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#Nora Zehetner
cinematicjourney · 8 months
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Brick (2005) | dir. Rian Johnson
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artfilmfan · 9 months
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May (Lucky McKee, 2002)
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film-o-teka · 5 months
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Tart, 2001
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esqueletosgays · 7 months
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MAY (2002)
Director: Lucky McKee Cinematography: Steve Yedlin
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blackramhall · 2 years
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Brick - Rian Johnson (2005)
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moviemosaics · 2 years
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Brick
directed by Rian Johnson, 2005
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25 of 250: Favorite Film Reviews - Brick
Not long ago, work colleagues and I got into a discussion about what our favorite films were. Given my categorical nature I could not resist writing down a list and, as a writing challenge, have decided to write 250 word reviews of my favorite 25 films of all-time. Note: these are my favorite films, not what I think are the best films of all time.
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Directed by: Rian Johnson
Written by: Rian Johnson
Starring: Joseph Gordon-Levitt, Nora Zehetner, Lukas Hass, Emilie de Ravin
Year/Country: 2005, United States
Genre reinventions and mashups are always risky. If the reinvention is not reverent to its source material enough, devotees will revolt; if the mashup is unbalanced, then the product will be ridiculed. These are the headwinds facing writer/director Rian Johnson’s Brick, a 1940s-esque film noir set in a 1990s California high school where everyone talks like Humphrey Bogart. If that sounds nuts, it is, but Johnson has several aces up his sleeve that turns the absurd into the sublime.
The story tells of the murder of Emily (Emilie de Ravin). Before her death she calls her ex-boyfriend, the arrogant, intelligent Brendan (Joseph Gordon-Levitt), frightened about being blamed for “bad brick” that has laid a seedy drug dealer low. Later she tells Brendan to forget it, but after her murder he cannot. So he sets out to not only discover who pulled the trigger but also who put her in front of the gun.
Did I mention this takes place in a high school? And that the characters recite lines like, “Throw one at me if you want, hash head. I've got all five senses and I slept last night, that puts me six up on the lot of you.” And it works. It works because Johnson has faith in it, Gordon-Levitt sells its seriousness, and the audience revels in its chutzpah. Johnson would go on to revive the detective genre with his Knives Out series, but it’s arguable we would not have Benoit Blanc without the success of Brick.
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patrickztump · 11 months
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Who is your celebrity crush? Um, I am gonna totally botch this name. I saw her in Mad Men I think, Nora Zehetner– George Bush, Sr. George Bush, Sr. is just, mm. Uh, no, Nora Zehetner I think is her name, she’s just adorable. Just, yeah. Um, she was a, she was like a recurring character in one episode, but I don’t… but, whatever. ✗
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Nora Zehetner
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kwebtv · 2 years
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The Right Stuff -  Disney+  -  October 9, 2020  -  November 20, 2020
Historical Drama (8 episodes)
Running Time:  60 minutes
Stars:
Jake McDorman as Alan Shepard
Patrick J. Adams as John Glenn
Colin O'Donoghue as Gordon Cooper
James Lafferty as Scott Carpenter
Aaron Staton as Wally Schirra
Michael Trotter as Gus Grissom
Micah Stock as Deke Slayton
Eric Ladin as Chris Kraft
Patrick Fischler as Bob Gilruth
Nora Zehetner as Annie Glenn
Eloise Mumford as Trudy Cooper
Jackson Pace as Glynn Lunney
Shannon Lucio as Louise Shepard
Recurring
Sacha Seberg as Wernher Von Braun
Jordan Woods-Robinson as Mike Turley
Rachel Burttram as Betty Grissom
Jade Albany Pietrantonio as Rene Carpenter
Laura Ault as Jo Schirra
Chandler Head as Cam Cooper
Lucy Capri as Janita Cooper
Taegan Burns as Laura Shepard
Avery Burns as Julie Shepard
Kyra Johnson as Lyn Glenn
David Bolinger as David Glenn
Victoria White as Marge Slayton
Christopher Cassarino as Henri Landwirth
Mamie Gummer as Jerrie Cobb
Kaley Ronayne as Dee O'Hara
Josh Cooke as Loudon Wainwright Jr.
Danny Strong as John A. Powers
Elizabeth D'Onofrio as Doris
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preonstar · 2 years
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Freeze (2020) ❤️❤️❤️
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themovieblogonline · 8 days
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Blood for Dust Review: An Action-Packed Crime Thriller
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Blood for Dust plunges into the grim underbelly of illegal arms dealing, setting its scene amidst the tension and volatility that defines the lives of those ensnared in such a world. Directed by Rod Blackhurst and penned by David Ebeltoft, the film crafts a narrative brimming with suspense, violence, and fleeting moments of camaraderie, stitched together in a gritty fabric characteristic of action crime thrillers. With a notable ensemble cast led by Scoot McNairy, Kit Harington, and Josh Lucas, it teases the potential for an explosive cinematic experience. However, it somewhat falters, hovering in the gray zone where its aspirations and actual deliverance diverge. https://www.youtube.com/watch?v=BprYI4GUrI0 At the heart of Blood for Dust is the ill-fated partnership between Cliff (McNairy) and Ricky (Harington), with McNairy offering a compelling portrayal of a desperate everyman ensnared in an escalating crisis. His descent from a struggling traveling salesman to a beleaguered criminal is palpable, drawing empathy from the audience with his beleaguered resilience. In contrast, Harington's Ricky is a whirlwind of charisma and unpredictability, embodying the recklessness and flair of someone who's thrived in the perilous balance of gun-running. Josh Lucas's cartel boss, John, completes this trio with a chilling performance that exudes menace and control. This is a stark contrast to the chaos Ricky represents. However, where Blood for Dust promises a nuanced dive into its character's psyches, it somewhat stumbles. Ricky's motivations and the transformation of Cliff are often overshadowed by the film's relentless pacing. The script also occasionally leans more towards spectacle than substance. The action sequences themselves, while undeniably thrilling and well-orchestrated, occasionally veer into the realm of excess. This sacrifices the film’s potential for a more grounded and haunting examination of its themes. The directors' penchant for style is evident; there’s a certain aesthetic pleasure in the way violence is choreographed and executed. The stylistic prowess overshadows the narrative's need for quieter moments. The film's cinematography captures the tri-state area's diverse landscapes in a hauntingly beautiful manner. The serene vistas contrast with Cliff and Ricky's chaos, amplifying their tragedy. Supporting performances, notably from Nora Zehetner and Ethan Suplee, provide layers to a story that, at its core, revolves around broken individuals striving for redemption or ruination. Zehetner's Amy offers a glimpse into the personal stakes, grounding the larger-than-life chaos in the painfully human. Similarly, Suplee's Slim delivers a memorably gritty performance, adding a necessary dose of humanity to the narrative. Despite its strengths, Blood for Dust doesn't entirely escape the pitfalls of genre conventions. At times, it slips into predictable plot turns and character arcs. The struggle for originality is palpable, but action thriller clichés catch it. The film almost says something profound but holds back, prioritizing spectacle over depth. The film's attempt to critique the very cycle of violence it depicts can feel undercut by its own glorification of these elements. The ending, in particular, might leave audiences divided. While aiming for a cathartic climax, it might instead prompt reflection on whether the journey justified its conclusion. Overall: Blood for Dust delivers the adrenaline and visual flair expected of the genre. Strong performances from its lead actors bolster it. Yet, it ultimately feels like a missed opportunity to delve deeper into the emotional and psychological landscapes of its characters. As it stands, it's a commendable effort that captivates and entertains but stops short of leaving a lasting imprint. Whether Whether Blood for Dust is remembered as thrilling or a missed chance is to be seen. It achieves moments of brilliance but also falls prey to the shadows of its own ambition. Read the full article
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tctmp · 1 year
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Drama  Sci-Fi
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blackramhall · 3 months
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Brick - A detective movie by Rian Johnson
blackramhall: whodunnit, murder mysteries, noir, pulp fiction, italian giallo, detectives and crime, spy stories, serial killers, vintage, manor houses, life and death.
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Annabelle partied in LA for NYE, hanging out w/ Nora Zehetner. No clue re Seb// I don’t think she was in La because she followed Nora, but an Annabelle’s friend spend Nye with Nora and there wasn’t Annabelle
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