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byneddiedingo · 2 years

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Cate Blanchett and Rooney Mara in Carol (Todd Haynes, 2015)

Cast: Cate Blanchett, Rooney Mara, Kyle Chandler, Sarah Paulson, Jake Lacy, John Magaro, Cory Michael Smith, Kevin Crowley, Nik Pajic. Screenplay: Phyllis Nagy, based on a novel by Patricia Highsmith. Cinematography: Edward Lachman. Production design: Judy Becker. Film editing: Affonso Gonçalves. Music: Carter Burwell.

With her Mamie Eisenhower bangs and heart-shaped face, Rooney Mara in Carol becomes the reincarnation of such '50s icons as Audrey Hepburn, Jean Simmons, and Maggie McNamara -- particularly the McNamara of The Moon Is Blue (Otto Preminger, 1953), that once-scandalous play and movie about a young woman who defies convention by talking openly about sex while retaining her virginity. It's just coincidence that Carol is set at the end of 1952 and into 1953, the year of the release of The Moon Is Blue, but the juxtaposition of McNamara's Patty O'Neill and Mara's Therese Belivet seems to me appropriate because the 1950s have become such a touchstone for examining our attitudes toward sex. Director Todd Haynes and screenwriter Phyllis Nagy, adapting a novel by Patricia Highsmith, have done an exemplary job in Carol of not tilting the emphasis toward Grease-style caricature or Mad Men-style satire of the era, or exploiting the same-sex relationship in the film for sensationalism or statement-making. Carol is a story about people in relationships, clear-sightedly viewed in a way that Therese herself would endorse. After asking her boyfriend Richard (Jake Lacy) if he's ever been in love with a boy and receiving a shocked reply that he's only "heard of people like that," Therese replies, "I don't mean people like that. I just mean two people who fall in love with each other." It's this matter-of-factness that the film tries to maintain throughout its story of Therese and Carol (Cate Blanchett), the well-to-do wife in a failing marriage. That the film is set in the 1950s, when cracks were showing in the conventional attitudes toward both marriage and homosexuality, gives piquancy to their relationship, but it doesn't limit it. The story could be (and probably is) playing itself out today in various combinations of sexual identity. The film works in large part because of the steadiness of Haynes at the helm, with two extraordinary actresses at the center and beautiful support from Sarah Paulson as Abby, Carol's ex-lover, and Kyle Chandler (one of those largely unsung actors like the late Bill Paxton who make almost everything they appear in better) as Carol's husband, the hard-edged Harge Aird. The sonic texture of the 1950s is splendidly provided by Carter Burwell's score and a selection of classic popular music by artists like Woody Herman, Georgia Gibbs, Les Paul and Mary Ford, Perry Como, Eddie Fisher, Patti Page, Jo Stafford, and Billie Holiday.

#Carol #Todd Haynes #Cate Blanchett #Rooney Mara

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365days365movies · 4 years

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February 16, 2021: Carol (2015) (Part 1)

...Harold...

Yeah, I had to do this one. Partially because I knew about this film previously, as it was kind of a smash hit when it came out in theaters. It was about as big of a deal as Blue is the Warmest Color, which...we might get there. But, yeah, Carol was already on my radar when I decided to dip into LGBT cinema.

But also...you can thank my girlfriend again. There she is (as she’s choosing to represent herself through GIF form) below.

We love The Owl House. Anyway, I wasn’t aware of the meme until we were watching a movie, and she just screamed “HAROLD THEY’RE LESBIANS!” And after doing some research on that statement...that’s goddamn hilarious. And it all started with Carol, so the writing’s basically on the wall there.

Here’s what I know. This movie stars Cate Blanchett...OK, that’s it! Shall we find out more firsthand? SPOILERS AHEAD!!!

Recap

In New York City, a man enters a bar and restaurant, where he sees an old acquaintance, Therese Belivet (Rooney Mara), who is having dinner with another woman, Carol Aird (Cate Blanchett). And, uh, lemme just say, we’re jumping off RIGHT away, and my girlfriend immediately starts screaming “HAROLD” at the screen.

Anyway, Jake invites her to a party with mutual friends, and Carol and Therese end their dinner date early. As Therese looks out of the window of a car on the way to the party, she thinks backwards through time, and takes us with her. FLASHBACK

Therese wakes up one morning around Christmastime, only to see her boyfriend, Richard Semco (Jake Lacy), ready to take her to work on a bicycle though Central Park. They talk about going to Paris on vacation, an idea about which Therese seems nonchalant. Therese works at Frankenberg’s, a department store that doesn’t exist. As is typical of the season in NYC, shoppers and their children flood the place. We went there on Christmas of 2019, and I grew up in the area. Trust me when I say Christmas in NYC is FUCKIN’ NUTS.

Therese works at the toy counter, and that’s when Carol arrives to get a doll for her daughter. Unfortunately, they’re out of the doll she’s looking for, so Therese offers a model train set to her instead, and the two hit it off basically immediately. And when I say hit it off, they HIT IT OFF. Like...the chemistry is IMMEDIATE. Maybe that’s Cate Blanchett’s pure charisma, but I’m just saying...they have the fastest chemistry establishment that I’ve seen yet.

But oh no! Carol’s forgotten her gloves! However, it doesn’t seem like much results from that, as the work day is soon over, and Therese and Richard go to a movie and a beer with friends Phil (Nik Pajic) and Danny McElroy (John Magaro). That night, having returned home, Therese looks at Carol’s gloves. Using information obtained during the department store visit, she mails the gloves to Carol, at her gorgeous mansion.

Carol is combing her daughter’s hair, as her husband Harge Aird (Kyle Chandler) arrives home with the mail. Things seem somewhat amiss, as Carol seems extremely unhappy. She later calls her at the department store to thank her for the gloves, and offers to buy her lunch that afternoon. She agrees, and the two head to a nice restaurant.

Over the course of the meal, it’s revealed that Carol and Harge are going through a divorce (yeah, that tracks), and Therese’s conflicted on how she feels about her relationship with Richard. Carol invites her to come over at some point, and she agrees.

Later on, while in traffic in the car of a friend, Abby Gerhard (Sarah Paulson), she seems to acknowledge potential attraction between her and Therese, although it’s not exactly set in stone. She heads to a party that evening. Meanwhile, she visits her friend Danny, an aspiring writer, who inquires about her hobby of photography, and then...kisses her...even though she’s dating a friend. Fuckin’ OH BOY, DANNY.

Harge takes Carol home, and he’s 100% still in love with her, and she’s just not feeling it. This may be related to the fact that she and Abby were also once a couple. Yeah. Harge is aware of this, and they were DEFINITELY a romantic couple in the past, which means...yeah, Carol’s a straight-up lesbian, it would seem. Harge says it “shouldn’t be like this,” and it’s not clear whether that refers to Carol’s attraction to women, or the divorce in general. It is the 1950′s, after all.

OH WAIT. Forgot to mention that, didn’t I? This film takes place in the 1950s, I think? Hasn’t been made super clear as of yet, but the aesthetic is certainly the 1950s, without much doubt. The next day, Carol goes to pick Therese up, and meets Richard. Richard tells Therese he loves her as they depart. Therese doesn’t return the sentiment. FUCKIN’ OOF.

As the two drive through Lincoln Tunnel together, their dialogue is quieted, and we get some interesting close-up shots of their eyes, lips, faces. And it’s definitely meant to suggest something more physical, something without words. In other words...Harold’s wife is starting to get the idea. Harold’s not quite there yet, though.

Carol and Therese go to Carol’s home in New Jersey, where she meets her and 4-year old Harge’s daughter, Rindy, who Carol obviously loves VERY much. That night, Therese plays the piano, and also shares her passion for photography with Carol. Carol shows interest in her hobby, when Harge suddenly shows up to take Lindy unexpectedly for Christmas with his family, away from her.

The argument that this results in quickly envelops Therese, as Harge confronts Carol about her presence there. The ending result, though, is that Carol is forced to let Rindy leave early with Harge. And yeah, it’s sad for her. Harge, on the other hand, is being an absolute dick. The two have a verbal and PHYSICAL argument outside, which Therese partially overhears.

As an apology for bringing Therese into this marital struggle, Carol gives her a ride to the train station, so she can make her way home that night. On the train, Therese cries. Is this because of Harge, because of Carol, because of a struggle with her own feelings? I’m honestly not sure. And it’s a good question.

Carol seems to believe that it’s because of her, though, as she turned her away somewhat abruptly. However, she quickly tries to make up for it by calling and apologizing. Therese says that she has questions for her, and Carol is more than willing to answer them. The next day, Carol goes down to her divorce attorney’s office, only to discover that Harge is trying to take away ALL of Carol’s custody.

And the reason for it? You guessed it! Carol’s a lesbian! Sooooooo, FUCK HARGE!!! With this otion, Carol won’t be able to see Rindy for several months, which hurts her greatly. Again, fuck Harge, he’s a dick who’s taking away Carol’s joy and time with her daughter solely because Carol isn’t attracted to him. GODDAMN, that absolutely sucks.

Meanwhile, Therese’s struggling with her own feelings, some of which may be for Carol, and actually STRIGHT-UP asks Richard his opinions on the origins of homosexuality. He believes that it can’t just happen like heterosexual love, which...I mean, 1950s, what can I tell ya, it wasn’t great. He point-blank asks her if she’s in love with a girl, and she says no, and leaves him in the street in a huff. And real talk, I feel bad...for Richard. Therese, too, but dude is genuinely in head-over-heels with Therese, and is just NOT getting the hint.

Carol and Abby go to have lunch, where Carol breaks the news. They share tenderness, as they have in the past, and Abby’s pretty clearly out of the closet, as much as one can be in the 1950s. Also, quick aside to note that Sarah Paulson rules...and moving on.

Carol then visits Therese, and gives her new camera equipment as a kind gesture. Carol shares with her the news of the struggle with her husband, and says that she’s going on a trip, to get away for a while. She invites Therese to come with her, quite spontaneously, and Therese equally spontaneously says yes! Fuckin OOOOOOOF to Richard, goddamn.

Also, exactly the halfway point! See you in Part 2!

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