#Pyrate T' B'

[captainkurosolaire]

~ Sprout ~

[universalzone]

"A General History of the Pyrates" Scarf/Shawl/ Wrap "A General History of the Pyrates" is a book written by Captain Charles Johnson (likely a pseudonym) and published in 1724. It is considered one of the most influential and comprehensive accounts of piracy during the "Golden Age of Piracy" in the 17th and 18th centuries. The book chronicles the lives and exploits of various notorious pirates, including Blackbeard, Captain Kidd, and Anne Bonny, providing detailed narratives of their adventures, battles, and ultimate fates. It offers a historical perspective on the era of piracy, shedding light on the motivations, methods, and lifestyles of these seafaring outlaws. Despite some inaccuracies and embellishments, "A General History of the Pyrates" remains an important and captivating resource for anyone interested in the captivating world of pirates and maritime history. Title page and First book page are printed on a soft, beige colored acrylic shawl. Perfect gift for a book lover! Scarf size: Length: 72 inches Width: 26 inches Print size: 16" x 20" at both ends ( Title page at one end, and first book page on the other)

[shefightslikeagirl]

CORSETS AND STRIPED STOCKINGS: OUTFITTING THE ASYLUM FOR WAYWARD VICTORIAN GIRLS by She Fights Like A Girl

These articles are best viewed on desktop, but are mobile friendly. Please excuse any strange formatting on your phone browser or the Tumblr app.

This article was longer than intended and image-heavy, so it’s been split into two parts.

PART V: AN ASYLUM MUSICAL

“And if I end up with blood on my hands, Well, I know that you’ll understand ‘Cause I fight like a girl.” - Fight Like A Girl (2014)

And now we're back to the relatively recent past, when this blog was in its infancy and the fandom couldn't decide whether to stick with the forum or run rampant on Tumblr. Fight Like A Girl (the album) was still being recorded, but Emilie did a few live dates Down Under and decided to feature the title song from the unfinished album.

To my understanding, the Harvest Festival was another one of those concerts where the show was considerably downsized because of the cost of shipping props and set pieces. But where the South American tours hadn’t pulled back in the wardrobe department, the Harvest festival did. Emilie and the Crumpets performed in one costume for the entire set. But to make up for the lack of glam, EA debuted the first costume of the FLAG era.

This costume was worn for the cover art of Fight Like A Girl, and acted as the signature corset for the very first Fight Like A Girl World Tour (2012). 

“Asylum Secrets: All of my costumes over the years have been made to look as though someone had been murdered in them and come back from the dead to enact a fabulous revenge. To achieve this, I have employed techniques from melting fabrics with an industrial strength heat gun to spraying them with solutions that no human should ever breathe. In the case of the corset pictured, I burned it mercilessly with sticks of incense before painting the fabric to make it look moth-eaten.” - EA on the creation of the FLAG corset (June 25, 2018)

Speaking of the 2012 FLAG World Tour! While there were a lot of changes from The Door Tour and Harvest Festival, this tour is probably best remembered as a transition phase between eras. There were new costumes, but… the Rat Queen still introduced the show with 4 o’Clock. There were new set dressings, but… the shadow scrim was still main stage center. The new corset was mixed in with the Rat Queen ensemble and the structure of the show hadn’t changed terribly. New, but… kinda not?

Except for that Warrior Mohawk, of course.

Upper: WVC content / eBay listing photo. Lower: Making of the Warrior Mohawk from Emilie’s Flickr account.

This is the only tour where Emile wore a mohawk for the entirety(-slash-majority) of the show. Later concerts would see her removing it after the third song. There was some slight skepticism in the fandom with its debut, sparking discourse about everything from cultural appropriation to thematic relevance, but EA didn’t make much comment on the criticism.

“[The Warrior Mohawk] signified the transformation from victim to warrior. I feel that it is important for me to let go in order that I may go on to transform yet again and create new bits of wearable magic to surprise you with... This headpiece symbolized the birth of a new era in the Asylum…. This is the headdress of a tribal Queen…” - EA, 2012 eBay auction description.

“The Mohawk headdress represents the tribal, wild element of the sisterhood that formed during the imprisonment of the inmates, and shows that, once we escape and are on the rampage to take down our oppressors, we have indeed transformed from individual, helpless victims into a strong and beautifully terrifying tribal warriors.”  - EA for Natalie’s World, 2013 (x) (x)

Another costume that debuted on this tour was the MC of the Ophelia Gallery, who had his own brand-new number: Girls! Girls! Girls!

And as for its history...

(My best guess is that this photo originated in 2009, based on her hair.)

This character is a hint at the structure of the tour (and album) to come, where it would be less about the mad girls existing inside the Asylum and more about the story of how they got there, and what happened once they were interned. Allow me to stray from the costuming topic for just a moment…

A TANGENT: OF STAGE SHOWS AND ASYLUM CONTINUITY Spoiler filled ramblings of a long-time fan.

I’ve got a running theory that The Asylum for Wayward Victorian Girls, in all its forms, runs in parallel to the concerts. But they match each other in reverse. [Spoilers for the book to follow.]

Emilie’s first concert of the Opheliac brand was in a small venue in Chicago, alongside Lady Joo Hee. In The Asylum… book, Emily-with-a-y’s final days in the Asylum were spent with Sachiko (a character based on and formerly named Joo Hee). 

The Opheliac shows of 2007-2011 were all about the women in an Asylum singing songs and welcoming others home. Cannibals, ballerinas, pyrate captains, nymphomanics -- they all ran rampant with no apparent oversight except from Emilie herself. Rats crept and crawled onstage unbothered; toys, crumpets, and cupcakes were in abundance, often served alongside “tea,” and there isn’t a single cell door in sight.

Especially in the earliest days of the concerts, the set design had an emphasis on appearing hand-made -- not only because it was, but because it should be for these girls. This was the world EA branded for herself: a world of freedom, without judgement, earned by their own hands.

In The Asylum… book, after the Inmates take over and kill the doctors, this is very much what they do: impersonate medical professionals and welcome sick and not-so-sick girls home to protect them, nurture them, and give them the best life that the Victorian Age fails to do. They take over the Asylum and make it their own.

Then in the FLAG performances (2012-2014), the storytelling shifts. EA’s Asylum world is no longer loosely themed with inmates running amok, but adheres to a more rigid storytelling structure, detailing the struggles and despair of the girls locked up in The Asylum(-with-a-capital-T). It mirrors the bulk of the content in The Asylum… book. The carefree, whimsical stage dressings shift to bars -- a representation of the cells and gates in The Asylum. There might be a bear tied to a dreary grey harpsichord; you might even see a single rat scratching about. But they don’t have dominion here. There’s no freedom. Just the story of the girls trapped behind the bars.

And now we’re stalled on both sides of the street. We’ve met in the middle. The concerts started at the end of the book, and ended at the beginning. 

Ok, I’ll put my soapbox away. Let’s get back on track.

BACK TO BUSINESS

Where were we?

Oh, yes: Girls! Girls! Girls! and new costumes.

So let’s jump forward a little more, because there isn’t much else to say about Emilie’s costume style in the 2012 FLAG World Tour. Moving on to the 2013 Fight Like A Girl: North American Tour (and following European and Australian tours), a brand new show was brought to the stage. Full new stage set-up, new costumes, and a full new setlist. 

A costume I’ll be referring to as the “armored corset” replaced the moth-eaten FLAG ensemble in the opening number. Both Maggots and Veronica were given new costumes as well, replacing the costumes they had worn for years. 

Armored Corset, with varying amounts of sparkled (2013)

Maggie Lally; Captain Maggot / Captain Maggots

Veronica Varlow; The Naughty Veronica

The show design of this tour had Emilie in the armored corset with the mohawk for the two opening numbers, Fight Like A Girl and Time for Tea. The mohawk and the armored plates on her chest and hip were removed during the 4 o’Clock Reprise, leaving her without her armor for What Will I Remember? as the narrative moves back to the beginning of the story, before the “Uprising.”

On the subject of the corset: structurally, it was outfitted with snaps to attach the armor and allow for easy removal (see corset detail above, bottom right). The mohawk proved a more difficult challenge to remove, as it was securely clipped, pinned, and secured into EA’s hair. This ended up being corrected in the redesign that produced Mohawk 2.0.

Back to the show! By the time we get to Veronica’s Dominant fan dance, EA has removed the armor corset completely in the interim to prepare for the Girls! Girls! Girls! costume change. After Scavenger, the entire cast changes into Asylum Inmate Rags to perform Gaslight and The Key, and then changes back into full costume for the finale. Emilie wears the full FLAG ensemble from previous tours to close out the show, with varying headdresses. 

But I’m skipping over something important.

The Scavenger.

Inspired by Jim Henson’s The Dark Crystal, The Scavenger, a vulture-esque representation of Dr. Greavsely, appeared onstage for Scavenger. 

“This is the start of the original costume @maggotmagpie wears in our show, the one Greavesly wears in #AsylumMusical will be bonkers…” - EA on the Scavenger (February 7, 2016)

EA on Twitter/Twitpic 2012 (x)

The Scavenger was usually worn by Maggots as part of a stilt-walking performance, but if the venue couldn’t or wouldn’t allow for stunts onstage, Emilie would appear alone in the costume for the number. 

Scavenger has plenty of different “shows” (A show, B show, and C show for my theme park friends), with “A Show” being Captain Maggot on stilts.

Note: The Atlanta show featured here is a bit strange, as it uses the Stage Screen and the Asylum Bars during a tour that doesn’t feature the former. Emilie also isn’t in the normal costume for this number, using a personal scarf to cover her bloomers and bra.

“B Show” would be Emilie performing as the Scavenger, due to venue restrictions. This was actually the way Scavenger debuted, until Maggot’s first performance later in the tour. (See pictures and even more info here.)

“C Show” would be Moth’s performance in the final set of Fight Like A Girl tours, as seen below:

(There’s also “D Show,” (ha) which is this random dude performing as The Scavenger. I’ve yet to figure this out, but my guess is it was a technician stepping in at the last moment or a friend of EA from Oakland.)

Last, but not least, are the Asylum Rags. You’d think there wouldn’t be much to say here, but there is. Click on the continue link below to learn more about tattered costumes and the rest of the FLAG era, because Tumblr only allows 10 pictures per post.

CLICK HERE TO CONTINUE.

Fly back… PART I: Enchant and the Faerie Queene PART II: Drowning Ophelia PART III: Vecona, Seamstress of the Asylum PART IV: Wayward Victorian Girls

Remember to visit Part III and enter our giveaway! Ends 12/1/19.

[SEE ALL CREDITS AND SOURCES HERE.]

[parf-fan]

2018 in-house shows posted!

Once more, no mention on their facebook page or in their emails, but I suppose that’s what I’m here for.  If you go to PARF’s website, you’ll find that the list of in-house shows has at last been updated for this season.  I took the liberty of copy-pasting it all here nonetheless.

King’s Court King Henry and Queen Catherine host the visiting king and queen of France. Never before have so many monarchs gathered upon a Mt. Hope stage! Will the Master of Revels, Sir Walter Roderick Kensington, be up to the task of entertaining four royals? Join them at the Endgame stage, and watch the saga of the Field of Cloth of Gold commence!

(I am so pleased that they specifically mentioned the question of whether Sir Walter will be able to cope with four monarchs.)

Human Chess King Henry and King Francis, in the spirit of friendly competition, have agreed to match wits in a game of Human Chess. All the denizens of Mt. Hope, from lowly peasants to noble knights, will take the board as members of the kings’ armies. But as the ring of steel fills their ears, and the thrill of battle heats their blood, will the contest stay friendly for long?

(I didn’t read the above description, for it undoubtedly contains what would count as spoilers to me.)

Ultimate Joust

As the sun sets upon Bosworth Field, four knights will meet in mounted combat, as a crowd of thousands looks on. Come and cheer for your favorite knight; thrill to the pounding hooves and the clash of steed and steel. Join the royal court and all the villagers of the Shire, in the epic Ultimate Joust that has made Mt. Hope famous.

(I didn’t read the above description, for it undoubtedly contains what would count as spoilers to me.)

Finale in Song

As the festival day draws to a close, the town gathers for a final celebration of song, dance, and laughter. Join King Henry and Queen Catherine, along with King Francis and Queen Claude of France, and the entire town of Mt. Hope, in a village event that reveals the very heart of the Shire.

(I didn’t read the above description, for it undoubtedly contains what would count as spoilers to me.)

Grand MacGuffin Melee Good Master MacGuffin has not had much luck with his establishment. It seems like every new business venture he tries always winds up in a massive brawl. But this time, he has decided to attract a fancier sort of clientele. Come attend the grand opening of MacGuffin’s Gallerie of Fine Arte. With such a high-class aspiration, what could possibly go wrong?

(I’d finished reading this before I registered that it was for a show I consider storyline, and therefore didn’t want spoilers for.  That said, this can only end well.)

Disasterpiece Theatre The Master of Revels, Sir Walter Roderick Kensington, has assembled the shire's best performers (who had nothing else going on at the time) to delight our guests with a masterpiece on the stage. They present a different modern story with a 16th century twist every weekend; and of course when Sir Walter tries to get something done-- anything that can go wrong will go wrong. It will truly be a Disasterpiece!

(As soon as I’d read the title and the fact that the description starts with naming Sir Walter, I was already dying with laughter.  I am so glad that character and his particular style of overwroughtness managed to become so iconic.  This promises to be fantastic.  I predict that they will definitely adapt Mean Girls, if nothing else.  I also vote for an adaptation of Newsies.  Les Mis would be great, but I dunno that that counts as “modern”, and it’s also a little long, ya kno?)

Bloody Best Attend the tale of Shakespeare’s Macbeth, He Who Would be King of Scotland. ‘Tis forty minutes of brutal combat, murder most foul, and disturbingly comic violence. And blood. There will be blood.

(B l o o d y B e s t i s t h e S c o t t i s h P l a y.  Which should be interesting, because the entirety of the grounds count as a theatre, and it’s only safe to name the play if it’s in the script.  So what if someone tries to interact with the performers regarding the contents of Bloody Best after the show is over?  Would improvised interaction be close enough to keep them safe?  Or will it call down the curse if they are forced to utter it in that circumstance?  And if the latter is true, will they then be able to get to the edge of the grounds / the gate into the performer-only area [that is, leave the theatre] in time to be able to perform the ritual to lift the curse?  Most importantly, am I cruel enough to put this to the test?)

The Sirens The pirate crew of the Relentless Contessa is out for blood and gold...on any other normal day, but today, they are taking a break to demonstrate their fierce musicality, daring boldness, and filthy pirate jests!

(THE SIRENS ARE PYRATES THIS TIME AT LAST FINALLY YESYESYES I HAVE BEEN WANTING THIS FOR YEEEEAAAARRRRS!!!) (No Bloody Shame [THE BLOODY SHAME!] though. I’m sad.)

The Rakish Rogues What happens when two French Nobles and two English Nobles are employed by Their Majesties to entertain the masses? They don't know either! Watch these charming nobles sing revelrous songs and regale you with rowdy vulgarities.

(After years of the Rogues being in some of the more lightweight outfits, their day of reckoning has finally come.  Boys, welcome to the excessively  heatstroke-laden life of a noble.)

The Irish Revels The three Eugenia Sisters, proprietors of The Wild Rose Inn, are celebrating the return of their father by reassembling the family band. Join them for rousing Irish folk music and quirky family values.

(THE IRISH REVELS ARE RETURNING THE IRISH REVELS ARE RETURNING THE IRISH REVELS ARE RETUUUURNIIIIINNNNNG!!!!!) (Yo, the MacGuffin Stables and Tavern has competition!)

Friday Knights Come see our Improv Track perform feats of mental, verbal, and physical agility for your entertainment! Presented in 2 acts, the first half is a competition of comedy as 2 teams face off against each other in "Whose Line..." style improv games hoping to earn the laughs and love of our audience judges. Then, after the intermission, both teams come together to perform a completely improvised musical based on the audience's suggestion!

(Quite pleased this is back.  Rest assured I shall actually attend this time.)

Neighborhoods Kings and Queens are great and all, but what do the average citizens of Mount Hope do on a festival day? Seek out these interactive stories that you can get involved in all over the shire to find out! Provide your expert opinion at a Town Hall Meeting; help track and arrest a wanted thief (or help the thief escape!). Get involved in the happenings of Mount Hope and influence the lives of its inhabitants at these scenarios found not on stages, but in the neighborhoods all around the shire.

(So.... literally exactly what it’s always been.  It’s just listed here this time.)

Music with Their Majesties Take a break with Their Majesties, as they demonstrate Their musical merits and host the best of entertainment from the realm.

(!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!)

Robin Hood You think you know the story of Robin Hood? You've probably never heard it like our Apprentice of Revels and her rag-tag team are going to tell it to you.

(........ Apprentice of Revels?  There’s a Apprentice of Revels now?  Sir Walter has a hecking apprentice this year!  I’m like really really hyped about this character’s existence.  For some reason, my mom is convinced this role is gonna be played by Katie Markey.)

Finale Dumb Show Have you missed every Plot Show during the Faire day? Did you not even know there WAS a plot? Arrive to the Globe Stage 15 minutes before Finale In Song to catch up on what happened in the silliest way possible!

(I am left with a deep-seated happiness over the Dumbshow’s return.  But they wrote it wrong.  I have it from the actors, it is oNE WORD!)

The Legend of One-Eyed Willy The Cabin Boy of the "Relentless Contessa" has been tasked with finding more members for the ship's Pirate Crew. Come join his crew, and witness the tale of the most feared pirate to ever sail the seven seas! Presented by The Mount Hope Players!

(was One-Eyed Willy aboard the original Bloody Shame [THE BLOODY SHAME!]?  That wold be a good reason to fear them.)

King's Cavalry Join the Master of Revels and The Lady Mayor for some literal horse-play on the chessboard directly before our Human Chess match! Bring your nipperkins so that they may join the King's Royal Mounted Cavalry!

(Everybody who, like me, attends King’s Cavalry because they went to Chess early to secure good seats, Y’ALL BETTER FUCKIN’ CLAP AND CHEER FOR THOSE KIDS, I SWEAR!)

King Arthur: The Legend of Murray Everyone knows that King Arthur was the Wizard Merlin's greatest apprentice, but did you know Merlin had another apprentice after Arthur? Come experience the tale of Merlin's OTHER apprentice: Murray!

(I’m gonna have to figure out how to make this fit with the canon of BBC’s Merlin, friggin’ fantastic.)

Is... is there no Tournament Joust this year then, or....