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amphtaminedreams · 5 years

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Cannes Film Festival 2019: Best Dressed

Forget the Met Gala everyone, real ones know that the Cannes Film Festival is the fashion event of the year! In part because it lasts for 12 whole days so there’s more content to sit there in my pyjamas analysing but also because it’s way less hyped up and thus less likely to leave you disappointed, a fate I’ve now resigned myself to with the Met. For almost 2 weeks, the richest, most out of touch people in the world spend their days looking pretty on a red carpet and judging films; I should be grossed out, but it’s more a case of just wishing I was there. So I present to you a collection of my favourite looks!

Winnie Harlow (left), in Jean Paul Gaultier here, was one of my stand outs this year. Yes, I remember her from America’s Next Top Model and yes, I’m going to blame the edit, because LOOK AT THAT FUCKING STANCE. I’m in awe. This is my favourite look of hers this year (mostly because of this particular moment) but it’s the first of a few I’m going to bang on about. On the right is Priyanka Chopra in Georges Hobeika, complemented by the walking accessory that is Nick Jonas.

Priyanka and Nick’s daytime looks were beautiful too (left), and if you’re not paying attention to the Cannes daytime looks YOU SHOULD. Stefanie Giesinger (right)’s outfit is sleek and crisp and effortless and everything I want to emulate but also a lot more accessible than the average red carpet look.

Similarly, here we have Izabel Goulart (left), Caroline Daur (both of the middle looks), and Chloe Sevigny (right), out and about in Cannes all looking elegant (I mentally pronounced that RuPaul saying eloquent) as fuck. I imagine a lot of these pieces cost more individually than I will ever have collectively in my bank account at one time, but there you go. I imagine they could be replicated for a lot less.

But, let’s go back to the red carpet so we can talk about Winnie Harlow again, lmao. I desperately want to know who her stylist is because her Richard Quinn dress (far left) complements her skin tone perfectly AND the accessories are PERFECT, which I’m impressed by because I feel celebrity stylists often tend to go over the top in that regard. Winnie’s Ralph and Russo look (far right) also flawed me; @ mystery stylist, I bow down. Elsa Hosk reminded us all that gloves can be subtle and looked as ethereal as ever in a white, puff sleeved Redemption dress (second to right) and the things I would do for Maya Henry’s Ralph and Russo dress (second to left) are unholy.

Of course Georges Hobeika, Zuhair Murad and Gimabattista Valli (invented the phrase Holy Trinity) dresses made an appearance, and I internally weeped as saving photos of them to my phone is the closest I’ll probably ever get to owning one. Left to right here we have Ana Beatriz Barros in Hobeika, Valery Kaufman in Zuhair Murad, Bianca Brandolini d’Adda in Giambattista Valli x H&M (more on that in a minute), and Shanina Shaik in Georges Hobeika too.

See, it was a good day for the Giambattista Valli x H&M collaboration because Kendall Jenner (far left) wore one of the dresses too, and it was probably her most iconic Cannes moment, not counting those photos of her and Bella Hadid laughing in rich on that yacht. Ultimate Victoria’s Secret model (trash company but it has given us some goddesses, let’s be real) Adriana Lima also looked phenomenal in Ester Abner, and Natasha Poly (second to left) and Josephine Skriver (far right) were born to wear Atelier Versace and Alberta Ferretti, clearly. The shade of Josephine’s lipstick is a beautiful touch.

Honestly, these were my initial 3 favourite looks of the whole festival. I’m a simple girl, I’ll pretty much lay down my life for anything blue or tulle, so obviously, Alina Baikova in Zuhair Murad (left) is one of my favourites. For the same reason, minus the blue part, I adore Araya Hargate’s Ralph and Russo dress, and CAN WE TALK ABOUT ELLE FANNING (right)!? The poor girl feinted after one of her red carpets and we could have a whole conversation about how fucked up it is that a sample size was so tight on a very slim woman that it caused her to lose consciousness, but for now, I’m just going to commend her for her services to fashion because it’s almost 1am and I need to get some bloody sleep. Regardless, the finishing touch of the flowers in the hair make this my favourite of Elle’s Cannes looks, and the dress is by Valentino.

More red carpet stand outs were, from left to right, Pixie Lott (yes, I didn’t know she was still doing her thing either but power to her, despite the fact Mama Do plays approximately 73 times a day at my work) in Yanina Couture, Madison Headrick in Ashi Studio Spring 2019 Haute Couture, and Michelle Rodriguez in Rami Kadi.

Farhana Bodi’s (far left) was stunning in a cobalt Atelier Zuhra gown, as were Hina Khan in Ziad Nakad (second to left) and Chris Lee in Gucci (far right). I kind of live for witnessing a lavender pixie cut a la vegan, marxist twitter on a stuffy red carpet, and I will also take a reprieve from this breakneck speed to congratulate DJ Kiddy Smile (second from right) for doing what Harry Styles should’ve at the Met. This is spitting in the face of toxic masculinity, men, not wearing a sheer blouse; your endless supply of pink suits can’t save you from our criticisms forever (I like Harry Styles, this is a joke, please no one hurt me).

Next we have, from left to right, Diana Penty in Nedo by Nedret Taciroglu, Elle Fanning again stepping on all our necks in Dior, and on the far right, Eva Longoria in Alberta Ferretti. Now, 3 things: firstly, I stupidly saved the 3rd photo without including a note of who she is or who her dress is by and so if anybody happens to read this and knows, HELP A GIRL OUT. Secondly, I still stan Eva Longoria for playing Gabby Solis in Desperate Housewives which is the most slept on show amongst millennials and I wanted to use this opportunity to make a passionate PSA and say EVERYONE WATCH IT so references from it (”Rex cries when he ejaculates” anyone?) can become part of our cultural zeitgeist again. Finally, Elle fucking Fanning, can you let us breathe, please? This old Hollywood inspired Dior look is so simple but probably one of my favourite looks from the whole festival because who knew it was possible to simultaneously look so glamorous and yet also so soft? It’s timeless.

It shouldn’t be a surprise that Taylor Hill makes the best dressed list twice. Obviously, she could wear a bin bag and look beautiful, but her stylist knows just how to elevate the whole angelic, other worldly being thing she has going on, and she was stunning in Ines Di Santo (left) and Fendi (middle) at the Rocketman premiere. Bella Hadid brought the same divine energy in a white, tulle Dior dress (far right).

Another one of Elle Fanning’s flawless Cannes moments was courtesy of Gucci (far left). On its own, I don’t think this dress would catch my attention as much as it did BUT the cape detailing with the red lipstick and the hair pulled back makes this outfit a stand out for me. To Elle’s right are Natalia Vodianova in Atelier Versace (second from the left), and Lea Seydoux (second from right) and Stacy Martin (far right) both in Louis Vuitton.

I’m gonna take a small break from Elle Fanning to fangirl over Guan Xiao Tong in Atelier Versace (far left). The quality of the photo I saved wouldn’t be out of place on 13 year old me’s HTC phone but I also think nothing captures how beautiful the structure of Guan Xiao’s dress was better than a semi aerial shot, and the same goes for Sririta Jensen in Michael Cinco (far right). Now back to admiring Elle Fanning, in Ryan Lo (second from left) and Vivienne Westwood (second from right).

Her daytime looks are just as good. Elle wears Marc Jacobs on the left, Miu Miu on the far right, and I have no bloody idea on the middle. If you’re reading this and you know, HMU. I promise, it’s not me being lazy; Elle.com doesn’t know either.

To go back to red carpet looks, I loved Izabel Goulart in Valentino Couture (left) looking like she just killed her husband, Dracula, after a domestic that resulted from her draining the blood of his afternoon snacks (I’m coming for your gig, Stephenie Meyer). Coco Rocha looked incredible in Elie Saab (middle); I’m surprised this was the only one of her dresses that stood out to me this year because I really like her designs. God knows I have spent far too long imagining myself in one. Lastly in this photoset, there’s Leomie Anderson in Rami Kadi (right) and, like, WOW.

Now, I’m going to whizz through these last few photosets. First is Sara Sampaio in Armani, then Alina Baikova in Zuhair Murad, Charlotte Gainsbourg in Christian Dior Haute Couture, and finally Sui He on the far right. I’m not sure who she’s wearing and Harper’s Bazaar and reverse image search is giving me dust so as always, if you’re reading and you know, hmu.

From left to right here: Stella Maxwell in Atelier Versace, Martha Hunt in Monique L’Huillier, Gayle Rankin in Delpozo and Dua Lipa in Valentino.

L-R: Madison Beer in Georges Hobeika (STUNNING, and I just read on Twitter that there was a gun pulled out at one of her concerts which is insane, and how has it become so commonplace in the states that something like that doesn’t make headline news?), Chloe Sevigny (again, I stan) in Miu Miu, and Hailey Clauson in Ralph and Russo.

L-R: Elle Fanning in Reem Acra (another fucking beautiful cape!), Elsa Hosk in Alberta Ferretti (Cannes 2019 has been GREAT advertisement for Alberta and power to her, am I right?), Jasmine Tookes in Zuhair Murad (I have LOVED this dress ever since its runway debut and there are few human beings out there who would do it more justice than Jasmine), and finally Araya Hargate again in Atelier Versace.

To finish, Eva Longoria’s sleek all camel day look is more of Alberta Ferretti doing what she does best, high fashion Twitter darling Sasha Luss’s dress is couture Chanel, and so is Margot Robbie’s. It’s the delicate touch of the plaits that I love with Margot’s look and Eva looks radiant, and both are a final reminder NOT TO SLEEP ON CANNES’ DAYTIME FASHION.

All in all, Cannes produced just as many extortionately expensive fairy princess looks as ever and, as always, I lived for it. I love dark, grungy fashion but still, the little girl in me can’t beat feathers, satin and sequins; there’s no event better suited for vicariously living out my French vanilla fantasy.

It also brings together two of my favourite things in life: films and fashion. Call me a basic bitch, but I’m very excited for Once Upon a Time in Hollywood (though I am conflicted about whether to see it in cinemas considering I just found out Leonard DiCaprio has known his current girlfriend since SHE WAS 11, like, what the fuck?), Portrait of a Lady on Fire sounds incredible, and I plan on seeing Rocketman this week.

If you read all this post all the way to the end, I hope you enjoyed it!

Lauren x

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the-spectatre · 5 years

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Honorable mentions for my Cannes best-dressed list, part two. Top ten after this!

20. Coco Rocha in Zuhair Murad - Of all the silvery sparkly dresses, this one was my favorite. Coco Rocha knows how to pose the heck out of a look, which does a lot when you’re competing with a bunch of other silvery sparkly looks, but it’s her super-severe eye makeup that made this really pop for me. And even though the dress is sheer, it’s not so sheer that you’re immediately aware of her undergarments.

19. Diana Penty in Nedo by Nedret Taciroglu - There were several ladies who I had never seen at Cannes before wearing designers I’d never heard of, but there was no denying they were stealing the show from the Chanels and Diors and Versaces they shared the red carpet with. This dress, while intricate, is a fairly straightforward princess gown, but it pops on Diana’s skin tone, and by keeping the jewelry light she let the dress be all the ornamentation she needed.

18. Madison Headrick in Ashi Studio - Neon pinks were big this year, and this was probably my favorite shade. And if you’ve bothered to read anything I’ve written, you’ve begun to figure out what my criteria for a best-dressed look is: good fit, bright color, minimal nakedness, and coordinating makeup/accessories. You’ll find all of that in this look.

17. Madison Beer - I know I just said color is important to me for a best-dressed look, but there’s also no arguing with a knockout black dress. When your knockout black dress is this big and this fluffy, you really don't need to/shouldn’t do much more with your outfit. She nailed this.

16. Camila Morrone in Miu Miu - As I was sorting my top 30 looks into an order, I kept coming back to this dress and asking “why do I like it so much?” The color is muted, yes, but I also think dressing according to your skin tone is important, and this is fabulous for Camila. On a pale girl, an Elle Fanning perhaps, you wouldn’t be able to pick up on the yellow tones of the dress--or you would, and it wouldn’t be very flattering. So good work to Camila for working a tough color and setting it off with a ridiculous collar necklace from the gods themselves.

15. Araya Hargate in Ralph & Russo Couture - Another example of purple excellence at this year’s festival. The design is a little fussy, yes, but Araya knows how to handle a dress like that--chill on the jewels, and keep the hair/makeup simple.

14. Fernanda Liz in Ali Karoui - Although not as ubiquitous and consistent as the purple gowns, yellow had a few big moments. This is just your classic ballgown, the kind every girl who likes fashion sometimes fantasizes about wearing. From some of the pictures I gathered the sense she might have popped out of her corset top on accident, so there is a small fit issue, but other than that this is bangers.

13. Guan Xiaotong in Atelier Versace - I want to talk about this dress. This is a dress you have to spend some time looking at to realize how incredible it is. Once you do, you realize how lovely yet subtle the pattern is, how ridiculously intricate the jeweling on the bodice is, and how perfectly her earrings bring out the bluish-purple of the skirt’s pattern. At a glance, it’s pretty but it washes her out. When you really look, you realize it’s a freakin’ masterpiece of a gown.

12. Leomie Anderson in Rami Kadi Couture - I know I have a tendency to prefer classic silhouettes and simplicity, but I’ve got to give it up to Leomie and Rami Kadi for this. Because this is 100% extra, 100% high couture, and 100% fit to perfection, which would obviously be an absolute necessity given the fact she’s got to drag around that train. No additional bling needed, just a sleek hairdo and simple makeup. It’s wild, but I love it.

11. Coco Rocha in Ashi Studio - Speaking of “wild but I love it,” here’s Coco Rocha again. I think the fact that this dress is so similar to the tulle monster mullet gowns but not actually tulle makes it stand out. It’s almost like haute couture barbie drag, what with the hue of pink and the diamond jewelry and the tight bun with the flipped end (which is the one thing I’d edit out). I’d give the bodice a hoik, but the fact that her boobs aren’t falling out is a sign of just how well-tailored this is.

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