#Master de Madrid

[y0dai]

Modern Kids Kids' room - mid-sized modern gender-neutral medium tone wood floor kids' room idea with gray walls

[beta-isaac-lahey]

Children - Kids Room Ideas for a mid-sized, contemporary, gender-neutral kids' room renovation with gray walls and a medium tone wood floor

[moviestarmartini]

yellow flowers. — jude bellingham x gf!reader

él sabía, ella sabía y se olvidaron de sus flores amarillas.

summary: how can your relationship recover from such a serious argument the night before?

wc: 975

warnings: angst, not that much dialogue, like three words in spanish, established long-term relationship.

A/N: WHAAAAT?? GIGI POSTING TWICE IN A DAY??? its more likely than you think! thank las flores amarillas hehe.

now playing... flores amarillas from floricienta

The fight was stupid, really. 

You both had to admit it was. Even then, that doesn’t take away the fact it snowballed into issues each of you held back for what seemed ages, and only ended up with Jude slamming the door on the way out of your apartment. 

After hours of crying, your own exhaustion from the ordeal lulled you to sleep. When you rose up in the morning, neither your mind nor your body prepared for the fact it was a Saturday. 

Nor the fact everyone and their mothers were receiving yellow flowers, something you’d always craved but were always just another bystander. 

If you listened to that song again you might just rip your hair off. 

You had a whole day planned with Jude after the game, he wanted to do something special, but the fact you couldn’t hold back your jealousy the night before was more than enough to dampen the idea, whatever it was. 

For a second, you tried to put things on the positive side. A self-care day. In theory it was wonderful, but the second you sat alone in the bubbly bathtub, you broke down in tears. 

You’d been together for years. You changed your whole life around him, learning German to go to school in the same country and planning your masters in Spanish. Maybe that was part of the reason he called you spineless; you adapted to other’s needs and perspectives easier. His words bounced around your head, each reminder taunting you more. 

To top it all off, Spotify seemed to have a vendetta against you, your daylist was insanely depressing. 

“Is this because he plays for Real Madrid?!” You spoke out into the world, growing frustrated with your situation. 

That did spark an idea in your brain; or more of a reminder. 

Jude had a game today. And you weren’t going to be there to watch him. That just made you jump out of the bath, get changed into decent clothes and leave the house for once to watch him at your best friend’s house upon her request, miserably so even when the team got their footing back up— knowing you should be in the stands cheering him on. But alas, you weren’t.

And you wondered if you would ever be again. 

The moment he fell clutching his shoulder, your heart stopped. Tears welled in your eyes but you avoided letting them escape, remembering the long hours of work and recovery, the utter joy you felt when he informed both you and the team he was comfortable playing without the big chunky brace again. All that, and it crumbled down right before your eyes, like your relationship. 

Still, you didn’t hesitate on reaching for your phone, not finding any elation on the team’s victory. 

[ I know you don’t want to see or hear from me ] 

[ But how’s your shoulder? I’m seriously concerned ] 

You knew he wasn’t going to reply right away, and when your companion found out who you’d texted, she ripped the phone out of your hands and put it away for the reminder of your evening laced with white wine and take out sushi. 

“Thank you for releasing me, master.” You joked by the time she gave you the mobile back, swallowing hard upon seeing Jude hadn’t replied. 

He hadn’t even read it. 

Now you were actually panicking, swallowing down the tears in the Uber and wishing the small elevator could go fast enough that you didn’t break down somewhere that wasn’t in the comfort of your home. 

You were overwhelmed enough that you didn’t even take into account your door was unlocked when you clearly left it locked, nor the warm light coming from the tiny space under the doorframe. 

“I’m sorry.” 

Were the first words you registered before your eyes caught the indoor prairie your boyfriend had installed in your living room in the shape of yellow daisies. 

Your eyes trailed the hundreds of petals before your eyes finally fell on him, scanning from his toes up to the apologetic expression he was carrying. Now it all made sense; your friend insisted on getting you out of the house for this. He didn’t reply because of this. 

Though your heart was running at a whopping speed of thirty miles per second, your feet took you painfully slow— cautiously— towards him. You were still marveled, carefully watching where your sneakers landed to avoid stepping on the beautiful work he’d planned for you. 

“Perdón,” Jude repeated, as if the words in Spanish meant so much more than the English language. He opened his mouth for what seemed to be a rant, but the way you squeezed the life out of him with a desperate hug left him speechless, followed by your hugs. 

“I thought you— you were going to dump me and I would have to move back home and— and I can’t imagine that because I love you so much and that’s why I was scared!” You babbled between hiccups, trying to calm yourself down before his gentle hands cupping your face did the job spectacularly. 

“I would be such a fuckin’ idiot to do that.” He couldn’t help but let out a laugh, not at you nor your claims, but at how ridiculous he had been. 

“Te perdono,” You sniffled, your bottom lip still puckered up ever so slightly. 

“But what’s all this?” You turned to look at the scene, something straight out of a Van Gogh painting. 

“You thought I forgot with the thousand TikToks you sent me on this day?” He leaned in to kiss your forehead before pulling you into another warm hug. 

“I also watch Gilmore Girls whenever you do. Whoops.” 

Your laugh echoed as you snuggled closer to him in your upright position, being extremely thankful the last sentence of the song wasn’t your reality.

A/N: if y'all seriously thought it wasn't going to have a happy ending you clearly don't know me well enough rip

[hope-ur-ok]

Surprise Song Master post ~ European Leg

5/9 Paris, FR: Paris + LOML

5/10 Paris, FR: Is It Over Now?/OOTW + My Boy Only Breaks His Favorite Toys

5/11 Paris, FR: Hey Stephen + Maroon

5/12 Paris, FR: The Alchemy / Treacherous + Begin Again / Paris

5/17 Stockholm, SE: I Think He Knows / Gorgeous + Peter

5/18 Stockholm, SE: Guilty As Sin? + Say Don't Go / Welcome to New York / Clean

5/19 Stockholm, SE: Message In A Bottle / How You Get The Girl / New Romantics + How Did It End?

5/24 Lisbon, PT: Come Back... Be Here / The Way I Loved You / The Other Side of the Door + Fresh Out the Slammer / High Infidelity

5/25 Lisbon, PT: The Tortured Poets Department / Now That We Don't Talk + You're On Your Own Kid / Long Live

5/29 Madrid, ES: Sparks Fly / I Can Fix Him (No Really Can) + I Look In People's Windows / Snow On the Beach

5/30 Madrid, ES: Our Song / Jump Then Fall + King of My Heart

6/2 Lyon, FR: The Prophecy / Long Story Short + Fifteen / You're On Your Own Kid

6/3 Lyon, FR: Glitch / Everything Has Changed + Chloe Or Sam Or Sophia Or Marcus

6/7 Edinburgh, Scotland UK: Would've Could've Should've / I Know Places + 'Tis the Damn Season / Daylight

6/8 Edinburgh, Scotland UK: The Bolter / Getaway Car + All of the Girls You Loved Before / Crazier

6/9 Edinburgh, Scotland UK: It's Nice To Have A Friend / Dorothea + Haunted / Exile

6/13 Liverpool, England UK: I Can See You / Mine + Cornelia Street / Maroon

6/14 Liverpool, England UK: This Is What You Came For / Gold Rush + The Great War / You're Losing Me

6/15 Liverpool, England UK: Carolina / No Body No Crime + The Manuscript / Red

6/18 Cardiff, Wales UK: I Forgot That You Existed / This Is Why We Can't Have Nice Things + I Hate It Here / The Lakes

6/21 London, England UK: Hits Different / Death By A Thousand Cuts + The Black Dog / Come Back Be Here / Maroon

6/22 London, England UK: thanK you aIMee / Mean + Castles Crumbling w/ Hayley Williams

6/23 London, England UK: Us w/ Gracie Abrams + Out Of The Woods / Is It Over Now? / Clean

6/28 Dublin, IE: State of Grace / You're On Your Own Kid + Sweet Nothing / Hoax

6/29 Dublin, IE: The Albatross / Dancing With Our Hands Tied + This Love / Ours

6/30 Dublin, IE: Clara Bow / The Lucky One + You’re On Your Own Kid

7/4 Amsterdam, NL: Guilty as Sin? / Untouchable + The Archer / Question...?

7/5 Amsterdam, NL: imgonnagetyouback / Dress + You Are In Love / Cowboy Like Me

7/6 Amsterdam, NL: Sweeter than fiction / Holy Ground + Mary's Song / So High School / Everything Has Changed

7/9 Zürich, CH: Right Where You Left Me / All You Had To Do Was Stay + Last Kiss / Sad Beautiful Tragic

7/10 Zürich, CH: Closure / A Perfectly Good Heart + Robin / Never Grow Up

7/13 Milan, IT: The 1 / Wonderland + I Almost Do / The Moment I Knew

7/14 Milan, IT: Mr. Perfectly Fine / Red + Getaway Car / Out Of The Woods

7/17 Gelsenkirchen, DE: Superstar / Invisible String + "Slut!" / False God

7/18 Gelsenkirchen, DE: Speak Now / Hey Stephen + This Is Me Trying / Labyrinth

7/19 Gelsenkirchen, DE: Paper Rings / Stay Stay Stay + It's Time To Go / Better Man

7/23 Hamburg, DE: Teardrops On My Guitar / The Last Time + We Were Happy / Happiness

7/24 Hamburg, DE: The Last Great American Dynasty / Run + Nothing New / Dear Reader

7/27 Munich, DE: Fresh Out The Slammer / You Are In Love + Ivy / Call It What You Want

7/28 Munich, DE: I Don't Wanna Live Forever / Imgonnagetyouback + LOML / Don't You

8/1 Warsaw, PL: Mirrorball / Clara Bow + Suburban Legends / New Years Day

8/2 Warsaw, PL: I Can Fix Him (No Really I Can) / I Can See You + Red / Maroon

8/3 Warsaw, PL: Today Was A Fairytale / I Think He Knows + The Black Dog / Exile

8/15 London, England UK: Everything Has Changed / End Game / Thinking Out Loud w/Ed Sheeran + King Of My Heart / The Alchemy

8/16 London, England UK: London Boy + Dear John / Sad Beautiful Tragic

8/17 London, England UK: I Did Something Bad + My Boy Only Breaks His Favorite Toys / Coney Island

8/19 London, England UK: Long Live / Change + The Archer / You're On Your Own Kid

8/20 London, England UK: Death By A Thousand Cut / Getaway Car w/Jack Antonoff + So Long, London

[fritzes]

the curse of ATP Madrid 2024

remember toronto's chaos? yeah this one's crazier

(shoutout @rodlaveraryna for helping me find the toronto post when I totally lost it)

first of all, the World #1 Novak Djokovic has withdrawn from the tournament, making the fairly new #2 Jannik Sinner the top seed at a Masters 1000 for the first time.

In the first round, Félix Auger-Aliassime (who, keep in mind, took Nadal to five sets at Roland Garros) loses the first set to Nishioka. However, he comes back in the second and third sets to win the match 4-6 6-1 6-4. We'll be seeing a lot of him. In a Next Gen battle, young phenomenon João Fonseca loses the first set to the clay incompetent Alex Michelsen but proceeds to bagel him in the second set and then win the third with 4-6 6-0 6-2. Fabian Marozsan (of beating Alcaraz in Rome fame) saves eleven set points against Karatsev to win the first set and goes on to win the match 7-6 7-6. Moutet and Shang play an almost four hour match in which Moutet caused a massive delay by demanding the umpire give him coffee. And, most insane of all, teenager Darwin Blanch is drawn against Rafael Nadal for his second tour match ever. The scoreline is 6-1 6-0 (at least he got a game!)

Second round - here come the seeds. Jakub Menšík, yet another Next Gen wonder, upsets Dimitrov in three intense sets 6-2 6-7 6-3. Félix bagels known clay flop Mannarino. Fonseca loses quite brutally to Norrie. The ultimate clay hater himself, Daniil Medvedev, loses the first set to Matteo Arnaldi and looks absolutely done but comes back to win 2-6 6-4 6-4. Another known clay hater, Alexander Bublik, jokes his way through a win against Carballés Baena, who was so frustrated that he hit a serve directly at Bublik. Ben Shelton bagels Machac. Rafa manages to beat de Minaur, who he just lost to in Barcelona. Stefanos Tsitsipas, fresh off of two clay finals, is beaten by qualifier Monteiro 6-4 6-4.

In the third round, our top seed Jannik Sinner starts to show sign of discomfort, and his opponent Kotov is serving for the second set after Jannik won the first. Kotov has set point... and hits a questionable underarm serve that Jannik crushes down the line. Jannik goes on to break back and win the match 6-2 7-5. In the beginning of a long line of strange occurrences, Félix's opponent Menšik retires in the second set. Daniil loses the first set to Korda, yells at everyone, accuses the umpire of working for the Illuminati, but comes back to win the match 5-7 7-6 6-3. Bublik, the other resident clay hater, beats Ben Shelton 3-6 7-6 6-4, stetting up a match against who but Daniil. Holger Rune, who made two clay masters finals, loses to Griekspoor 6-4 4-6 6-3.

We start off the fourth round with another shaky Jannik match where he barely gets past Khachanov 5-7 6-3 6-3. At the exact same time - I kid you not, the exact same time - is a rematch of last year’s final. Carlos Alcaraz has match points over Struff at the very same minute as Jannik, but loses all three of them and extends the match another half hour or so, eventually winning it 6-3 6-7 7-6. Daniil comfortably wins the clay hater battle 7-6 6-4, and Bublik seems perfectly fine with it. In a strange occurrence of two varying levels of servebots on clay, Taylor Fritz beats Hurkacz 7-6 6-4 (including a very predictable tiebreak). Perhaps the strangest of all, Félix takes out Casper Ruud, the man who would marry clay if he could, 6-4 7-5.

And now to the quarterfinals. Think these matches have predictable outcomes? Wrong! Only Taylor manages to emerge as the favorite who wins, beating Cerundolo 6-1 3-6 6-3, an American servebot into clay masters semis. Meanwhile, Jannik withdraws entirely, giving Félix yet another walkover. In what may be the calmest match of his career, Andrey Rublev beats Carlos 4-6 6-3 6-2, ending his Madrid title streak. And, Daniil retires against Jiri Lehecka.

So, the semifinals no one expected. Andrey dispatches Fritz 6-4 6-3 after they traded breaks in the opening two games. And Félix receives yet another walkover when Lehecka retires a few games into the match. Yes, he received not one, not two, but three walkovers en route to the final.

In the end, though, Andrey wins it and claims a second masters title. So, that’s the end of the story, right? No, because in his interviews afterwards, Andrey reveals that he has been extremely sick for the entirety of the tournament and that he could barely sleep or eat. A bizarre yet fitting end to this strange tournament.

[eddy25960]

Léon Bonnat (1833–1922), French. Samson's youth (1891).

Bonnat was born in Bayonne, but from 1846 to 1853 he lived in Madrid, where his father owned a bookshop. While tending his father's shop, he copied engravings of works by the Old Masters, developing a passion for drawing.

Bonnat won a medal of honour in Paris in 1869, going on to become one of the leading artists of his day. Bonnat went on to win the Grand Officer of the Légion d'honneur and became a professor at the Ecole des Beaux Arts in 1882. Bonnat was quite popular with American students in Paris. In addition to his native French, he spoke Spanish and Italian and knew English well.

Bonnat never married, and lived for much of his life with his mother and sister in the Place Vintimille (renamed Place Adolphe-Max in 1940). He died in France on September 8, 1922 (aged 89).

(Don Bryson publication)

[coochiequeens]

Finally I'm able share some good news

Wild festivals, exquisite fruit-bowls and unusually realistic renderings of motherhood and female friendship – not to mention a glimpse of Lady Hamilton as an enthusiastic follower of Bacchus – will go on show in Madrid on Tuesday as one of the country’s most famous galleries seeks to spike the patriarchal canon of art history with a new, and avowedly feminist, exhibition.

The show at the Thyssen-Bornemisza – called simply Maestras (Women Masters) – uses almost 100 paintings, lithographs and sculptures to show how female artists from the late 16th to the early 20th centuries won recognition in their own lifetimes, only to find their works forgotten, erased or consigned to dusty storerooms.

Organised into eight chronological sections that reflect artistic and social changes, Maestras also explores how female artists, gallerists and patrons worked together to create and celebrate art while living and working in the grip and gaze of sexist, and often misogynistic, societies.

Elizabeth Sparhawk-Jones, The Shoe Shop, 1911. Photograph: Elyse Allen/© Art Resource, New York Scala, Florence

Seventeenth-century works by Artemisia Gentileschi, Fede Galizia and Elisabetta Sirani give way to still lifes of fruit and flowers before the exhibition moves to portraits – including Élisabeth Louise Vigeé Le Brun’s Lady Hamilton as a Bacchante – and then to Orientalism, depictions of working women, images of maternity, sisterhood and, finally, to images of female emancipation.

Among the show’s early exhibits is one of Gentileschi’s anguished studies of Susanna and the Elders, while the later pieces include Mary Cassatt’s bleary-eyed Breakfast in Bed and Maruja Mallo’s playful Fair pictures.

“This exhibition speaks positively of that other half of art history,” said the exhibition’s curator, the art historian and critic Rocío de la Villa.

“For a long time, the feminist history of art has been beset by all the handicaps and obstacles that had been put in the path of female creators. For example, they couldn’t access the same artistic training that their male colleagues could. They generally lived in an extremely patriarchal system that denied them their rights and in which their signatures had no legal value.”

There were, however, “certain moments and certain places” in which conditions were more favourable to female artists, and the show aims to offer “a series of windows through which we can see a mutual understanding and a camaraderie between artists, gallery owners and patrons”.

It also reminds visitors that some talented women caught the eye of European royal courts, and that some had husbands who helped them in the studio – or even looked after their children – because they knew that their wives’ gifts far exceeded their own.

Mary Cassatt, Breakfast in Bed, 1897. Photograph: The Huntington Library, Art Museum

Guillermo Solana, the artistic director of the Thyssen-Bornemisza, said Maestras was another example of the museum’s continuing commitment to feminism, education and addressing the prejudices of the past.

“I’d promised myself that I wouldn’t do any mansplaining today but I can’t help it when it comes to explaining what I’ve learned from the process of doing this exhibition, because I’ve learned a lot,” he told journalists on Monday morning.

“The first thing I learned from this exhibition – and which I think the public will also learn – was so many new names; so many fantastic artists I’d had no idea about and had never heard of. Of course, we knew about Artemisia Gentileschi and Frida Kahlo or Paula Modersohn-Becker, but how many important artists have got away – or been taken from us?”

Frida Kahlo, Portrait of Lucha María, A Girl from Tehuacán, 1942. Photograph: akg-images/© Rafael Doniz @ 2023 Banco de México Diego Rivera Frida Kahlo Museums Trust, México, D.F./VEGAP

De la Villa agreed. “The public is going to ask, ‘How can it be that we didn’t know about these female artists?’” she said.

“How is it that their works were in storerooms until recently? Maestras is a feminist exhibition that seeks to emphatically correct the prejudices that have come about as a result of the patriarchy – prejudices that have meant that works by female artists have remained in museum storerooms during the 20th century.”

She said the male-dominated artistic system had always sought to defend itself by denigrating female artists. Equally damaging, she added, was how historians had played down the achievements of women until their voices were silenced and their creations overlooked and then hidden from view.

“When women are hidden, or robbed of their past, they are robbed of their identity,” said De la Villa. “The power of culture is very important. It just can’t be separated from the social conditions we enjoy, or which we suffer.”

 Maestras is at the Thyssen-Bornemisza museum from 31 October to 4 February 2024

[signorinaclaudiacardinale]

Did Claudia Cardinale and María Felix meet?

Yes, they met in June 1961 taking pictures with the singer Lady Patachou at the "Nuit de la chancellerie" gala in France but the Felix - Cardinale relationship was not and did not reach a friendship.

At the end of the following year director Henry Hathaway was looking for an older, experienced actress for his film "Circus World" for the role of "Lili Alfredo", the mother of Tony Alfredo (played by Claudia Cardinale), and here comes the problem. First they offered María Félix the role of "Lili Alfredo" playing the mother of "Tony" but the popular 'María Bonita' expressed herself saying: "I will not play the role of the mother of a novice actress" since she found out that Claudia would be the protagonist.

To María Felix's petulant refusal; the director Henry Hathaway did not know who to offer and this was known to John Wayne (father of Claudia/Tony in the film as Matt Masters) to whom the director gave his trust so that he would not leave his 'daughter' Tony "orphaned" and Wayne contacted his dear friend the iconic Rita Hayworth and she kindly accepted without any differences with the new young protagonist Claudia Cardinale.

Filming began in September 1963 and concluded in February 1964 in Madrid, Spain, premiering that same year, being a great success at the time!

"One day Rita came into my caravan and started crying, something that disconcerted me and she told me: 'I was beautiful too one day'. It hurt me a lot because for me she was a goddess"

-Claudia Cardinale in "Essere Claudia", 2007.

Credits:

📷 Photographs, date and location information by Élie Kagan. 🎬 Gifs of "Circus World home movie" in Spain, 1964. Black and white gif is Claudia's sister Blanche Cardinale as her assistant.

[elrincondelfanatico]

🎙️⚾🏎️🥊🎾 El Rincón del Fanático 539: Análisis MLB, GP de Miami, Canelo en Acción y Tenis en Madrid 🌟

Bienvenidos a una nueva entrega de El Rincón del Fanático. Hoy, aunque sin Iván, compartimos una serie de análisis apasionantes y resultados del mundo deportivo.

Le enviamos las mejores vibras a Ivan!!

Desglose del Episodio:

03:47 ⚾ MLB: Profundizamos en la dinámica actual de las ligas Americana y Nacional, explorando las razones detrás de la racha perdedora de los Astros y las complejidades de batear una pelota en el béisbol. No te pierdas nuestra cápsula informativa y una trivia especial.

53:06 🏎️ F1: Cobertura completa del GP de Miami, con Max Verstappen finalizando en segundo lugar y un vistazo a la tabla de posiciones actual. Además, descubre cuánto costaban los platillos en el circuito Hard Rock.

01:03:35 🥊 Boxeo: Analizamos la última pelea de Canelo Álvarez y su impacto en el mundo del boxeo.

01:11:53 🎾 Tenis: Resultados del Master de Madrid, con los mejores momentos y las actuaciones destacadas.

🎧 Escucha nuestro podcast en tu plataforma preferida:

Spotify: ⁠https://open.spotify.com/show/5SHBdgnCVqz7Qciqqvb1dH⁠

Spotify for Podcasters: ⁠https://anchor.fm/elrincondelfanatico⁠

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TuneIn: ⁠http://tun.in/pkRd4⁠

Síguenos en Facebook: ⁠https://www.facebook.com/elrincondelfanatico/⁠ Y también en Tumblr: ⁠https://elrincondelfanatico.tumblr.com/⁠

¡Prepárate para un episodio lleno de acción y análisis profundo de tus deportes favoritos!

[napoleonic-sexyman-tournament]

Friends, enemies, comrades, Jacobins, Monarchist, Bonapartists, gather round. We have an important announcement:

The continent is beset with war. A tenacious general from Corsica has ignited conflict from Madrid to Moscow and made ancient dynasties tremble. Depending on your particular political leanings, this is either the triumph of a great man out of the chaos of The Terror, a betrayal of the values of the French Revolution, or the rule of the greatest upstart tyrant since Caesar.

But, our grand tournament is here to ask the most important question: Now that the flower of European nobility is arrayed on the battlefield in the sexiest uniforms that European history has yet produced (or indeed, may ever produce), who is the most fuckable?

The bracket is here: full bracket and just quadrant I

Want to nominate someone from the Western Hemisphere who was involved in the ever so sexy dismantling of the Spanish empire? (or the Portuguese or French American colonies as well) You can do it here

The People have created this list of nominees:

France:

Jean Lannes

Josephine de Beauharnais

Thérésa Tallien

Jean-Andoche Junot

Joseph Fouché

Charles Maurice de Talleyrand

Joachim Murat

Michel Ney

Jean-Baptiste Bernadotte (Charles XIV of Sweden)

Louis-Francois Lejeune

Pierre Jacques Étienne Cambrinne

Napoleon I

Marshal Louis-Gabriel Suchet

Jacques de Trobriand

Jean de dieu soult.

François-Étienne-Christophe Kellermann

17.Louis Davout

Pauline Bonaparte, Duchess of Guastalla

Eugène de Beauharnais

Jean-Baptiste Bessières

Antoine-Jean Gros

Jérôme Bonaparte

Andrea Masséna

Antoine Charles Louis de Lasalle

Germaine de Staël

Thomas-Alexandre Dumas

René de Traviere (The Purple Mask)

Claude Victor Perrin

Laurent de Gouvion Saint-Cyr

François Joseph Lefebvre

Major Andre Cotard (Hornblower Series)

Edouard Mortier

Hippolyte Charles

Nicolas Charles Oudinot

Emmanuel de Grouchy

Pierre-Charles Villeneuve

Géraud Duroc

Georges Pontmercy (Les Mis)

Auguste Frédéric Louis Viesse de Marmont

Juliette Récamier

Bon-Adrien Jeannot de Moncey

Louis-Alexandre Berthier

Étienne Jacques-Joseph-Alexandre Macdonald

Jean-Mathieu-Philibert Sérurier

Catherine Dominique de Pérignon

Guillaume Marie-Anne Brune

Jean-Baptiste Jourdan

Charles-Pierre Augereau

Auguste François-Marie de Colbert-Chabanais

England:

Richard Sharpe (The Sharpe Series)

Tom Pullings (Master and Commander)

Arthur Wellesley, 1st Duke of Wellington

Jonathan Strange (Jonathan Strange & Mr. Norrell)

Captain Jack Aubrey (Aubrey/Maturin books)

Horatio Hornblower (the Hornblower Books)

William Laurence (The Temeraire Series)

Henry Paget, 1st Marquess of Anglesey

Beau Brummell

Emma, Lady Hamilton

Benjamin Bathurst

Horatio Nelson

Admiral Edward Pellew

Sir Philip Bowes Vere Broke

Sidney Smith

Percy Smythe, 6th Viscount Strangford

George IV

Capt. Anthony Trumbull (The Pride and the Passion)

Barbara Childe (An Infamous Army)

Doctor Maturin (Aubrey/Maturin books)

William Pitt the Younger

Robert Stewart, 2nd Marquess of Londonderry (Lord Castlereagh)

George Canning

Scotland:

Thomas Cochrane

Colquhoun Grant

Ireland:

Arthur O'Connor

Thomas Russell

Robert Emmet

Austria:

Klemens von Metternich

Friedrich Bianchi, Duke of Casalanza

Franz I/II

Archduke Karl

Marie Louise

Franz Grillparzer

Wilhelmine von Biron

Poland:

Wincenty Krasiński

Józef Antoni Poniatowski

Józef Zajączek

Maria Walewska

Władysław Franciszek Jabłonowski

Adam Jerzy Czartoryski

Antoni Amilkar Kosiński

Zofia Czartoryska-Zamoyska

Stanislaw Kurcyusz

Russia:

Alexander I Pavlovich

Alexander Andreevich Durov

Prince Andrei (War and Peace)

Pyotr Bagration

Mikhail Miloradovich

Levin August von Bennigsen

Pavel Stroganov

Empress Elizabeth Alexeievna

Karl Wilhelm von Toll

Dmitri Kuruta

Alexander Alexeevich Tuchkov

Barclay de Tolly

Fyodor Grigorevich Gogel

Ekaterina Pavlovna Bagration

Ippolit Kuragin (War and Peace)

Prussia:

Louise von Mecklenburg-Strelitz

Gebard von Blücher

Carl von Clausewitz

Frederick William III

Gerhard von Scharnhorst

Louis Ferdinand of Prussia

Friederike of Mecklenburg-Strelitz

Alexander von Humboldt

Dorothea von Biron

The Netherlands:

Ida St Elme

Wiliam, Prince of Orange

The Papal States:

Pius VII

Portugal:

João Severiano Maciel da Costa

Spain:

Juan Martín Díez

José de Palafox

Inês Bilbatua (Goya's Ghosts)

Haiti:

Alexandre Pétion

Sardinia:

Vittorio Emanuele I

Lombardy:

Alessandro Manzoni

Denmark:

Frederik VI

Sweden:

Gustav IV Adolph

[marianadecarlos]

hewwo ma amie !! i came as stated cus bourbon - habsburg infodump exchange

I would actually want a presentation about mariana de austria ... im a loser who doesnt know much about her ! i read about her when she got to spain and was confused about spanish (that was so real from her) but i dont know more cool stuff about her at all ... so feel free to tell me anything you find remarkable about her !

who is your favourite bourbon ? :3

Thank you for this Question:

Queen Mariana of Austria is known as the Mother of Charles II of Spain and the niece/wife of Philip IV. She was Queen Regent when her husband Philip IV died and ruled on Carlos II's behalf until he was 14. Like Charles II, Queen Mariana was a victim of the classic “decline of Spain” paradigm. She is defined by 19th-century historians as “weak,” “unstable,” and “ignorant” but also “Machiavellian,” “scheming,” “with a German outlook” (meaning foreign), at times “melancholic” because she suffered from migraines, and was overly pious and uninterested in politics because she “dressed as a nun." She was accused of handing power over to her favorites; Jose Everardo Nithard and Fernando de Valenzuela. In reality, She was smart, strategic, strong, decisive, and seemingly tactile. Her favorites played a dominant role in her regency but her strong and decisive personality and her extensive and consistent participation in all aspects of government suggest otherwise. She faced two political crises during her regency the first was in 1669 resolved by her dismissal of Nithard; the second, between 1675 and 1677, ended with Valenzuela’s fall and her exile. There is evidence in state papers to prove that she did not surrender power to them. Speaking of Jose Everardo Nithard, He was Mariana's tutor, friend, and later her confessor. He was made inquisitor General. As for Valenzuela, Known as the palace elf, due to his influence and connections to people in high places. He married a woman who is part the queens valet. He provided Queen Mariana information about gossip and rumors that were circulating in Madrid. Valenzuela got more influencial overtime which created tension between him and the court. He was Mariana's protégé. Their friendship caused controversy and nasty rumors where made about them as a result. The worst one I believe was the rumor of Queen Mariana sleeping with Valenzuela. The fact that people actually believe that rumor makes me angry. Mariana was dressed as a nun because this is the type of dress worn by Habsburg widows. She made a few changes to the garb like having princely folds and lavish materials. Queen Mariana was exposed to the Spanish cultural traditions because Mariana's mother is Philip IV's sister. She was exposed to Italian culture because of two generations of italian empresses. Mariana both observed and participated in court ballets, rituals, and ceremonies; her dance master, Santo Ventura, was highly regarded. Boys received this kind of instruction as well. Leopold I, for example, was an avid consumer and practitioner of theater and music as emperor. At the age of seven, for example, Mariana publicly greeted her parents on their return from the Diet of Regensburg in 1641 by saluting her mother in the Spanish style and her father in Latin. When the fourteen-year-old performed a similar greeting in Trento, this time as queen of Spain, she had had at least seven years of practice. Queen Mariana was educated and spoke Latin, Spanish and German well. Judging by her education and her fleunt spanish, I doubt she struggled speaking spanish. I read somewhere that Queen Mariana as a child loves playing with dolls. She was cheerful, obedient, and lively girl. Her marriage to King Philip IV of Spain was always described as a terrible marriage because King Philip "cheated" on her, their different personalities, and massive age gap. In reality, They had an affectionate relationship and King Philip was loyal throughout their marriage. He described himself as a change man and would give Mariana everything she wanted. They did struggle financially though and at times could get caught in a series of arguments. I mean no marriage is perfect.

Gossip writer Barrioneuvo reports that one day The Queen asked for pastries and commented that she was not served for some days. She was told that the pastry cook would not supply the palace until a large outstanding bill had been paid. She removed a ring from her finger and ordered a servant to exchange it for pastries; Manuelillo de Gante told her to put the ring back on and gave the servant a copper to buy some tarts so that the Queen can finish her dinner.

Queen Mariana was the woman behind Castillio De San Marco, After a pirate attack in June 1668 roused Mariana into action. Queen Mariana was horrified receiving this news because the attack was so brutal. On March 11, 1669, the queen regent issued her decree ordering the viceroy of New Spain to send subsidies to the city. She also added funding for the building of a masonry fortification and additional soldiers. To oversee the project, she sent Don Manuel de Cendoya to St. Augustine as the new royal governor. Her judgement protected and spurred the city’s growth over the following decades. This growth even led to a later governor requesting the same regent queen for a new two-story, coquina Governor’s House in St. Augustine.

Mariana was a good mother-in-law to Marie Louise of Orleans. After the wedding of Marie Louise, Carlos introduced Marie Louise. Marie Louise bowed to her but Queen Mariana grabbed her hands and told her to stand; and said "Call me mother" with a smile.

Mariana in the year 1696 felt pain in her breast turns out she had breast cancer and she tries her best to hide it because she did not want Maria Anna of Nueburg to take over. The pain was unbearable that she asked the doctors to check her breast. When they examined the Queen they found a huge tumor in her breast. Their is no treatment for this and she was offered relics and prayers. When she died.

Reports of miracles attributed to her quickly began to circulate. These miracles and her body’s reported “incorruptibility” three years after her death led to a beatification proceeding in the last years of Carlos’s reign. Mariana’s path to sainthood, however, came to an abrupt end when the new dynasty, the Bourbons, took power. Both the beatification proceedings in 1698 and its abandonment in 1702 were as politically motivated as everything else in her life had been

I won't give too much information on her regency because there is a book about it called Queen, Mother, and Stateswoman Mariana of Austria and the government of Spain by Silvia Z. Mitchell. This book is my source about her and the reason why I made this blog so her side of the story will be known. Other sources are from https://governorshouselibrary.wordpress.com/2022/09/22/mariana-de-austria-the-queen-behind-the-castillo-de-san-marcos/?fbclid=IwY2xjawE5D5UBHUpP8HVhtFboR9ZThC2j5LNDLj531pKjmVxtGQbf7A2yMOo2AuNxqEU3Qw

I like 4 bourbons, Philip V, Luis I, Fernando VI, and Carlos III. If I had to choose one it would be Carlos III because he modernized Spain and imposed great reforms.

Sorry I took so long to reply

[sgiandubh]

Lo puedes negar hasta el cansancio pero cada vez te me pareces más y más a Puffy-Liar! su mismo modus operandi, hablas en círculos, te crees dueña ds la verdad absoluta, escribes largos "rants" donde hablas mucho pero no dices nada. Es cuestión de tiempo para que traigas de vuelta tus "privy info", "close to SC sources" a tu amiga Stella y el "vault" con las fotos de SC y el bebé rubio. Supongo que en WordPress ya no eras tan popular y extrañabas tener los shippers rogandote para que compartas la información de tu amigo "long throat" ya sabes, Puffy siendo Puffy. 😅🤣🤣

Oh, but hello you Master Troll Anon,

For the delight of this fandom, may I translate your venomous rant, that was supposed to what...? scare me? ... make me run for the helicopter on the roof, Ceaușescu-style?

You can deny it until you get tired, but every time you look more and more like Puffy-Liar! The same modus operandi as her, you talk in circles, you think you are the master of absolute truth, you write long rants where you talk a lot and say nothing. It's just a matter of time until you bring back your privy info, close to SC sources, your friend Stella and the vault with the pictures of SC and the blonde baby. I suppose you were not as popular on WordPress and you missed the shippers begging you to share the information from your 'long throat' friend. You know, Puffy being Puffy.'

Since your reading comprehension is so perfect, I will answer you in English.

I hope my letter finds you well, btw.

First of all, it's Deep Throat, not Long Throat. But you know... barista/barrister... Deep Throat existed, during the Watergate Affair. His name was Mark Felt and he was the Deputy Director of the FBI, supplying Bob Bernstein and co with all the needed info. Puffy's is a figment of her imagination, as you all know it.

I have doxxed myself not once, but twice . And I did it on purpose, because I knew you would do exactly this, in order to feel alive, perhaps:

First, my mugshot:

Posted on July 30th, while recounting my visit to Olympia: https://www.tumblr.com/sgiandubh/724219876757176320/a-stupid-shippers-guide-to-the-peloponnese-part

Yes, darling, this is me: a Romanian, 45 year-old, Roman-Catholic diplomat. Not a 60+ Jewish widow from Massachusetts :

Then, because you were harassing @bjj3007-ichoosetobelieve, I posted this flat denial on August 18th: https://www.tumblr.com/sgiandubh/725983370933354496/jeez-louise

In Romanian. Had I done it in French, my second mother tongue, you would have screeched it was inconclusive. Silly twats.

As far as I know, Puffy has some rudiments of French, but that's about it. Sorry, doll. Wrong number.

I don't care about your slanderous, uneducated and vulgar opinion. I despise your harassment attempts on people who were only liking what they were reading and were very warm to me.

You are not the first one to try and scare me. You have yet to prove I am a liar, with hard evidence, not with impressionist camelos.

There is at least one woman in this fandom who knows my name, my full mail address and all the specific details. Because she recently used them and got confirmation that I am who I said I am, I have the job I said I have and I live where I said I lived.

Her delicate gesture moved me. Yours brought a sort of disgusted amusement, if at all possible.

I know who you are. If I were you, I'd think twice before going on with the shitshow. I am not implying anything and I will not lose my time with you in court (my best IRL friend, the Madrid abogada, will gladly do it pro bono, btw). But you have nothing and you will continue to have nothing.

Because there is nothing you can have about me. I said it all, almost.

What this outburst is telling me, is one darn inconvenient thing for you, people. So, I'll say it in Spanish, cariño:

¿Vds tienen mucho, mucho miedo, verdad?

I promised to be your worst intellectual nightmare. I meant it.

So far, I think I am not faring that bad, eh?

[blueiscoool]

6,000-Year-Old Sandals Found in a Spanish Cave are Europe’s Oldest Shoes

New analysis has identified the oldest shoes ever discovered in Europe, according to a study published this week in the journal Science Advances.

The 22 woven sandals date from 6,000 years ago, radiocarbon analysis found in the study led by researchers at the Autonomous University of Barcelona and Alcalá University in Spain.

The ancient footwear, along with Mesolithic baskets and other tools, was first discovered back in 1857, when a cave in southern Spain was looted by miners. However, when the artifacts were first dated, in the 1970s, they were identified as being about 1,000 years more recent than this latest analysis found.

The very dry conditions within the cave were ideal for preserving perishable materials, the researchers said, and allowed the preservation of a prehistoric burial site complete with partially mummified corpses, accompanied by baskets, wooden tools, sandals and other goods.

The objects are “the oldest and best-preserved set of plant fiber materials in southern Europe so far known,” María Herrero Otal, one of the study’s authors, said in a statement, adding that they demonstrate “the ability of prehistoric communities to master this type of craftsmanship.”

When Spanish archaeologist Manuel de Góngora y Martínez visited the cave in 1867, 10 years after the looting, he gathered the remaining artifacts, including the sandals, and gave them to museums in Madrid and Granada, where they have been studied by researchers, the study added.

The sandals were made of grasses as well as other materials, including leather, lime and ramie bast, a type of natural fiber.

Using the descriptions provided by Góngora, the study hypothesizes that the bodies were buried wearing the sandals.

Some sandals had clear signs of wear, while others appeared never to have been worn, suggesting that some people had clothing made especially for their burial.

The researchers also studied several baskets and other wooden artifacts in the collection. These objects “open up groundbreaking perspectives on the complexity of Early-Middle Holocene populations in Europe,” they said, adding that most knowledge of past societies is drawn from durable artifacts rather than perishable ones such as baskets. The Holocene is the current geological epoch, which began 11,700 years ago.

Both the baskets and sandals suggest that the makers had an extended knowledge of the plant resources in the local environment as well as a high level of expertise, the researchers noted.

“The quality and technological complexity of the basketry makes us question the simplistic assumptions we have about human communities prior to the arrival of agriculture in southern Europe,” Francisco Martínez Sevilla, one of the study’s authors, said in a statement.

The study also found that the objects were deposited at the site at two very different times during the Early and Middle Holocene eras. The first phase was related to the Early Holocene hunter-gatherer populations, and the second phase to Middle Holocene farmers, researchers said.

By Issy Ronald.

[gavidaily]

Hello! Here's the 'Revista GQ' interview from GQ in English, translated by yours truly 💖 enjoy!

Gavi, against the El Clásico: “We know the pressure we are under as we wear the Barça shirt and it’s important to have a strong mentality to withstand it”. 

To say that Gavi is a promise to Spanish football it’s an understatement. He is young, yes, a little more than 19 years old, but at his age, he already managed to consolidate himself as a reference in the Barça and Spanish National Team midfield. The future is his. So is the present. 

The genealogical line of great midfielders from the FC Barcelona youth team that reaches Gavi - the modern one, we are not going to go back to the times when football was played walking -, starts from a now almost forgotten Luis Milla - who signed for the Real Madrid in 1990 did not exactly help him go down in the history of the Blaugrana club—it follows with a certain Pep Guardiola, continues with the current Barça coach, Xavi Hérnandez, and ends with the very young player who stars in these lines: Pablo Martín Páez Gavira or, simply, Gavi (Los Palacios y Villafranca, Seville, 2004).

On that number 6 that the Sevillian wears, and that curiously Xavi also carried on his back, lies all the weight and responsibility not only for the team's victories but also for preserving the style, that intangible heritage of the club that they treasure in the Camp Nou with the same greed as its Leagues or Champions Leagues, and with which the culés like to ruin the victories of others, if they do not respond to that slow play, possession of the ball and touch to the foot. So a player like Gavi is naturally asked to help the team win titles; but, above all, that, like a chef de cave or a master distiller, he ensures that the mix, different each season, of players of different ages and origins that make up the FC Barcelona squad, always has the same aroma and the same flavor. The same style.

Too much responsibility for a kid who is barely 19 years old? From what is seen on the field, both in his club and in the National Team - with which he debuted on September 30, 2021, and in which he also acts as guardian of a style, the famous tiki taka - it does not seem so. While it is true that young players increasingly show greater self-confidence on the field - perhaps because the adolescence and maturity of athletes, like that of the rest of the kids, has come a little earlier - Gavi's performance is from another galaxy. Not in vain, he has been compared since he made his debut in the First Division, on August 29, 2021 against Getafe CF, with his current coach, Xavi Hernández. Both are technical and elegant, although Gavi probably has a tougher profile as well. Unlike Xavi, who inherited a squad at its peak, Gavi has had a club in bankruptcy and under construction, entangled in great sporting and economic difficulties. Which did not prevent him from winning LaLiga last season.

We photographed him just after playing a street party with some kids in a sports center in Santa Coloma de Gramanet (and giving them, in the process, the surprise of their lives), as part of an action by his sponsor Nike. Due to their age, one of those kids could one day replace Gavi himself in the midfield, or even play side by side with him. For now, that future of the club belongs to its current number 6, and it is in his hands to lead another glorious era like that of Messi, Iniesta, Pujol, Piqué and Busquets, under the command of the current Pedri , Ferran, Yamal or Balde. Although what he has in front of him, for the moment, is a very brilliant present.

INTERVIWER: You have relatively recently completed your first 100 games for Barcelona. What assessment do you make? What grade would you give yourself as a player?

GAVI: It is an incredible mark. I always dreamed of playing in the Barça first team and having already played 100  games is something impressive. I hope to accomplish many more. I'm not one to give myself notes. I am still a young player with a lot of room for growth. My goal is to continue working hard to continue improving as a footballer every day.

I: Last year you received the Kopa Trophy that France Football magazine awards to the best young player of the year. What does such an award mean to you?

G: It was an incredible recognition, but even if it was awarded to me it would have been impossible to achieve it without the help of all my colleagues. I am very grateful to all of them, to the staff that helps me continue improving every day and in general to the club that has always trusted me. It is another motivation to win these types of prestigious awards and that invites me to continue fighting to go as far as possible in my career.

I: When you see yourself as a footballer, what do you think you need to improve or learn?

G: As I said, I'm still very young, so both the coach, the staff and my teammates help me in every training session to continue improving as a footballer. I always try to listen to them and put their advice into practice without giving up my personality as a footballer.

I: Were you a Xavi fan when you were a child?

G: Yes of course. Xavi has been one of Barça's best players and one of the best midfielders in the history of football. It was impossible not to be a fan of his... I always loved watching him play and seeing how his play influenced the game.

I: Has having a legend in that position as a coach especially helpful for your progression?

G: It always helps that the coach was a footballer because he understands us perfectly. Furthermore, as I said, he is Barça history and he knows perfectly well what it means to play for this club and do so in the midfield position. His vision of football helps me a lot and he has helped me grow as a footballer since he arrived.

I: Is directing Barcelona's midfield a big responsibility for such a young player?

G: It is always a responsibility to play for Barça and especially for the midfielders, since we have to start building the game from our position. Fortunately we have a very complete squad and great players in the midfield with different virtues. We all contribute to following that style that has always characterized Barça.

I: Because of your age, you're probably playing with or against players you idolized until very recently. What is that feeling like?

G: Sharing the stage with people you dreamed of when you were little is always a nice thing... But once the referee whistles, I'm always focused 100% on the game and I forget about any distractions.

I: Who have been your idols in football?

G: Many. Fortunately, my generation has been very lucky because it grew up with a very successful moment for both the National Team and Barça when we were little. It would be very difficult to stay with just one.

I: Do you remember the Spanish team's final in South Africa well or were you too young?

G: It was small, but I remember it well. Impossible to forget Iniesta's goal …

I: You have lived your childhood in a time of great football and sports joys, instead of great frustrations. Do you think that gives a different mentality to those of your generation?

G: Since I was little I have always enjoyed playing and at the same time I have pushed myself to the maximum to win as much as possible.

I: Do Spanish players of your generation have a more winning mentality, without complexes?

G: Yes, I see that winning mentality in all the teammates who rise to the first team from youth football and also those from the National Team. The world of football is a very competitive and winning world and we all fight for the same thing, to win.

I: How did you start playing soccer?

G: I started playing for my hometown team, Liara Balompié. From there I jumped to Betis youth football where I spent a few years and when I was 10 we received a proposal from Barça and we didn't think about it.

I: Do you miss having a more normal adolescence?

G: When you do what you like, you don't think about anything other than focusing on your career as a footballer. I always dreamed of getting where I am today and I hope to continue enjoying football at this level for a long time.

I: What is your life like in Barcelona? What kinds of things do you like to do when you're not working?

G: I lead a very quiet life. I like to spend time with my family and my friends. When I'm at home I love watching football, both national and games from other leagues.

I: What hobbies do you have off the field? Do you love fashion? Do you have a favorite designers? Do you learn about fashion in the Barça locker room?

G: I like fashion, yes. What I value most is being comfortable. For example, now that I'm wearing these Air Max and this Tech Fleece tracksuit, I feel perfect. I like to dress with style, but without giving up comfort. I don't have favorite designers. It is true that in the locker room you see many styles. Each one has their own.

I: How do you get along with your locker roommates? Who has helped you the most to grow within the team and as a footballer?

G: The truth is that there is a very healthy atmosphere in the group. It is a very young team where the veterans help a lot to those who come up. I have a good relationship with all of them, so it is very difficult to stay with just one. Everyone helps me to be better every day. Just by training with them, one improves.

I: You have had to live through a transition period at Barça. How does such a young player deal with the mental issue of football defeats or disappointments? How do you stay motivated?

G: The motivation is always in the next game. Playing for Barça means always aspiring for everything, so on occasions where that doesn't happen we always have a new opportunity in three or four days to continue fighting for titles. We know the pressure we are under when wearing this shirt and it is important to have great mental strength to withstand it.

I: Who do you lean on in difficult times?

G: In my family and my friends. They never fail.

I: What did the victory in LaLiga mean to you ?

G: It was amazing. I've always dreamed of winning it and doing it after a few years was spectacular. The fans deserved it and we hope to continue offering them titles.

I: What are your personal and collective goals this season?

G: Always try to give their best and continue improving day by day. I try to contribute one hundred percent to the team so that as a collective we always go as far as possible.

I: FC Barcelona has a very powerful women's team. What do you think of the success of the Spanish women's soccer team in the World Championship?

G: It is impressive what they have achieved. Winning a World Cup is the most a footballer can aspire to and the growth that women's football has had in Spain in recent years is spectacular. I am very happy for all of them.

I: Do you think that disciplines such as sports or culture, which have a powerful speaker, should be more active when it comes to giving visibility to social problems (racism, homophobia, gender violence...)?

It is true that we have a very important speaker. Together, we have to help solve society's problems.

｡･:*:･ﾟ★

[mybeingthere]

Ferdinand Hodler (1853 – 1918) was a Swiss painter who developed a style he called "parallelism" that emphasized the symmetry and rhythm he believed formed the basis of human society.

By the time Hodler was eight years old, he had lost his father and two younger brothers to tuberculosis.

The family's finances were poor, and the nine-year-old Hodler was put to work assisting his stepfather in painting signs and other commercial projects. After the death of his mother from tuberculosis in 1867, Hodler was sent to Thun to apprentice with a local painter, Ferdinand Sommer.From Sommer, Hodler learned the craft of painting conventional Alpine landscapes, typically copied from prints, which he sold in shops and to tourists.

In 1871, at the age of 18, Hodler travelled on foot to Geneva to start his career as a painter. He attended science lectures at the Collège de Genève, and in the museum there he copied paintings by Alexandre Calame. In 1873 he became a student of Barthélemy Menn, and investigated Dürer’s writings on proportions.

He made a trip to Basel in 1875, where he studied the paintings of Hans Holbein—especially Dead Christ in the Tomb, which influenced Hodler's many treatments of the theme of death. He travelled to Madrid in 1878, where he stayed for several months and studied the works of masters such as Titian, Poussin, and Velázquez in the Museo del Prado.

In the last decade of the nineteenth century his work evolved to combine influences from several genres including symbolism and art nouveau. In 1890 he completed Night, a work that marked Hodler's turn toward symbolist imagery. It depicts several recumbent figures, all of them relaxed in sleep except for an agitated man who is menaced by a figure shrouded in black, which Hodler intended as a symbol of death. When Hodler submitted the painting to the Beaux-Arts exhibition in Geneva in February 1891, the entwined nude figures created a scandal; the mayor deemed the work obscene, and it was withdrawn from the show.[6] A few months later, Hodler exhibited Night in Paris at the Salon, where it attracted favorable attention and was championed by Puvis de Chavannes and Rodin.