Linear feedback shift register (good explanation here) Logistic map (explanation, or watch this wonderful Numberphile video) xorshift Interpolated (a very, very simplified implementation of Perlin noise) Randomness with an entropy source Interactive version of the hot hand/small numbers “streak” experiment A Million Random Digits Jeff Thompson’s White Noise Boutique An example of ritual “randomness” in Tarot simulations Session 11: Hexes, spells, amulets and talismans Date: 2018-04-12.
Meditation workshop Topical connections presentations Final project check-in Hexes, spells, amulets and talismans In-class exercise TK Session 12: Collaborative work day Date: 2018-04-19.
In-class discussion and user-testing Other topics TK Session 13: Final projects Date: 2018-04-26.
Final projects, day 1 Session 14: Final projects Date: 2018-05-03.
Final projects, day 2
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goldeagleprice · 5 years
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U.S. Mint sales report: Week ending August 25, 2019
This U.S. Mint numismatic sales report covers the week ending August 25, 2019. The Mint’s best-selling product this week was the 2019-S one-ounce American Silver Eagle $1 Proof coin (19EM), which sold 23,026 units. In second place was the 2019 Proof Set (19RG) with 3,190 sold. The third best-selling item this week was the 2019 American Liberty high relief silver medal (19DB), with 3,076 individual units sold. It’s followed by the 2019-P Apollo 11 Silver $1 Proof Coin and Print Set (19XA2), with 2,570 sold; and the 2019 Native American $1 Coin & Currency Set (19NR), with 2,400 sold.
This week saw no downward adjustments.
On August 26, the Mint released the 2019 San Antonio Missions National Historical Park Rolls and Bags products. The Mint released the 2019  San Antonio Missions National Historical Park Uncirculated five-ounce silver coin (19AM) on August 29.
The following are the U.S. Mint’s cumulative sales figures for the reporting period ending Sunday, August 25. “LKS” indicates that the number given is the last known sales figure for a sold-out item. Mintage and product limits are indicated, where applicable; if a coin is in stock but is nearing sold-out status, a link to the Mint’s product page is provided. Items in italics either are scheduled for release or have been released too recently to appear on the report; items in bold are appearing on the report for the first time.
Week Ending +/- Notes 8/18/19 8/25/19 COMMEMORATIVE PROGRAMS 19CA 2019-W Apollo 11 Gold $5 PF Coin 30,723 30,830 107 Mintage limit 50,000 19CB 2019-W Apollo 11 Gold $5 Unc. Coin 11,461 11,582 121 Mintage limit 50,000 19XA1 2019-W Apollo 11 Gold $5 PF Coin and Print Set 681 681 Released August 7, 2019 19CH 2019-P Apollo 11 Silver $1 5-oz. PF Coin 63,992 64,221 229 Mintage limit 100,000 19CC 2019-P Apollo 11 Silver $1 PF Coin 195,117 196,212 1,095 Mintage limit 400,000 19CD 2019-P Apollo 11 Silver $1 Unc. Coin 55,735 56,019 284 Mintage limit 400,000 19XA2 2019-P Apollo 11 Silver $1 PF Coin and Print Set 2,570 2,570 Released August 7, 2019 19CE 2019-S Apollo 11 Clad 50c PF Coin 60,730 60,991 261 Mintage limit 750,000 19CG 2019-D Apollo 11 Clad 50c Unc. Coin 39,563 39,723 160 Mintage limit 750,000 19CF 2019-S Apollo 11 PF Half Dollar Set 99,998 99,998 0 19CJ 2019 American Legion Gold $5 PF Coin 2,643 2,651 8 Mintage limit 50,000 19CK 2019 American Legion Gold $5 Unc. Coin 2,258 2,320 62 Mintage limit 50,000 19CL 2019 American Legion Silver $1 PF Coin 31,031 31,244 213 Mintage limit 400,000 19CM 2019 American Legion Silver $1 Unc. Coin 12,001 12,073 72 Mintage limit 400,000 19CN 2019 American Legion Clad 50c PF Coin 17,120 17,168 48 Mintage limit 750,000 19CP 2019 American Legion Clad 50c Unc. Coin 10,250 10,286 36 Mintage limit 750,000 19CR 2019 American Legion 3-Coin Set 7,032 7,074 42 Product limit 8,500 19CQ 2019 American Legion Coin & Medal Set 9,886 9,891 5 Product limit 10,000 AMERICAN LIBERTY PROGRAM 17XA 2017 Am. Lib. 225th Anniv. 1-oz. Gold $100 PF Coin 30,704 30,723 19 Mintage limit 100,000 17XB 2017 Am. Lib. 225th Anniv. Silver Medal 55,187 55,187 — Sold out; LKS; off Mint report 17XD 2017 Am. Lib. 225th Anniv. 4-Medal Set 32,647 32,647 — Sold out; LKS; off Mint report 18XF 2018 Am. Liberty 1/10-oz. Gold $10 PF Coin 29,066 29,159 93 Mintage limit 135,000 19DA 2019 Am. Liberty High Relief Gold Coin 4,948 5,441 493 19DB 2019 Am. Liberty High Relief Silver Medal 15,882 18,958 3,076 PRESIDENTIAL MEDALS PROGRAM S801 George Washington Pres. Silver Medal 21,864 21,917 53 S802 John Adams Pres. Silver Medal 17,110 17,148 38 S803 Thomas Jefferson Pres. Silver Medal 13,823 13,872 49 S804 James Madison Pres. Silver Medal 9,951 10,005 54 S805 James Monroe Pres. Silver Medal 7,723 8,115 392 AMERICAN PALLADIUM EAGLE PROGRAM 18EK 2018 1-oz. APaE $25 PF Coin 14,986 14,986 — Sold out; LKS; off Mint report 19EK 2019 1-oz. APaE $25 Rev. PF Coin To be released September 12, 2019 AMERICAN PLATINUM EAGLE PROGRAM 17EJ 2017 1-oz. APE $100 PF Coin 8,890 8,890 — Sold out; LKS; off Mint report 18EJ 2018 1-oz. APE $100 PF Coin 13,432 13,447 15 19EJ 2019 1-oz. APE $100 PF Coin 9,096 9,168 72 AMERICAN GOLD EAGLE PROGRAM 18EH 2018 1-oz. AGE $50 Unc. Coin 8,378 8,385 7 18EB 2018 1-oz. AGE $50 PF Coin 7,227 7,228 1 18EC 2018 1/2-oz. AGE $25 PF Coin 1,815 1,815 — Sold out; LKS; off Mint report 18ED 2018 1/4-oz. AGE $10 PF Coin 4,623 4,623 0 Sold out; LKS 18EE 2018 1/10-oz. AGE $5 PF Coin 14,009 14,009 0 Sold out; LKS 18EF 2018 AGE PF 4-Coin Set 8,047 8,047 0 19EH 2019 1-oz. AGE $50 Unc. Coin 5,218 5,228 10 19EB 2019 1-oz. AGE $50 PF Coin 3,706 3,762 56 19EC 2019 1/2-oz. AGE $25 PF Coin 1,269 1,286 17 19ED 2019 1/4-oz. AGE $10 PF Coin 2,020 2,048 28 19EE 2019 1/10-oz. AGE $5 PF Coin 6,732 6,821 89 19EF 2019 AGE PF 4-Coin Set 6,210 6,276 66 AMERICAN SILVER EAGLE PROGRAM 18EG 2018-W 1-oz. ASE $1 Unc. Coin 138,947 138,947 0 18EA 2018-W 1-oz. ASE $1 PF Coin 349,654 349,760 106 18EA 042 2018-W 1-oz. ASE $1 PF Coins, bulk (210 coins each) 182 182 0 18EM 2018-S 1-oz. ASE $1 PF Coin 158,785 158,785 — Sold out; LKS; off Mint report 19EA 2019-W 1-oz. ASE $1 PF Coin 297,565 298,560 995 19EA 040 2019-W 1-oz. ASE $1 PF Coin, bulk (40 coins each) 745 745 0 19XB 2019-W 1-oz. ASE Pride of Two Nations $1 Rev PF Coin 97,950 98,967 1,017 19EM 2019-S 1-oz. ASE $1 PF Coin 84,106 107,132 23,026 19EM 040 2019-S 1-oz. ASE $1 PF Coin, bulk (40 coins each) 83 137 54 19EG 2019-W 1-oz. ASE $1 Unc. Coin 111,673 112,073 400 19EG 040 2019-W 1-oz. ASE $1 Unc. Coin, bulk (40 coins each) 66 66 0 AMERICAN GOLD BUFFALO PROGRAM 18EL 2018 1-oz. AGB $50 PF Coin 15,756 15,756 0 Sold out; LKS 19EL 2019 1-oz. AGB $50 PF Coin 11,151 11,237 86 AMERICA THE BEAUTIFUL 5-OZ SILVER 25c UNC. COINS 18AJ 2018 Pictured Rocks Silver 5-oz. Unc. Coin 17,773 17,773 — Sold out; LKS; off Mint report 18AK 2018 Apostle Islands Silver 5-oz. Unc. Coin 16,802 16,802 0 Sold out; LKS 18AL 2018 Voyageurs Nat’l Park Silver 5-oz. Unc. Coin 16,839 16,839 0 Sold out; LKS 18AM 2018 Cumberland Is. Nat’l Seashore Silver 5-oz. Unc. Coin 16,102 16,108 6 Mintage limit 20,000 18AN 2018 Block Is. Nat’l Wildlife Refuge Silver 5-oz. Unc. Coin 15,700 15,706 6 Mintage limit 20,000 19AJ 2019 Lowell Nat’l Historical Park 14,430 14,448 18 19AK 2019 American Memorial Park 13,615 13,627 12 19AL 2019 War in the Pacific Nat’l Historical Park 13,672 13,724 52 19AM 2019 San Antonio Missions Nat’l Historical Park Released August 29, 2019; not yet on report PROOF SETS ATB Quarters Proof Sets 18AP 2018 ATB Quarters PF Set 85,813 85,817 4 19AP 2019 ATB Quarters PF Set 57,677 57,933 256 U.S. Mint Proof Sets 18RG 2018 U.S. Mint PF Set 506,565 506,814 249 19RG 2019 U.S. Mint PF Set 387,208 390,398 3,190 Other Proof Sets 18RD 2018 Birth Set 30,638 30,699 61 18RE 2018 Happy Birthday Set 17,705 17,705 0 18RF 2018 Congratulations Set 19,267 19,267 — Sold out; LKS; off Mint report 18GA 2018 American Innovation $1 Proof Coin/Set 187,655 188,645 990 19RD 2019-S Birth Set 17,178 17,483 305 19RE 2019-S Happy Birthday Set 14,481 14,618 137 19RF 2019 Congratulations Set 25,309 25,351 42 19NR 2019 Native American $1 Coin & Currency Set 34,882 37,282 2,400 SILVER PROOF SETS America the Beautiful Quarters Silver Proof Sets 18AQ 2018 ATB Quarters Silver PF Set 78,192 78,216 24 19AQ 2019 ATB Quarters Silver PF Set 61,360 61,580 220 U.S. Mint Silver Proof Sets 18RH 2018 U.S. Mint Silver PF Set 324,795 325,047 252 19RH 2019 U.S. Mint Silver PF Set 288,511 290,459 1,948 Limited Edition Silver Proof Sets 18RC 2018 Limited Ed. Silver PF Set 47,880 47,966 86 Product limit 50,000 Other Silver Proof Sets 18XC San Francisco Mint 2018 Silver Reverse Proof (50th Anniversary) Set 199,116 199,116 — Sold out; LKS; off Mint report UNCIRCULATED COIN SETS America the Beautiful Quarters Uncirculated Sets 18AA 2018 ATB Quarters Unc. Set 32,142 32,169 27 19AA 2019 ATB Quarters Unc. Set 22,642 22,793 151 U.S. Mint Uncirculated Sets 18RJ 2018 U.S. Mint Unc. Set 252,225 252,388 163 19RJ 2019 U.S. Mint Unc. Set 243,564 245,480 1,916 CIRCULATING COIN SETS 17AC 2017 ATB Quarters Circ. Set 24,549 24,589 40 18AC 2018 ATB Quarters Circ. Set 20,588 20,625 37 OTHER SPECIAL PRODUCTS YC1 2014 Coin Discovery Set 13,011 13,027 16 Product limit 45,000 19XGC 2019 Rocketship Set 49,921 49,921 0 19XGB 2019 Explore and Discover Set 28,809 28,954 145 19XC 2019 Mighty Minters Ornament 2,123 2,316 193 19XD 2019 U.S. Mint Ornament 3,004 3,296 292 AMERICA THE BEAUTIFUL QUARTERS BAGS AND ROLLS 2018 Pictured Rocks National Lakeshore 18ABA 2018 ATB Pic. Rocks 100-Coin Bag (P) 2,271 2,271 0 18ABB 2018 ATB Pic. Rocks 100-Coin Bag (D) 2,382 2,382 0 18ABC 2018 ATB Pic. Rocks 100-Coin Bag (S) 4,187 4,187 0 18ARA 2018 ATB Pic. Rocks 2-Roll Set (80 Coin) (P&D) 6,529 6,529 0 18ARB 2018 ATB Pic. Rocks Single Roll (40 Coin) (S) 3,869 3,869 0 18ARC 2018 ATB Pic. Rocks 3-Roll Set (120 Coin) (P&D&S) 8,944 8,944 0 2018 Apostle Islands National Lakeshore 18ABD 2018 ATB Apostle Is. 100-Coin Bag (P) 2,081 2,081 0 Sold out; LKS 18ABE 2018 ATB Apostle Is. 100-Coin Bag (D) 2,075 2,075 0 Sold out; LKS 18ABF 2018 ATB Apostle Is. 100-Coin Bag (S) 4,088 4,088 0 Sold out; LKS 18ARD 2018 ATB Apostle Is. 2-Roll Set (80 Coin) (P&D) 6,306 6,306 0 Sold out; LKS 18ARE 2018 ATB Apostle Is. Single Roll (40 Coin) (S) 3,669 3,669 0 Sold out; LKS 18ARF 2018 ATB Apostle Is. 3-Roll Set (120 Coin) (P&D&S) 8,338 8,338 0 Sold out; LKS 2018 Voyageurs National Park 18ABG 2018 ATB Voyageurs 100-Coin Bag (P) 2,121 2,121 0 18ABH 2018 ATB Voyageurs 100-Coin Bag (D) 2,153 2,153 0 18ABJ 2018 ATB Voyageurs 100-Coin Bag (S) 3,854 3,854 0 18ARG 2018 ATB Voyageurs 2-Roll Set (80 Coin) (P&D) 6,231 6,231 0 18ARH 2018 ATB Voyageurs Single Roll (40 Coin) (S) 3,680 3,680 0 18ARJ 2018 ATB Voyageurs 3-Roll Set (120 Coin) (P&D&S) 8,370 8,370 0 2018 Cumberland Island National Seashore 18ABK 2018 ATB Cumberland Is. 100-Coin Bag (P) 2,114 2,119 5 18ABL 2018 ATB Cumberland Is. 100-Coin Bag (D) 1,982 1,987 5 18ABM 2018 ATB Cumberland Is. 100-Coin Bag (S) 4,024 4,032 8 18ARK 2018 ATB Cumberland Is. 2-Roll Set (80 Coin) (P&D) 6,125 6,128 3 18ARL 2018 ATB Cumberland Is. Single Roll (40 Coin) (S) 3,724 3,726 2 18ARM 2018 ATB Cumberland Is. 3-Roll Set (120 Coin) (P&D&S) 8,196 8,204 8 2018 Block Island National Wildlife Refuge 18ABN 2018 ATB Block Island 100-Coin Bag (P) 2,071 2,077 6 18ABP 2018 ATB Block Island 100-Coin Bag (D) 2,050 2,055 5 18ABQ 2018 ATB Block Island 100-Coin Bag (S) 3,731 3,738 7 18ARN 2018 ATB Block Island 2-Roll Set (80 Coin) (P&D) 5,998 6,001 3 18ARP 2018 ATB Block Island Single Roll (40 Coin) (S) 3,614 3,616 2 18ARQ 2018 ATB Block Island 3-Roll Set (120 Coin) (P&D&S) 8,083 8,099 16 2019 Lowell National Historical Park 19ABA 2019 ATB Lowell 100-Coin Bag (P) 2,293 2,301 8 19ABB 2019 ATB Lowell 100-Coin Bag (D) 2,158 2,167 9 19ABC 2019 ATB Lowell 100-Coin Bag (S) 3,651 3,661 10 19ARA 2019 ATB Lowell 2-Roll Set (80 Coin) (P&D) 5,890 5,900 10 19ARB 2019 ATB Lowell Single Roll (40 Coin) (S) 3,405 3,415 10 19ARC 2019 ATB Lowell 3-Roll Set (120 Coin) (P&D&S) 7,934 7,954 20 2019 American Memorial Park 19ABD 2019 ATB Am. Memorial 100-Coin Bag (P) 2,202 2,220 18 19ABE 2019 ATB Am. Memorial 100-Coin Bag (D) 2,154 2,172 18 19ABF 2019 ATB Am. Memorial 100-Coin Bag (S) 3,481 3,499 18 19ARD 2019 ATB Am. Memorial 2-Roll Set (80 Coin) (P&D) 5,679 5,684 5 19ARE 2019 ATB Am. Memorial Single Roll (40 Coin) (S) 3,294 3,305 11 19ARF 2019 ATB Am. Memorial 3-Roll Set (120 Coin) (P&D&S) 7,622 7,644 22 2019 War in the Pacific National Historical Park 19ABG 2019 ATB War Pacific 100-Coin Bag (P) 1,976 1,989 13 19ABH 2019 ATB War Pacific 100-Coin Bag (D) 1,891 1,913 22 19ABJ 2019 ATB War Pacific 100-Coin Bag (S) 3,429 3,462 33 19ARG 2019 ATB War Pacific 2-Roll Set (80 Coin) (P&D) 5,451 5,468 17 19ARH 2019 ATB War Pacific Single Roll (40 Coin) (S) 2,961 2,980 19 19ARJ 2019 ATB War Pacific 3-Roll Set (120 Coin) (P&D&S) 7,375 7,412 37 2019 San Antonio Missions National Historical Park 19ABK 2019 ATB San Antonio 100-Coin Bag (P) Released August 26; not yet on report 19ABL 2019 ATB San Antonio 100-Coin Bag (D) Released August 26; not yet on report 19ABM 2019 ATB San Antonio 100-Coin Bag (S) Released August 26; not yet on report 19ARK 2019 ATB San Antonio 2-Roll Set (80 Coin) (P&D) Released August 26; not yet on report 19ARL 2019 ATB San Antonio Single Roll (40 Coin) (S) Released August 26; not yet on report 19ARM 2019 ATB San Antonio 3-Roll Set (120 Coin) (P&D&S) Released August 26; not yet on report NATIVE AMERICAN $1 COIN BAGS, BOXES, AND ROLLS 18NA 2018 NA $1, 25-Coin Roll (P) 16,695 16,720 25 18NB 2018 NA $1, 25-Coin Roll (D) 15,873 15,898 25 18NC 2018 NA $1, 250-Coin Box (P) 1,865 1,865 0 Sold out; LKS 18ND 2018 NA $1, 250-Coin Box (D) 1,874 1,874 0 Sold out; LKS 18NE 2018 NA $1, 100-Coin Bag (P) 1,931 1,931 0 18NF 2018 NA $1, 100-Coin Bag (D) 1,929 1,930 1 19NA 2019 NA $1, 25-Coin Roll (P) 13,051 13,131 80 19NB 2019 NA $1, 25-Coin Roll (D) 12,740 12,811 71 19NC 2019 NA $1, 250-Coin Box (P) 1,399 1,414 15 19ND 2019 NA $1, 250-Coin Box (D) 1,438 1,464 26 19NE 2019 NA $1, 100-Coin Bag (P) 1,197 1,216 19 19NF 2019 NA $1, 100-Coin Bag (D) 1,100 1,116 16 AMERICAN INNOVATION $1 COIN BAGS AND ROLLS 18GBA 2018 American Innovation $1 100-Coin Bag (P) 2,935 2,935 0 Sold out; LKS 18GBE 2018 American Innovation $1 100-Coin Bag (D) 2,954 2,954 0 Sold out; LKS 18GRA 2018 American Innovation $1 25-Coin Roll (P) 13,641 13,774 133 18GRE 2018 American Innovation $1 25-Coin Roll (D) 12,938 13,066 128 18GE 2018 American Innovation $1 Rev. PF Coin 71,184 72,711 1,527 KENNEDY HALF DOLLAR BAGS AND ROLLS 18KA 2018 Kennedy 50c, 200-Coin Bag (P&D) 8,890 8,893 3 18KB 2018 Kennedy 50c, 2-Roll Set (P&D) 22,077 22,098 21 19KA 2019 Kennedy 50c, 200-Coin Bag (P&D) 4,857 5,132 275 19KB 2019 Kennedy 50c, 2-Roll Set (P&D) 16,347 16,493 146 AMERICA THE BEAUTIFUL QUARTER 3-COIN SETS 17AD 2017 ATB 3-Coin Set, Effigy Mounds 14,189 14,199 10 17AE 2017 ATB 3-Coin Set, F. Douglass 15,167 15,178 11 17AF 2017 ATB 3-Coin Set, Ozark 14,592 14,603 11 17AG 2017 ATB 3-Coin Set, Ellis Island 16,947 16,947 — Sold out; LKS; off Mint report 17AH 2017 ATB 3-Coin Set, G.R. Clark 13,816 13,823 7 18AD 2018 ATB 3-Coin Set, Pictured Rocks 15,397 15,397 0 18AE 2018 ATB 3-Coin Set, Apostle Islands 14,106 14,113 7 18AF 2018 ATB 3-Coin Set, Voyageurs 14,006 14,019 13 18AG 2018 ATB 3-Coin Set, Cumberland Island 13,151 13,165 14 18AH 2018 ATB 3-Coin Set, Block Island 13,113 13,126 13 19AD 2019 ATB 3-Coin Set, Lowell 13,031 13,074 43 19AE 2019 ATB 3-Coin Set, American Memorial 12,682 12,725 43 19AF 2019 ATB 3-Coin Set, War in the Pacific 12,645 12,722 77 19AG 2019 ATB 3-Coin Set, San Antonio Missions To be released September 10, 2019
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