#Marquise Chasseloup-Laubat

[artthatgivesmefeelings]

Joseph-Désiré Court (French, 1797 - 1865) Marquise Chasseloup-Laubat (probablement Marie Augustine Antoinette Le Boucher des Fontaines), 1831 Musée des Beaux-Arts de Rouen

[gogmstuff]

More pre-Victorian 1830s (from top to bottom) -

ca. 1830 Evening or wedding dress (location ?). From tumblr.com/andrayblue 1080X1350.

1831 Marquise Chasseloup-Laubat (probably Marie Augustine Antoinette Le Boucher des Fontaines) by Joseph-Désiré Court (Musée des Beaux-Arts de Rouen - Rouen, Normandie, France). From their Web site' enlarged by half 845X1181.

1830-1832 María Cristina de Borbón, Queen of Spain by José de Madrazo y Aguado (Prado). From their Web site 1280X1745.

1832 Marie Franziska von Freytag by ? (Salzburg Museum  - Salzburg, Salzburgland, Austria). From tumblr.com/history-of-fashion 766X963.

1832 Amalie Klein by Friedrich von Amerling (Österreichische Galerie Belvedere - Wien, Austria). From tumblr.com/history-of-fashion; fixed spots & cracks throughout w Pshop 2893X3508.

1835 Illustration from La Mode by Paul Gavarni. From tumblr.com/clove-pinks 1650X2048.

1836 Marriage Portrait of Charlotte de Rothschild by Moritz Daniel Oppenheim (Israel Museum - Jerusalem, Jerusalem District, Israel). From Google Art Project.

Lady with Pink Sash by Camille Joseph Etienne Roqueplan (Sotheby's - 29Jan22 auction Lot 703) 1583X2000.

[sartorialadventure]

A ferronnière [fɛʁ.ɔn.jɛʁ] is a style of headband that encircles the wearer's forehead, usually with a small jewel suspended in the centre. The original form of the headband was worn in late fifteenth-century Italy, and was rechristened a ferronnière at the time of its revival in the second quarter of the nineteenth century for both day and (more frequently) formal and evening wear.

The original ornament that later became called a ferronnière was popular in 15th-century Italy, where it could be made from metal or jewels.

The nineteenth-century ferronnière was worn from the late 1820s to the early 1840s, when it was considered to enhance a high forehead, and by the 1850s, it had fallen out of fashion. One contemporary source from 1831 describes the ferronnière as "a small plait of hair, adorned in the centre of the forehead by a large brilliant, from which depends another brilliant of the pear shape." It has been described as one of the most widely worn examples of historicism in early Victorian fashion, worn as a tribute to the Renaissance alongside beaded belts called cordelières inspired by medieval clothing and hairstyles named after historic women such as Agnès Sorel and Blanche of Castile. The ferronnière could be worn for either day or evening. Alternative terms for similar ornaments were the bandelette and the tour de tête.

The term “ferronnière“ originates in 1831, and is believed to come from a 1490s portrait attributed to the school of Leonardo da Vinci, erroniously called the La belle ferronnière since the 18th century.  “Ferronnière” is the feminine form of the word for “ironmonger” (in this case, referring to the wife of an ironmonger.

1.  Portrait of Natalia Pushkina by Alexander Brullov, 1831-2 2.  La belle ferronnière, school of Leonardo da Vinci, 1490-96 3.  Portrait of the Marquise Chasseloup-Laubat, Joseph-Désiré Court, 1831 4. Lilian Russell 5.  Théodolinde de Beauharnais, Princess of Leuchtenberg, 1840 6. Mary of Bavaria, Queen of Saxony 7.  Moritz Daniel Oppenheim, Portrait of Charlotte de Rothschild, 1836 8.  Francois Joseph Kinsoen (Kinson), Portrait of a Lady, 1810-15 9.  Portrait of Archduchess Sophie of Austria, neé Princess of Bavaria, mother of Kaiser Franz Josef. 1820′s

[history-of-fashion]

1831 Joseph-Désiré Court - Portrait of Marquise Chasseloup-Laubat

(Musée des Beaux-Arts de Rouen)

[alberto-cabornero]

Joseph-Désiré Court (1797–1865), Portrait de la Marquise Chasseloup-Laubat - 1831

[loumargi]

Portrait de la Marquise Chasseloup-Laubat, Joseph-Désiré Court, 1831.

[studioaartus]

joseph-désiré court, marquise chasseloup-laubat, 1831