#Max Graef

[disease]

MAX GRAEF // ZAN [SINGLE, NOV 2023]

[strwll]

Max Graef — KSF (Kaese Schinken Floete) https://www.discogs.com/release/4819103-Various-Box-Aus-Holz-007

[beatbude]

[party-at-jacurutu]

NOW PLAYING:

[twistedsoulmusic]

“Natural Element” is the latest release from the mind of Berlin-based German producer Max Graef. Max has showcased his unique and varied take on music on each of his albums. This third offering expands on his influences and approach. ‘Natural Element’ evolved from the “natural” process of confronting the limitations that come from stagnation and conformism. With that in mind, each track embraces change and originality. “Sports (Is Good For You),” “Around The Globe”, “Gaza International Airport”, and the title cut are stellar exemplars of this musical magic.

[ryotarox]

クロノクロミー - Wikipedia

『クロノクロミー』（Chronochromie）は、オリヴィエ・メシアンが1959年から1960年にかけて作曲した大オーケストラのための管弦楽曲。演奏時間は20分あまり。

曲は7つの部分から構成される

イントロダクション Introduction

ストローフ1 Strophe I

アンティストローフ1 Antistrophe I - 木管楽器によるウタツグミと、シロフォンなどによるヒバリの声が交替する。

ストローフ2 Strophe II - ストローフ1の変形。

アンティストローフ2 Antistrophe II - アンティストローフ1の変形。もっとも長い。

エポード Épôde

コーダ Coda - イントロダクションと同じ素材を使用している。

-- 1969年、アメリカ合衆国のNET（教育テレビ放送、PBSの前身）において、カラー番組の放送前にアンティストローフ2のシロフォンによるヒバリの歌の部分が流された[11]。同年放送が始まった『セサミストリート』のシーズン1の前にもこの曲が流されていた[12]。

ホントだ。「アンティストローフ2のシロフォン」がセサミストリートに使われてる！

Sesame Street: Episode 1 - YouTube

その次の部分の電子音は、元ネタはなんだろう（おそらくレイモンド・スコット。人脈的にも音的にも）。後にサンプリングされて、MAX GRAEFの「Mulholand Drive」に使われてる。

セサミストリートを見て育った世代は、現代音楽や電子音楽に馴染みがあるのだろうか。

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Chronochromie: Antistrophe II - YouTube

[weimarhaus]

Max Beckmann, "Irrenhaus" ("Madhouse"), 1918.

(Etching and drypoint on cream, slightly textured, laid paper; 9-3/4 × 11-7/8 in. [26 x 30 cm.])

Part of the "Gesichter" ("Faces") series which was a portfolio of nineteen drypoints published in 1919.

Per MoMA: About the portfolio: By Heather Hess, German Expressionist DigitaArchive Project, German Expressionism: Works from the Collection. 2011:

"The nineteen prints in Max Beckmann's portfolio Gesichter (Faces) do not present a narrative sequence but rather show flashes of life at different moments. Rendered in various sizes and formats and featuring a range of subjects, the images reflect the motley character of human existence: children play war games while bloody soldiers lie on operating-room tables; unattainable desire coexists with the empty pleasures of purchased love; people are bored and lonely, whether at home or in the city, alone or in the crowd. Beckmann, an active participant, appears in multiple self-portraits, including one at each the beginning and the end. Throughout the collection, the artist exaggerated facial features, distorted space, and took full advantage of the scratchy texture of drypoint lines for expressive effect.

"PUBLISHING HISTORY

Beckmann originally planned to publish two separate portfolios—one of wartime imagery and another, to be titled Welt-Theater (World theater), illustrating metropolitan life. Instead, Julius Meier-Graefe, an important critic and advocate for modern art, culled previously unpublished drypoints that Beckmann made between 1915 and 1918 and published this single portfolio. He also suggested the title. Gesicht has a range of meanings—face, sight, appearance, and vision—and is rich with literary associations, evoking in particular Friedrich Nietzsche's Thus Spoke Zarathustra, in which the term conveys the many facets of human existence."

Per Goldmark Art: "Perhaps the most powerful image of the Gesichter series, ‘Madhouse’ reinforces the double meanings that the the series’ title conjured up. The array of faces on display is varied: in the centre-left, a soldier with short-cut hair and cap smiles absently while a thin, gaunt woman opposite him motions and talks to herself; others hide their faces, unable to face the world anymore. The gathering of characters portrays a vision of those sufferers sidelined in a harsh society in the midst of a war: victims of trauma; the elderly; the mentally broken.

[14si]

本日のナンバー♪

Max Graef Bandが名前を変え、心機一転したバンド「Torben Unit」。ジャズ、ファンク等をミクスチャーしたクロスオーバーな同名の良作アルバムの中から、「Es hat doch jemand gehört」という曲。あやしげな雰囲気漂う中、シンプル且つ、小気味の好いテンポでほのかにテンションが上がっていくような構成が、13分という曲の長さを物ともしない勢いで、独特の世界へと浸らせてくれる。アブストラクトジャズ･･････ファンクというより、ロッ���かな。

Torben Unit / Es hat doch jemand gehört

[disease]

MAX GRAEF // TAMBOULE FUDGEMUNK [RIVERS OF THE RED PLANET, 2014]

[strwll]

Hodini feat Max Graef & Damiano von Erckert — Pepatzenimfernbus https://www.discogs.com/release/7320679-Hodini-Money-ex-03

[beatbude]

Tax Free presents: Rezzett and special guests! On April 5 at Aktionshaus. Starting at ten! Extra heavy subs.

Tax Free präsentiert: Rezzett und Ehrengäste. Am 5. April im Aktionshaus. Um zehn geht es los. Ein Tieftöner wurde repariert!

[stradarecords]

ZOPELAR / CHARME : TARTELET(LP) Soul ClapやApron、 Mother Tongue、Bastard Jazz等からのリリース歴があるブラジルのプロデューサーPedro Zopelarが、Max GraefやNu Guinea等のリリースで人気のTartelet Recordsからアルバムを発表！メロウなシンセ・ファンク～ブギーから心地良いディープ・ハウスまで、ジャケのイメージとは大幅に異なるお洒落でスムーズな作品を多数収録！ #Zopelar#Tartelet#disco#nudisco#lp#vinyl#record#stradarecords#dj#vinyljunkies#kobe#motomachi#strada#recordshop#recordstore#神戸レコード#元町レコード#レコード店#レコード#アナログ https://www.stradarecords.com/shop/item/27778/index.php (Strada Records) https://www.instagram.com/p/CmkunIVB2bb/?igshid=NGJjMDIxMWI=

[eduardomarin90]

PureRef: Learn the Basics from Bailey Kalesti on Vimeo.

Get started with PureRef. It's a simple, yet powerful stand-alone program to organize and view reference images.

Download PureRef here: pureref.com/download.php Download LightShot here: app.prntscr.com/en/index.html

Music used: We Are Coming (Max Graef Remix) by Mr. Scruff Buy it here: music.apple.com/us/album/we-are-coming-max-graef-remix/907181605?i=907181701

End music by Griffin Kahnke: soundcloud.com/griffinkahnke See more from Bailey: baileykalesti.com Follow Bailey: twitter.com/bkalesti

PureRef created by Idyllic Pixel. Immense gratitude! This is one of my favorite programs. Follow PureRef: twitter.com/PureRef

[twistedsoulmusic]

As hinted by its title, Medusozoa Vol 2 swims freely in a warm sea of introspective, ambient and downtempo tracks. Featuring previously unreleased songs and fresh creative discoveries, this album explores moods across genres, giving listeners a sense of flight. Highlights include tracks from Space Ghost, Glenn Astro, Max Graef and Uffe, ABUNAI, and Athletic Whippet. 

[burlveneer-music]

Ratgrave - Rock - a fun blend of Rockit-era Herbie Hancock, Squarepusher, and Nintendo (Black Focus)

Max Graef and Julius Conrad are Ratgrave. 'Rock' is their second LP ~ ongoing transmissions of Electronic P-Fusion from Earth. It follows a stellar debut on Funkineven's imprint Apron. The duo's sound pallette draws inspiration from 80's funk, soul, rock and electronic but through a contemporary lens from two versatile multi-instrumentalists. In their own words: "Rock is the essence of energy and vibration we felt in different styles of music, almost like a parallel component connecting all things we like. In the process of recording the new album we kept coming back to this essence no matter what style the original idea was. There was the raw and brutal energy of Jazz-Rock, a lot of video game influences that somehow adhered this essence just as well as quieter Pop and Psychedelic passages that we recorded. Among other things we absorbed a lot of heavy music during the time of the recording like Blue Cheer, Black Sabbath, Frank Zappa or Jimi Hendrix and realized while writing our own music how much impact they had even on quieter songs. This is why "Rock“ felt like the perfect title although the music ranges from P-Funk and Spiritual Jazz to various styles of Pop and beyond.“ Max Graef has previously collaborated with Glenn Astro on records for Ninja Tune and both artists have previously released on Tartelet. This marks the fourth official LP on Black Focus, a London label founded by Kamaal Williams