#Mary Hould

[philippaulkelly]

Check out the highlights from “Rockquiem For A Wrestler.”

[eddiestar]

If you missed the “Elevated Staged Reading” of “Rockquiem For A Wrestler,” check out some highlights from Act 1 in the video above.

[tonupofficial]

Check out some highlights from Act 1 of “Rockquiem For A Wrestler.”

[mayoiayasep]

Can you tell me a bit about the 2wink twins please

i was about to go to sleep but anything i will stay up for the 2wink twins anything for the 2wink twins

unfortunately my knowledge for them is not bottomless but i do know!! some stuff!!

I do think I've already introduced them to you but yeah 2wink consists of Hinata and Yuuta Aoi, Hinata is the older(?) one but after the events of Setsubun they sometime switch the label. also. a lot of the stories I've read have a lot to do with their identities, Setsubun being the one that sticks out the most in my mind. bc like I've said before(?) people (their dad) thought they were unnatural for being too much alike, and bc of that even though they usually promote themselves as a two-in-one unit and Hinata usually takes the burden of taking care of the two of them onto himself by taking on extra jobs without telling Yuuta and tried to differentiate himself from Yuuta by changing up his personality to become more energetic and liking different colors and foods (yuuta likes spicy food and hinata likes sweet, its reflected int he solo song titles). Setsubun was Yuuta confronting Hinata about that and telling him to not throw a part of himself away just for him.

also, for most of ! era I think Rei was something of a parent figure to them??? and then in !! Rinne started to hang around Yuuta and the recent 2wink event to my v limited knowledge was half custody battle

anw!! yuuta also recently grew his hair out in the newest 2wink story!! i haven't fully read it yet so im not the surest as to why, but I do think it has to do with the character development that started with the setsubun festival!

cgs from the recent event<3

i love them a lot i need to read more about them <- says this about every character

[soul-embers]

This post has been haunting my drafts for weeks now I have to set it free. 

[ltwilliammowett]

Ships and the Teredo worm

What can happen when a ship catches Teredo worms and they are not detected in time. Was described in this entry written by Midshipman Jacob Bevan. In 1685 the Bristow Prize was sailing from the Comore Islands to India in convoy with the Prudent Mary and a frigate. On 4 June 1685 ,in heavy seas, the ship sprang a leak. 

The sinking of the Bristow Prize between the original lines of the entry of Midshipman Bevan The British Library (Sloane ms. 854 f. 106)

This morning. At 3 we found the Water to incres on us very much I went doune into oure Bread Roome and sent the Carpenter doune [down] into the foreroom seeking to find it [the leak] but Could not...we playing all oure pumps with all diligence as could be. [W]ebeing out of sight of the friggat [Frigate] and prudentmary we fired severall guns and made false fiers and had up our foresaile. [A]t 5 the frigate and the Prudent Mary come in sight...but the sea was so high that we did all think it was impossible for any boat to live...Capt.Tyrell seeing of oure sign and we keeping fiering of guns he commanded the boats to be hoisted out. At 7 we had the boats...and we made what we could to send oure men away having 45 English and 19 Lascars (Asian Sailors) ...Most of oure men was taken up by the boats, they left (jumped) overboard. [T]hem that could not swim had spars and oars and small yards so to go on for the boats could not come to the ship by reason the sea was very high. At 10 we had 18 Inches Water between oure decks, oure hould being full. Then we were on board, about 12 men and our captain; at 1/2 past the captain calls me to look out for the barge, which I did, and she came near our stern. The Captain stood with me at the rail, and while watching a hatch, we both got in safely.... Thank God... we all got safely aboard the frigate, except 3 or 4 sick men....[A]t noon She [the Bristow Prize] sunk, webeing about a mile from her. [O]ure men lost Most of they clothes. I lost all my instruments and spoiled all my books and lost most of my Clothes.

Excerpt from the log of the King George on 2 July 1719. The British Library (L/MAR/B 402 B)

In another case, the worm was detected in time and had not yet caused so much damage, but had to be watched by the carpenter. As it was recorded here in this logbook entry of the King George to an East Indiaman. This prevented worse from happening and the King George reached her destination safely. 

[siggyvennett]

Earth to Sig [September 18, 2021]

IN PROGRESS

Siggy links her arms with Mari as she walks up beside her, offering out a “Truce?” In between bowling rounds, yes, she was the Competition, and her and Port were on some Shit today with theirs, but also...feeling like she could use her friend, thrown into this whole Thing unexpectedly, of barely knowing Anyone, Connie included, the whole New Connie almost as jarring as anything else, and Ben, mm...giving a bit of a soft swallow, having seen him Here and There offhand over the years with the whole Family Friends shebang but not ever quite as Up Close and Personal, and he felt...Different, too, like him but with this new Aura the didn’t quite expect, the way he was naturally interacting with those girls who she didn’t quite want to admit made her feel like a schoolgirl all over again, a casual cool, almost — he was one of Anja’s People, her brain reminds her, should she expect anything less? Half wondering if fraternizing with him was kind of like fraternizing with the Enemy by Proxy, after the bullshit she put Mari through, but he fit in somewhere with her brother, too, or at least he Did, back in the day that this bowling thing was Apparently supposed to replicate but had somehow become a People Magazine article waiting to happen, maybe he was more like...her Mom’s people? She half wonders, more than anything via his own mom, so he could safely co-exist as an Anja’s People and a Ray’s People and was Safe in the whole tangled mess of Aries Brand Loyalties...but also the things she had Heard about him, for better or for Worse, there almost feeling like there had been both in Good Measure from what indirect little things she had picked up...before she realizes she was about to bump into fucking Jayna Z, not quite sure how she was breathing the same air as her, another part of this whole...clusterfuck of an experience, what even Was this, it almost making her feel...overwhelmed, in a way, how everyone else seemed to be on some New Shit, and she was just...Sig, feeling the pull as she realizes that Mari had just nearly saved her from faceplanting into one of the biggest Of The Moment It Girls, hearing the Earth to Sig, Earth to Sig...Blinking her eyes a bit as she looks behind her, realizing Ray and Em weren’t following... “...did they go Home? Ray and Em?” Siggy inquires to Mari, wondering if they were maybe feeling kinda...like she was in the moment.

[libidomechanica]

Untitled Composition # 8648

And by. —To stiffened earth Helluo, late, he  criminal Intent, that care: and tree, and  pleading Womans hands to gazers to  competence again, and layes, love, his,  and keeping, deflowrs, that the glance  once to gives form by the fixd moughts unto  your seemed I, in thy Throng. Replies:  perhaps his fiery eyes? Gleaning Face, the  retreat? Cages upon just not, thou shines, the  passion, her the kiss her shame  belly him escapt away, wherein this 

beating sweet odes that teach wish was  not deed that breast our deviled sounds  with the world hardly seniors  by, whereat the brows Gown: a Fan, and  rare strife; then be foredoom of human  she beauty was a large return  would not my métier, but been can  notice that love, but one Arm held: and  catch a very of one-too-m any a sun, which the body requite free,  and the time the Faery lately 

figure, as Hermitage. Throbbed to her  little Children, whom his cheeks were one  till a soft and Partridge saloon,  sure! Which make herse, but let vs eschew  the thou shall is beautifully at all that  them, my louely say and there dumb— and,  her new delight, his mind, the earst  move temples to the Watches  in watered then, for thirsty lips,  and and aim aloud: but no long with in  himself were is to me so luck 

delicacy; all weare, when  didst flies, my Mary, that I see how he is  nothing—from ever much graces, who dark will  move the wind; being harm, and kisses;  Found give, the wit, alone? and  drizling Cross for kings when each the  bed. at since the Labours one world  You would in clouded ray Some fro my bed.  when  a fact she did must taste flits, that  is yet sting, as enable, and  me as it just which after all 

the view, with beauties stronge, as  lord flowrs comb his terested is of all  part, of enfolde shall cope her yre: the  lookers bale of corn could he thine ownd. Than break  Dianas Law, or ivory part, heavens  squatted, and, puffins did not, Lusts meat, you  any hould be, strange as bliss, none cannot  let a spotlesse dare dismay, still we? With  ioy to the make therefore him  as mights more so farther, a purple-colours  arts throught eye-glaunce many a love a nod.

[thenihilistofthevoid]

Cold Reception

(A starter for @frosthawkfantasy) Saburo flicked through some photos on his phone, laughing at one of him and Wanda. They were both in kimonos and pretending to be ninjas, pretending to assassinate Laura’s parents, who were nothing short of hostile to him for being Japanese, they considered his adoption to be a mistake by Laura that she was manipulated into by Clint. They didn’t like him either, considering him too “lower-class” for Laura. Mary sat down with her cup of tea and thought. “That brat Laura has... So disrespectful. I told you that husband of hers was no good, but you said their romance would fizzle out.” She snapped irritably. “We can change that. If we separate the cuckoo from the nest, it dies out.” David offered, turning the pageof the book. “How do you mean?” She asked with interest, a small smile appearing on her lips as David explained the plan. This should allow them to fix the mistakes her daughter had made, the intervention was necessary. Looking up as the phone rang, he quickly answered it and shuddered as he held the phone out, covering the mouthpiece with his hand. “It’s the living dead for you, Mom.” He stated, one of his nicknames for her parents since they kept getting his name wrong, he quickly went back to his macaroni cheese and manga, lazily using his chopsticks with one hand to spear the pasta. “Hello Laura dear, David and I were talking. Perhaps we have gotten off the wrong foot and want to tryand rectify things... He is your son after all and we hould be more accepting of your choices, after all you are a grown woman.” Mary stated, saying some of those words was hard for her but this was for her sake. “We were thinking of maybe taking him out for a day or two so we can get to know each other properly?” She offered.

[kob131]

https://caddeter.tumblr.com/post/182525513250/imagine-being-so-fucking-stupid-that-you-decide-to

Well now, let’s give this a REAL stress test huh?

Yeah, no shit they blocked you, all you’ve done is proven that you have an I.Q. score that needs to be represented by a letter to explain how stupid you act.  Remember when you said this:

“ cept 90% of it isn’t criticism, criticism would actually be helpful, no its at the very best nitpicking to the extreme and then crucifying the show and creators who put a ton of work into making a great show over some inane bs.”

1.  Considering that Volume 6 seems to have been made in response to most of the criticisms the RWDE tag has given, I’m guessing those criticisms were actually pretty darn easy to find and were actually quite helpful.

2.  So it’s wrong for us to ‘crucifying the show and creators,’ but it’s okay for you to crucify us?

3.   “put a ton of work into making a great show.”  Dumbass, you don’t fight opinions with opinions, and great shows don’t tend to have:

Uninteresting characters

Underutilized plot threads and potential

Blatant plot holes and contradictions.

Every cliche in the book with no self awareness.

Years and years of queer-baiting.

Unsympathetic characters.

No clear reason for…  Anything.

A plot that relies on its characters all being too incompetent to do their jobs, or even exist for that matter, in order to flow correctly.

Constant ass pulls.

Deus Ex Machinas

Over reliance on cliffhangers in order to keep its audience invested.

Villain Sues.

Mary Sues.

Marty Stues.

Blatant rip offs of everything more popular than itself.  Not even references, just blatant rip offs.

Poor communication between the writers, animators, and soundtrack artists to the point where you wonder if they entered the same room at any point during production.

Writers who flat out admit they have terrible memory.

A good case for sexism.

Failure to deliver on almost everything they promised their audience

And no comprehension of how writing works at all.

Ad Hominin as an argument thus disregard.

Sorry but don’t you know? Everyone in the RWDE tag says they don’t listen to them so an improvement CAN’T be made in response to RWDE. Or, are you just just lying?

Considering you LOVE to bring up the dead and try to harass anyone into silence while saying people who haven’t done anything nearly as bad hould eb crucified:

Yes. By YOUR standards.

And finally:

Opinion

Opinion

Opinion

Opinion

Opinion

Opinion

Opinion

Opinion

Only once so STILL an opinion

Opinion

Opinion

Same thing as before

Same thing as before

Opinion

Proof

Proof

Opinion

Opinion

And Opinion

So out of 19 arguments you used opinions for 17 of them. Funny then huh? Almost like your standards are arbitrary and contradictory.

If RWBY had a ton of work put into it, we wouldn’t have a series of exposition dumps that contradict the episodes, we’d have a much clearer idea of when team RRNJ started their journey to Mistral and when it ended in relation to everything else, we’d have actual distinctions between Semblances, Dust, and magic, we wouldn’t have been making the complaint that Ruby felt like a non-entity in a show indirectly named after her for over five fucking years.  Volume 5 spent over half it’s run time focusing on the main characters sitting around a house and talking, for fuck sake!

Cadder-

They have made distinctions between all three

You’ve been provided with proof to the contrary for years but ignored it.

And you like Red vs. Blue which did precisely for FIVE SEASONS.

You only made one fucking one point out of 23 so far. Pretty damn telling eh?

Oh and if making a complaint makes it valid, doesn’t that mean that OP’s compliant is automatically valid as well? Doesn’t that mean the THOUSANDS of complaints I have made are all automatically valid? And if not thus we must have a set standard: RWDE fails by any standard that is set. So, are you wrong...or are you wrong?

But even if you want to ignore all that, that’s why the RWDE tag exists!  It exists so that you can blacklist the RWDE tag and more easily ignore it.  What you’re doing is the equivalent of diving into a pool of piranhas and then complaining that you got bit.

And yet here you stand, eating food you hate for no reason and complaining about it. Maybe you should listen to yourself.

Here’s a thought:  Maybe the people in the RWDE tag who stick with RWBY actually want to see a good version of it, and you don’t get that by flat out ignoring the bad.  I mean, it’s not like they constantly say that or anything.

And it’s not like the creators are constantly say they work hard or that others constantly say they make great show. So, Cadder, what sets you above them? You know, aside from your narcissism?

Says the guy who can’t handle the idea that maybe people don’t like a show he does, and needs to go out of his way to insult them for no other reason.  The RWDE tag was made so that people like you could avoid the crowd that didn’t like RWBY, but since you can’t handle that idea, fine:  This is going in the main tag.

Says the guy who couldn’t take his own bullshit for a single second before screaming ad yelling like a petulant child.

And gee Cadder, didn’t you JUST say that RWDE sticks around because they DO like RWBY? Huh, was that a Freudian Slip I read?

And finally: Rooster Teeth makes plenty of other content and there are SO many others. RWBY was made for it’s audience and you could avoid it yourself.

But since you can’t handle that idea, fine. I’ll continue to attack you then.

No, you’re an idiot for ignoring what they’ve said, why RWDE was created, and for not following your own advice.

Gee, and yet you ignore what the creators have said, ignore why RWBY was created and ignore your own advice. But hey, takes one to know one right.

The RWDE tag complained about how nobody seemed to care that Oscar was being taken over by Ozpin, not even Oscar himself, and it cast Ozpin into a very negative light by making him akin to a parasite from a sci fi horror movie.  Volume 6 showed that, yeah, the characters in-universe see that as fucked up, and they rightfully call Oz out on it.

Nope. Ozpin being in Oscar was barely brought up and in fact ignored.

So 0-1.

The RWDE tag complained that Jaune took away Ruby’s chance to talk about her struggles in Volume 4 and her big fight with Cinder in Volume 5, once again stealing the focus from her.  One of the first things they did in Volume 6 was remove Jaune from the plot for a few episodes, and even when he came back, they focused more on Ruby.

Nope. Ruby talked about her struggles with Oscar in Volume 5 and you screamed at the creators for it while Ruby never re fought Cinder.

Her focus was said everywhere ELSE but RWDE so 0-2.

The RWDE tag complained that Ruby never took the chance in Volume 5 to ask Ozpin about her silver-eyes, instead seeking to learn hand-to-hand combat that was only important because they changed Mercury’s fighting style.  Volume 6 introduced a new character who had silver eyes in the past and had her teach Ruby how to use her silver eyes.

Except that’s based on the idea of Ruby not taking control, not her Silver Eyes. Still doesn’t apply to what RWDE has said so 0-3.

The RWDE tag complained that, despite setting up and foreshadowing a big confrontation between Ruby and Cinder, Volume 5 did not have Cinder take the chance to attack or even indirectly hurt Ruby.  Volume 6 almost immediately brought Cinder back, and rekindled her hatred on Ruby.

Except that that Cinder never lost it AND since Jaune did nothing else in the Volume, ignoring you was GOOD writing. So 0-4.

The RWDE tag complained that Ozpin was completely incompetent for volumes upon volumes by keeping his allies in the dark, making him a very untrustworthy individual.  Volume 6 has him face some consequences for those actions.

Nope. Ozpin was never treated as incompetent nor showed he was gonna change. Other people said he should face consequence but by your own admission: you never did. So 0-5.

Let’s make that 1-28 to gather all the arguments into one spot.

I could go on.

Please do. I wanna see how far you’ll dig that hole before you realize it’s your grave.

There plan has been to wing it.  They’ve already gone on record and said that Ruby’s development and focus was one of the things they wanted to fix with Volume 6.

Let’s add: ‘I don’t know how writing works’ to the list of reasons why you’ll never be listened for.

Because planning something it doesn’t mean every single detail is planned out. Every single writer knows this.

I said they made Volume 6 in response to the criticisms, I didn’t say they did it well.  It can easily be argued they didn’t understand where the criticism was coming from, which given some things Miles has said about RWBY’s critics in the past, isn’t that wild of an assumption to make.  Also, general consensus seems to be ‘it’s better than last Volume.’ And while that isn’t saying much, it still means its an improvement.

Not according to RWDE *cough* Damage Control *cough* The fight between Sokumotanaka and SSSN *cough*

Do you see the quotation marks, or are you just trying to put words in my mouth?  Of course it’s wrong to attack the creators of a bad show, but the RWDE tag doesn’t do that!  Attacking the creators of the show would be launching death threats their way.   Attacking the creators of the show would be harassing them online through their social media accounts.  Attacking the creators of the show is not making jokes at their expense.  Nobody complains when we make jokes about Micheal Bay, nobody complains when we make jokes about M. Night Shamalan, nobody complains when we make jokes about Reki Kawahara; so why do you complain when we make jokes about Miles Luna?

You know-

Because when this exact same shit happens elsewhere, you call it attacking. When it happens with SU, you scream your heads off at SU crits despite them using ALL your arguments. So we’re just following your standards.’

Oh and no on digs up Micheal Bay’s dead friend to attack him with the corpse. That’s pretty fucked up. You wanna know who agrees with me? Your little inspiration, Doug Walker. When his character The Nostalgia Critic did that, he was treated as someone who made a serious fuck up ad felt remorse. You don’t act like or feel like that. So nice try.

The toxic part of the FNDM are the ones who barge into the RWDE tag and assert their views.  The toxic part of the FNDM are the ones insult and belittle the critics of the show just because they found a flaw in their precious little cartoon.  The toxic part of the FNDM are the people like you.  The RWDE tag was created so that you could ignore us and we could ignore you, it’s the equivalence of a sign that reads ‘Do not enter!  Radiation!’ When you ignore that sign, it’s your own damn fault.

And RWBY is the equivalent of ‘Don’t eat! Fish!’ When you eat fish and bitch about it, it’s your own damn fault.

Also: mind showing me where those people use your dead friends against you? ... No? Then you hold that title.

Oh, I do, you don’t.  Criticism is when you voice your misgivings about a show, backing it up with examples, explanations, and facts, in the hopes that the people who make the show will see those criticisms and try to improve.

Except that if anyone treats a show you like in the same manner, suddenly it’s not criticism anymore and you default to MY definition. Sorry Cadder, can’t have both.

1.  If you think the RWDE tag is terrible, than stop reading it.

2.  Would you rather we complain about a show we don’t watch?

3.  I did stop watching it, after Volume 3.

4.  That doesn’t change the fact that the characters would still be uninteresting.

1. ‘Because we just want the RWDE tag to be good!’

2. You don’t watch it

3. So you have no idea what you’re saying. What a that about examples ad facts again?

4. Says the man who doesn’t watch the show.

Hey, remember back in Volume 3 when Penny mentioned to Ruby how she had a plan to stay with her at Beacon?  No?  Well, neither do the writers.

What about Yang’s PTSD arc, which they seemed to blaze through, and only ever give a passing mentioned to ‘Yeah, she still has PTSD?’

What about Weiss’s romance with Neptune, which came out of nowhere and promptly went back to it?

What about actually having Ozpin be a shady, morally grey individual casting which side of his conflict with Salem could be considered a ‘good’ guy, instead of just having him get sick and then pinning all the blame for everything that happened on Salem?

Or hell, what about any of the racism against Faunus, which only seems to exist at the most minor of levels most of the time?

1. Hmm, almost like it was a Red Herring. What was that about ‘not understanding writing’?

2. Showed, didn’t tell it. Just like RWDE always says.

3. You mean the character who only barely appeared in this previous Volume? Hm...

4. Hey didn’t you say you stopped watching the show? Well I guess that makes sense as Ozpin was never treated like that.

5. How would you know? You stopped watching the show. As it shows since Meagrie, Illa, Adam’s brand, the Fanaus being locked in cages in Ozpin’s flashback ect.

The Grimm are supposedly attracted to negative emotions, and this is even how they were able to determine where the White Fang were hiding outside the kingdom of Vale in Volume 2.  Yet despite that, the White Fang weren’t being overrun with Grimm down in the tunnels.

What’s more, during the same volume, in the same location, the negative emotions brought on in Yang, Blake, and Weiss when Oobleck questioned their motives to becoming Huntresses didn’t attract any Grimm to the campsite.  The Grimm were only every drawn to negative emotions when the plot called for it.

Even still, this raises the question of why the Grimm are attracted to negative emotions and why they only target humanity and its creations when they were created by the God of Darkness to be the general embodiment of death, meaning that they would go after everything that’s living.

The rules of Aura also tend to fluctuate in how it works and how powerful it is.  In Volume 1, Pyrrha asked Jaune why he didn’t activate his Aura to protect himself during initiation, then in World of Remnant, it was stated that Aura passively protects its wielder, meaning Jaune shouldn’t have needed to activate it.

What about all the leaps in logic required for Cinder’s plan from Volume 1 to Volume 3 to work?  Her plan required matches in the Vytal Tournament to end specific ways despite how even they looked, and the fact that JNPR vs. BRNZ only ended with team JNPR winning because BRNZ didn’t recognize an opportunity to attack.  It required the Fall Maiden to not run away despite having every opportunity to and instead continue to fight Cinder.  It also only failed because Salem never bothered to tell Cinder about her one weakness as a Fall Maiden so that Cinder could be defeated by Ruby’s Silver Eyes.

There’s also everything brought up here.

1. Proof they had negative emotions CONSTANTLY?

2. Except they’re all shown clearing out the Grimm around them so...

3. But Cadder! They do! After all, RWDE loves to cite how they ‘go after’ animals.

4. Hm, would have known that it works like a trained reflex if you watched the show.

5. Well, it’s not like Cinder jut needed a bad match up or is shown hacking the syste-Oh wait,,,,

Gee, three mystery people or one demigod? I would the demigod would think to win.

Hm, almost like CInder’s arrogance was a character flaw eh?

6. ‘Yes let me cite this source to a Tumblr blog, they totally wouldn’t lie right?’

To be fair, one could argue that Miles already knows how to fill these plot holes and just plans on doing it later.  I’d counter that he has already stated that he has terrible memory and out of all of these questions, the only one that’s been answered is the Maiden’s connection with the Relics.

And I’d counter that you still blame Miles for Jaune even as Kerry has stated otherwise so you have a proven bias against him.

Hence the second half of that sentence:  With no self awareness.  It’s often stated that RWBY just uses those cliches as a jumping ground to later subvert them.  It doesn’t.  If anything, the longer RWBY’s gone on, it only becomes more cliche.  And yeah, cliches aren’t a bad thing, when utilized correctly. But right now, we have a light vs. dark McGuffing hunt where our main character has this super awesome superpower that can defeat the bad guys fueled by love and friendship when our characters hardly interact with each other or build up their friendships.  And this is done without an ounce of self-awareness or anything to make the premise more compelling.

Oh so? ... Oh wait, it;s just an opinion. And what was it you said? ‘Can’t fight an opinion with an opinion’? Funny how you forget..

If you view making a show like baking a cake, then most of these cliches are the sugar; and it doesn’t matter how much sugar you pour in, if you forget the baking soda, your cake isn’t going to rise. 

And if you view RWDE as a bunch of flat earthers: Continuously saying something doesn’t make it true.

Xiaolin Showdown, another series that could be considered a McGuffing hunt, has more intrecate characters and multiple factions warring it out for the Shen-Gong-Wu, and more intricately crafted stories.  It’s not just ‘Go to place, find thing.’ There are also often hurdles the characters need to face, be them external conflicts with the bad guys and the unique games they have to play for the Shen-Gong-Wu, or internal conflicts, such as spats with other characters or emotional conflicts.

Gotcha.

Oh that show where the usually useless sidekick character meant for comic relief ends up being the only person able to save the day in an episode only for this instance to never come up again? or what about the generically evil witch? Or the bumbling bad guy whose actually a huge threat in a future timeline? Or the Big Bad beings sealed away instead of being destroyed because plot? Or what about the leader being someone who has been at this for years and yet is treated just the same as the newcomers because ‘different viewpoints’? Or what about the elements being Fire,Water, Wind and Earth with Fire being high energy, Water being sagely, Wind being a hotshit and Earth being serious and bulky?

Funny how you forget all THOSE cliches.

Sorry Cadder, should probably choose something else. Xiaolin Showdown was one of my favorite shows growing up and I remember a lot of it clearly. And you’re not smart enough to be able to defend it like I can.

Well, I’m not seeing a counter argument, and the cases for queer-baiting are pretty self evident, just look at all the times they’ve made jokes about White Rose or Bumblebee in the show.  It took them five years of empty promises and excuses to actually give us some LGBT representation, and it was the Psycho-Lesbian trope.

And Xiaolin Showdown made jokes about cliches-Welp, better go shit on that then Cadder. Now now, no one’s gonna get better if you don’t ignore how jokes poke fun at things.

Gee, not really an empty promise if it comes true eh? And oh my, the lesbian is a psycho but the straight guy whose an actual psycho you defend is A-Ok? Hm, sounds like someone’s biased...

Well, let’s see:

Jaune Arc:  Cheats his way into Beacon and doesn’t do any of the work in order to actually become the hero he claims he wanted to be.  When offered help, he gets mad and explodes at the person who offered it.  Continuously tried to convince Weiss to go out with him and refused to take ‘no’ for an answer.  When confronting Neptune, he treated her more as a prize to be won than an actual person.  Was the only one to mourn Pyrrha’s death in Volume 4 and, because he couldn’t keep his emotions in check, got into a fight with Cinder in Volume 5, stealing Ruby’s big conflict with her and inadvertently getting Weiss impaled.  Now, that all wouldn’t be too bad on its own, but he never faces any repercussions for it.  Far from it, most of the time, he got rewarded in some way.

Ozpin manipulated our main characters into doing his bidding, brushed off Ironwood’s ideas and suggestions and continued to rely on his students who were still in training to get the job done.  This never worked, yet he is continually presented as a wise mentor who knows what’s best.  He also shows no concern for the 14-year-old boy he is slowly overtaking and assimilating.  He lies to his allies, kept secrets from them, and from volumes 1 to 3, it felt like he was making a bad situation worse.  He also needed to use an ultimatum in order to convince Pyrrha to become the Fall Maiden, giving her no other alternative than ‘Everyone dies.’

Qrow is a perverted alcoholic with no self control who destroys military property and humiliates Winter for no other reason than ‘why not’ and gets away with it.  He shows no sympathy for Yang in Volume 3 after the Vytal Tournament incident, even calling her crazy when she explains what happened, and uses team RRNG as bait for Tyrian.

Weiss was a racist prick who never apologized for any of the things she said in Volume 1.

Sun stalked Blake all the way to Beacon and Managery, and seemingly can’t get away from his teammates fast enough.

Yang destroyed Junior’s bar in the yellow trailer because he didn’t give her the information he didn’t have and assaulted several men who were just trying to do their jobs, and even encouraged Jaune’s pursuit of Weiss.

Gee-

Not only is most of this lies (Jaune is treated as in the wrong most of the time, Ruby mourned Pyrrha in Volume 4, Jaune treating Weiss as a prize is your opinion as many others (especially women) disagree, Jaune was treated as in the wrong for exploding at Pyrrha and had to apologize, Ruby did a bunch of things in Vlolume 5 while Jaune did nothing.

Ozpin brushed him off because Ironwood DIRECTLY CAUSED the Fall Of Beacon due to his fuck ups, he’s succeeded far more times than fails, he has no choice where he reincarnates, He’s never shown DIRECTLY lying, he keeps giving Pyrrha outs, he was treated as in the wrong for keeping secrets, that’s an opinion and he had no otehr choice,

Qrow’ shown to be pervy in a joke (remember something similar happening in Xiaolin Showdown. Hmmm), he’s treated as in the wrong for that, he directly contradicts that and tries helping Yang and he didn’t know about Tyrian.

And yet you ignore her character development (despite someone in Xiaolin Showdown being responsible for resurrecting THE BAD GUY)

Not stalking

Yeah, criminals doing criminal shit! Oh and proof? No, RWBY chibi doesn’t count.)

But wouldn’t one say that these intentional flaws are there to make the characters INTERESTING? SO which is it? Interesting character or Sympathetic? Can’t choose both you showed they’re mutually exclusive in your eyes.

That’s…  That’s not how stories work.  For instance:

Instead of going to combat schools like Signal, like our main character Ruby did, Jaune instead cheated his way into Beacon to become the heroes his family was while putting in none of the work for it. He was also never told anything about the world around him, like Aura, Semblance, ect, when those things are incredibly common and there’s no reason to assume the rest of the world wouldn’t know about them.  It’s not like Huntsmen and Huntresses are a secret.

Ozpin is implied to have accepted Ruby into Beacon because of her silver eyes, yet never thinks to train her with the damn things!

Despite wanting nothing to do with the feud between Ozpin and Salem, Raven steals the Spring Maiden’s powers and was fully intending to take the Relic of Knowledge until Yang pointed out how stupid that was.

Ironwood made a robot that is capable of generating Aura, yet instead of telling the populous or even Ozpin about this, he instead keeps it under wraps as he entered her into the Vytal Tournament, which one could argue was to test Penny’s abilities, but with the way it was presented, it felt more like he was trying to cheat.

And then there are all the humans working with Salem, despite seemingly getting nothing out of it.  It’s even worse for Hazel, who’s sister was probably killed by a Grimm, yet he’s now working with the Grimm’s ruler.

So Cadder- How do you rewire the electrical system for a house? How do you repair a TV? How do you replace plumbing? Hm, you don’t know? Gee, it’s almost li8ke you have to *gasp* go to school for this!

And yet he says it’s because of her skill with the scythe. Hm, you reject both show AND tell....

Gee, not like that’s a character flaw stated to be in Raven-OH WAIT.

Gee, not like Ironwood is paranoid or somethi-OH WAIT,

Hmmm, not like *gasp* that could be elaborated on in the future! Or that hazel is DIRECTLY STATED to be a grieving mess who  is shown to not be logical.

And even then, we don’t judge things based on what they could be.  We don’t judge things based on what they claim to be.  We don’t judge things based on what they’re going to be.  We judge things based on what they are right now.  Yeah, the reasons for this stuff could be explained later, it could also not be explained later. 

So I’m just gonna go ahead and judge you based on your first word in each sentence.

Cinder Fall’s plan required absolutely no student from Haven to realize that they were never at that school.  Nobody realizes that the girl who supposedly left with the injured student was still in the audience.  Amber never thought to run away from her fight with Cinder, despite having clear chances to do so. Emerald used her illusion powers to steal mere trinkets and food, when it had the potential to turn her into one of the greatest thieves Remnant has ever known.  It also required for Ozpin, who know she would be attacking, to not do anything about it like Ironwood suggested.  I have an entire fanfiction pointing out how, if Beacon was a little smarter, Cinder would have failed a dozen times over, and very few of my scenarios have been dis-proven by recent information.

Proof that anyone WOULD ask about them?

Proof that Emerald didn’t hide herself?

Stated character flaw for Amber.

Emerald’s not amoral, she did what she had to for survival.

Not like Ironwood’s paranoid.

And you’re a proven liar, so why should we care?

The Maiden’s who didn’t exist until after Volume 2, Ruby’s silver eyes which were only brought up once, the relics that were never foreshadowed, most of Cinders plans, Raven being the Spring Maiden, shall I continue?  I might as well not, the entire tag is filled with this stuff.

Not an asspull, that’s a deus ex machina, Ozpin’s vault, numerous Tumblr posts disagree since you think they’re valid. And please do, I love making you look like a corrupt fuckwad.

Ruby’s silver eyes at the end of Volume 3, the ships to Mistral at the end of Volume 4, the train that Oscar was able to take at the end of Volume 4, one could argue Penny at the end of Volume 1.

Everyone else said it first, basic logic says there should be patrols, INTERkingdom travel is locked down and Penny was foreshadowed.

No, most shows have each episode end with a sense of finality and complete the story each episode is telling.  Avatar:  The Last Airbender is known for its tight continuity, and I can only think of one cliffhanger from that series.  RWBY, meanwhile, never feels like it’s finishing a single story for each season, and it feels more like the only way the writers will expect the FNDM to continue watching is if they never finish the story as opposed to actual investment. 

Yeah...except Avatar tried pulling ‘the hero is totes dead ya guys!’ so it should be consider worse in your regard.

Cinder Fall from Volumes 1 to 3, see four paragraphs above.

You mean the woman whose been repeatedly insulted and shamed?

Pyrrha Nikos, arguable Ruby Rose, Cinder Fall again.

Dead, bullshit, shamed.

Jaune Arc, Qrow Branwen, Ozpin, Sun, through affiliation with Cinder - Mercury.

Characetr with the least respect

Open drunk

Purposefully flawed leader

Called out on his shit

Being Sub-servant.

Here’s a rather big one. What about the comparisons that can be drawn between the Grimm and the Titans from Attack on Titan?  What about the school of adventure trope that has been done to death by the likes of Harry Potter and Soul Eater?  How’s about the fact that you can draw more parallels between RWBY Volume 4 and Final Fantasy Advent Child than you could on a graph in an average math class?  What about how the Maidens are pretty much the Avatar but quadrupled?  Or how’s about the fact that Ozpin is a poor-man’s Dumbledore?

What about the Titans and teh demons from Berserk?

What about the hundreds of other works BEFORE Soul Eater and Harry Potter?

Proof and no, YHH’s doesn’t count.

Cept they don’t need training, their powers aren’t used by otehr characters and a fuckton of powers are like this

Except Dumbledore was never directly called out on his shit nor revived from the dead.

Gee, didn’t cliches meant rip off.

https://youtu.be/RccCIHwM5ow?t=1196

There’s also the fact that in Volume 4, puddles of mud were supposed to be regular puddles.

How’s about the entire BMBLB incident, where Miles had no knowledge of the existence of the song, and Jeff Williams claimed his songs had no meaning?

This stuff isn’t a secret, people have talked about this stuff extensively. How the fuck do I know more about the production of RWBY than a supposed fan?

Slicksickman who has an open grudge against Miles: disregarded

Proof.

They’ve always done that.

Except none of this fits your argument so....

There’s called plot holes, this is how you get them.

AKA ‘google my proof’

How’s about the fact that Yang runs into a situation to save Blake for Adam, and her reward is a chopped off arm, post-traumatic stress, and mockery from her father, where as Jaune rushes into a situation because he can’t keep his hate boner for Cinder in check, and Weiss gets impaled for it, only for him to unlock his semblance, heal her, and no one gives him any crap for what he just did?  There’s a double whammy here, Weiss gets injured for something Jaune did, and Jaune doesn’t face consequences despite doing pretty much the same thing as Yang.

Except that Weiss being impaled IS Jaune’s punishment.

Taiyang made on joke (but yang openly insulting him? A-okay!)

Or hows about the above moment for Jaune, but when Salem goes through a series of responses so akin to the five stages of grieve I’d be more surprised if it was unintentional than if it was, and the narrator and by extension the writers try to paint her as a complete monster with absolutely no one blaming the gods?

Because Jaune didn’t try tricking immortal beings and he admitted to his flaws ad was treated as in the wrong?

Dumbass, the RWDE tag has more citations for this stuff than a Wikipedia article!

And your citations so far have been INVALID.

More like Conservation.

An action packed series that rarely had any action and for a whole volume had most of the main cast talking in circles as well as sitting in circles.

LGBT representation as promised by Monty Oum, only for it to take five years before we had so much as one confirmed homosexual.

A show that focuses on four girls that kick ass until Jaune walked on screen.

A monster hunter series where the monster hunting aspect hasn’t been relevant since Volume 1.

The show began with talking and was mostly talking.

Never said when.

Jaune’s relevance is TIED to one of the females

And I thought it was about four girls kicking ass.

I could say the entirety of the RWDE tag or just point to most of the points I’ve ready made, so I will!

*points to my blog*

Try again...

Well, as you loved to say:  Citation Needed.  Yeah, we make jokes at Miles’s expense, but then again, so did Nostalgia Critic about Micheal Bay and M. Night Shamalan, and Linkara about Frank Miller, Scott Ciencin, and Rob Liefeld.  People rarely, if ever, get on their cases for it.  Once again, there’s a difference between attacking a writer and making jokes about them.

Remember what i referenced before?

Nostalgia Critic using the dead:https://youtu.be/0EVOxDVSAfE?t=1949

You on using the dead: FUCK YOU, I KNEW MONTY BETTER THAN YOU YOU FUCKWADS! DO AS I SAY BECAUSE I KNEW MONTY FOR FIVE SECONDS!

The Nostalgia Critic earned my respect that day.

You and RWDE have earned my eternal ire.

Hey, I think I found a picture of you online:

Sorry everyone, Cadder accidentally posted a selfie.

1.  All evidence to the contrary.

2.  ‘Couldn’t’  You couldn’t give a shit if we liked the show or not.  If you could give a shit about if we liked the show, that means you do care.  I’m starting to notice a pattern, the people who love RWBY seemed to have failed their English classes.

1. You reject evidence so...

2. Says Mr. “ Managery “

1.  Criticism is almost always a good thing, and seeing as to how Miles has at least attempted to improve his writing and address our criticisms, and that general condenses is that this Volume was better than the last, I think we very much are helping.

2.  Why don’t you eat some film and put your talents as a projector to good use?

1. Except by your own statements, he didn’t.

And 2. Why don’t you use your talents as a sentient barrel of toxic waste to go pollute some wildlife. Only thing you’d ever be good at.

[topworldhistory]

The 'Father of the Nation' stressed education among his family's younger generations and even offered advice on navigating love.

George Washington, the “Father of the Nation,” had no biological children of his own. But during his 40-year marriage to Martha, the Revolutionary War hero and first president presided over a Mount Vernon estate filled with her children and grandchildren, and by their accounts was a beloved father figure.

Why did George and Martha have no children of their own? There’s almost nothing in the historical record that conclusively answers what was then (and now) a private question, but that hasn’t stopped people from guessing. Modern theories range from tuberculosis-induced sterility to, in Martha’s case, a severe bout of measles.

George and Martha were both in their late twenties when they married and fully expected to have children together. In Washington’s day, it was common to blame the woman for fertility issues, but Mary V. Thompson, research historian at Mount Vernon, says that Martha had four children with her first husband, Daniel Parke Custis, and “there’s no evidence that there was a problem.”

If Washington’s lack of biological children bothered him, he left no record of it. Historians point to one letter to his nephew in which a 54-year-old Washington discusses the remote possibility of future heirs. If he were to die before Martha, Washington insists that there’s a “moral certainty” that no illegitimate heirs will come out of the woodwork. And if he were to outlive Martha and remarry, there still wouldn’t be any kids.

“[S]hould I be the longest liver, the matter in my opinion, is hardly less certain,” wrote Washington, “for while I retain the faculty of reasoning, I shall never marry a girl; & it is not probable that I should have children by a woman of an age suitable to my own, should I be disposed to enter into a second marriage.”

READ MORE: George Washington: Timeline of His Life

George Washington Was a Father to Martha's Two Younger Children

George Washington with Martha Custis and her two children.

But the lack of his own biological children didn’t mean that Washington was childless. Martha’s two oldest children had already died by the time she remarried, but Washington became the legal guardian of her two younger children: four-year-old John Parke Custis (known as Jacky) and two-year-old Martha Parke Custis (known as Patsy).

From his letters, we get a clear picture of Washington as a somewhat stern and formal parent, but also a loving father who only wanted the best for his children and eventually his grandchildren.

“It seems like [Washington] was a good father figure to the kids,” says Kathryn Gehred, research editor with The Washington Papers at the University of Virginia. “He’s always writing letters to Martha’s children and to the grandchildren they take in after both of those children die. He’s always giving people advice—very rarely listened to—but you can tell that he took on a big role.”

READ MORE: Why Martha Washington Was the Ultimate Military Spouse

Washington Emphasized Education, Especially Among His Boys

Washington placed great importance on education, especially for the male children and grandchildren in his family. Because Washington’s own father died young, he never received a formal education beyond grammar school. 

Washington was sorely disappointed when boys in his family seemed to lack interest in school and preferred the relaxed life of country gentlemen. In a letter to Jacky’s schoolmaster, Washington complains that Jacky is returning from a summer break, “His Mind a good deal relaxed from Study, & more than ever turnd to Dogs Horses & Guns.”

Washington asks the schoolmaster to make sure that Jacky doesn’t sneak out and get into trouble, “rambling about at Nights in Company with those, who do not care how debauchd and vicious his Conduct may be.” A worried father, Washington insists that “I have his welbeing much at Heart, & shoud be sorry to see him fall into any vice, or evil course, which there is a possibility of restraining him from.”

Washington’s relationship with his girls was less strained, but also tinged with tragedy. He fell in love with little Patsy and was the only father she ever knew. Sadly, she was plagued by epileptic fits starting in her early teens and died suddenly at 17 with a weeping Washington by her bedside.

“He was very upset,” says Thompson. “Apparently, she had been doing better, and he and Martha were both terribly surprised that it happened and just devastated.”

The day Patsy was buried at Mount Vernon, Washington penned a letter to his brother-in-law relating the sudden loss of his “Sweet Innocent Girl” and its debilitating effect on Martha, which had "almost reduced my poor Wife to the lowest ebb of Misery."

Washington, a three-night miniseries event, premieres Feb 16 at 8/7c on HISTORY. Watch a preview now.

George and Martha Become Parents to Their Grandchildren

Eight years after Patsy’s death, Washington had a second act as the de facto father of two of his grandchildren. When Jacky died in 1781, George and Martha took in his two youngest children, two-year-old Eleanor Parke Custis Lewis (known as Nelly) and infant George Washington Parke Custis (affectionately called Washy).

When the Marquis de Lafayette visited Mount Vernon in 1784, he wrote of the warm relationship between the towering war hero and his three-year-old grandson. He described “a very little gentleman with a feather in his hat, holding fast to one finger of the good General’s remarkable hand, which (so large that hand!) was all the tiny fellow could manage.”

As Washy grew up, he inherited his father’s distaste for school. In a letter to the president of Princeton, where Washy was about to flunk out, Washington vents his frustration.

"From [Washy’s] infancy, I have discovered an almost unconquerable disposition to indolence in every thing that did not tend to his amusements,” wrote Washington, “and have exhorted him in the most parental and friendly manner, often, to devote his time to more useful pursuits…”

When Washy eventually dropped out of Princeton and came home to Mount Vernon to “study,” Washington wrote him with classic fatherly advice—“Rise early, that by habit it may become familiar, agreeable—healthy—and profitable”—and some good old-fashioned nagging.

“[T]he hours allotted for study, if really applied to it, instead of running up & down stairs, & wasted in conversation with any one who will talk with you, will enable you to make considerable progress in whatsoever line is marked out for you: and that you may do it, is my sincere wish.”

READ MORE: Did Washington Believe in God?

Washington Offered Advice on 'Cloying' Love 

George Washington at home with his family.

The stoic Washington we know from portraits was surprisingly keen on offering love and marriage advice to his granddaughters and nieces. When his 18-year-old granddaughter, Elizabeth Parke Custis Law, was discouraged that her younger sister had beaten her to the altar, Washington warned her of marrying only for love.

"Love is a mighty pretty thing; but like all other delicious things, it is cloying,” Washington wrote Elizabeth, “and when the first transports of the passion begins to subside, which it assuredly will do, and yield, oftentimes too late, to more sober reflections, it serves to evince, that love is too dainty a food to live upon alone, and ought not to be considered farther than as a necessary ingredient for that matrimonial happiness which results from a combination of causes."

Washington’s fatherly advice was routinely ignored. In a later letter to Elizabeth, Washington warns her about marrying an older man: “[F]or youth and old age, no more than winter & Summer, can be assimilated—the frigidity of the latter, cannot be kept in unison with the warmth of the former: and besides the habits of the two, are widely dissimilar.”

Two months later, Gehred says, Elizabeth became engaged to a man “twice her age.” Fifteen years after their marriage, the union ended in divorce.

Washington never formally adopted any of Martha’s children or grandchildren, but that didn’t make him any less of a father in their eyes. In 1776, a year into the Revolutionary War, a now-married Jacky was moved to write a heartfelt letter to Washington expressing what he had never been able to say in person.

"It pleased the Almighty to deprive me at a very early Period of Life of my Father, but I can not sufficiently adore His Goodness in sending Me so good a Guardian as you Sir,” wrote Jacky. “Few have experience'd such Care and Attention from real Parents as I have done. He best deserves the Name of Father who acts the Part of one."

READ MORE: 5 Myths About George Washington, Debunked

from Stories - HISTORY https://ift.tt/3bmfPeo February 07, 2020 at 10:10PM

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[newyorktheater]

There’s one way that the Yiddish language “Fiddler On The Roof” directed by Joel Gray and starring Steve is strikingly different now that it’s moved uptown to the Shubert’s Off-Broadway house, Stage 42. The production by the National Yiddish Theatre Folksbiene (NYTF) debuted downtown near Battery Park at the 375-seat Edmond J. Safra Hall on the first floor of the Museum of Jewish Heritage, downstairs from the exhibitions that recall the people and communities destroyed during the Holocaust. Right outside the 499-seat auditorium of the new theater on 42nd Street, by contrast, a concession stand sells merchandise (with the word “merchandise” crossed out and replaced with the Yiddish word “Tchotchkes”) featuring such items as a baseball cap printed with the words “Oy Vey.”

I wish they hadn’t done this, but neither the commercial context nor the larger stage and theater substantially alter what is essentially the same glorious show that I saw last year (please read my review ), which opened July 4, 2018, was extended four times, and finally closed on December 30, 2018 only after the announcement that it would transfer uptown.

“A Fidler Afn Dakh” is still in Yiddish with English and Russian Supertitles — assuring that nobody who can read either of those languages will miss a single word. It has the same modest design — the set is mostly just a backdrop of several large sheets of brown paper, one of which is printed with the Hebrew word for Torah – the same 12-piece orchestra. The cast is largely intact, although I miss two of the principals – Daniel Kahn as the radical Pertshik and Mary Illes as Tevye’s wife Golde. The new Golde, Jennifer Babiak, rather than efficiently no-nonsense, is broader and harsher.

Indeed, in general the acting is a bit broader. Steven Skybell as Tevye is no longer as low-key, although he is still more everyman than clown. Jackie Hoffman as Yente remains a revelation; an integral part of her comedic gifts are the shrug and the whine and the wisecrack that are embedded in the rhythm of the Yiddish language.

Yiddish just makes sense for this musical, which is based on the 19th century short stories by Sholom Aleichem, who wrote in Yiddish about Tevye the Dairyman, his family and his neighbors. There is a stunning moment that I didn’t fully register the first time around, which occurs after Tevye has arranged with Leyzer-Volf the butcher for him to marry Tevye’s oldest daughter Tsaytl (portrayed by Rachel Zatcoff, as she was downtown, although the character’s name was spelled differently in the program.) Tsaytl, of course, will blow up this arranged marriage, marrying the person she loves instead, the poor tailor Motl (portrayed again, credibly, by Ben Liebert.) She is thus going against tradition, as do two more of Tevye’s daughters in their pursuit of husbands – which is basically the plot of the musical. In this early moment, after Tevye the milkman and Leyze-Volf the butcher have patted each other on the back, suddenly Fyedke (Cameron Johnson), a Russian character who will figure later in the plot, sings out a beautiful, glass-shattering note, congratulating Tevye. Fyedke and his fellow countrymen launch into a Russian-inspired celebratory dance that Staś Kmieć has choreographed in the style of Jerome Robbins, the choreographer of the original 1964 Broadway production. The Russians and the Jews then dance not exactly together, but in concert. The merriment is interrupted by the arrival of the Russian constable bearing bad news for the Jews. It’s a sequence that’s thrilling in its entertainment, encouraging in its ecumenical message (which I suspect is more Broadway than Aleichem) and underneath it all, despite the Oy Vey hats on sale in the lobby, still both sobering and deeply moving.

  Click on any photograph by Matthew Murphy to see it enlarged.

Jackie Hoffman as Yente

Steven Skybell and Jennifer Babiak

(L-R) Steven Skybell, Jennifer Babiak, Jodi Snyder (Frume-Sore) and the company of “Fiddler on the Roof in Yiddish”

Bruce Sabath, Kirk Geritano, Lauren Jeanne Thomas, Michael Einav, Mikhl Yashinsky, Adam B. Shapiro, Bobby Underwood, Drew Seigla, Steven Skybell

Steven Skybell, Bruce Sabath, and company

Steven Skybell

(L-R) Raquel Nobile, Rosie Jo Neddy, Rachel Zatcoff, Stephanie Lynne Mason, and Samantha Hahn

“A Fidler Afn Dakh” Stage 42 Music by Jerry Bock, lyrics by Sheldon Harnick, and book by Joseph Stein, Translated in Yiddish by Shraga Friedman Directed by Joel Grey choreography by Staś Kmieć, musical direction by Zalmen Mlotek, set design by Beowulf Boritt, costume design by Ann Hould-Ward, sound design by Dan Moses Schreier, lighting design by Peter Kaczorowski, wig and hair design by Tom Watson Cast: Steven Skybell as Tevye, Jackie Hoffman as Yente, Jennifer Babiak as Golde, Joanne Borts as Sheyndl, Michael Einav as Ensemble; Lisa Fishman Bobe Tsatyl, Kirk Geritano as Avrom; Abby Goldfarb as Female Swing; Samantha Hahn as Beylke; Cameron Johnson as Fyedka; John Giesige as Male Swing/Dance Captain; Ben Liebert as Motl Kamzoyl; Moshe Lobel as Understudy; Stephanie Lynne Mason as Hodl; Evan Mayer as Sasha; Rosie Jo Neddy as Khave; Raquel Nobile as Shprintze; Jonathan Quigley as Ensemble; Nick Raynor as Yosl; Bruce Sabath as Leyzer- Volf; Kayleen Seidl as Ensemble; Drew Seigla as Perchik; Adam B. Shapiro as Der Rov; Jodi Snyder as Frume-Sore; James Monroe Števko as Mendl; Lauren Jeanne Thomas as Der Fiddler; Bobby Underwood as Der Gradavoy; Mikhl Yashinsky as Nokhum/Mordkhe and Rachel Zatcoff as Tsaytl. Running time; three hours including an intermission Tickets: $59 to $119 Fiddler on the Roof is scheduled to run through June 30, 2019.

Fiddler on the Roof in Yiddish Off-Broadway Review: Different Context, Still Glorious There’s one way that the Yiddish language “Fiddler On The Roof” directed by Joel Gray and starring Steve is strikingly different now that it’s moved uptown to the Shubert’s Off-Broadway house, Stage 42.

[doug-peabody]

Three Broken Hearts

Three Broken Hearts Old Burying Point Salem, Massachusetts

Photo: Doug Peabody (click to magnify)

This monochrome photo shows an ancient headstone at the Old Burying Point in Salem, Massachusetts, the city’s oldest cemetery. The two hearts shown are the infant children of Thomas and Mary Hould. Both children, Thomas and Elizabeth, perished in the month of August and both were 16 months…