With Valerie Kairys Venet on the set of the TV show, and in 2016. (The last photo is a selfie taken by Peter - as Valerie recalled and shared on Facebook.)
Q: “What was it like having Peter Tork as a roommate [after the pilot episode]?” Valerie Kairys Venet: “Oh, god, it was wonderful. Are you kidding? We made him sing for his supper, my roommate and I. See, I had a roommate and so I called her up and I said, you know, I said, ‘...there’s this actor that I worked with and, you know, he’s from Connecticut and he doesn’t really have a place to stay here and until… you know, we just finished the pilot and, you know, he’s gonna wait for the pilot to be sold. Is it okay if he comes and stays with us?’ She’s an actress, too, you know, and she said, ‘Oh, yeah, sure, we’ll give him the downstairs.’ And I said, ‘Okay.’ So he had the couch in the downstairs, and we made him sing. (Laughs) He was wonderful. He really did enjoy it too, come on, you know. Peter has just been so dear to me and to my son. He’s a wonderful person and I love him dearly. I hope that they all hear me and they know how much I love them.” - Zilch Podcast, No. 20, 2014
“I just fell in love with those guys. They were all so sweet. […]
Really the nicest guys in the world. I do consider them family, my TV brothers. I know they do love me and I love them very much. And it was so great on that set. And you’re right, they had so much pressure on them and everything. But every morning on the set, you know, you walk out to see what they’re lighting, get your coffee and whatever, see what they’re lighting or what they’re setting up there, and here comes Davy, big hug, big kiss, you know, ‘Good morning.’ And then, you know, more arms around me, oh, there’s Peter and, you know, ‘Good morning.’ And, you know, hug Micky, hug Michael. And that’s the way we were, my relationship with them: very loving, very loving. To this day. These guys are so, so much a part of my life. [...]
And then [Peter] went to stay with Michael and Phyllis, and I took him over to Michael’s house after that. But that was wonderful because Peter was a fine musician, and he — I said, ‘Where’s your banjo?’ And he said, ‘Oh, I had to pawn it, I was broke.’ And I said, ‘Oh, no!’ I said, ‘We can’t have that.’ And so, you know, we went to the pawn shop and I got that out for him. That’s the first time I’m saying this, telling this story publicly. But bless his heart, I loved Peter so much. […] [Peter] was brilliant [as a musician]. He was also a teacher, he was a high school teacher. […] And the students loved him, and that’s something in high school, you know? That’s something in high school. He was such a good person.” - Valerie Kairys Venet, The Vintage Rock & Pop Shop, 89.1 WFDU FM, July 14, 2019
(Photo 3) “Pantages Theatre. The last time I saw Peter. Thank God we got to say ‘I love you.’” - Valerie Kairys Venet, Facebook, September 2019
Anyway I've had so much fun drawing the boys. Peter was fucking DIFFICULT though. I think it's because in my brain he's this soft squishy little jello but irl he's actually got sharp features, lol. BUT ANYWAYYYY Nez was easily the most relaxing to draw. Something about those eyes. Mm.
This clip from The Monkees will always fucking kill me
There's just... so much going on
• Mike's undies saying hello as he starts off the struggle cycle by getting his leg caught and then trying to transform into a bat until Davy helps him stand up properly (and for a brief second he's rocking a crop top)
• Peter just giving up halfway and letting gravity take over (also rocking a crop top) before he grabs the ladder again and does a split in the air before getting down
• Micky going down the ladder like it's a fireman's pole and landing on top of Peter while he's still struggling to get his head out of the ladder
• Davy carrying Micky bridal style to help him down while Peter still fumbles with his shirt
The color scheme was, first of all, very difficult to see and decipher. The original sweater that Davy wears is actually a printed jersey fabric. The smallest feasible stitch I can do is a single crochet, and that was about the size of what a larger stripe would've looked like. I had to adjust tremendously to make it work. I did get through one go through of the actual stripe pattern (yes, there is a pattern!). It was also a different number of stitches in width which made a little difficult to figure out the neck hole size and the tightness of the ribbing. I also adjusted the original general pattern for sweaters to make the neck more comfortable, but it did turn out a little floppy-ish.
On the positive, I used up a lit of colors I normal would never touch. I really liked how unique the color scheme of this sweater is, and once I got the hang of it, I flew through it when I didn't have any work to do. I still need to snip a few fluffy here and there, but it's a really.cozy sweater! Once it goes through the wash it should relax a little and be even more comfy to wear :)
I find it really interesting that there were sweaters like this back in the sixties! I don't normally think of these kind of crazy stripey sweaters as relevant to that era... anyway, here's to Davy! 🍻 below, my friends, is the pattern!
The pattern is from this video:
youtube
The only thing I did differently was by adding a few more rows to the back panel. Instead of doing ten rows for the shoulders, I did 4 rows on the back panel. That way, the neck wasn't choking me much. The rest I followed to the tee.
Color scheme:
The color scheme was as close as I could see, but if you see something different, by all means! :) The sleeves start (after the blue cuff) at the 2 rows of red portion of the pattern you can see on the right side. From there, just follow the pattern until the end, then go back to the beginning (I've heard this before...)! Please let me know if you all need more clarification on the pattern 😊