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ColourPop is dropping a Sailor Moon collab on Feb 20th and I have some Opinions

It’s the moment Sailor Moon makeup geeks have been waiting for - ColourPop cosmetics, noted for their affordable and colourful official pop culture makeup collaborations, has announced a Sailor Moon collaboration containing an eyeshadow palette, two liquid lipsticks, two lip glosses, two blushes, and two body glitters. Most likely this collab is being timed with the 25th Anniversary of Sailor Moon’s debut in North America to contrast with Japanese cosmetics from brands like Creer Beaute and Shiseido, which were released for the Japanese 25th anniversary.

Source: ColourPopCo on Twitter

After my initial excitement about the long-awaited collaboration died down, I was left with a somewhat disappointing realisation... this entire collab, over a total of nine products, was not about Sailor Moon: The Show... it was about Sailor Moon, the character.

When I imagine a makeup collection for Sailor Moon I immediately picture the rainbow of colours represented across the whole Sailor squad, or at least the OG Sailor Team five. But almost everything in the collab is quite warm, and either pink or neutral/natural. Exceedingly neutral/natural, in fact. One look at the names for all the product colours - “Shining Moon”, “Twilight Flash”, “Bun Head”, “Usagi” - make it clear that the products are intended to reflect Sailor Moon and Sailor Moon only.

The packaging itself is... interesting. I can appreciate that they were trying something new with the eyeshadow and blush cases, as they are all topped with different holographic pictures - not (just) the shiny kind of holo, but the old school kind that flips between two different images, all exclusively featuring Usagi and sometimes Luna. You can see the effect in action in this video review by TrendMood. Good concept but slightly awkward execution. I think they would’ve benefited from some kind of static frame around the images so that it didn’t look like I’d just hot glued a pog to my pencil case. The rest of the packaging features the same old redrawn clipart from every other piece of anniversary merch, so, yawn, though the prismatic elements are nice. The body glitter pots are cute, featuring Usagi’s first transformation brooch to mirror the round shape of the pots, but ColourPop’s “gliterally obsessed” branding seems out of place. I know that’s the name of their glitter gel series but maybe it could’ve been swapped out just this once.

(Screencap from above video by TrendMood)

The lip sticks/glosses are by far the most disappointing. Apart from the cardboard boxes they come in, the only branding visible on the tubes themselves is the series logo and a nondescript crescent moon pattern on the caps. Don’t get me wrong, I’m a big fan of subtle packaging. I don’t really want Sailor Moon’s face plastered all over a lipstick either; but I’ve also never been a fan of using random moons/hearts/stars as a stand-in for something more relevant to the show when that imagery is so generic and disconnected from the series. Why not little graphics of the Silver Crystal? If they’d thrown some rabbits, bows, and/or roses into the pattern then the combination would read more as “Sailor Moon” than moons on their own. (That said, splitting them into “Moonlight” for the liquid lips and “Daylight” for the lighter glosses with transformed vs. non-transformed? Brilliant. Genius. The perfect blend of nostalgic and practical.)

(Screencap from above video by TrendMood)

Here’s a photo of the palette taken from Temptalia’s website with everything but the shadows desaturated, so you can read the colours more clearly without being influenced by the packaging:

At first I wasn’t sure what this colour story was trying to tell me. I definitely understand going for a more neutral/“everyday” palette over something more glam, since the characters themselves are generally fresh-faced, but the AMOUNT of neutral shades here seem out of place for such a bright series. Tuxedo Rose and Love (the two pinks in the middle of the bottom row) are so similar for such a limited palette. Twilight Flash (top, second from the left) feels out of place; oddly saturated and just a bit too warm to play nicely with many of the other colours. Mare Serenitatis (the coppery-looking one) stood out as unusual but is actually more of a wine/plum under all the glitter, which is much more appropriate and reminds me of Sailor Moon’s transformation.

The more I looked at this palette, and the more I saw of reviewer's looks using it, the more I slowly realised that this palette wasn’t really evoking the character of Usagi herself, but rather the nostalgic, hazy, pink-washed aesthetic of the entire 90s Sailor Moon animation.

The dreamy not-quite-pastel quality of the 90s anime (half conscious design choice, half convention of the time) has received a lot of modern attention and praise. It makes sense that the palette feels like it’s being viewed through a rose-tinted filter when the entire show felt that way, or is at least remembered that way. It wouldn’t surprise me if ColourPop literally based some swatches on recurring colours picked from screenshots.

That being said... Does that make it a good choice for a makeup collab? Is this what Sailor Moon fans want and will buy? Is it versatile enough to warrant a purchase for non-diehard fans? Is it actually what casual fans, who might buy something like this out of pure nostalgia, are actually nostalgic for? Just because I see what ColourPop was going for, does it automatically translate to the most appropriate choice?

Ultimately, my judgement on that comes down to whether this is ColourPop’s only Sailor Moon collab. If this is them testing the waters to see if they can branch out into releasing products focused on the other girls, like a blue/silver mini palette for Sailor Mercury, a green/pink mini palette for Sailor Jupiter, etc. then I’m all for it. When perceived as a palette that represents the show itself, and not any specific character - not even Usagi, despite what all of the swatch names suggest - it really shines. But that’s not really ColourPop’s MO. Most of their pop culture collections are released in one big shining burst of products and then... nothing. And there are quite a few different products here.

I’d also be remiss not to point out that there are lots of indie Sailor Moon-inspired makeup collections already on the market, which makes sense for an almost-30-year-old series that literally repeats the words “make-up!” nearly every episode. Maybe ColourPop felt like they would be stepping on fandom toes or running the risk of copycat accusations if they strayed too close to any of the 2,348 red Sailor Mars-inspired eyeshadows online, though I assume they’d have the legal upper hand. In that respect, I do appreciate that this is a unique approach to a concept that has been nearly driven into the ground.

But ColourPop is not an indie brand and there are some benefits that come with that. They are generally more accessible, sometimes more affordable, can usually ship to more places in less time at a lower cost to the buyer, and can afford much larger runs that will sell out less quickly (though don’t be fooled, this collab will almost certainly start to sell out shortly after its launch). For many fans, especially younger fans, this is probably their only feasible option for Sailor Moon makeup. And some fans prefer the stamp of authenticity from an “official” collaboration, even if indie collections are often, well, better. So I think there’s an impetus for ColourPop to release a less specialised collection that’s reminiscent of more characters.

If this really is the only Sailor Moon collab ColourPop is planning to release, then the packaging, in my opinion, is an odd choice. I don’t know why they decided to focus exclusively on Usagi herself; if the colour story is meant to represent the entire series, then why not either have all the girls on the front in a rosey colour scheme, OR have none of them and focus on one of the cityscapes that clearly inspired the palette? I feel like there are lots of fans who aren’t necessarily fond of Usagi herself who may be put off by the overwhelming focus on her.

Overall: The lip sticks are nice but not super exciting, but I like what I can see of the lipglosses. The subtle glitter is very Sailor Moon. I love the Moonlight/Daylight concept but wish it were reflected on the actual tubes. The body glitters (Moonlight Legend, Moon Prism Power) are exciting and interesting, by far the most experimental part of the collab. The shape and colour choices for the glitters are very “Sailor Moon” and I can see them getting some use on the festival scene. The blushes also seem cute but a tad overpowering for the otherwise understated vibe of the rest of the collab, like the liquid lipsticks, and I love the Luna stamp in the blushes but would be sad to actually use them and see it get worn away. And while I like the gauzy backdrop-inspired looks people are making out of the palette, I feel like it’s extremely limited in the number of unique looks you could actually pull off.

So, in the end... am I going to be buying any of these? Hell, probably, if they’re not totally sold out by the time I get to them. My initial roller coaster of OMG COLOURPOP SAILOR MOON!!!! excitement dropped into “that’s it?” disappointment but has now leveled out at a respectable buzz of interest. I could see myself wearing most of these products, and the collector in me wants at least a piece of the collab for posterity. I just really hope that this isn’t the end of ColourPop’s involvement in Sailor Moon and that we might see some future products tailored specifically to the other girls, so that my collection isn’t just Usagi’s face staring back at me.

[jewlwpet]

Girl Alchemist Egg--Tale of the Rose track 1, translation

As far as I know, nobody else seems to be translating J. A. Seazer’s latest Utena album, which came out in August, to English (please correct me if I’m wrong)... so the job falls to me.

This is track 1,  知恵の竈(アルデル)実験祈祷室, or “Aludel of Wisdom Experimental Prayer Room”. An aludel is a kind of pot used in alchemy; it goes in a furnace (this is significant).

EDIT: I accidentally left out the romaji for one verse and missed a reference in the title; the version with all corrections (at least for now) is here.

EDIT 2: I changed my translation of the title to “Wisdom’s Aludel Oratory-Laboratory”. See here for my explanation as to why that’s a better translation.

金より不純物を除き それを純粋な形と成し それをうまくなし遂げる者は かくて、 賢者の石を作りえよう それは偉大な力の「石」であり 「石」と呼ばれていて石ではない 

To remove impurities from gold To shape that into a pure form The one who successfully accomplishes this, By this means, can create the philosopher’s stone  It is a Stone of great virtue  And is called a “Stone” and is not a stone.[i]

 錬金術師たち

Renkinjutsushitachi

The alchemists

ああ、永遠の知恵の錬金術   ああ、永遠の知恵の実験室   ああ、永遠の知恵の竃劇場

Aa, towa no chie no renkinjutsu Aa, towa no chie no jikkenshitsu Aa, towa no chie no kamado gekijou, gekijou

Ahh, eternal  wisdom’s [ii] alchemy Ahh, eternal  wisdom’s laboratory Ahh, eternal  wisdom’s furnace theater, theater

夢ではなく現れるドラゴン 世界創造の始めに 波の上を漂っていた神の如し

Yume de wa naku arawareru doragon Sekai souzou no hajime ni Nami no ue wo tadayotteita kami no gotoshi

It was not a mere dream; it materialized, the dragon![iii] Like unto God, who in the beginning created, Hovering over the surface of the waters.[iv] 

蒸留、昇華、煆焼、煮煎  反射、溶解、下降、凝結

Jouryuu, shouka, kashou, shasen Kansha, youkai, kakou, gyouketsu

Distillation, sublimation, calcination, decoction, Reflection, dissolution, descent, coagulation[v]. 

すべて水のなか 黒そのものより さらに黒 そして ルビーの燦然たるいろの耀き その間に発生する ああ、祝福される緑 万物芽吹かす緑

Subete mizu no naka Kuro sono mono yori Sarani kuro Soshite RUBII no sanzentaru iro no kagayaki Sono aida ni hasseisuru Aa, shukufukusareru midori Banbutsu mebukasu midori

Everything within water[vi], A blackness  still more black Than blackness  itself[vii], And, too, The ruby’s  brilliantly-colored radiance,[viii] All the  while: generation, Ahh, happy  green, Which dost  produce all things[ix]!

神の霊気の緑 カバラの緑 渦巻く宇宙 秘術師よ緑のライオンを 哲学者の火 賢者の火 鞴よ 錬金炉アタノールの火を熾せ

Kami no reiki no midori KABALA no midori Uzumaku uchuu Hijutsushi yo midori no RAION wo Tetsugakusha no hi Kenja no hi Fuigo yo Renkin ro ATANOORU no hi wo okose Behold!

The green of God's mysterious presence, The green of the Kabbala[x], The spiraling cosmos, The Magus, the Green Lion[xi]. The fire of the philosophers, The fire of the sages![xii] The bellows! Light the fire of the alchemical furnace, the athanor.

見よ 哲学の竈||実験室 宇宙の竈||実験室 散らかり放題の 貧乏吹き屋の実験室

Miyo Tetsugaku no kama no jikkenshitsu Uchuu no kama no jikkenshitsu Chirakari houdai no Binbou fukiya no jikkenshitsu

The philosophical furnace--the laboratory! The cosmic furnace--the laboratory![xiii] Scattered unrestrainedly, A poor smelter’s laboratory

われら 価値ある人間たらんがために 価値を目指す 錬金術師

Warera Kachiaru ningentaran ga tame ni Kachi o mezasu Renkinjutsushi, renkinjutsushi

For us To have value as humans To aim for value Alchemy, alchemy 

それは一月十七日月曜日正午頃、私の家で、立会人はぺるネル一人だった。人類救済一三八二年の年である。私は水銀に投入を行い、それを約半ポンドの純銀、鉱山のものよりも良質の純銀に変化さ��た。その後、やはりぺるネル一人の立会いのもとに私の家で、同僚の水銀に赤い石を用いて同じことを行い、四月二五日夕方五時、本当にほぼ同量の純金に変成した。普通の金より確実に良質でより軟らかく、よりしなやかであった。これは真実である。私と同じく理解していたぺるネルの助けをて、私はこれを三回実現したのである。 二コラ・ヴァロワ

Sore wa ichigatsu juunananichi getsuyoubi shougogoro, watashi no ie de, tachiainin wa PERUNERU hitoridatta. Jinrui kyuusai sen sanbyaku hachijuu ni nen no toshidearu. Watashi wa suigin ni tounyuu wo okonai, sore wo yaku han-pondo no jungin, kouzan no mono yori mo ryoushitsu no jungin ni henkasaseta. Sonogo, yahari PERUNERU hitori no tachiai no moto ni watashi no ie de, douryou no suigin ni akai ishi o mochiite onajikoto o okonai, shigatsu nigonichi yuugata goji, hontouni hobo douryou ni junkin ni henseishita. Futsuu no kin yori kakujitsu ni ryoushitsu de yori yawarakaku, yori shinayaka deatta. Kore wa shinjitsudeari. Watsahi to onaji rikaishite PERUNERU no tasukeote, watashi wa kore o sankai jitsugenshita nodearu.

The first time that I made projection was upon a Monday, the 17th of January, about noon, in my house, Pernelle only being present, in the year of the restoring of mankind, 1382. This was upon Mercury, whereof I turned half a pound, or thereabouts, into pure Silver, better than that of the Mine. And afterwards, following always my Book, from word to word, I made projection of the Red Stone upon the like quantity of Mercury, in the presence likewise of Pernelle only, in the same house, the five and  twentieth day of April following, the same year, about five o'clock in the evening; which I transmuted truly into almost as much pure Gold, better assuredly than common Gold, more soft and more pliable. I may speak it with truth, have made it three times, with the help of Pernelle, who understood it as well as I. --Nicolas le  Valois[xiv]

[i] The last two lines of this verse are from Les Cinq Livres or La Clef des Secrets, by Nicolas le Valois, a French alchemist rumored to be the deceased Nicolas Flamel, supposedly using an alias after attaining immortality through the Philosopher’s Stone. I don’t know of any English translation of this text, but the original French is online at https://alchimie.000webhostapp.com/cinq_livres_valois.html. It’s likely that the first lines are also from alchemical texts; I just haven’t been able to identify them

[ii] Eternal wisdom—a phrase from Heinrich Khunrath, used in the title of his book The Amphitheater of Eternal Wisdom. There is an English translation by Peter J. Forshaw, but I have not yet been able to find it; I have, however, contacted the translator inquiring how to obtain it.

[iii] Carl Jung, Psychology and Alchemy: “The dragon is probably the oldest pictoral symbol in alchemy of which we have documentary evidence. It appears as the Ouroboros, the tail-eater, in the Codex Marcianus, which dates from the tenth or eleventh century, together with the legend 'the One, the All'. Time and again the alchemists reiterate that the opus proceeds from the one and leads back to the one, that it is a sort of circle like a dragon biting its own tail. For this reason the opus was often called circulare (circular) or else rota (the wheel). Mercurius stands at the beginning and end of the work: he is the prima materia, the caput corvi, the nigredo; as dragon he devours himself and as dragon he dies, to rise again in the lapis. He is the play of colours in the cauda pavonis and the division into the four elements. He is the hermaphrodite that was in the beginning, that splits into the classical brother-sister duality and is reunited in the coniunctio, to appear once again at the end in the radiant form of the lumen novum, the stone. He is metallic yet liquid, matter yet spirit, cold yet fiery, poison and yet healing draught - a symbol uniting all the opposites.”

[iv] This is a clear reference to Genesis 1:1-2. “Like unto God” recalls the story of the Garden of Eden; Adam and Eve were forbidden to eat the fruit of the Knowledge of Good and Evil because it would make them like God. Alchemists were also seeking knowledge that would make them like God, although the authors quoted in this song emphasized that one could not attain it without God’s blessing.

[v] These are all names for different techniques in the chemical process. Most are still used in chemistry today (only the terms “reflection” and “descent” are no longer used, as far as I know).

[vi] Valois explains that “water” means something different in alchemy. Basically, this water is a truly universal solvent, capable of absorbing anything into itself. He uses an interesting metaphor for this: “It's this Maid Beïa, which has not yet been corrupted or lost its liberty, to marry infirm and ill-shaven bodies, as captives are, who can never leave their filthy prisons without the help of men. Thus preserving liberty with its integrity, we see in a philosophical manner this luminous star making infinite circulation turns, until it came in some reign.”

[vii] Putrefaction, the nigredo, the black stage in the alchemical process. The idea is that there must be sacrifice to facilitate new growth.

[viii] The philosopher’s stone is sometimes called the “celestial ruby.”

[ix] These two lines are from The Rosary of the Philosophers; however, I used the translation of the quote found in the translation of the Exposition, rather than the original text, although that can be found in English too: http://sociedadquimicamexico.org/rosarium.pdf. Here, it’s given as, “O blessed greenness, which engenders all things.”

[x] Many alchemists, both Jewish and non-Jewish, drew on the Kabballah (Jewish mystical texts), although how well they really understood it is questionable. I myself am not at all well-versed in this, but it seems that in the Kabballah, the color green represents healing and harmony.

[xi] The Green Lion typically represents the same thing as the dragon. E.g. The Glory of the World mentions “the Green Lion that imbibes so much of its own spirit.”

[xii] The author of The Glory of the World wrote of “indelible, living, or Divine fire, of that kind which God has placed in the Sun; and wherein God Himself burns as with Divine love for the consolation of all mankind... This is the fire of the Sages which they describe in such obscure terms, as to have been the indirect cause of beguiling many innocent persons to their ruin; so even that they have perished in poverty because they knew hot this fire of the Philosophers. It is the most precious fire that God has created in the earth, and has a thousand virtues -- nay, it is so precious that men have averred that the Divine Power itself works effectually in it. It has the purifying virtue of Purgatory, and everything is rendered better by it. It is not wonderful, therefore, that a fire should be able to fix and clarify Mercury, and to cleanse it from all grossness and impurity. The Sages call it the living fire, because God has endowed it with His own Divine, and vitalising power.”

[xiii] Different names for the athanor, a kind of furnace. The alchemists viewed their work as the creation of a microcosmos, a “petite universe” if you will. “Cosmic furnace” doesn’t seem to have been common in English, but one does find the French version, fourneau cosmique.

[xiv] This passage is adapted from Exposition of the Hieroglyphical Figures. By attributing it to Valois, Seazer continues in the tradition of claiming him as part of the legend of Flamel. We can infer from this passage and its attribution that the two voices we hear singing this song are meant to represent Nicholas and Per(e)nelle, Flamel’s wife, purported to have been an alchemist in her own right.

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Fights tumors and neutralizes toxins (without the side effects of further toxicity as occurs with drugs which also inhibit natural cell destroying agents).

Neutralizes and digests toxins from cells, including cadmium, nicotine, strontium, polyvinyl chloride and mercury.

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Contains liquid oxygen. Oxygen is significant to several body processes: it stimulates digestion (the oxidation of food), promotes clearer thinking (the brain utilizes 25% of the body’s oxygen supply), and protects the blood against anaerobic bacteria. Cancer cells cannot exist in the presence of oxygen.

Provides tremendous increase in energy levels when consumed daily.

Pruitt’s Tree Resin Red Pine needle oil is made from the very special Red Pine Tree (Pinus Densiflora) boasting high levels of Chlorophyll, Iron, Beta-Carotene, Protein, Vitamin A & C and Rutin. These natural elements found in Superior Red Pine Needle Oil have proven to accomplish a myriad of beneficial activities within the body. The Pine needle Oil also boost your body’s production of glutathione. Glutathione is our very own in-house “chelator,” which means it attaches or “binds” itself to bad guys like heavy metals and toxins, and carries them all the way out of the body.

R-Lipoic Acid in the Korean pine needle oil (Red Superior pine needle oil) helps eliminate belly fat and also reduces craving for eating. Alpha-Lipoic acid also aids in cleansing the Pineal Gland, Hypothalamus Pituitary Gland, Thyroid Gland, Parathyroid Gland, Thymus Gland, Adrenal Glands, and the endocrine glands which are are the body’s main hormone producers.

Our Pine needle oil is an extract from the leaves of special red pine trees, which grows in high mountainous regions of Korea. Pine needle oil is then purified by a steam evaporation method and made into a pure liquid oil by GFD Co. Ltd. after laboratory testing for quality. Thousands-year-old Chinese and Korean traditional herbal books describe 170 health benefits that were recorded as testimonials by ancient Chinese and Korean people that took pine needle.

The most recent studies of the chemical components found in Pine Needle Oil indicate it's protein, Vitamin A, Carotene and Iron, which are all required by the physical body to function properly. Rutin, found in Pine Needles, is assumed to be the compound that cleans blood vessels, consistent with the researchers. The attributes of the pine needle oil and therefore the benefits gained from its use include:

Increases perfusion, or blood flow, to the brain.”

Increased energy & Dramatic reduction of fatigue Strengthening of the immune system Enhanced blood circulation Promote longevity

Excellent source of vitamin A , Beta-Carotene, Protein, Iron vitamin A (energy) , Rutin and Natural Chlorophyll.and contains the C10 & H16 molecule which not many products have. This is actually rare to find and was studied from Founding partner from Korea . Our supplier gets their Red Pine needle oil from the Grade A suppliers who harvest from the highest elevation self grown wild crafted tree’s.

“What makes our pine needle oil so special is that the ability to require internally”. Be aware not all pine oil is formed for human consumption.

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Cyanide is a poison that acts fast that can turn off. They are used as chemical weapons for the first time in World War I. Low cyanide levels are found in nature and products that we usually use and use. Cyanide can be produced by certain bacteria, fungi and algae. Cyanide is also found in cigarette smoke, in vehicle exhaust, and in foods such as spinach, bamboo, almonds, five beans, fruit holes and tapioca. Buy Sodium Cyanide Online

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There are several forms of cyanide chemistry. Hydrogen cyanide is a pale or colorless blue liquid at room temperature and is a colorless gas at a higher temperature. It has a bitter almond odor. Sodium cyanide and potassium cyanide are white powder that might have a smell like bitter almonds. Other chemicals called cyanogen can produce cyanide. Cyanogen Chloride is a liquor liquid gas that is heavier than the air and has a spicy odor. While some cyanide compounds have characteristic odors, smells not a good way to find out whether cyanide is present. Some people cannot kiss cyanide. Others can kiss it at first, but then get used to the smell.

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What Is Red Liquid Mercury?, Many researchers have excused "RED MERCURY" as a fabrication, however it is genuine, subsequently might be representing an extreme risk to worldwide endeavors to confine the multiplication of atomic weapons.

The red pigment acquired from one or the other normal or man-made cinnabar is known as vermillion. Cinnabar is a normally happening mercuric sulfide (HgS).

Iodide of Mercury (II). Red mercury is the alpha translucent type of mercury (II) iodide, which changes to the yellow beta structure at 127 C.

Any red-shaded mercury compound with a Russian source. Red can likewise be characterized as socialist with regards to the Cold War. In spite of the fact that today's improbable that anybody involves red mercury along these lines, it's plausible.

A ballotechnic mercury compound that is no doubt red in variety:

Ballotechnics are intensifies that have a high energy response when exposed to high-pressure shock pressure. The possibility of a touchy variant of mercury antimony oxide has started an energetic discussion on Google's Sci.Chem gathering. What Is Red Liquid Mercury?

As per a few reports, red mercury is a cherry-red semi-fluid made in a Russian atomic reactor by lighting natural mercury with mercury antimony oxide. Some accept red mercury is unstable to the point that it could be used to begin a combination response in tritium or a deuterium-tritium blend. Since unadulterated combination gadgets don't need fissionable material, it's not difficult to get the materials expected to assemble them and transport them starting with one area then onto the next.

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Already in the early 1990s, rumors spread around the creation of a new variety of this metal. The subject of the gossip was the red mercury, more precisely the substance RM 20/20, probably produced in the secret scientific laboratories of the USSR. People's belief in the reality of the existence of this substance was supported by all the new stories and scandals associated with its sales. Mythical red mercury costs fabulous money. The sellers asked for 1 kg of mercury by promising to pay 300 to 400 thousand dollars for it.

And those who wanted to pay such sums were found, especially in the West, which at that time was still little familiar with Russian ingenuity. It has been said that red mercury simply has fantastic properties - from super density (over 20 g / cm3) and super radioactivity to cosmic origin or the ability to cure any condition. Under her mask, they pushed something from mercury blend to ordinary mercury colored with paint or brick powder.

Many Soviet nuclear physicists have repeatedly denied the possibility of creating such a substance, explaining that this is not only contrary to the laws of nature, but also impossible at the modern technological level. The addition of mercury compounds to uranium or plutonium used in a nuclear reaction only reduces their radioactivity and functionality.

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