#Mani rathnam

[megandanvers08]

Nambi : The crown of the great Chozha kingdom is now on your head

Vandhiya Devan : *grinning* Isn't it great?

Nambi : keep it safe

Vandhiya Devan : The crown?

Nambi : your head

[homuraakemis]

My favorite Dark fanvids - Part 1

JONAS/MARTHA

Jonas & Martha | Bound for eternity. by HelenMand

Jonas & Martha - A Perfect Match by Irina Rusinova

(Dark) Martha & Jonas | silhouettes by Julies

Jonas & Martha | The Night We Met by GlamourStar0x

Dark | Netflix | Goodbye | Jonas and Martha by Forget It

Jonas and Martha // Dynasty (Dark S1,2,3) by Dacg

Losing game||Jonas🤍martha-arcade|DARK by JOYBOY

Flickers (Jonas/Martha - Dark) [Season 3] by briony

sweater weather - jonas & martha by micaela

martha & jonas - everything i wanted [dark] [s3] by Archiekins

Jonas & Martha • One way or another by sigyn27

jonas and martha | but we are the mistake by teamezria53098

Born To Die: Martha and Jonas || DARK [season 3] by Meha Stillmeya

Jonas & Martha - Familiar | Dark by CHET惡

Jonas & Martha | All the things she said by perspƎctive

Jonas and Martha| Six Feet Under by KBPRODUCTIONS

I'm only a fool for you || Jonas & Martha by Ceiwyn

Lovely || Martha and Jonas [S1-S2-S3-SPOILERS] by pau vala

Jonas e Martha - Nós ficamos perfeitos junto. Nunca duvide disso. by AA EDIT

(Dark) Jonas Kahnwald & Martha Nielsen || Remains by 𝐁.𝐊.𝐃 𝐄𝐃𝐈𝐓𝐒

Wicked Games - Jonas & Martha - Dark - Ursine Vulpine ft. Annaca by whiterose87

The Labyrinth Song [Dark, Jonas/Martha] by falafelfilms1

Jonas & Martha - Adam & Eve | Tribute video | Dark | Tv Show | Channel K Square Tribute by Night King

Jonas and Martha by Arafat Malitha

Jonas x Martha | Dark | Daylight by StrangeOrange

jonas and martha edit - fine line by ancie

Dark - Me and the Devil | Martha and Jonas by Mani Rathnam

Jonas & Martha - Hold On | Dark by nupur

Jonas & Martha - Dark edit by valeoftear

jonas and martha edit // bloodstream by voidemons

Jonas X Martha - Without Me [Dark Netflix] by Metefizique

Jonas & Martha [ Dark ] || Surrender [ + S3 ] ( sub eng + sub ita) by DreamSara1

Jonas and martha/ Another love/ Moonlight by Moonlight

ADAM & EVA || time to say goodbye || DARK S3 SPOILERS by Zuxinha

Jonas & Martha | Surrender | Dark | S3 by sararufus

Jonas & Martha - Get You The Moon by Evan Haze

Jonas & Martha | Let me down slowly by movsrimus

Martha & Jonas 8 by Projeto NEXUS

Jonas ❤ Martha - Back To You [AMV] || Dark || @v3gen3666 by V3 GEN

A Thousand Years | Dark | Jonas & Martha | Twilight | Christina Perri by Cupful

Dark: Jonas & Martha - Lovely by D P A

Jonas and Martha (Dark) - My Immortal by Cerine Sp

Jonas + Martha | Dynasty by Martina Benedetti

Jonas and Martha- Take me to church by mikasa_braun edits

Jonas & Martha / Where's My Love by alexbarrioz

martha & jonas | we're not a good match. by ultraangst

Make you mine | Jonas and Martha #dark #jonas #martha#preset by Perman

Jonas & Martha [ Dark ] - Let Me Down Slowly - Alec Benjamin by R U B A I T H

#DARK⚫#Jonas⚪#Marta⚫#Adam⚪#Eva📀Final series, the Dark Eva and Adam best moments/🎶Take Me to Church by GOLDEN MUSIC TV ოქროსფერი TV

Jonas and Martha Dark | Rewrite the stars ✨ by Notion Spell

DARK -Jonas and Martha | Into your Arms | Ava Max by Grinchy Guy

Dark | into your arms | Jonas & Martha #dark #intoyourarms by Mohamed Fayaz

Ed Sheeran - Perfect, Martha & Jonas (Sub. Español) Dark. by minasooul

Martha & Jonas || Falling by elei

Jonas x Martha || We Could Leave by elei

Jonas + Martha (but it's a rom-com) || Dead or Alive – You Spin Me Round by Stranger

Jonas And Martha - Perfect Match by Magic Official Channel

Jonas and Martha || Playing love by Tatiana Marano Edits

Martha X Jonas♥️| dark love story | HEART CANDY by Thangavel K

Martha and Jonas - Can You Feel My Heart by Well Edits

Jonas & Martha | You are a memory by Hanxa

jonas&martha / a glitch in the matrix (their story) by PerfectLife

jonas & martha | a glitch in the matrix [s3] by Delena Fan Girl

My Love Will Never Die | Claire Wyndham | Jonas & Martha | DARK NETFLIX | Lucifer | by SRK TUBE

jonas&martha - i found love where it wasn't supposed to be - dark by Anna Clara Aquino

Jonas & Martha︱Lovestory︱Dark Netflix by TrailerGen

Ghost in the Machine - Jonas&Martha by lilitifrock

Dark | Jonas & Martha | Perfect Match by Farid Pasha

Dark | Jonas & Martha | We're a Perfect Match (Music Video) by M.G.

NF - If you want love // JONAS & MARTHA (Dark) by Sarthac

Martha&Jonas | Remember To Remember Me by LibertyInfinity

Martha & Jonas - The Birds by shoxbroken

Together we'll be running somewhere new... ? by Lou Nyx

I Don't Deserve You (Jonas & Martha) by Chloi Manon

jonas & martha | lost on you (Türkçe Çeviri) by liv

DARK: Jonas & Martha || A Glitch in The Matrix by Malati Di The Walking Dead

Jonas & Martha | A glitch in a matrix (DARK) by Earwen

Jonas & Martha X Yellow. whatsapp status by Editplus15

D A R K ||Jonas & Martha|| Love💕|Webseries| by Baby bear💞🐻

Jonas & Martha: Die With You by FairyCutie86

DARK || Martha + Jonas || So Fern, So Nah by Cryss

𝕯𝖆𝖗𝖐 𝖜𝖍𝖆𝖙𝖘𝖆𝖕𝖕 𝖘𝖙𝖆𝖙𝖚𝖘 ∣ 𝖏𝖔𝖓𝖆𝖘 𝖆𝖓𝖉 𝖒𝖆𝖗𝖙𝖍𝖆 ∣ 𝖓𝖊𝖙𝖋𝖑𝖎𝖝 by Alan

DARK | A Glitch in the Matrix by inferno92000

Martha and Jonas/ Dark/ Angel Koda Lyrics Sub Español by Random ML&CV

Jonas and Martha || Dark Netflix by Galaxy Edits

Jonas and Martha || Dark Netflix || #shorts #new #news #newstatus #whatsappstatus #whatsapp by Galaxy Edits

Night We Met || DARK by Skaotic Edits

Jonas and Martha || Always Remember Us This Way || by Wantit T.V

DARK You and I are perfect for each other. Never believe anything else by UCHIHA ITACHI

Jonas and Martha/Secrets by Isombard

Jonas and Martha • Nobody Like You • Dark by EditionMix

'∞' Dark Series Netflix - In the end by BlendSk Mix

Jonas & Martha - Wir Sind Falsch (Dark Netflix Series) by DAN

Ready to Start (Jonas/Martha - Dark) by briony

Adam and Eva : Jonas and Martha Dark season 3 ft Electric love by detheditz

Jonas and Martha | Adam and Eve by Keshav Kashyap

DARK OPENING THEME SONG | good bye whatsapp status | true love whatsapp status | Netflix series by vlovely_ videos

DARK , Season - 3 (Jonas and Martha❤️) by Nikhil S

❤Jonas and Martha❤~|●Dark●|Best WhatsApp Status by Mojo Hub

//whatever happened to the young, young lovers.

[elderflowergin]

Twenty Questions

@rosyfingered-moon and @drivingsideways thanks for the tag! :D

1. How many works do you have on AO3? 24

2. What's your total AO3 word count? 170,114, which feels quite unbelievable.

What fandoms do you write for? So far on ao3 it's been for various Kdramas.

What are your top 5 fics by kudos?

the process of discovery (Extraordinary Attorney Woo) - I am glad this one resonated so well with readers.

buy cars, cut cards (Vincenzo) - this surprised me, because I wrote it the fastest and it's so short.

low in the weeds (Hyena) - my maiden effort!

or an excuse to stay on deck (Glory)

but I linger on, dear (Hyena)

Do you respond to comments? Why or why not?

I don't get many and I do try to reply to everyone (except occasionally @haraxvati's because I'm usually a puddle of goo when I'm done reading what she has to say). Someone once said they wanted to get a fic tattooed, which is a pretty amazing compliment!

What is a fic you wrote with the angstiest ending?

None of my fics have angsty endings, though they traverse some pretty angsty paths.

What's the fic you wrote with the happiest ending?

I don't know how you'd measure "happiest"; all of them involve my faves finding their way to be together.

Do you get hate on fics?

Thankfully no.

Do you write smut? If so, what kind?

I do, with great difficulty. I often end up with something different from what I intended at the start. Most recently with or an excuse to stay on deck, I like to say I wanted I Wanna Be Your Slave by Maneskin and ended up with I Wanna Be With You by Mandy Moore - 'twas ever thus.

I am trying to be more thoughtful and grounded about it these days.

Do you write crossovers? What's the craziest one you've written?

I've borrowed characters, but I don't think I've ever written a proper crossover.

Have you ever had a fic stolen?

Not that I know of.

Have you ever had a fic translated?

No, but I'd love that!

What's your all-time favorite ship?

I can't pick a favourite ship - they're all my messy children and I love them all pretty equally.

What's a wip you want to finish, but doubt you ever will?

There is a Vincenzo AU fic that I have seen in my mind's eye. It has Hong Cha-young being the agent of her own revenge. I know how it ends, I know how it goes. I know that it will be good. I cannot for the life of me write beyond the 20k words I already have.

I don't want to say I doubt I ever will finish it, because hope springs eternal!

I did post a mini excerpt for the Reborn Rich fandom which would have turned into a Jin Do-jun/Oh Se-hyeon fic (except I gender-swapped Jin Do-jun to be played by Jeon Yeo-been). I'm positive I will never finish that, but I think it would have been a good story.

What are your writing strengths?

I think I land a good one-liner from time to time.

What are your writing weaknesses?

Consistency, pacing, dialogue - I'll steal Pri's answer here and confess that my hope is to improve the more I write.

Thoughts on writing dialogue in another language for a fic?

Many moons ago I wanted to do a fic for the Mani Rathnam movie Chekka Chivantha Vaanam. I considered Tamil dialogue for it between Jyothika and Vijay Sethupathy's characters that I would translate to English. I'm amused by this because so many of Mani Rathnam's characters speak like someone wrote their dialogues first in English and translated them into Tamil.

First fandom you wrote for?

Godfather in 2003 or 2004.

Favorite fic you've written?

I think the fic that has the most of me in it is metadata.

I will always have a soft spot for my Chief of Staff fics, especially this one. I'm not sure I'll have the bandwidth to do something like that again, but I'm proud of how I wrote that one.

tagging @cupofteaandstars @haraxvati @theinfinitedivides if you're interested!

[visuvff2917]

"Malaikottai",an Action Movie, Tomorrow, at 1.30p.m in Kalaignar TV.

Director -Boopathy Pandian.

Writer - Boopathy Pandian.

Producer - T.Ajay Kumar.

Cast - Vishal,Priya Mani,Devaraj,Ajay,Ashish Vidyarthi,Urvashi,Azhagu,Dhandapani,Mayilsamy,Ponnambalam,Poovilangu Mohan, Ajay Rathnam,Aarthi,Deepa Venkat,Rekha,Nirosha,G.M.Kumar,Manobala.

Cinematographer - Vaidy.S.

Editor - G.SasiKumar.

Music Director - Mani Sharma.

Production Company - Sri Lakshmi Productions.

#incredible

#incredibletalent

#multitalent

#PuratchiThalapathy

#ActorLife #actor

#actorvishal

#actorvishalofficial

#actorvishalkrishna

#actionvishalkrishnareddy

#vishalkofficial

#vishalkrishna

#vishal

#visuvff🌟

#vffvisu🌟

#vff

#vishalfilmfactory

#VFF

#actorlife

#vmusic

#goldenstar

#AsiaStar

#asianstar

#kollywoodcinema

#tamilcinema

#Blockbuster

#MegaBlockbuster

#malaikottai

#malaikottaimovie

#malaikottaihitmovie

[jackoshadows]

A movie about the Chola dynasty, a Tamil empire in South India during  3rd century BCE, and still the main characters are played by light skinned actresses.

India continues to be a colorist hell hole.

The book is really good and I want to be excited for this, but this first look poster just make me angry at the colorism and implications.

Obviouly, this movie aims to be a faithful adaptation of Kalki’s ‘Ponniyin Selvan’, which itself is rooted in the history of the 10th and 11th centuries Chola dynasty. First, historically, it’s a known fact that Kundavai Pirattiyar was a bold woman who is believed to have been one of the shadow architects of Rajaraja Cholan’s power and empire. Secondly, Kalki’s novel is clearly about the joys and sorrows of the royal dynasty mainly and not the population over which they ruled. Thirdly, Kundavai is described for her beauty and her fair skin may be pointed out by Kalki as one of the traits of her beauty (I write « may » because I suppose so, I don’t remember all her descriptions in the novel). In short, if the director wanted to adapt the novel’s universe ‘as it is’, it’s not a surprising representation of Kundavai.

But it’s actually not (really) what is disturbing here. If Kundavai was portrayed alone, my colorism radar would not have turned on.

The problematic fact is the urge to portray the fair-skinned princess surrounded by dark-skinned girls. The problematic fact is that the chromatic and aesthetic composition of the poster is based on the obvious skin tone contrast between the princess whose light-skinned face appears in a halo of light and her little ladies who appear like a darker embroidery around her radiant presence. The problematic fact is that there has clearly been a work to enhance the poster’s tones which creates a striking difference between the fair Kundavai and the girls who are strangely so homogeneously dark-skinned.

Then, what is the purpose of this bunch of dark-skinned girls on a first look poster which doesn’t give any information on the plot, if not to highlight the fair-skinned princess’s beauty ? Does their presence have any other meaning than decorative ?

Their skin color in this poster (and I guess, in the film) is not a random fact, it has been chosen by the film artistic team to create a certain representation of a female protagonist which itself is rooted in an obvious and quite long-standing colorism in Tamil popular culture, which itself is rooted in casteism and colonialism. Thus, this poster is not an exception in Tamil cinema. Think about all these song sequences where the light-skinned amidst a myriad of dark-skinned dancers

[ishvaria-sansara]

OK Kanmani (2015)

[newscountryindia]

Aishwarya Rai Bachchan looks unrecognisable in THIS throwback picture with Bobby Deol and Subhash Ghai - Times of India

Aishwarya Rai Bachchan looks unrecognisable in THIS throwback picture with Bobby Deol and Subhash Ghai – Times of India

[ad_1]

Aishwarya Rai Bachchan has to her credit over two decades in Bollywood and here’s a picture from her initial days in the industry. The beauty queen looks unrecognisable in this click as she poses with co-star Bobby Deol and filmmaker Subhah Ghai. Aishwarya had marked her Bollywood debut with ‘Aur Pyaar Ho Gaya’, alongside Bobby. Dressed in a simple blue dress and minimalistic jewellery,…

[weeguttersnipe]

Who do you love the most?

Kushi (Tamil, 2000)

[novarose24]

Writings from Offline {Ep.2}

Raavanan

Director: Mani Rathnam

(Warning: spoiler alert)

Raavanan was an effort by the director to show the perspective from Raavanan in a modern sense. The title pretty evidently conveys that by the end, we would understand Raavanan’s perspective of the happenings in the Ramayana.

The movie, without any elaborate revealing, shows the widely perceived antagonist in the very first scene. One of the prime setting of the movie, water and river is also revealed in this scene. From here, we meet “Sita” who is then abducted by “Raavanan”.  We also meet the eagle for the first time, in this sequence. Being a symbol for Vishnu, it is of significant importance and visits again in later parts.

The title scene follows which has red, fire and shades of brown dominating the background. The song says “Veera” which literally means a brave warrior, giving an aura of justice and righteousness to the character.

The scene that follows is the one where our “Ram” is intimated about his wife’s kidnapping. The coolers hide his eyes, but it was pretty evident that he was more upset and angrier than worried. His face showed an expression of determination to kill his enemy.

The characters in the story embody the traits of the characters in the Ramayana, but are conveniently modified to suit the needs of the story. “Raavanan” is manifested as “Veera”, a dacoit who is a savior to the people but a villain in the eyes of law - in some sense, a robin-hood. The people who inform the police of their encounter with Veera have ten different accounts to give of him, almost like he had ten different faces. The repetition of the reference to ten faces is a common occurrence in the progression of the film. Ten different voices too torment him. There is no transition of character in the film except that he falls in love with the woman that he had kidnapped. His ideals and values remain the same. The change occurs in the perception of the audience.

The audience observe this change through the eyes of “Sita”, here “Raagini”. Since the emphasis is only on Raavanan in this story, Sita only functions as a tool for us to observe this change; she doesn’t express her story despite being given almost an equal amount of screen time. In the scenes following her abduction and in the scenes at the end, she does express her opinions and her desires; otherwise she follows the conventional-ideal-wife trope. She has an undying love for her “Ram”, portrayed as “Dev”, who’s name literally means god. The naming might be an intentional action to draw attention to the juxtaposition of his name and his actions. He is a police officer, we are initially of the feeling that he is a good cop who is honest and righteous, but eventually we see that his determination to catch Veera turns into a bit of an obsession. He lies to his wife and hurts her in order to get to Veera. Rescuing his wife is not his main motive; much like Veera he uses Raagini as a bait to reach his target. There is no difference between the two men in this spectrum. Dev plays an important role but has approximately the same screen time as “Singaraasu” who could possibly be a representation of “Kumbakarnan”. Veera’s other brother is the most decent and “civilized” among them, like “” and is called “Sakkara”. These two are always on their brother’s side and help him with his work. Their representations don’t exactly fit their counterpart in the epic.

“Hanuman’s” representation as “Gyana Prakasham” suffers the same fate. He is a forest guard with good knowledge about navigation in the forest, but is crippled by his addiction to alcohol. It is confusing that Hanuman’s modern version is a drunkard.

“Lakshman” is also represented in a contradictory context; but he still hurts Veera’s sister,” Venilla” the same way Lakshman hurts Soorpanaka.  Hearing the story of his sister, Veera’s acts of revenge are diluted of their viciousness. We understand that there is a valid reason on his side too. The alternating shots between the flashback and Raagini’s shocked concerned face creates this feeling.

The scene following this tells us how this account from the criminal’s past has influenced Raagini. Raagini walks to the middle of the river where there is a broken statue of Vishnu. She prays for her anger to keep burning because she fears she pities Veera and is falling for him. She stands near the head of the statue but Raavanan stands at the feet of the statue. This simple placement of the characters captures the gap between the two in the social order.

In a successive scene, the exact opposite is conveyed when Dev flips the back-to-back photos of Raagini and Veera. It could stand for how he considers his journey to rescue his wife is equivalent to triumphing over his enemy or his doubt on his wife of being in close proximity with his enemy. His shouting for Veera and the talk about lies-detector support this. The interesting thing about the accusations that he frames on Raagini is that it is set in the tunnels giving us the feeling that we are in the dark regarding the true motives. The colour of their dresses in this scene is pivotal. Both Dev and Raagini where white initially. When Raagini meets Veera, Veera is still clad in black like he usually was in the film. When Dev emerges out of hiding, he is clad in white shirt and brown leather jacket for the first time instead of his usual pale colored clothes.

The majority of the screen is green and when Veera and his folk come in, it is covered in earthly colors of brown and black. All the songs with his folk involve rain, water, mud and great lyrics! The “Kodu potta” song is important in terms of their message to the world. They want their land and the freedom to govern it themselves. Another observation is that Raagini who shelters from the rain at first is seen getting wet in the during the end; not a significant act but it could possibly mean that she is learning to enjoy their ways too. Another example for the developing soft corner in her heat is her clothing. Could be said to be a requirement of the plot, but the fact that she dressed in a red saree that turns brown in the rain is significant in my view.

The music and the songs all act as a measure of civilization. The songs of the tribe are more upbeat with mainly percussion and some kind of horns. The dialect used for the lyrics just like their speech is different. The song of the “civilized” world, “Kalvare”, is more classical and has a more refined version of the language. Also, it is the only vision we have of the two and their life before.

The narration of the story shifts from the actual chronology of events. The story begins with no pretext, with the kidnap of Raagini, then we have a short idea of Raagini and Dev’s happy life, the story continues showing the different sides of Veera and Dev and the dilemma that Raagini faces, there is flashback giving us Veera’s backstory and then the events flow to the climax.

The jumps from scenes and the sequencing were typically good but the editing didn’t quite meet expectations. A lot of unwanted scenes were left unedited.

The other is the references in the film to Ramayana. The story by itself pretty evidently points to the Ramayana. The constant references in dialogues seemed unnecessary personally; if the details were played more subtly, it would have been more interesting to search for the tethering between the two tales. For example, repetitive scenes that emphasis the distance that Veera maintains with Raagini was overplayed that it got a bit boring.

The only time he touches her is prevent her from harm when Dev shoots during the climax. In the consecutive scenes, Raagini and Veera reach out their hands to touch each other but that doesn’t happen. As the audience are waiting with a yearning for the two of them to meet, they are left uncompensated and conflicted with the death of Veera.

[megandanvers08]

Just watched Ponniyin Selvan and here's what's in my mind.

Vandhiyatthevan is bisexual (at least according to me). I mean, did you notice how his face was when Arulmozhi placed the crown on his head?! Not to mention that scene where he drew Sendhan Amuthan closer to him and threatened him.

Kundhavai and Nandhini are in my crush list now.

[vsplusonline]

Malaika Arora on 'Chaiyya chaiyya' remix: Don't tamper with it, just let the original be! - Times of India

New Post has been published on https://apzweb.com/malaika-arora-on-chaiyya-chaiyya-remix-dont-tamper-with-it-just-let-the-original-be-times-of-india/

Malaika Arora on 'Chaiyya chaiyya' remix: Don't tamper with it, just let the original be! - Times of India

Dancing diva Malaika Arora shot to fame with the song ‘Chaiyya chaiyya‘ back in 1998. She feels that though there is a trend of remixes these days, the A R Rahman composition is one of those numbers that simply shouldn’t be touched.

The song ‘Chaiyya chaiyya’, sung by Sukhwinder Singh and Sapna Awasthi, for the Mani Rathnam film ‘Dil Se’ is an all-time favourite dance number of most people. Its video featured Malaika and superstar Shah Rukh Khan matching steps atop a train, and continues to be popular.

Malaika recently danced to the number in an episode of the new dance reality show. When asked about it, Malaika said, “When you play that song, you can’t help but get up and dance. It is an iconic song. When I shot the song, Geeta (Kapur) was assisting Farah (Khan) at that time. I used to study under Terence (Lewis), Geeta assisted me on that dance. It was nice. We felt that ‘let’s just go for it’.” But there’s one thing she would like to point out about recreations.

“In today’s day and age there is a constant trend of remixes. There are a few songs that I think you should never touch. They are iconic. There must be five or 10 songs over the years that you can pull out. ‘Chaiyya Chaiyya’ is one of them. Don’t tamper with it, just let the original be and that’s how it should be,” she said.

She doesn’t have anything against recreations though. “I think some of the remixes are fantastic and go with today’s age and kids but yeah, there are certain things you should not tamper with like ‘The Godfather’ or ‘Mother India’ are iconic films. You should just let them be,” she shared.

Meanwhile, Malaika will be judging “India’s Best Dancer” along with Terence and Geeta. It will premiere on February 29 on Sony Entertainment Television.

“I have never done a dance show which is solo based. I have done celebrity based dance shows, I have done a variety show, which had all kinds of entertainment like singing, dancing and comedy. This is the first time that I am doing a dance show like this,” said the former judge of “Jhalak Dikhhla Jaa”.

“It has its challenges and its space where I feel amazing to learn so much on the show. I feel my co-judges have a lot of technique and expertise about dance and dance forms. When it comes to me, I am a very emotional person. I judge from my heart,” she added.

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[thatisymagazine-blog]

#IndianFilm #Director #Mani #ManiRathnam #ManrathnamOffice #BombThreat #NawabDialogues దర్శకుడు మణిరత్నంకు అనుకోని షాక్ పరిశ్రమలో మణిరత్నం సినిమాలకు చాలా ప్రత్యేకత ఉంది.కొంత కాలంగా ఆయన సినిమాలు పెద్దగా విజయం సాధించలేదు.దీంతో మణిరత్నం మార్కు పడిపోతుంది అని వార్తలు వస్తున్న తరుణంలో, తాజాగా విడుదలైన 'నవాబ్ 'తో మళ్లి తన మార్కును చూపించాడు.ఈ చిత్రం అనుకున్న అంచనాలు చేరుకొని మంచి విజయాన్ని కూడా నమోదు చేసుకుంది.ఆ సంతోషంలో ఉన్న మణిరత్నంకు అనుకోకుండా ఒక షాక్ తగిలింది. నాగచైతన్య 'సవ్యసాచి' టీజర్ రిలీజ్ సోమవారం రాత్త్రి ఓ అజ్ఞాతవాసి మణిరత్నం ఆఫీస్ కు ఫోన్ చేసాడు.నవాబ్ లో కొన్ని అభ్యంతర కరమైన సన్నివేశాలు ఉన్నాయని,మీ కార్యాలయాన్ని బాంబులతో పేల్చి వేస్తామంటూ బెదిరించారు.దీంతో మణిరత్నం ఆఫీసు బృందం పోలీసులకు ఫిర్యాదు చేసారు.వెంటనే బాంబు స్కాడ్ తో వచ్చిన పోలీసులు ఆఫీసులో తనిఖీలు మొదలుబెట్టారు.ఎక్కడ బాంబు దొరక్క పోవడంతో అది ఫేక్ కాల్ గా పరిగణించారు.అంతేకాకుండా ఆ కాల్ ఎక్కడినుంచి వచ్చింది అని పోలీసులు విచారణ కొనసాగిస్తున్నారు.

[visuvff2917]

"Malaikottai",an Action Movie, Tomorrow, at 3.00p.m in MurasuTV.

Director -Boopathy Pandian.

Writer - Boopathy Pandian.

Producer - T.Ajay Kumar.

Cast - Vishal,Priya Mani,Devaraj,Ajay,Ashish Vidyarthi,Urvashi,Azhagu,Dhandapani,Mayilsamy,Ponnambalam,Poovilangu Mohan, Ajay Rathnam,Aarthi,Deepa Venkat,Rekha,Nirosha,G.M.Kumar,Manobala.

Cinematographer - Vaidy.S.

Editor - G.SasiKumar.

Music Director - Mani Sharma.

Production Company - Sri Lakshmi Productions.

#incredible

#incredibletalent

#multitalent

#PuratchiThalapathy

#ActorLife #actor

#actorvishal

#actorvishalofficial

#actorvishalkrishna

#actionvishalkrishnareddy

#vishalkofficial

#vishalkrishna

#vishal

#visuvff🌟

#vffvisu🌟

#vff

#vishalfilmfactory

#VFF

#actorlife

#vmusic

#goldenstar

#AsiaStar

#asianstar

#kollywoodcinema

#tamilcinema

#Blockbuster

#MegaBlockbuster

#malaikottai

#malaikottaimovie

#malaikottaihitmovie

[cinedicted-blog]

Stalking and Tamil Cinema: Romanticising Harassment

Does Tamil Cinema romanticise harassment? #Cinedicted #SexualHarassment #Stalking #TamilCinema #Kollywood

Stalking the female is edified as the primary strategy adopted by any Tamil protagonist to make a female fall in love. It is passed on as ‘fieldwork’ in Madras (2014). The protagonist Kaali is instructed by one of his friends to follow her all day and make himself noticeable to the girl, he fancies.

            “Fieldwork naa ennaa-nu kaekkuriyaa maamae! Unakku ennaa thaan vaela irundhaalum…

[ishvaria-sansara]

OK Kanmani (2015)

[myfirstshow]

Mani Rathnam next rolling from

https://www.myfirstshow.com/mani-rathnam-next-rolling/

Ace filmmaker Mani Ratnam is out of form for a long time. Except for ‘Ok Bangaram’ which is a decent result, none of his recent films worked at the box-office.  His last film, ‘Cheliya’ is a big disaster at the box-office. Now The Ace filmmaker is working on a Multi-starrer film featuring Arvind ...