#Mi Youren

[psikonauti]

Zhang Hongtu (Chinese, b. 1943)

Mi Youren - Monet, 1999

oil on canvas

[sgiandubh]

Today's apocryphal Sun Tzu quote

The final hurdle is the most difficult part of any narrative.

Mi Youren - Cloudy Mountains, 1145 AD

[chessboxingstreetwear]

Zhang Hongtu - Mi Youren—Monet

[cma-chinese-art]

Clouds Visiting a Mountain Retreat, Tao Hong, 1633, Cleveland Museum of Art: Chinese Art

The artist’s inscription states that he painted this landscape in the style of Kao Kegong, who in turn followed Mi Fu’s and Mi Youren’s cloudy landscapes by applying layers of ink dots and washes to give texturing and shading to mountains. While the earlier Northern Song masters created their brush idioms to capture the impressionistic effects of nature, later followers adopted the ancient methods for creative improvisations. Size: Painting: 176.4 x 101 cm (69 7/16 x 39 3/4 in.); Overall with knobs: 290 x 121.3 cm (114 3/16 x 47 3/4 in.) Medium: hanging scroll, ink on silk

https://clevelandart.org/art/1971.19

[tugruls-october-2020]

Cloudy Mountains before 1200, Mi Youren Chinese        

The son of Mi Fu (1052–1107), Mi Youren was an accomplished scholar-artist and the leading connoisseur of his time, often acting as the authenticator of ancient paintings for the emperor. He rose to the position of vice president of the Board of War. The simplified, blurry mountain forms, which Mi Youren inherited from his father (there is no longer any reliable example of the older Mi's painted work), represent a significant break from the detailed Northern Sung landscape styles. Created with wet ink dots (called "Mi-family dots"), this style of landscape painting is the immediated predecessor of the evocative ink-wash landscape style of the later Southern Song period. Referred to by scholar-artists as "ink play," the style suggests the importance of the painter's psychological expression, thereby raising the status of painting to that of poetry and calligraphy.

[the-met-art]

by Mi Youren, Asian Art

Medium: Circular fan-shaped woodblock print; ink and color on paper

Rogers Fund, 1924 Metropolitan Museum of Art, New York, NY

http://www.metmuseum.org/art/collection/search/63218

[perpetualseahorse]

If only Europeans had preserved their things with even half the effort the Chinese did. Instead, Europeans just broke everyone else's stuff to match theirs Image 1 Front, Mi Youren "Cloudy Mountains" - 1130 Back left, Xie Shichen "Clouds and Waves in the Gorge of Wushan" - mid 1500s Back center, Tang Yin "Mount Hua" - 1506 Back right, Wang Hui, Tu Luo & Yang Jin "Portrait of An Qi" - 1715 Image 2 Zhao Mengfu "Bamboo, Rocks, and Lonely Orchids - 1271-1368 Image 3 Shen Zhou "Yellow Chrysanthemum and Red Osmanthus in the Style of Wang Yuan" - late 1400s Image 4 Tang Dynasty "Tomb Guardian with Animal Head" - early 700s

[salmanania]

Kakek di Jinan, Tiongkok ini Menerapkan 'Fitnes Macan Tutul' dengan Menggunakan Kostum Macan Tutul

Salma Nania Kakek di Jinan, Tiongkok ini Menerapkan 'Fitnes Macan Tutul' dengan Menggunakan Kostum Macan Tutul Artikel Baru Nih Artikel Tentang Kakek di Jinan, Tiongkok ini Menerapkan 'Fitnes Macan Tutul' dengan Menggunakan Kostum Macan Tutul Pencarian Artikel Tentang Berita Kakek di Jinan, Tiongkok ini Menerapkan 'Fitnes Macan Tutul' dengan Menggunakan Kostum Macan Tutul Silahkan Cari Dalam Database Kami, Pada Kolom Pencarian Tersedia. Jika Tidak Menemukan Apa Yang Anda Cari, Kemungkinan Artikel Sudah Tidak Dalam Database Kami. Judul Informasi Artikel : Kakek di Jinan, Tiongkok ini Menerapkan 'Fitnes Macan Tutul' dengan Menggunakan Kostum Macan Tutul Mi Youren yang berusia 68 tahun ini mengenakan kostum macan tutul lengkap dengan ekor dan telinga runcingnya untuk melatih fisiknya agar tetap bugar. http://www.unikbaca.com

[laquichuong]

Ông già mặc đồ da báo, đi bằng bốn chi để luyện tập

Ở tuổi 68, ông Mi Youren (Trung Quốc) mỗi ngày đều mặc bộ đồ da báo bó sát và tập chạy, nhảy, trườn bò, leo trèo.  Chia sẽ từ VNE: Sức khỏe - VnExpress RSS https://suckhoe.vnexpress.net/tin-tuc/khoe-dep/dan-ong/ong-gia-mac-do-da-bao-di-bang-bon-chi-de-luyen-tap-3829935.html

[zhuangzi707-blog]

Mi Youren - Vista de los ríos Xiao y Xiang

Vista de los ríos Xiao y Xiang (瀟湘奇觀圖) Mi Youren (米友仁 1074-1153) Dinastía Song (960-1279) China Rollo horizontal, tinta sobre papel, 19,8 x 289,5 cm

[cardboardboxtechnology]

“Misty Landscape, ” After Mi Youren, c. 17th century. Late Ming Dynasty (1368-1644) to Early Qing Dynasty (1644-1911). Hanging scroll; ink on paper. Philadelphia Museum of Art. Purchased with Museum funds from the Simkhovitch Collection, 1929.

[cma-chinese-art]

Clouds Visiting a Mountain Retreat, Tao Hong, 1633, Cleveland Museum of Art: Chinese Art

The artist’s inscription states that he painted this landscape in the style of Kao Kegong, who in turn followed Mi Fu’s and Mi Youren’s cloudy landscapes by applying layers of ink dots and washes to give texturing and shading to mountains. While the earlier Northern Song masters created their brush idioms to capture the impressionistic effects of nature, later followers adopted the ancient methods for creative improvisations. Size: Painting: 176.4 x 101 cm (69 7/16 x 39 3/4 in.); Overall with knobs: 290 x 121.3 cm (114 3/16 x 47 3/4 in.) Medium: hanging scroll, ink on silk

https://clevelandart.org/art/1971.19

[cma-chinese-art]

Cloudy Mountains, Mi Youren, 1130, Cleveland Museum of Art: Chinese Art

Artist's inscription: Innumerable are the wonderful mountain peaks which join the end of the sky, Clear or cloudy, day or night, the misty atmosphere is lovely. To make known that the gentleman has been here, I am leaving traces of my playful brush at your house. Gengxu year [1130, fourth year of the Jianyan era], done at Xingchang. Yuanhui [seal] Yuanhui shih. Size: Image: 43.7 x 192.6 cm (17 3/16 x 75 13/16 in.); Overall: 45.5 x 646.8 cm (17 15/16 x 254 5/8 in.) Medium: handscroll, ink and color on silk

https://clevelandart.org/art/1933.220

[cma-chinese-art]

Clouds Visiting a Mountain Retreat, Tao Hong, 1633, Cleveland Museum of Art: Chinese Art

The artist’s inscription states that he painted this landscape in the style of Kao Kegong, who in turn followed Mi Fu’s and Mi Youren’s cloudy landscapes by applying layers of ink dots and washes to give texturing and shading to mountains. While the earlier Northern Song masters created their brush idioms to capture the impressionistic effects of nature, later followers adopted the ancient methods for creative improvisations. Size: Painting: 176.4 x 101 cm (69 7/16 x 39 3/4 in.); Overall with knobs: 290 x 121.3 cm (114 3/16 x 47 3/4 in.) Medium: hanging scroll, ink on silk

https://clevelandart.org/art/1971.19

[cma-chinese-art]

Clouds Visiting a Mountain Retreat, Tao Hong, 1633, Cleveland Museum of Art: Chinese Art

The artist’s inscription states that he painted this landscape in the style of Kao Kegong, who in turn followed Mi Fu’s and Mi Youren’s cloudy landscapes by applying layers of ink dots and washes to give texturing and shading to mountains. While the earlier Northern Song masters created their brush idioms to capture the impressionistic effects of nature, later followers adopted the ancient methods for creative improvisations. Size: Painting: 176.4 x 101 cm (69 7/16 x 39 3/4 in.); Overall with knobs: 290 x 121.3 cm (114 3/16 x 47 3/4 in.) Medium: hanging scroll, ink on silk

https://clevelandart.org/art/1971.19

[cma-chinese-art]

Cloudy Mountains, Mi Youren, 1130, Cleveland Museum of Art: Chinese Art

Artist's inscription: Innumerable are the wonderful mountain peaks which join the end of the sky, Clear or cloudy, day or night, the misty atmosphere is lovely. To make known that the gentleman has been here, I am leaving traces of my playful brush at your house. Gengxu year [1130, fourth year of the Jianyan era], done at Xingchang. Yuanhui [seal] Yuanhui shih. Size: Image: 43.7 x 192.6 cm (17 3/16 x 75 13/16 in.); Overall: 45.5 x 646.8 cm (17 15/16 x 254 5/8 in.) Medium: handscroll, ink and color on silk

https://clevelandart.org/art/1933.220